{"id":22161,"date":"2019-07-10T20:00:13","date_gmt":"2019-07-10T18:00:13","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=22161"},"modified":"2025-12-04T22:36:08","modified_gmt":"2025-12-04T21:36:08","slug":"yesterday-romantic-comedies-were-better-before","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/yesterday-les-comedies-romantiques-cetait-mieux-avant\/","title":{"rendered":"\u00abYesterday\u00bb: romantic comedies were better in the old days"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><em>Cinema Wednesdays - Lauriane Pipoz<\/em><\/p>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\"><strong>Director Danny Boyle - whose credits include <\/strong><em><strong>Bridget Jones<\/strong><\/em><strong>, <\/strong><em><strong>Love at first sight in Notting Hill<\/strong><\/em><strong>, <\/strong><em><strong>Love Actually<\/strong><\/em><strong> - has taken on a new romantic comedy. <\/strong><em><strong>Yesterday<\/strong><\/em><strong> is the story of a man who, after an accident, wakes up in a world where the Beatles don't exist. He sets out to plagiarize them, rewriting their most famous songs. All under the watchful eye of his best friend and agent Ellie.<\/strong><\/p>\n\n\n\n<!--more Lire la critique-->\n\n\n\n<p class=\"wp-block-paragraph\">The story of the protagonist's best friend in love is, of course, a familiar one. The originality of the script would naturally lie in the Beatles' plagiarism and its consequences for the main character, Jack. But that's not what happens here: the plot is constantly interrupted by the chase between Jack and his agent, particularly in the second half of the film. <\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>No nuance<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">We spend far too long with them in a hotel room, and in the end... nothing happens. Because even if we were to assume that this is a romantic comedy, the film would still not be a success. In addition to being bland, the script is incredibly prudish: the characters are so cautious that we can't imagine anything happening between them.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C\u2019est ici un autre probl\u00e8me du film: la psychologie des protagonistes n\u2019est pas du tout aboutie. Entre l\u2019agente qui d\u00e9clare \u00e0 qui veut bien l\u2019entendre qu\u2019elle n\u2019est l\u00e0 que pour s\u2019en mettre plein les fouilles \u00e0 l\u2019amoureux transi si gentil qu\u2019il se r\u00e9jouit de se faire larguer, difficile de trouver un peu de finesse. De plus, l&rsquo;hypoth\u00e8se principale ne tient pas la route: comment la musique aurait-elle pu suivre la m\u00eame \u00e9volution sans un groupe-phare tel que les Beatles? Et leurs sons tr\u00e8s sages fonctionneraient-ils encore aujourd&rsquo;hui, alors que le style musical en vogue n&rsquo;est pas du tout le m\u00eame que dans les ann\u00e9es soixante? Permettez-moi d&rsquo;en douter. Ou du moins, si c&rsquo;est l&rsquo;avis du sc\u00e9nariste, cette position aurait m\u00e9rit\u00e9 d&rsquo;\u00eatre argument\u00e9e.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>A <\/strong>very <em>british<\/em><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">I do concede that the film has a <em>too much <\/em>which has a definite comic effect and could explain this annoying lack of nuance. The completely stereotyped character of the sympathetic, but rather navel-gazing father, for example, works very well: seeing him interrupt his son's piano performance three times for pointless reasons, or snatch the sandwiches available in his dressing room, was a frankly funny experience.