{"id":19515,"date":"2019-02-20T20:56:30","date_gmt":"2019-02-20T19:56:30","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=19515"},"modified":"2025-12-04T22:37:23","modified_gmt":"2025-12-04T21:37:23","slug":"une-intime-conviction-le-mensonge-peut-il-etre-au-service-de-la-verite","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/une-intime-conviction-le-mensonge-peut-il-etre-au-service-de-la-verite\/","title":{"rendered":"\u00abAn Intimate Conviction\u00bb: can lies serve the truth?"},"content":{"rendered":"

Cinema Wednesdays - Loris S. Musumeci<\/em>
<\/p>\n\n\n\n

\u00abMadame, there are moments of truth in life.\u00bb <\/p><\/blockquote>\n\n\n\n

Suzanne Viguier disappeared on February 27, 2000. The first suspect was Jacques Viguier, her husband. The couple were in the process of separating. This led Suzanne's lover, Olivier Durandet, to accuse Jacques. After an initial nine months' imprisonment, the suspected husband was released. Nine years later, it was time for the trial. The film focuses on this period. Far from being a simple record of the case, An intimate conviction\u00a0<\/em>features a star<\/em> Eric Dupont-Moretti, who took over the case, a stubborn woman, a family torn apart, dubious testimony. A Kafkaesque trial in the throes of justice.\u00a0<\/p>\n\n\n\n\n\n\n\n

Dupont-Moretti: un fascinant gros con<\/em><\/h3>\n\n\n\n

Olivier Gourmet incarne un avocat, et pas des moindres. Eric Dupont-Moretti est le personnage principal du film. A raison, car outre l\u2019affaire et sa r\u00e9solution, c\u2019est la plaidoirie en elle-m\u00eame qui occupe l\u2019\u00e9cran. Le spectateur n\u2019attend que les envol\u00e9es lyriques de l\u2019avocat m\u00e9diatique. Le film les rend bien; elles sont vibrantes. Si Olivier Gourmet est salu\u00e9 de toutes parts pour son interpr\u00e9tation, il faut constater qu\u2019il y a un v\u00e9ritable foss\u00e9 entre son jeu au tribunal et son jeu \u00e0 l\u2019ext\u00e9rieur. L\u2019un est tr\u00e8s bon, l\u2019autre beaucoup moins. Trop lourd, faussement las, peu convaincant. Notez tout de m\u00eame que le contraste entre les deux jeux de l\u2019acteur traduit bien le vrai Dupont-Moretti: \u00e0 la fois fascinant et gros con<\/em>. <\/p>\n\n\n\n

Marina Fo\u00efs est quant \u00e0 elle beaucoup plus homog\u00e8ne dans son talent. Elle tient, tout le film durant, dans un r\u00f4le qui n\u2019est pourtant pas facile. Nora, personnage fictif dans la mesure o\u00f9 il n\u2019est pas intervenu dans le proc\u00e8s, ne fait pas un pli \u00e0 la succession de ses fonctions, celles de m\u00e8re, de cuisini\u00e8re, de d\u00e9tective improvis\u00e9e, d\u2019assistante remarquable. La construction de son personnage lui-m\u00eame d\u00e9coule d\u2019une excellente initiative: alors que le film se veut en mise en sc\u00e8ne du vrai, il invente un intervenant, pour se prot\u00e9ger peut-\u00eatre, pour pimenter le film s\u00fbrement. <\/p>\n\n\n\n

Nora tient en haleine toute l\u2019enqu\u00eate, qu\u2019elle m\u00e8ne d\u2019elle-m\u00eame. Parce qu\u2019apr\u00e8s, peu importe au spectateur lambda<\/em> de conna\u00eetre la v\u00e9rit\u00e9 sur Suzanne Viguier, d\u2019autant plus qu\u2019elle ne sera sans doute jamais \u00e9lucid\u00e9e. Ce qui int\u00e9resse, en revanche, ce sont les indices qu’elle d\u00e9couvre peu \u00e0 peu, les masques qui tombent, les s\u00e9ances lev\u00e9es, les sourires tordus et les pleurs tout droit sortis du d\u00e9sespoir de juger sans savoir. De savoir sans \u00eatre entendu. D\u2019entendre sans pouvoir redire. De redire et \u00eatre pris derechef pour un menteur. <\/p>\n\n\n\n

