{"id":20426,"date":"2019-05-01T11:15:40","date_gmt":"2019-05-01T10:15:40","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=20426"},"modified":"2025-12-04T22:36:42","modified_gmt":"2025-12-04T21:36:42","slug":"ladieu-a-la-nuit-ladieu-a-la-vie","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/ladieu-a-la-nuit-ladieu-a-la-vie\/","title":{"rendered":"\u00abFarewell to the night, farewell to life"},"content":{"rendered":"<p><em>Cinema Wednesdays - Jonas Follonier<\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>In <em>Farewell to the night<\/em>, Catherine Deneuve plays a French woman from the southwest who discovers that her grandson is about to go and fight jihad in Syria. A poignant film by Andr\u00e9 T\u00e9chin\u00e9.<\/strong><\/p>\n\n\n\n<!--more Lire la critique-->\n\n\n\n<p>Muriel is delighted to be reunited with her grandson Alex, who was orphaned in an accident that killed his mother. It's been a long time since the young man came to visit his grandmother. Muriel looks after horses in the magnificent setting of south-west France. France, however, is not enough to stir the hearts of some young people born in the country, who dream of a totally different life. Out of distress, certainly. Out of stupidity too, no doubt. And manipulation, of course.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"L&#039;ADIEU \u00c0 LA NUIT Trailer (2019) Catherine Deneuve, French Film\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/nuMl3QrRJAg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Andr\u00e9 T\u00e9chin\u00e9's latest work follows Muriel as she gradually discovers that her grandson has lied to her - he's not going to Canada, as he claims, but to the Middle East. There's no marshmallow in the script, no overly tragic music: the case is dealt with right down to the bone. This is enough, oh so enough. It's enough to keep the viewer on his toes, for the realities of conversion, radicalization and jihad are intolerably, unbearably topical. And yet it's there.<\/p>\n\n\n\n<p>That said, it's a shame that the plot isn't more tightly knit. After all, this is a real-life drama, but above all, it's fiction. The cinematic experience would have been even more intense if we had discovered young Alex's radicalization at the same time as Muriel's character, in internal focus. It's just an idea I've come up with without any directing experience. But it's a hunch I wanted to mention.<\/p>\n\n\n\n<p>Muriel's dilemma, formulated by the daily newspaper <em>Le Temps<\/em> - \u00ablet Alex go to the end of his drift or save his life by betraying him, by denouncing him?\u00bb - seems to me to be anything but a dilemma. For there to be a dilemma, both options must be unacceptable. Now, if we look coldly at an individual who is about to join the ranks of a terrorist organization, and even more so if we love him, we will inevitably want to make the choice to reason with him and, if we can't, to call in the police. No dilemma. But tragic, yes.<br><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><em>Write to the author: <a href=\"mailto:jonas.follonier@leregardlibre.com\">jonas.follonier@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p>Photo credit: \u00a9 Xenix Films<\/p>\n\n\n\n<table class=\"wp-block-table\"><thead><tr><th>Farewell to the night<\/th><\/tr><\/thead><tbody><tr><td>France - Germany, 2019<\/td><\/tr><tr><td><em>Production:<\/em> Andr\u00e9 T\u00e9chin\u00e9<\/td><\/tr><tr><td><em>Screenplay:<\/em> Andr\u00e9 T\u00e9chin\u00e9, L\u00e9a Mysius<\/td><\/tr><tr><td><em>Interpretation:<\/em> Catherine Deneuve, Kacey Mottet Klein and Oulaya Amamra<\/td><\/tr><tr><td><em>Production:<\/em> Olivier Delbosc<\/td><\/tr><tr><td><em>Distribution:\u00a0<\/em>Xenix Films<\/td><\/tr><tr><td><em>Duration:<\/em> 1h43<\/td><\/tr><tr><td><em>Output:<\/em><strong>&nbsp;April 24, 2019<\/strong><\/td><\/tr><\/tbody><\/table>","protected":false},"excerpt":{"rendered":"<p>Les mercredis du cin\u00e9ma &#8211; Jonas Follonier Dans L&#8217;adieu \u00e0 la nuit, la c\u00e9l\u00e8bre Catherine Deneuve incarne une Fran\u00e7aise du&#8230;<\/p>","protected":false},"author":138,"featured_media":20458,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644341793,431005,644341796,644341794,644341797,2048247,644341776,71456,273535,26288],"class_list":["post-20426","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-andre-techine","tag-catherine-deneuve","tag-chevaux","tag-conversion","tag-dilemme","tag-djihad","tag-ladieu-a-la-nuit","tag-manipulation","tag-syrie","tag-terrorisme"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.7 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abL&#039;adieu \u00e0 la nuit\u00bb, l&#039;adieu \u00e0 la vie<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/ladieu-a-la-nuit-ladieu-a-la-vie\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abL&#039;adieu \u00e0 la nuit\u00bb, l&#039;adieu \u00e0 la vie\" \/>\n<meta property=\"og:description\" content=\"Les mercredis du cin\u00e9ma - Jonas Follonier Dans L&#039;adieu \u00e0 la nuit, la c\u00e9l\u00e8bre Catherine Deneuve incarne une Fran\u00e7aise du...