{"id":18348,"date":"2018-12-19T19:00:57","date_gmt":"2018-12-19T18:00:57","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=18348"},"modified":"2025-12-04T22:38:52","modified_gmt":"2025-12-04T21:38:52","slug":"remi-without-family-or-genius","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/remi-without-family-or-genius\/","title":{"rendered":"\u00abRemi without family\u00bb or genius"},"content":{"rendered":"<p><em>Cinema Wednesdays - Alexandre W\u00e4lti<\/em><\/p>\n\n\n\n<p>Antoine Blossier delivers a pale copy of <em>Choristers<\/em> by Christophe Barratier. The story of the orphan has been around since at least the 17th century.<sup>th<\/sup> century and Charles Perrault's retranscription of oral tales. Think of <em>Little Thumb<\/em>. In other words, if we're going to put this commonplace into images, then we need to do it with new eyes and in an innovative way. <em>R\u00e9mi without family <\/em>is too poorly realized to be anything more than a beautiful and touching end-of-year film.<\/p>\n\n\n\n<!--more-->\n\n\n\n<p>I can't introduce this article any other way, as much as it pains me to do so. The first scenes of the film already show almost terrifying shortcomings in the direction of the actors. I didn't believe in any of the protagonists' emotions. An impression that stayed with me throughout the screening. It was like <em>Dallas, <\/em>but in a country family and following two vagabonds from one episode to the next.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Only one or two flashes of brilliance<br><\/h3>\n\n\n\n<p>Maleaume Paquin certainly shines on screen. That's for sure, but it's not enough. Of course, the performances and the benevolence of the acrobat Vitalis (Daniel Auteuil) offer their share of marvels. However, the whole thing feels too much like a succession of joy, grief, sadness, joy, grief and sadness, right to the end. Perhaps it's the end-of-year movie effect.<br><\/p>\n\n\n\n<p>The main problem? The child's complicated relationships with those he loves don't take. And so, since so much of the film's plot hinges on little R\u00e9mi's (Maleaume Paquin) search for identity, I couldn't identify with his soul or his attachment to those around him. I felt nothing for the child or the other characters. It's all been said! The film is bland.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Redo what has been done<br><\/h3>\n\n\n\n<p>A question now arises, and we can move on to a slightly less subjective analysis, perhaps proposing a broader reflection: what's the point of taking up the story of an orphan, which has already been written, and doing what has already been done and redone up to now?<\/p>\n\n\n\n<p>Cinema has to evolve. This is all the more important when a director takes a step-by-step approach to the codes of a particular film genre. When, in addition to the initial story, inspired by the novel&nbsp;<em>No family<\/em> by Hector Malot, has already been adapted for the small screen in both Japan and France. In short, if we don't bring something new to the table, we'll fail.<\/p>\n\n\n\n<p>This is where the parallel with&nbsp;<em>Les Choristes<\/em> seems to make sense. Especially as little R\u00e9mi also has the voice of an angel, like Pierre Morhange. One that should save him from the fatality of his condition as \u00abpoor, orphaned and without identity\u00bb. More obviously, Christophe Barratier's film shows the main character's affection for those around him, and his urgent need to find someone or somewhere to cling to, in order to give meaning to his life. In this way, he probes abandonment and the emotional abyss.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Orphan in appearance<br><\/h3>\n\n\n\n<p> On the other hand, Antoine Blossier only films the surface of his characters, failing to bring out their wounded intimacy. Perhaps he's fallen into the trap of the period film and costumes - which, incidentally, are very well looked after thanks to costume designer Agn\u00e8s Beziers. R\u00e9mi and his master Vitalis wander from one adventure to the next, with no surprises. R\u00e9mi is at the bottom of the social ladder, and climbs back up again by chance as Vitalis's superbness diminishes. D\u00e9j\u00e0 vu, d\u00e9j\u00e0 connu.<br><\/p>\n\n\n\n<p><em>Write to the author: <\/em><a href=\"\/en\/alexandre.waelti@leregardlibre.com\/\"><em>alexandre.waelti@leregardlibre.com<\/em><\/a><\/p>\n\n\n\n<p>Photo credit: \u00a9 Path\u00e9 Films<\/p>\n\n\n\n<table class=\"wp-block-table\"><thead><tr><th>R\u00e9mi without family<br><\/th><\/tr><\/thead><tbody><tr><td>France, 2018<\/td><\/tr><tr><td><em>Production:<\/em> Antoine Blossier<br><\/td><\/tr><tr><td><em>Screenplay:<\/em> Antoine Blossier<br><\/td><\/tr><tr><td><em>Interpretation:<\/em> Daniel Auteuil, Maleaume Paquin, Virginie Ledoyen, Johnathan Zacca\u00ef, Ludivine Sagnier, Albane Masson<br><\/td><\/tr><tr><td><em>Production:<\/em> TF1 Films Productions<br><\/td><\/tr><tr><td><em>Distribution:<\/em> Mars Films<br><\/td><\/tr><tr><td><em>Duration:<\/em> 1h49<\/td><\/tr><tr><td><em>Output:<\/em><strong>&nbsp;December 12, 2018<\/strong><\/td><\/tr><\/tbody><\/table>","protected":false},"excerpt":{"rendered":"<p>Les mercredis du cin\u00e9ma &#8211; Alexandre W\u00e4lti Antoine Blossier livre une p\u00e2le copie des Choristes de Christophe Barratier. L&#8217;histoire de&#8230;<\/p>","protected":false},"author":335,"featured_media":510254,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644340688,644340684,644340687,61026,644341146,1675387,644340680],"class_list":["post-18348","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-antoine-blossier","tag-charles-perrault","tag-christophe-barratier","tag-cinema-francais","tag-critiques-cinema","tag-daniel-auteuil","tag-les-choristes"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abR\u00e9mi sans famille\u00bb ni g\u00e9nie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/remi-without-family-or-genius\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abR\u00e9mi sans famille\u00bb ni g\u00e9nie\" \/>\n<meta property=\"og:description\" content=\"Les mercredis du cin\u00e9ma - Alexandre W\u00e4lti Antoine Blossier livre une p\u00e2le copie des Choristes de Christophe Barratier. 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