Un souffle intime<\/h3>\n\n\n\n

Cin\u00e9matographiquement, Antoine Raimbault emplit sa r\u00e9alisation de d\u00e9tails qui donnent \u00e0 An intimate conviction<\/em> un souffle pour le moins intime. A commencer par la bande-son qui nous donne l\u2019impression d\u2019int\u00e9grer l\u2019intimit\u00e9 des personnages, de leur pens\u00e9es et de leur rythme cardiaque. Laissant penser \u00e0 une horloge qui s\u2019acc\u00e9l\u00e8re, elle accroche le public aux plans qui se succ\u00e8dent. Ceux-ci ont d\u2019ailleurs leur propre jeu qui \u00e9pouse \u00e0 merveille la bande-son. On voit Nora courir du travail \u00e0 son ordinateur, au tribunal, pour revenir \u00e0 ses post-it<\/em>, repasser en cuisine, sortir, conduire, fumer, sans oublier d\u2019harceler Ma\u00eetre Dupont-Moretti. Je le r\u00e9p\u00e8te, cette protagoniste est le rythme du film. <\/p>\n\n\n\n

Les questions, voire les dilemmes, que posent habituellement les r\u00e9alisations portant sur un sujet judiciaire ne sont pas en reste. Les preuves sont-elles ma\u00eetresses de toute une affaire? Peut-on d\u00e9truire un homme sans avoir la certitude de sa culpabilit\u00e9? Et surtout: le mensonge<\/em> peut-il \u00eatre au service de la v\u00e9rit\u00e9<\/em>? La question est centrale dans An intimate conviction<\/em>; on sent en effet le mensonge, mais on sent aussi qu\u2019il n\u2019est pas forc\u00e9ment malveillant. Sans compter que la psychologie humaine d\u00e9tient en son for encore trop de myst\u00e8res. <\/p>\n\n\n\n

\u00abVous aurez jug\u00e9, mais vous n\u2019aurez pas rendu la justice.\u00bb<\/p><\/blockquote>\n\n\n\n

Write to the author: loris.musumeci@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n

Photo credit: \u00a9 Frenetic Films<\/p>\n\n\n\n
UNE INTIME CONVICTION<\/th><\/tr><\/thead>
France, Belgique, 2019<\/td><\/tr>
Production:<\/em> Antoine Raimbault<\/td><\/tr>
Screenplay:<\/em> Antoine Raimbault, Isabelle Lazard<\/td><\/tr>
Interpretation:<\/em> Marina Fo\u00efs, Olivier Gourmet, Laurent Lucas, Jean Benguigui, Fran\u00e7ois Fehner<\/td><\/tr>
Production:<\/em> UMedia, Delante Productions<\/td><\/tr>
Distribution:<\/em> Frenetic Films<\/td><\/tr>
Duration:<\/em> 1h50<\/td><\/tr>
Output:<\/em> February 13, 2019<\/strong><\/td><\/tr><\/tbody><\/table>","protected":false},"excerpt":{"rendered":"

Les mercredis du cin\u00e9ma \u2013 Loris S. Musumeci \u00abMadame, il y a des moments de v\u00e9rit\u00e9 dans la vie.\u00bb  Suzanne…<\/p>","protected":false},"author":18,"featured_media":19516,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644341155,644341146,644341153,644341154,644341158,644341151,644341157,2606,644341156,2537878,1048873,644341152,644340135,644341150,342717,644341148,409921],"class_list":["post-19515","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-antoine-raimbault","tag-critiques-cinema","tag-disparition","tag-eric-dupont-moretti","tag-francois-fehner","tag-jacques-viguier","tag-jean-benguigui","tag-justice","tag-laurent-lucas","tag-marina-fois","tag-mensonge","tag-meurtre","tag-olivier-gourmet","tag-suzanne-viguier","tag-tribunal","tag-une-intime-convicition","tag-verite"],"acf":[],"yoast_head":"\n\u00abUne intime conviction\u00bb: le mensonge peut-il \u00eatre au service de la v\u00e9rit\u00e9?<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/une-intime-conviction-le-mensonge-peut-il-etre-au-service-de-la-verite\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abUne intime conviction\u00bb: le mensonge peut-il \u00eatre au service de la v\u00e9rit\u00e9?\" \/>\n<meta property=\"og:description\" content=\"Les mercredis du cin\u00e9ma \u2013 Loris S. 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