{"id":17595,"date":"2018-11-07T19:52:10","date_gmt":"2018-11-07T18:52:10","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=17595"},"modified":"2025-12-04T22:39:13","modified_gmt":"2025-12-04T21:39:13","slug":"en-liberte-et-le-micmac-de-nos-tetes","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/en-liberte-et-le-micmac-de-nos-tetes\/","title":{"rendered":"\u00abEn libert\u00e9!\u00bb and the muddle in our heads"},"content":{"rendered":"

Cinema Wednesdays - Loris S. Musumeci<\/em><\/p>\n

\u00abNo, but do you realize that you ate that guy's ear?\u00bb<\/p>\n

Jean Santi was valiant, loyal and courageous, and gave his life to defend his city. A tribute to the late cop, who left police commissioner Yvonne a widow, and a little boy an orphan. It's been two years since his death, and two years since Yvonne tells the little boy every night what a hero his daddy was. Mourning requires worship. But one day, at the police station, a jeweller recognizes the ring on Yvonne's finger. And that's when it hit her.<\/p>\n

<\/p>\n

Les cadeaux luxueux de Jean venaient de petits arrangements avec les criminels \u00e0 arr\u00eater; notamment dans cette affaire de bijouterie. Le bijoutier et le commissaire avaient en effet convenu un cambriolage fictif et envoy\u00e9 un employer innocent en prison, l\u2019accusant du d\u00e9lit. Le h\u00e9ros \u00e9tait en fait un corrompu. Le h\u00e9ros n\u2019\u00e9tait en fait pas un h\u00e9ros. Pour que la boucle soit boucl\u00e9e, le faux inculp\u00e9 sort de prison, et Yvonne sent \u00e9videmment qu\u2019elle a une dette envers lui. Ce qui m\u00e8nera \u00e0 des situations les plus loufoques.<\/p>\n

De la qualit\u00e9 dans la photographie<\/h3>\n

On the loose!\u00a0<\/em>collectionne toute une s\u00e9rie d\u2019habilet\u00e9s. Le sc\u00e9nario t\u00e9moigne d\u2019un travail approfondi ainsi que d\u2019un bon esprit du r\u00e9alisateur Pierre Salvadori. La bande-son a elle aussi ses qualit\u00e9s, mais c\u2019est surtout la photographie qui impressionne. Il est vrai que ce n\u2019est pas \u00e0 l\u2019image la plus soign\u00e9e que l\u2019on s\u2019attend face \u00e0 une com\u00e9die. A l\u2019instar du film To the station!\u00a0<\/em>avec Beno\u00eet Poelevoorde, sorti r\u00e9cemment, On the loose! <\/em>montre qu\u2019une cam\u00e9ra dirig\u00e9e avec talent n\u2019est pas que l\u2019apanage des films d\u2019auteur impopulaires.<\/p>\n

Read also: Poelvoorde in a totally absurd and brilliant \u00abAu poste!<\/a><\/span><\/p>\n

Les jeux entre net et flou donnent une vraie plus-value \u00e0 l\u2019image dans la mesure o\u00f9 ils servent le sc\u00e9nario et donnent un peu plus de saveur au film, m\u00eame si le spectateur ne s\u2019en rend pas forc\u00e9ment compte. Les lumi\u00e8res color\u00e9es, quant \u00e0 elles, d\u00e9finissent les diff\u00e9rentes ambiances dans lesquelles se retrouvent les personnages. Sans trop vous en dire, attendez-vous \u00e0 passer du bleu de la libert\u00e9 dans la nuit au bord de la mer aux lumi\u00e8res rouges d\u2019un bordel sadomasochiste.<\/p>\n

Un d\u00e9calage<\/h3>\n

Aussi, lors des dialogues, on remarque \u00e0 plusieurs reprises un d\u00e9calage entre le locuteur et le r\u00e9cepteur. L\u2019un est film\u00e9 de c\u00f4t\u00e9, l\u2019autre de face. L\u00e0 encore, un d\u00e9tail de mise en sc\u00e8ne en dit long sur le message port\u00e9 par le sc\u00e9nario: est-on jamais capable d\u2019\u00e9couter ce qu\u2019on nous dit? \u00abExcuse-moi, j\u2019\u00e9tais compl\u00e8tement ailleurs.\u00bb La r\u00e9plique revient souvent, entre diff\u00e9rents personnages. Celui qui n\u2019a pas \u00e9cout\u00e9 n\u2019est plus \u00e9cout\u00e9 \u00e0 son tour. Les sc\u00e8nes se transmettent la balle. Il en va de m\u00eame pour le d\u00e9calage illustr\u00e9 par des faux dialogues. Deux discours parall\u00e8les se r\u00e9pondent: ce qui ne manque pas de cr\u00e9er un effet comique raffin\u00e9.<\/p>\n

