{"id":18348,"date":"2018-12-19T19:00:57","date_gmt":"2018-12-19T18:00:57","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=18348"},"modified":"2025-12-04T22:38:52","modified_gmt":"2025-12-04T21:38:52","slug":"remi-without-family-or-genius","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/remi-sans-famille-ni-genie\/","title":{"rendered":"\u00abRemi without family\u00bb or genius"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><em>Cinema Wednesdays - Alexandre W\u00e4lti<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Antoine Blossier delivers a pale copy of <em>Choristers<\/em> de Christophe Barratier. L&rsquo;histoire de l&rsquo;orphelin existe au moins depuis le XVII<sup>th<\/sup> century and Charles Perrault's retranscription of oral tales. Think of <em>Little Thumb<\/em>. Autrement dit, si l&rsquo;on met en images ce lieu commun, alors il faut le faire avec des yeux nouveaux et de mani\u00e8re innovante. <em>R\u00e9mi without family <\/em>est m\u00eame trop mal r\u00e9alis\u00e9 pour n&rsquo;\u00eatre juste qu&rsquo;un beau et touchant film de fin d&rsquo;ann\u00e9e.<\/p>\n\n\n\n<!--more-->\n\n\n\n<p class=\"wp-block-paragraph\">Je ne peux pas introduire diff\u00e9remment cet article autant mal \u00e0 l&rsquo;art que cela me fasse. Les premi\u00e8res sc\u00e8nes du film montrent d\u00e9j\u00e0 des manquements presque terrifiants dans la direction d&rsquo;acteurs. Je n&rsquo;ai cru \u00e0 aucune \u00e9motion des protagonistes. Une impression qui m&rsquo;a ensuite accompagn\u00e9 durant toute la projection. C&rsquo;\u00e9tait comme <em>Dallas, <\/em>mais dans une famille campagnarde et en suivant deux vagabonds d&rsquo;un \u00e9pisode \u00e0 l&rsquo;autre.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Only one or two flashes of brilliance<br><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Certes, Maleaume Paquin irradie l&rsquo;\u00e9cran. Voil\u00e0 qui est certain, mais c&rsquo;est tout et ce n&rsquo;est pas assez. Evidemment que les repr\u00e9sentations et la bienveillance du saltimbanque Vitalis (Daniel Auteuil) proposent leur lot d&rsquo;\u00e9merveillements. Cependant, l&rsquo;ensemble ressemble trop \u00e0 la succession suivante: joie, deuil, tristesse, joie, deuil, tristesse; et ceci jusqu&rsquo;\u00e0 la fin. Peut-\u00eatre l&rsquo;effet film de fin d&rsquo;ann\u00e9e.<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le probl\u00e8me principal? Les relations compliqu\u00e9es de l&rsquo;enfant avec ceux qu&rsquo;il aime ne prennent pas. Et donc, comme une grande partie de la trame du film d\u00e9pend de la recherche identitaire du petit R\u00e9mi (Maleaume Paquin), je n&rsquo;ai pas pu m&rsquo;identifier \u00e0 son \u00e2me ni \u00e0 l&rsquo;attachement qu&rsquo;il a pour ceux qui l&rsquo;entourent. Je n&rsquo;ai ressenti aucun sentiment de l&rsquo;enfant ni des autres personnages. Tout est dit! Le film est fade.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Redo what has been done<br><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Une question s&rsquo;impose \u00e0 pr\u00e9sent pour basculer vers une analyse \u00e0 peine moins subjective et proposer peut-\u00eatre une r\u00e9flexion plus large: \u00e0 quoi bon reprendre l&rsquo;histoire d&rsquo;un orphelin, d\u00e9j\u00e0 \u00e9crite de surcro\u00eet, et faire comme ce qui a d\u00e9j\u00e0 \u00e9t\u00e9 fait et refait jusqu&rsquo;\u00e0 pr\u00e9sent?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le cin\u00e9ma doit \u00e9voluer. C&rsquo;est d&rsquo;autant plus capital lorsqu&rsquo;un r\u00e9alisateur reprend \u00e9tape par \u00e9tape les codes d&rsquo;un certain genre de film. Quand en plus l&rsquo;histoire initiale, inspir\u00e9e du roman&nbsp;<em>No family<\/em> d&rsquo;Hector Malot, a d\u00e9j\u00e0 \u00e9t\u00e9 adapt\u00e9e au petit \u00e9cran au Japon comme en France. Bref, si l&rsquo;on am\u00e8ne pas du nouveau, alors on se plante.