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The very <em>british <\/em>clearly seems to me to be the <em>highlight<\/em> of the film, unfortunately overshadowed by an underdeveloped script in which the minutes that should be devoted to the problems of plagiarism and guilt or to the history of music are overshadowed by a desire to mention only positive things and an overly conventional love story. Still, it's a pretty good time, thanks to the generally good actors and the well-crafted shots, but it's really not enough to call it a good film - so as not to spoil the suspense for you, I won't mention the ending, but just tell you that it's bad.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Le plagiat, un sujet d&rsquo;actualit\u00e9<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Great irony: this film about plagiarism is <a href=\"https:\/\/www.lesinrocks.com\/2019\/07\/05\/cinema\/actualite-cinema\/yesterday-le-film-sur-les-beatles-a-t-il-plagie-son-concept\/\">suspected of being plagiarism itself<\/a> comics <em>Yesterday <\/em>(2011) by David Blot, <a href=\"https:\/\/www.dropbox.com\/s\/johk37f1cbwdea1\/YESTERDAY-2011-THEGRAPHICNOVEL.pdf?dl=0&amp;fbclid=IwAR0_Boyw4_PNeyBOBmJO6NA9q847F99CbrlWFShtgTIajr8V8AmA1iOW9G8\">free access on Dropbox<\/a>. Similarities with this work, which also imagines an artist in a world without the Fab Four, seem obvious. Just as the plot bears a striking resemblance to that of the French film <em>Jean-Philippe<\/em> (2006), qui met en sc\u00e8ne un univers sans Johnny Hallyday \u2013 un film nettement plus abouti que son pendant britannique.  Mais l\u2019intrigue qui se veut \u00eatre la principale, \u00e0 savoir l\u2019histoire d\u2019amour, est le point le plus probl\u00e9matique: il s\u2019agit d&rsquo;un motif qui a \u00e9t\u00e9 maintes fois trait\u00e9, et notamment par David Boyle. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">If, despite the excessive optimism of <em>Love Actually<\/em> (2003) and the lack of credibility of <em>Love at first sight in Notting Hill <\/em>(1999), both of which were great successes at the time, these same flaws are very disturbing in <em>Yesterday<\/em>. En d\u00e9pit de ce que ce dernier sous-entend, je me risquerai \u00e0 penser que l\u2019utilisation des m\u00eames ingr\u00e9dients dans une \u0153uvre une quinzaine d\u2019ann\u00e9es plus tard ne fonctionne pas forc\u00e9ment. Si l&rsquo;humour <em>british<\/em> \u2013 sophistiqu\u00e9 et remarquable au milieu de l&rsquo;omnipr\u00e9sence actuelle des blagues faciles au-dessous de la ceinture \u2013 est toujours aussi classe en 2019, le mielleux est, lui, carr\u00e9ment <em>has been.<\/em> <\/p>\n\n\n\n<table class=\"wp-block-table\"><thead><tr><th>YESTERDAY<\/th><\/tr><\/thead><tbody><tr><td>GREAT BRITAIN, 2019<\/td><\/tr><tr><td><em>Production:<\/em>&nbsp;Danny Boyle<\/td><\/tr><tr><td><em>Screenplay:&nbsp;<\/em>Richard Curtis<\/td><\/tr><tr><td><em>Interpretation:<\/em>&nbsp;Himesh Patel, Lily James, Ed Sheeran<\/td><\/tr><tr><td><em>Production:<\/em>&nbsp;Danny Boyle, Richard Curtis<\/td><\/tr><tr><td><em>Distribution:<\/em>&nbsp;Sylvie Forestier<\/td><\/tr><tr><td><em>Duration:<\/em>&nbsp;1h57<\/td><\/tr><tr><td><em>Output:<\/em><strong>&nbsp;July 3, 2019<\/strong><\/td><\/tr><\/tbody><\/table>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Write to the author: <a href=\"mailto:lauriane.pipoz@leregardlibre.com\">lauriane.pipoz@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Photo credit: \u00a9 Universal Pictures Int. Switzerland GmbH<\/p>","protected":false},"excerpt":{"rendered":"<p>Les mercredis du cin\u00e9ma &#8211; Lauriane Pipoz Le r\u00e9alisateur Danny Boyle \u2013 \u00e0 qui l\u2019on doit notamment Bridget Jones, Coup&#8230;<\/p>","protected":false},"author":102,"featured_media":22185,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644341611],"class_list":["post-22161","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-comedie-romantique"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.5 (Yoast SEO v28.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abYesterday\u00bb: les com\u00e9dies romantiques, c\u2019\u00e9tait mieux avant<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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