On en vient alors au travail de la bande-son, laquelle r\u00e9alise concr\u00e8tement les d\u00e9calages. S\u2019il y a d\u00e9calage entre les dialogues, il y a aussi d\u00e9calages dans le temps et dans la r\u00e9alit\u00e9. Sans cesse, par l\u2019imagination, on revient aux histoires mythiques du commissaire Santi qu\u2019Yvonne raconte \u00e0 son fils. Et \u00e0 chaque fois, ces histoires sont diff\u00e9rentes; au gr\u00e9 des \u00e9tats d\u2019\u00e2me de la m\u00e8re. Pour marquer ce passage, le bruit d\u2019une bobine se rembobinant est lanc\u00e9. Il donne un air burlesque au film et en m\u00eame temps il cr\u00e9e un petit rituel qui fait que le spectateur se sent pleinement embarqu\u00e9 dans l\u2019histoire.<\/p>\n

Pas de limites \u00e0 l’imagination<\/h3>\n

If On the loose!\u00a0<\/em>regorge de burlesque, il n\u2019est toutefois pas toujours vraiment comique. Certes, on rit, mais le rire est l\u00e9ger et tr\u00e8s ponctuel. La critique pourrait alors bl\u00e2mer cet apparent manquement du film. Pourtant, il faut comprendre que le fait de rire plus ou moins ne doit pas \u00eatre le crit\u00e8re le plus important d\u2019une com\u00e9die; surtout parce qu\u2019il y a plusieurs types de com\u00e9dies. D\u2019aucunes sont bien grasses et fournies \u2013 et cela fait du bien de temps en temps! \u2013, d\u2019autres sont plus fines et moins dr\u00f4les \u2013 elles ne perdent pour autant pas leur statut de com\u00e9die.<\/p>\n

Le long-m\u00e9trage de Salvadori, malgr\u00e9 ses quelques lourdeurs et ses d\u00e9fauts dans des effets de r\u00e9p\u00e9titions mal ma\u00eetris\u00e9s, a le m\u00e9rite de toucher la profondeur de ce que c\u2019est qu\u2019\u00eatre humain. Le film plonge dans les phantasmes des personnages, en sondant leur d\u00e9sir de bonheur et leurs aspirations les plus personnelles. En somme, il r\u00e9v\u00e8le avec pudeur ce qu\u2019il y a dans la t\u00eate des gens en laissant libre cours au micmac <\/em>mental des protagonistes. La sc\u00e8ne finale, plus que toutes les autres, dit enfin la toute-puissance de l\u2019imagination malgr\u00e9 la r\u00e9alit\u00e9 parfois tragique. Comme quoi, l\u2019esprit n\u2019a pas de limites en prison<\/em> as On the loose!<\/em><\/p>\n

\u00abOn est ceux \u00e0 qui les gens aiment faire du mal.\u00bb<\/p>\n

Write to the author : loris.musumeci@leregardlibre.com<\/a><\/em><\/p>\n

Photo credit: \u00a9 Filmcoopi<\/p>","protected":false},"excerpt":{"rendered":"

Les mercredis du cin\u00e9ma \u2013 Loris S. Musumeci \u00abNon, mais tu rends compte que t\u2019as bouff\u00e9 l\u2019oreille de ce mec?\u00bb…<\/p>","protected":false},"author":18,"featured_media":510169,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[254925,644339183,96874,14227,22388,644340267,2606,45553,644340266,644340270,644340272,14992,4274622,644340269],"class_list":["post-17595","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-bande-son","tag-benoit-poelvoorde","tag-burlesque","tag-comedie","tag-corruption","tag-jean-santi","tag-justice","tag-liberte","tag-micmac","tag-orphelin","tag-pierre-salvadori","tag-police","tag-veuve","tag-yvonne"],"acf":[],"yoast_head":"\n\u00abEn libert\u00e9!\u00bb et le micmac de nos t\u00eates<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/en-liberte-et-le-micmac-de-nos-tetes\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abEn libert\u00e9!\u00bb et le micmac de nos t\u00eates\" \/>\n<meta property=\"og:description\" content=\"Les mercredis du cin\u00e9ma \u2013 Loris S. 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