{"id":18683,"date":"2019-01-15T20:00:04","date_gmt":"2019-01-15T19:00:04","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=18683"},"modified":"2022-09-25T16:21:59","modified_gmt":"2022-09-25T14:21:59","slug":"le-dernier-ete-a-good-song-but-not-a-hit","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/litterature\/le-dernier-ete-une-bonne-chanson-mais-pas-un-tube\/","title":{"rendered":"\u00abLe dernier \u00e9t\u00e9\u00bb: a good song, but not a hit"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><em>Tuesday books - H\u00e9l\u00e8ne Lavoyer<\/em><\/p>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">Benedict Wells's first novel, <em>The last summer<\/em> invites us to meet Beck, \u00aba teacher on the verge of forty\u00bb, who has had a string of one-night stands and one-night stands with his only friend Charlie, and who one day finds in Rauli Kantas, one of his students, the chance to seize an old dream that had been snatched from him: to become a world-famous musician. Rauli is young, unaware of his talent, and Beck, in an existential crisis, already imagines Rauli, Charlie, himself and Lara, the first woman - and only person - who can make him feel that strange, unsettling emotion of genuine attachment. <\/p>\n\n\n\n<!--more-->\n\n\n\n<p class=\"wp-block-paragraph\">La premi\u00e8re tranche de l\u2019histoire est profond\u00e9ment habit\u00e9e par le th\u00e8me de la musique; Beck d\u00e9couvre le prodige qu\u2019est Rauli, et se met \u00e0 lui \u00e9crire des chansons, il r\u00eave \u00e0 nouveau. Apr\u00e8s que l\u2019on s&rsquo;est bien install\u00e9 dans l\u2019histoire, rythm\u00e9e par quelques p\u00e9rip\u00e9ties mais globalement banale, apr\u00e8s que l\u2019on s&rsquo;est finalement attach\u00e9 \u00e0 Beck, antih\u00e9ros blas\u00e9 et passif, apr\u00e8s que l\u2019on a appris \u00e0 appr\u00e9hender le caract\u00e8re secret mais profond de Rauli et celui de Charlie qui devient t\u00f4t un malade mental \u00e0 cause des drogues et de la f\u00eate, le roman finit par muer pour sa deuxi\u00e8me partie. Elle nous entra\u00eene pour un <em>road trip<\/em> which takes Rauli, Beck and Charlie all the way to Istanbul. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For the structure of his novel published by Slatkine &amp; Compagnie, Benedict Wells has chosen two parts entitled \u00abFACE A\u00bb and \u00abFACE B\u00bb, like a vinyl record, and with each chapter the title of a song indicating a short summary of what's to come. An interesting choice, given the musical theme that runs through most of the novel. As the pages turn, the reader's eye wanders between the lines, quickly forgetting that he or she is reading and living with the narrator the story of Beck, a thirty-seven-year-old adult who contemplates the passage of time and the events of his life, without being a real player until Rauli arrives. <\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p> \u00abWe already knew we'd never see Rauli in an apron serving burgers or extending credit in a business suit. He'd find a job where he could earn a living keeping his own clothes.\u00bb  <\/p><\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The last summer <\/em>ne d\u00e9mystifie pas la vie d&rsquo;adulte telle qu&rsquo;on la con\u00e7oit \u00e0 l&rsquo;\u00e2ge de vingt ans. Elle reste marqu\u00e9e par les r\u00e9miniscences et par tout ce que la jeunesse promettait et qui s\u2019est trouv\u00e9, au fil des choix et des impositions, happ\u00e9 par le grand tourbillon de l\u2019impossible, du lointain, du r\u00eav\u00e9 au go\u00fbt souvent amer. L\u2019adolescence, au travers de Rauli, reste ce moment d\u2019ind\u00e9cision et de crainte que l\u2019on d\u00e9crit souvent dans les bouquins de psychologie, mais aussi ce moment auquel c\u2019est la passion qui guide le c\u0153ur, \u00e9nergie increvable et qui en renvoie au visage de ceux qui n\u2019ont pas r\u00e9ussi (c&rsquo;est-\u00e0-dire Beck). <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Benedict Wells' writing is simple, blending short sentences with longer ones with fluidity, without ever abandoning sobriety. The language is banal, everyday, and it's precisely this that allows the reader to connect with the characters, whose thoughts are rarely or never described, as in the case of Rauli, Lara and Charlie. It's a quick read, and it's easy to imagine the scenes and characters; a small subtlety is that the narrator has a special bond with the main character, which isn't explained until after a good chunk of the novel has been swallowed, piquing the reader's curiosity. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Even so, the novel remains rather defeatist, with an ending that doesn't really offer refuge or hope for those who haven't lived the life they wanted. It does, however, emphasize the importance of the energy of love. Beck doesn't have it, he seems extinguished, and only moments with Lara or his love of music keep him alive and creative - along with, of course, suffering. <\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u00abApr\u00e8s le repas, ils \u00e9taient sur le balcon avec Lara, ils fumaient. Il faisait frais, tous deux avaient mis leurs vestes. Beck repensait \u00e0 leur sortie en bo\u00eete de la veille et \u00e0 sa haine de la danse. Danser, c&rsquo;est bon pour les connards qui s&rsquo;appellent Niko ou Andr\u00e9, pensa-t-il, et pourtant c&rsquo;est le cas de Lara. Elle m&rsquo;est tellement \u00e9trang\u00e8re, se dit-il, elle est beaucoup trop jeune, qu&rsquo;est-ce que je fous l\u00e0 sur ce balcon avec elle? A cet instant, elle lui sourit. Beck lui rendit son sourire sans le vouloir avant de comprendre qu&rsquo;il le voulait, car il se sentait d&rsquo;un coup pousser des ailes. Il l&rsquo;observa de profil et n&rsquo;\u00e9prouva \u00e0 nouveau ce sentiment qu&rsquo;il l&rsquo;aimait bien, simplement.\u00bb<\/p><cite><br><\/cite><\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Benedict Wells<\/strong><br><strong><em>The last summer<\/em><br>Editions Slatkine &amp; Compagnie<br>2018<br>402 pages<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Write to the author: <a href=\"mailto:helene.lavoyer@leregardlibre.com\">helene.lavoyer@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Photo credit: \u00a9 H\u00e9l\u00e8ne Lavoyer for <em>Le Regard Libre<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Les bouquins du mardi &#8211; H\u00e9l\u00e8ne Lavoyer Premier roman de Benedict Wells, Le dernier \u00e9t\u00e9 propose de rencontrer Beck, \u00abun&#8230;<\/p>","protected":false},"author":326,"featured_media":18684,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20663],"tags":[54879,38542],"class_list":["post-18683","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-litterature","tag-critiques-litteraires","tag-roman"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.5 (Yoast SEO v28.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abLe dernier \u00e9t\u00e9\u00bb: une bonne chanson, mais pas un tube<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/literature\/le-dernier-ete-a-good-song-but-not-a-hit\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta 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