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/ladieu-a-la-nuit-ladieu-a-la-vie\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/jonas.follonier\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-05-01T10:15:40+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-04T21:36:42+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/04\/L_Adieu_a_la_Nuit_1-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"3300\" \/>\n\t<meta property=\"og:image:height\" content=\"1859\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jonas Follonier\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:site\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jonas Follonier\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/ladieu-a-la-nuit-ladieu-a-la-vie\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/ladieu-a-la-nuit-ladieu-a-la-vie\\\/\"},\"author\":{\"name\":\"Jonas Follonier\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/person\\\/bfe5aa794a23be71485d60e2d93ec0d2\"},\"headline\":\"\u00abL&#8217;adieu \u00e0 la nuit\u00bb, l&#8217;adieu \u00e0 la vie\",\"datePublished\":\"2019-05-01T10:15:40+00:00\",\"dateModified\":\"2025-12-04T21:36:42+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/ladieu-a-la-nuit-ladieu-a-la-vie\\\/\"},\"wordCount\":545,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/ladieu-a-la-nuit-ladieu-a-la-vie\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2019\\\/04\\\/L_Adieu_a_la_Nuit_1-scaled.jpg\",\"keywords\":[\"andr\u00e9 t\u00e9chin\u00e9\",\"Catherine Deneuve\",\"chevaux\",\"conversion\",\"dilemme\",\"Djihad\",\"l'adieu \u00e0 la nuit\",\"manipulation\",\"Syrie\",\"Terrorisme\"],\"articleSection\":[\"Films\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/ladieu-a-la-nuit-ladieu-a-la-vie\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/ladieu-a-la-nuit-ladieu-a-la-vie\\\/\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/ladieu-a-la-nuit-ladieu-a-la-vie\\\/\",\"name\":\"\u00abL'adieu \u00e0 la nuit\u00bb, l'adieu \u00e0 la vie\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/ladieu-a-la-nuit-ladieu-a-la-vie\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/ladieu-a-la-nuit-ladieu-a-la-vie\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2019\\\/04\\\/L_Adieu_a_la_Nuit_1-scaled.jpg\",\"datePublished\":\"2019-05-01T10:15:40+00:00\",\"dateModified\":\"2025-12-04T21:36:42+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/ladieu-a-la-nuit-ladieu-a-la-vie\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/ladieu-a-la-nuit-ladieu-a-la-vie\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/ladieu-a-la-nuit-ladieu-a-la-vie\\\/#primaryimage\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2019\\\/04\\\/L_Adieu_a_la_Nuit_1-scaled.jpg\",\"contentUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2019\\\/04\\\/L_Adieu_a_la_Nuit_1-scaled.jpg\",\"width\":3300,\"height\":1859},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/ladieu-a-la-nuit-ladieu-a-la-vie\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/leregardlibre.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u00abL&#8217;adieu \u00e0 la nuit\u00bb, l&#8217;adieu \u00e0 la vie\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#website\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/\",\"name\":\"Le Regard Libre\",\"description\":\"Premier mensuel suisse de d\u00e9bat\",\"publisher\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/leregardlibre.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\",\"name\":\"Le Regard Libre\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/logo-rl-icone-neg.jpeg\",\"contentUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/logo-rl-icone-neg.jpeg\",\"width\":557,\"height\":556,\"caption\":\"Le Regard Libre\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/leregardlibre\\\/\",\"https:\\\/\\\/x.com\\\/LeRegardLibre\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/le-regard-libre\",\"https:\\\/\\\/www.instagram.com\\\/leregardlibre\\\/\",\"http:\\\/\\\/t.me\\\/leregardlibre\",\"https:\\\/\\\/youtube.com\\\/channel\\\/UC6HzGPomj1LsUmlz-sJtITQ\"],\"description\":\"Le Regard Libre est un mensuel suisse de d\u00e9bat intellectuel et culturel. Sa r\u00e9daction est jeune, b\u00e9n\u00e9vole, lib\u00e9rale et pluraliste. Le magazine para\u00eet en ligne et sous forme papier. Sa langue est le fran\u00e7ais.