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C&rsquo;est l\u00e0 que le parall\u00e8le en opposition avec&nbsp;<em>Les Choristes<\/em> semble faire sens. D&rsquo;autant plus que le petit R\u00e9mi a aussi une voix d&rsquo;ange comme Pierre Morhange. Celle qui devrait le sauver de la fatalit\u00e9 de sa condition de \u00abpauvre, orphelin et sans identit\u00e9\u00bb. Le film de Christophe Barratier montre plus \u00e9videmment l&rsquo;affection du personnage principal pour son entourage, son urgence aussi de trouver quelqu&rsquo;un ou un lieu auquel s&rsquo;accrocher pour donner sens \u00e0 sa vie. Il sonde ainsi l&rsquo;abandon et le gouffre affectif.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Orphan in appearance<br><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"> Antoine Blossier filme, lui, uniquement la surface de ses personnages et manque de faire surgir leur intimit\u00e9 bless\u00e9e. Il est peut-\u00eatre tomb\u00e9 dans le pi\u00e8ge du film d&rsquo;\u00e9poque et de costumes &#8211; par ailleurs tr\u00e8s soign\u00e9s gr\u00e2ce \u00e0 la costumi\u00e8re Agn\u00e8s Beziers. R\u00e9mi et son ma\u00eetre Vitalis vont, vagabonds, d&rsquo;une aventure \u00e0 l&rsquo;autre, sans surprises. R\u00e9mi est au bas de l&rsquo;\u00e9chelle sociale et la remonte un peu par hasard en m\u00eame temps que la superbe de Vitalis diminue. D\u00e9j\u00e0 vu, d\u00e9j\u00e0 connu.<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Write to the author: <\/em><a href=\"\/en\/alexandre.waelti@leregardlibre.com\/\"><em>alexandre.waelti@leregardlibre.com<\/em><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Photo credit: \u00a9 Path\u00e9 Films<\/p>\n\n\n\n<table class=\"wp-block-table\"><thead><tr><th>R\u00e9mi without family<br><\/th><\/tr><\/thead><tbody><tr><td>France, 2018<\/td><\/tr><tr><td><em>Production:<\/em> Antoine Blossier<br><\/td><\/tr><tr><td><em>Screenplay:<\/em> Antoine Blossier<br><\/td><\/tr><tr><td><em>Interpretation:<\/em> Daniel Auteuil, Maleaume Paquin, Virginie Ledoyen, Johnathan Zacca\u00ef, Ludivine Sagnier, Albane Masson<br><\/td><\/tr><tr><td><em>Production:<\/em> TF1 Films Productions<br><\/td><\/tr><tr><td><em>Distribution:<\/em> Mars Films<br><\/td><\/tr><tr><td><em>Duration:<\/em> 1h49<\/td><\/tr><tr><td><em>Output:<\/em><strong>&nbsp;December 12, 2018<\/strong><\/td><\/tr><\/tbody><\/table>","protected":false},"excerpt":{"rendered":"<p>Les mercredis du cin\u00e9ma &#8211; Alexandre W\u00e4lti Antoine Blossier livre une p\u00e2le copie des Choristes de Christophe Barratier. L&rsquo;histoire de&#8230;<\/p>","protected":false},"author":335,"featured_media":510254,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644340684,61026,644341146,1675387],"class_list":["post-18348","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-charles-perrault","tag-cinema-francais","tag-critiques-cinema","tag-daniel-auteuil"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.5 (Yoast SEO v28.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abR\u00e9mi sans famille\u00bb ni g\u00e9nie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/remi-without-family-or-genius\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abR\u00e9mi sans famille\u00bb ni g\u00e9nie\" \/>\n<meta property=\"og:description\" content=\"Les mercredis du cin\u00e9ma - Alexandre W\u00e4lti Antoine Blossier livre une p\u00e2le copie des Choristes de Christophe Barratier. 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