{"id":19243,"date":"2019-02-13T12:30:03","date_gmt":"2019-02-13T11:30:03","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=19243"},"modified":"2025-12-04T22:37:29","modified_gmt":"2025-12-04T21:37:29","slug":"not-my-favourite","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/not-my-favourite\/","title":{"rendered":"Not my Favourite"},"content":{"rendered":"

Cinema Wednesdays - Lauriane Pipoz<\/em><\/p>\n\n\n\n

La Favorite <\/em>takes place in the early 18th centuryth <\/sup>century at the English court. While the Franco-English war rages on, fun is had at court with duck races and pineapple tastings. Queen Anne of England occupies the throne. Behind the scenes, however, Lady Sarah, her favorite, holds the reins. The latter's cousin, Abigail Hill, is rising to court. Power-hungry, the new maid soon makes herself known to the queen through treacherous stratagems. A perverse game of manipulation ensues between the two cousins.<\/p>\n\n\n\n\n\n\n\n

Les femmes au premier\nplan<\/strong><\/h3>\n\n\n\n

Le r\u00e9alisateur, Y\u00f2rgos L\u00e0nthimos, a soign\u00e9 ses d\u00e9cors et ses costumes. C\u2019est \u00e9galement le cas de ses dialogues, tr\u00e8s bien construits. Notons par exemple l\u2019\u00e9change entre la reine et Sarah, au d\u00e9but du film: <\/p>\n\n\n\n

\u00abC\u2019est quoi, ce maquillage?<\/p>

– On voulait un effet th\u00e9\u00e2tral. Vous aimez?<\/p>

– On dirait un blaireau. Oh non, vous n\u2019allez pas pleurer, quand m\u00eame? A quoi ressemblez-vous alors?<\/p>

– \u2026 A un blaireau.\u00bb<\/p><\/blockquote>\n\n\n\n

Dans son environnement grandiose, L\u00e0nthimos a d\u00e9tourn\u00e9 les codes du film historique. Les hommes ne sont vus que comme des personnages secondaires, manipul\u00e9s par les servantes. A l\u2019instar de Robert Harley, qui sous-estime Abaigail et tente de faire pression sur elle. S\u2019il semble y parvenir au d\u00e9part, elle lui montrera rapidement qu\u2019elle est un fin strat\u00e8ge et retournera tr\u00e8s rapidement la situation. <\/p>\n\n\n\n

Du sexe, beaucoup de\nsexe<\/strong><\/h3>\n\n\n\n

\u00abDois-je comprendre que vous \u00eates intelligente?<\/p>

– Vous voulez me baiser?<\/p>

– Non, j\u2019en laisse le soin \u00e0 Masham, qui est compl\u00e8tement obs\u00e9d\u00e9 par votre cul.\u00bb<\/p><\/blockquote>\n\n\n\n

Si Abigail se sert du sexe comme d\u2019une arme (elle \u00e9pousera ledit Masham afin d\u2019acc\u00e9der \u00e0 un statut aristocratique), ce dernier est par-tout<\/em>. Ainsi, le bras de fer entre les deux servantes se joue \u00e9galement dans la couche de la reine. En m\u00eame temps qu\u2019Abigail, on comprend que Sarah est l\u2019amante d\u2019Anne d\u2019Angleterre. La nouvelle servante ne tardera pas \u00e0 s\u2019y glisser \u00e9galement.<\/p>\n\n\n\n

Si cette id\u00e9e peut \u00eatre int\u00e9ressante puisque originale, d\u2019autres sc\u00e8nes peuvent para\u00eetre superflues. Par exemple, Sarah se r\u00e9veille dans un bordel apr\u00e8s avoir fait une chute de cheval suite \u00e0 une ruse particuli\u00e8rement vile de sa concurrente. C\u2019est ici l\u2019occasion pour le r\u00e9alisateur de montrer des sc\u00e8nes de sexe particuli\u00e8rement animales. Etait-ce r\u00e9ellement n\u00e9cessaire?<\/p>\n\n\n\n

De la manipulation,\ndu ridicule et du grotesque<\/strong><\/h3>\n\n\n\n

Vous l\u2019aurez peut-\u00eatre compris, si trois femmes sont install\u00e9es au c\u0153ur de son intrigue, elles ne sont pas pour autant mises en valeur. On voit les crises de col\u00e8re r\u00e9p\u00e9t\u00e9es et caprices de la reine immature, tout comme sa grande stupidit\u00e9:<\/p>\n\n\n\n