\",\"email\":\"redaction@leregardlibre.com\",\"legalName\":\"Le Regard Libre\",\"foundingDate\":\"2014-01-01\",\"numberOfEmployees\":{\"@type\":\"QuantitativeValue\",\"minValue\":\"11\",\"maxValue\":\"50\"},\"publishingPrinciples\":\"https:\\\/\\\/leregardlibre.com\\\/a-propos\\\/notre-manifeste\\\/\",\"ownershipFundingInfo\":\"https:\\\/\\\/leregardlibre.com\\\/mentions-legales\\\/\",\"actionableFeedbackPolicy\":\"https:\\\/\\\/leregardlibre.com\\\/conditions-generales-de-vente\\\/\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/person\\\/bfe5aa794a23be71485d60e2d93ec0d2\",\"name\":\"Jonas Follonier\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/602060b40f6a458420c2d140f49b6caea99152ce6704f2c332e5a0c5aad80303?s=96&d=identicon&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/602060b40f6a458420c2d140f49b6caea99152ce6704f2c332e5a0c5aad80303?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/602060b40f6a458420c2d140f49b6caea99152ce6704f2c332e5a0c5aad80303?s=96&d=identicon&r=g\",\"caption\":\"Jonas Follonier\"},\"description\":\"Correspondant au Palais f\u00e9d\u00e9ral pour \u00abL\u2019Agefi\u00bb, auteur-compositeur-interpr\u00e8te et essayiste, Jonas Follonier est le fondateur et r\u00e9dacteur en chef du \u00abRegard Libre\u00bb.\",\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/jonas.follonier\\\/\",\"https:\\\/\\\/www.instagram.com\\\/jonasfollonier\\\/\",\"https:\\\/\\\/www.linkedin.com\\\/in\\\/jonasfollonier\\\/\",\"https:\\\/\\\/fr.wikipedia.org\\\/wiki\\\/Le_Regard_libre\"],\"url\":\"https:\\\/\\\/leregardlibre.com\\\/en\\\/author\\\/jonas-follonier\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"\u00abL'adieu \u00e0 la nuit\u00bb, l'adieu \u00e0 la vie","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/leregardlibre.com\/en\/cinema\/films\/ladieu-a-la-nuit-ladieu-a-la-vie\/","og_locale":"en_US","og_type":"article","og_title":"\u00abL'adieu \u00e0 la nuit\u00bb, l'adieu \u00e0 la vie","og_description":"Les mercredis du cin\u00e9ma - Jonas Follonier Dans L'adieu \u00e0 la nuit, la c\u00e9l\u00e8bre Catherine Deneuve incarne une Fran\u00e7aise du...","og_url":"https:\/\/leregardlibre.com\/en\/cinema\/films\/ladieu-a-la-nuit-ladieu-a-la-vie\/","og_site_name":"Le Regard Libre","article_publisher":"https:\/\/www.facebook.com\/leregardlibre\/","article_author":"https:\/\/www.facebook.com\/jonas.follonier\/","article_published_time":"2019-05-01T10:15:40+00:00","article_modified_time":"2025-12-04T21:36:42+00:00","og_image":[{"width":3300,"height":1859,"url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/04\/L_Adieu_a_la_Nuit_1-scaled.jpg","type":"image\/jpeg"}],"author":"Jonas Follonier","twitter_card":"summary_large_image","twitter_creator":"@LeRegardLibre","twitter_site":"@LeRegardLibre","twitter_misc":{"Written by":"Jonas Follonier","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/leregardlibre.com\/cinema\/films\/ladieu-a-la-nuit-ladieu-a-la-vie\/#article","isPartOf":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/ladieu-a-la-nuit-ladieu-a-la-vie\/"},"author":{"name":"Jonas Follonier","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/bfe5aa794a23be71485d60e2d93ec0d2"},"headline":"\u00abL&#8217;adieu \u00e0 la nuit\u00bb, l&#8217;adieu \u00e0 la vie","datePublished":"2019-05-01T10:15:40+00:00","dateModified":"2025-12-04T21:36:42+00:00","mainEntityOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/ladieu-a-la-nuit-ladieu-a-la-vie\/"},"wordCount":545,"commentCount":0,"publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/ladieu-a-la-nuit-ladieu-a-la-vie\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/04\/L_Adieu_a_la_Nuit_1-scaled.jpg","keywords":["andr\u00e9 t\u00e9chin\u00e9","Catherine Deneuve","chevaux","conversion","dilemme","Djihad","l'adieu \u00e0 la nuit","manipulation","Syrie","Terrorisme"],"articleSection":["Films"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/leregardlibre.com\/cinema\/films\/ladieu-a-la-nuit-ladieu-a-la-vie\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/leregardlibre.com\/cinema\/films\/ladieu-a-la-nuit-ladieu-a-la-vie\/","url":"https:\/\/leregardlibre.com\/cinema\/films\/ladieu-a-la-nuit-ladieu-a-la-vie\/","name":"\u00abL'adieu \u00e0 la nuit\u00bb, l'adieu \u00e0 la vie","isPartOf":{"@id":"https:\/\/leregardlibre.