{"id":19902,"date":"2019-03-13T20:00:01","date_gmt":"2019-03-13T19:00:01","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=19902"},"modified":"2025-12-04T22:37:06","modified_gmt":"2025-12-04T21:37:06","slug":"destroyer-why-such-a-mixed-reception","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/destroyer-pourquoi-un-accueil-si-mitige\/","title":{"rendered":"\u00abDestroyer: Why such a lukewarm reception?"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><em>Cinema Wednesdays\ncin\u00e9ma - H\u00e9l\u00e8ne Lavoyer<\/em><\/p>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">In Erin Bell's (Nicole Kidman) gaze, colder than the Arctic seas, little can be read. A hangover and distress, at best. When she gets out of her car and drags herself to the scene of a recent crime, this LAPD detective is a sight to behold. Leaning over the corpse of a man with a tattoo on the back of his neck, her attention seems far removed from the dirt road along a Los Angeles canal. With an ink-stained banknote and the contacts of a past life as her only clues, she throws herself onto the asphalt and winding roads of a past with heavy consequences. <\/p>\n\n\n\n<!--more-->\n\n\n\n<p class=\"wp-block-paragraph\">Accompanied by her car and vendetta fever, Erin, who is also trying to get her sixteen-year-old daughter to forgive her for her absence and to be \u00abbetter than she is\u00bb, doesn't wait. The images of her story, which torment her sleep and punctuate the narrative, are all keys to understanding that she may not just be the victim of an undercover mission gone wrong, but the enforcer of a tragedy that tore the fragile membrane of hope surrounding the heart in many people. For her, with no hope of remission.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">That a thriller should keep us on the edge of our seats, from first shot to last, is a very minimal expectation, but one that many films of the genre fail to fulfill, so much so that they revolve around classic enigmas and stereotyped roles. The fact that it gives us an auditory, visual and emotional experience is therefore unhoped-for. <em>Destroyer, <\/em>de Karyn Kusama, r\u00e9pond pourtant \u00e0 ces d\u00e9sirs que l\u2019on n\u2019ose s\u2019avouer (de peur d\u2019\u00eatre d\u00e9\u00e7u) avec subtilit\u00e9. Malgr\u00e9 quelques maladresses qui ne justifient pas l&rsquo;accueil mitig\u00e9 re\u00e7u par le film aupr\u00e8s de critiques internationaux.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">No, the film isn't just about Nicole Kidman's critically acclaimed performance.\nNicole Kidman's critically acclaimed performance. Her performance as Erin\nBell is remarkable: she manages to convey the torture of regret\nregret and the weight of guilt. She teaches us about her character\nher character as she moves between present and past, through <em>flashbacks<\/em>, by not overplaying his neurotic sides\nnor annihilating her humanity. But, in addition to the physical transformation\nwhich makes her unrecognizable and a lead role on which the story hinges, the\nhas other subtleties.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Take the treatment of image and sound, for example: they form a well-crafted, coherent tandem. Subtle touches are used to integrate the story, as when music begins in one of the temporalities and accompanies the arrival in the other. As if to illustrate the extent to which the past remains intrinsically linked to the inspector's present (and, extrapolating, to that of many, both inside and outside the cinema). Discreet but well-launched echoes, too, when the blurred lights of headlights or signal lights, very present on screen, echo natural elements at the close of the story.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">If there's anything to reproach <em>Destroyer<\/em> (apart from its title, which heightens the expectation of spectacular and much more brutal action) are the close-ups of the lead actress's face. The director, perhaps aware of the astonishing effect Nicole Kidman's metamorphosis has on the viewer, goes a little overboard. Erin's relationship with her daughter, too, seems to be too much removed from the narrative and unfortunately feels a little superficial, when their bond could have further unraveled certain emotional facets of the character. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mais \u00e9nigme, suspens ainsi que de belles prises sont au rendez-vous, sans compter la bande originale de Theodore Shapiro qui m\u00e9lange bruits naturels, m\u00e9talliques et basses avec beaucoup d\u2019effets. Il faut \u00e9galement noter que le r\u00f4le du flic bless\u00e9 et vengeur a par le pass\u00e9 plut\u00f4t \u00e9t\u00e9 donn\u00e9 \u00e0 des hommes et que dans ce sc\u00e9nario o\u00f9 il est endoss\u00e9 par une femme le genre ne compte finalement pas tant que cela, ce qui est plaisant. La femme \u00e0 l&rsquo;\u00e9cran n&rsquo;est pas utilis\u00e9e comme objet marketing mais raconte une histoire, la sienne. Et finalement le d\u00e9nouement, tout particuli\u00e8rement, renverse ce que l&rsquo;on avait cru comprendre&#8230;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Write to the author:&nbsp;<a href=\"mailto:helene.lavoyer@leregardlibre.com\">helene.lavoyer@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Photo credit: \u00a9 Ascot Elite Entertainment<\/p>\n\n\n\n<table class=\"wp-block-table\"><thead><tr><th>DESTROYER<\/th><\/tr><\/thead><tbody><tr><td>UNITED STATES, 2018<\/td><\/tr><tr><td><em>Production:<\/em> Karin Kusama<\/td><\/tr><tr><td><em>Screenplay:<\/em> Phil Hayet, Matt Manfredi<\/td><\/tr><tr><td><em>Interpretation:<\/em> Nicole Kidman, Tatiana Maslany, Sebastian Stan, Toby Kebbell<\/td><\/tr><tr><td><em>Production:<\/em> 30West, Automatik Entertainment<\/td><\/tr><tr><td><em>Distribution:<\/em> Ascot Elite Entertainment<\/td><\/tr><tr><td><em>Duration:<\/em> 2h03<\/td><\/tr><tr><td><em>Output:<\/em><strong> March 6, 2019<\/strong><\/td><\/tr><\/tbody><\/table>","protected":false},"excerpt":{"rendered":"<p>Les mercredis du cin\u00e9ma \u2013 H\u00e9l\u00e8ne Lavoyer Dans le regard d\u2019un bleu plus froid que celui des mers arctiques d\u2019Erin&#8230;<\/p>","protected":false},"author":326,"featured_media":19903,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644341146,14228,33171116,172496,11183],"class_list":["post-19902","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-critiques-cinema","tag-drame","tag-film-policier","tag-nicole-kidman","tag-thriller"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.5 (Yoast SEO v28.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abDestroyer\u00bb: Pourquoi un accueil si Mitig\u00e9?<\/title>\n<meta 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