{"id":21005,"date":"2019-06-05T12:51:24","date_gmt":"2019-06-05T10:51:24","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=21005"},"modified":"2025-12-04T22:36:18","modified_gmt":"2025-12-04T21:36:18","slug":"rocketman-a-rocket-in-the-sky-delton-john","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/rocketman-a-rocket-in-the-sky-delton-john\/","title":{"rendered":"\u00abRocketman\u00bb, a rocket in Elton John's sky"},"content":{"rendered":"<p><em>Cinema Wednesdays - Jonas Follonier and Lauriane Pipoz<\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\">A dapper man in a skyward-sweeping orange angel outfit strides forward, ready to enter what we imagine will be a grand stage. But the film's first big scene takes us by surprise: the extravagant character played by Taron Egerton arrives at a meeting of Alcoholics Anonymous. \u00abMy name is Elton Hercules John and I'm an alcoholic, a cocaine addict, <em>sex addict<\/em>, bulimic...\u00bb The actor's face at the start of the film is deeply moving, his eyelids full of powder and terrifying grief foreshadowing the film's red thread.<\/p>\n\n\n\n<!--more Lire la suite de la critique-->\n\n\n\n<p>Red as the glow of her tinted glasses. Glasses to hide in, in the same way that <em>parties<\/em> are a refuge for many shy young people who are totally lost in their hectic lives? No doubt. Elton John, as this film sufficiently demonstrates, is an introvert who disguises himself as an extrovert. A bit like Michel Polnareff - <a href=\"https:\/\/leregardlibre.com\/en\/tag\/michel-polnareff\/\">yes, him again<\/a>. When asked by a journalist whether in the <em>seventies<\/em> he didn't consider himself to be France's Etlon John, Polnareff gave a doll-like \u00abno\" answer that left the journalist speechless: \"<em>No, no, no. Elton John is the Polnareff of the world<\/em>.\u00bb To persuade you that this comparison between the two kings of pop is not a pipe dream, please refer to one of today's best rock critics and true heir of Lester Bangs, Bester Langs, and his article <em><a href=\"https:\/\/gonzai.com\/michel-polnareff-derriere-les-lunettes\/#_ftn1\">Michel Polnareff. Behind the glasses<\/a><\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"ROCKETMAN - Trailer [Currently playing in theaters] [In French only\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/U-KPgNsEtIY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>Enough blah blah, back to the film with its trailer<\/figcaption><\/figure>\n\n\n\n<p><em>Rocketman\u00a0<\/em>is as much musical comedy as it is drama: if you're going to convey Elton John's emotions to the audience, you might as well do it with music! The story is interspersed with musical moments. But far from showing only the singer and musician's live performances, they are integrated into Elton John's life to describe the feelings he experienced. This use of music as a vehicle for emotions works extremely well. And sometimes allows us to discover the songs from a different angle. <em>Tiny Dancer<\/em>, \u00e0 <em>title<\/em> for example, is a unique moment of cinema! We truly understand <a href=\"https:\/\/www.youtube.com\/watch?v=yYcyacLRPNs\">this song<\/a> when we see it sung on screen by the main character, who is himself a spectator in a scene of complicity between his\u00a0<em>friend<\/em>\u00a0and a young woman.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">A film that assumes its subjectivity<\/h3>\n\n\n\n<p>But beyond the emotional side of the music and the rediscovery of certain tracks, the music also serves to highlight the non-objective side of the story. The subjectivity paradoxically essential to biographies is fully assumed, notably with stereotyped characters - the very nasty producer, the very nice lyricist, the very selfish mother. But that's not a problem at all: choices had to be made to show - and edit - decades in 2 hours. Similarly, Taron Egerton not only plays Elton John to perfection, but this perfection is embodied in a very personal performance. And what a charmer he is.<\/p>\n\n\n\n<p style=\"color:#1d296c\" class=\"has-text-color\"><strong>Read also: <\/strong><em><a href=\"https:\/\/leregardlibre.com\/en\/2017\/09\/13\/barbara-or-the-purity-of-cinema\/\"><strong>Barbara<\/strong><\/a><\/em><a href=\"https:\/\/leregardlibre.com\/en\/2017\/09\/13\/barbara-or-the-purity-of-cinema\/\"><strong> or the purity of cinema<\/strong><\/a><\/p>\n\n\n\n<p>It would seem that the main thrust of the film is to describe the effects of Elton John's entourage on his personality and his music. So why complicate the story? This is the singer's biography, not that of his entourage. The moment when they begin to sing accentuates the fact that we are indeed faced with a spectacle, a \"show\".&nbsp;<em>show&nbsp;<\/em>American style, where everything is exaggerated and extravagant in the manner of Elton John. The only point on which this work could have been less prudish is our hero's homosexuality. The camera seems so fearful of the only two male sex scenes that we can only guess at the censorship issues at the production level.<\/p>\n\n\n\n<p>In addition to the effects of his entourage on the singer-songwriter, it is also the effects of the <em>drug<\/em>, Another form of entourage, painted on the screen. A well-known fatality in the rock world. Many scenes in the film are concerned with Elton John's multiple addictions, and one in particular stands out for its artistic genius. We see the British singer swallow a large number of pills, douse all this with alcohol and dive into his swimming pool, in the middle of a party with his friends and family. In the water, we plunge into the rocker's solitude, and see his child avatar, also played by an excellent actor, play his song at the bottom of the water on a small piano. You'll find plenty of images like this when you go and see <em>Rocketman<\/em>. An important film, both entertaining and moving. <\/p>\n\n\n\n<table class=\"wp-block-table\"><thead><tr><th>Rocketman<\/th><\/tr><\/thead><tbody><tr><td>GREAT BRITAIN, 2019<\/td><\/tr><tr><td><em>Production:<\/em> Dexter Fletcher<\/td><\/tr><tr><td><em>Screenplay:&nbsp;<\/em>Lee Hall<\/td><\/tr><tr><td><em>Interpretation:<\/em> Taron Egerton, Jamie Bell, Richard Madden<\/td><\/tr><tr><td><em>Production:<\/em> David Furnish, Matthew Vaughn<\/td><\/tr><tr><td><em>Distribution:<\/em> Paramount Pictures&nbsp;<\/td><\/tr><tr><td><em>Duration:<\/em> 2h01<\/td><\/tr><tr><td><em>Output:<\/em><strong> May 29, 2019<\/strong><\/td><\/tr><\/tbody><\/table>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p><em>Write to the authors:<br><\/em><a href=\"mailto:jonas.follonier@leregardlibre.com\"><em>jonas.follonier@leregardlibre.com<\/em><\/a><em><br><\/em><a href=\"mailto:lauriane.pipoz@leregardlibre.com\"><em>lauriane.pipoz@leregardlibre.com<\/em><\/a><\/p>\n\n\n\n<p>Photo credit: \u00a9 Paramount Pictures<\/p>","protected":false},"excerpt":{"rendered":"<p>Les mercredis du cin\u00e9ma &#8211; Jonas Follonier et Lauriane Pipoz Un homme prestant v\u00eatu d&#8217;une tenue d&#8217;ange orang\u00e9 s&#8217;\u00e9lan\u00e7ant vers&#8230;<\/p>","protected":false},"author":1,"featured_media":510526,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644338977,13719,168529,644342008,9360232,8631,940893,12873183,455581,58096343],"class_list":["post-21005","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-biographie","tag-biopic","tag-cannes","tag-cannes-2019","tag-cinema-britannique","tag-elton-john","tag-festival-de-cannes","tag-film-biographique","tag-homosexualite","tag-taron-egerton"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - 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