\u00abAi-je z\u00e9zay\u00e9?<\/p>

– Non, vous ne z\u00e9zayez pas.<\/p>

C\u2019est justement ce qui m\u2019a fait peur, l\u2019id\u00e9e que j\u2019aurais pu le faire.\u00bb<\/p><\/blockquote>\n\n\n\n

Quant \u00e0 l\u2019aspect manipulateur extr\u00eame des servantes, il est mis en lumi\u00e8re dans plusieurs sc\u00e8nes. Citons celle de la nuit de noces de Masham et d\u2019Abigail, durant laquelle la servante r\u00e9fl\u00e9chit \u00e0 son prochain stratag\u00e8me tout en d\u00e9livrant sans soin aucun une g\u00e2terie \u00e0 son nouveau mari. Quant \u00e0 la superficialit\u00e9 des gens de cour, qui semble \u00eatre l\u2019un des sujets principaux du film, elle se d\u00e9cline en de nombreux exemples. Evoquons notamment une sc\u00e8ne dans laquelle des convives s\u2019amusent \u00e0 lancer des fruits sur un homme nu et hilare. Les personnages, grotesques, sont ainsi tous stupides ou vils: personne n\u2019est \u00e9pargn\u00e9. Ces d\u00e9fauts sont mis en exergue par de la musique anxiog\u00e8ne, des ralentis th\u00e9\u00e2traux ou encore des arr\u00eats sur image.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Si ces sc\u00e8nes sont amusantes au d\u00e9but, elles deviennent progressivement tr\u00e8s lourdes. A force, on en a le tournis, ce qui est montr\u00e9 \u00e0 l\u2019\u00e9cran par l\u2019ultime sc\u00e8ne du film. Dans cette derni\u00e8re se superposent Anne d\u2019Angleterre, Abigail et – comble du ridicule – les lapins de la reine, qu\u2019elle appelle ses \u00abenfants\u00bb. L\u2019effet, souhait\u00e9, est donc r\u00e9ussi, tout comme la magnifique prestation des actrices principales du film – en t\u00e9moigne la horde de prix pour lesquels le film est nomin\u00e9. Ce qui n\u2019emp\u00eache pas que la grosse sensation de malaise qui s\u2019empare du spectateur au sortir de La Favorite <\/em>n\u2019est pas agr\u00e9able pour tout le monde. <\/p>\n\n\n\n

Pour vous faire votre propre avis, rendez-vous par exemple \u00e0 <\/strong><\/em>Cinepel<\/strong><\/em><\/a>.<\/strong><\/em><\/p>\n\n\n\n

Write to the author: lauriane.pipoz@gmail.com<\/a><\/em><\/p>\n\n\n\n

Photo credit: \u00a9 Twentieth Century Fox<\/p>\n\n\n\n
La favorite<\/th><\/tr><\/thead>
IRLANDE, 2018<\/td><\/tr>
Production:<\/em> Y\u00f2rgos L\u00e0nthimos<\/td><\/tr>
Screenplay:<\/em> Deborah Davi, Tony McNamara<\/td><\/tr>
Image:<\/em> Robbie Ryan<\/td><\/tr>
Production:<\/em> Element Pictures, Scarlet Films<\/td><\/tr>
Distribution:<\/em> Fox-Warner<\/td><\/tr>
Duration:<\/em> 2h<\/td><\/tr>
Output:<\/em> February 6, 2019<\/strong><\/td><\/tr><\/tbody><\/table>","protected":false},"excerpt":{"rendered":"

Les mercredis du cin\u00e9ma – Lauriane Pipoz La Favorite se d\u00e9roule au d\u00e9but du XVIIIe si\u00e8cle \u00e0 la cour d\u2019Angleterre….<\/p>","protected":false},"author":102,"featured_media":19255,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[48028,644341054,2474554,644341051,644341058,644341060,644341055,20588215],"class_list":["post-19243","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-angleterre","tag-cinema-irlandais","tag-emma-stone","tag-la-favorite","tag-lady-sarah","tag-robert-harley","tag-xviiie-siecle","tag-yorgos-lanthimos"],"acf":[],"yoast_head":"\nNot my Favourite<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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