{"id":21671,"date":"2019-06-26T10:30:12","date_gmt":"2019-06-26T08:30:12","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=21671"},"modified":"2025-12-04T22:36:14","modified_gmt":"2025-12-04T21:36:14","slug":"greta-a-horror-but-not-in-a-good-way","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/greta-une-horreur-mais-pas-dans-le-bon-sens-du-terme\/","title":{"rendered":"\u00abGreta\u00bb: a horror, but not in a good way"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><em>Cinema Wednesdays - Lauriane Pipoz<\/em><\/p>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\"><strong>Frances McCullen (Chlo\u00eb Grace Moretz) finds a bag left behind on the New York subway. As a good citizen, she decides to return it in person to its owner. It turns out to be Greta Hideg (the remarkable Isabelle Huppert), a lonely woman who invites her for coffee. They become friends. That is, until the young woman discovers a series of bags identical to the first one, each accompanied by a Post-it note bearing the name and phone number of the young women who found them. But it\u2019s not so easy to cut ties with Greta, who, in Frances\u2019s eyes, transforms from a surrogate mother into a determined stalker. What follows is a game of cat and mouse through the streets and venues of New York.<\/strong><\/p>\n\n\n\n<!--more Lire la critique-->\n\n\n\n<p class=\"wp-block-paragraph\">The original synopsis of <em>Greta<\/em> had everything going for it. Coupled with a cast that looked solid on paper, this new <em>thriller <\/em>It looked thrilling. Especially since the trailer\u2014which was so well done, both in terms of cinematography and sound\u2014was blood-curdling! The problem is that even though this impeccable style\u2014carefully crafted camera angles, gripping music, and seasoned lead actors\u2014remains consistent throughout the film, it unfortunately serves a hollow narrative. The story sorely lacks depth, as do its utterly stereotypical characters.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Greta - VOSTFR trailer\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/EJJijUwImHc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">The naive blonde and the crazy old lady<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">As we all know, the only people likely to bring home an honest bag are gullible and risk-takers. <em>Greta<\/em> This is confirmed once again, making us jump out of our skin when the main character and her friend decide it\u2019s a good idea to sneak into their tormentor\u2019s house all by themselves or to walk home at night through pitch-black alleys.  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This aspect of the film has at least one merit: it shows that the director (Neil Jordan) knows how to build suspense. With the help of the music, he knows how to ramp up the tension and keeps us on the edge of our seats for long, intense minutes. This is especially true during the second half of the film, when the manhunt begins and we witness a surprising series of twists and turns. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Unfortunately, to appreciate this second half, you have to have sat through the entire first half, which drags on. The chemistry between Chlo\u00eb Grace Moretz and Isabelle Huppert is highly questionable: although both are very good on their own, the former\u2019s very American style of acting and the latter\u2019s French style don\u2019t mesh well at all, which undermines the film\u2019s credibility. This credibility is further strained by the characters\u2019 one-dimensional psychology, which is clearly highlighted by dialogue that\u2019s as flat as can be\u2014sometimes during unnecessarily long and tedious phone calls.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Music and visual appeal to make up for a poor script<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">It is certainly for these reasons that we sometimes find ourselves hoping that misfortune will befall the main character and her best friend, which overshadows the film\u2019s central issue: the authorities\u2019 inaction in the face of harassment. This issue could have been explored in a very interesting way if long stretches of the film hadn\u2019t been wasted on empty dialogue delivered by poorly developed characters. The screenplay does a very poor job of developing the basic story, which consequently feels very hollow.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The nonverbal aspect is, however, far more interesting, thanks to stunning visuals created using mirrors, staircases, and original camera movements. The music is also used to great effect, and we hear classical music at moments when we least expect it. Its use makes this <em>thriller<\/em> a little less uninteresting, since it\u2019s formally different. This is thanks in large part to Isabelle Huppert, who made the most of it in an original scene where she conveys her character\u2019s madness through improvised dance moves, and in a beautiful moment where she tells her story while playing the piano.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Although it fits the clich\u00e9 of horror movies with poor dialogue and stupid characters, <em>Greta<\/em> It does, however, stand out somewhat from the crowd of run-of-the-mill horror movies, since it doesn't just rely on cranking up the volume to keep the viewer engaged. The music is used effectively, and the shots are well-executed enough to make us forget, at times, the script\u2019s lack of substance. Unfortunately, these elements aren\u2019t nearly enough to make us remember <em>Greta<\/em> as a good <em>thriller<\/em>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Write to the author: <\/em><a href=\"mailto:lauriane.pipoz@leregardlibre.com\"><em>lauriane.pipoz@leregardlibre.com<\/em><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Photo credits: \u00a9 Ascot Elite Entertainement<\/p>\n\n\n\n<table class=\"wp-block-table\"><thead><tr><th>Greta<\/th><\/tr><\/thead><tbody><tr><td>USA AND IRELAND, 2018<\/td><\/tr><tr><td><em>Production:<\/em>&nbsp;Neil Jordan<\/td><\/tr><tr><td><em>Screenplay:&nbsp;<\/em>Neil Jordan, Ray Wright<\/td><\/tr><tr><td><em>Interpretation:<\/em>&nbsp;Isabelle Huppert, Chlo\u00eb Grace Moretz, Maika Monroe<\/td><\/tr><tr><td><em>Production:<\/em>&nbsp;Lawrence Bender, James Flynn<\/td><\/tr><tr><td><em>Distribution:<\/em>&nbsp;Metropolitan Film Export<\/td><\/tr><tr><td><em>Duration:<\/em>&nbsp;1h38<\/td><\/tr><tr><td><em>Output:<\/em><strong>&nbsp;June 12, 2019<\/strong><\/td><\/tr><\/tbody><\/table>","protected":false},"excerpt":{"rendered":"<p>Les mercredis du cin\u00e9ma &#8211; Lauriane Pipoz Frances McCullen (Chlo\u00eb Grace Moretz) trouve un sac oubli\u00e9 dans le m\u00e9tro new-yorkais&#8230;.<\/p>","protected":false},"author":102,"featured_media":510549,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644342252,489164,644342251,644342254,779357,488324,1175621,11183],"class_list":["post-21671","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-chloe-grace-moretz","tag-film-dhorreur","tag-greta","tag-greta-hideg","tag-isabelle-huppert","tag-musique-classique","tag-suspens","tag-thriller"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.5 (Yoast SEO v28.5) - 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