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/ladieu-a-la-nuit-ladieu-a-la-vie\/#primaryimage"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/ladieu-a-la-nuit-ladieu-a-la-vie\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/04\/L_Adieu_a_la_Nuit_1-scaled.jpg","datePublished":"2019-05-01T10:15:40+00:00","dateModified":"2025-12-04T21:36:42+00:00","breadcrumb":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/ladieu-a-la-nuit-ladieu-a-la-vie\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/leregardlibre.com\/cinema\/films\/ladieu-a-la-nuit-ladieu-a-la-vie\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leregardlibre.com\/cinema\/films\/ladieu-a-la-nuit-ladieu-a-la-vie\/#primaryimage","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/04\/L_Adieu_a_la_Nuit_1-scaled.jpg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/04\/L_Adieu_a_la_Nuit_1-scaled.jpg","width":3300,"height":1859},{"@type":"BreadcrumbList","@id":"https:\/\/leregardlibre.com\/cinema\/films\/ladieu-a-la-nuit-ladieu-a-la-vie\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/leregardlibre.com\/"},{"@type":"ListItem","position":2,"name":"\u00abL&#8217;adieu \u00e0 la nuit\u00bb, l&#8217;adieu \u00e0 la vie"}]},{"@type":"WebSite","@id":"https:\/\/leregardlibre.com\/#website","url":"https:\/\/leregardlibre.com\/","name":"Le Regard Libre","description":"Switzerland's first monthly debate magazine","publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/leregardlibre.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/leregardlibre.com\/#organization","name":"Le Regard Libre","url":"https:\/\/leregardlibre.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","width":557,"height":556,"caption":"Le Regard Libre"},"image":{"@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/leregardlibre\/","https:\/\/x.com\/LeRegardLibre","https:\/\/www.linkedin.com\/company\/le-regard-libre","https:\/\/www.instagram.com\/leregardlibre\/","http:\/\/t.me\/leregardlibre","https:\/\/youtube.com\/channel\/UC6HzGPomj1LsUmlz-sJtITQ"],"description":"Le Regard Libre is a Swiss monthly magazine for intellectual and cultural debate. Its editorial team is young, voluntary, liberal and pluralist. The magazine appears online and in print. Its language is French.","email":"redaction@leregardlibre.com","legalName":"Le Regard Libre","foundingDate":"2014-01-01","numberOfEmployees":{"@type":"QuantitativeValue","minValue":"11","maxValue":"50"},"publishingPrinciples":"https:\/\/leregardlibre.com\/a-propos\/notre-manifeste\/","ownershipFundingInfo":"https:\/\/leregardlibre.com\/mentions-legales\/","actionableFeedbackPolicy":"https:\/\/leregardlibre.com\/conditions-generales-de-vente\/"},{"@type":"Person","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/bfe5aa794a23be71485d60e2d93ec0d2","name":"Jonas Follonier","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/602060b40f6a458420c2d140f49b6caea99152ce6704f2c332e5a0c5aad80303?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/602060b40f6a458420c2d140f49b6caea99152ce6704f2c332e5a0c5aad80303?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/602060b40f6a458420c2d140f49b6caea99152ce6704f2c332e5a0c5aad80303?s=96&d=identicon&r=g","caption":"Jonas Follonier"},"description":"Federal Palace correspondent for \u00abL'Agefi\u00bb, singer-songwriter Jonas Follonier is the founder and editor-in-chief of \u00abRegard Libre\u00bb.","sameAs":["https:\/\/www.facebook.com\/jonas.follonier\/","https:\/\/www.instagram.com\/jonasfollonier\/","https:\/\/www.linkedin.com\/in\/jonasfollonier\/","https:\/\/fr.wikipedia.org\/wiki\/Le_Regard_libre"],"url":"https:\/\/leregardlibre.com\/en\/author\/jonas-follonier\/"}]}},"_links":{"self":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/20426","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/users\/138"}],"replies":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/comments?post=20426"}],"version-history":[{"count":1,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/20426\/revisions"}],"predecessor-version":[{"id":510473,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/20426\/revisions\/510473"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/media\/20458"}],"wp:attachment":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/media?parent=20426"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/categories?post=20426"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/tags?post=20426"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}