{"id":23327,"date":"2019-08-13T20:00:44","date_gmt":"2019-08-13T18:00:44","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=23327"},"modified":"2023-03-12T22:39:53","modified_gmt":"2023-03-12T21:39:53","slug":"black-carnival-or-the-eternal-return-of-evil","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/litterature\/carnaval-noir-ou-leternel-retour-du-mal\/","title":{"rendered":"\u00abCarnaval noir\u00bb or the eternal return of evil"},"content":{"rendered":"<p><em>Tuesday books - <a href=\"https:\/\/leregardlibre.com\/en\/tag\/jonas-follonier\/\">Jonas Follonier<\/a><\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>Metin Arditi's latest novel, <\/strong><em><strong>Black Carnival<\/strong><\/em><strong>, was published in August 2018 by Editions Grasset. Set against the backdrop of a suspenseful story, it recounts the eternal return of human folly and can be read at any time as a warning. And it may well be that our own era is not immune to some kind of infernal carnival.<\/strong><\/p>\n\n\n\n<!--more Lire la chronique-->\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u00abEvery bridge, every palace, every canal was an occasion for emotion, discovery, and wonder. No matter how foul the waters were, how much the facades of the buildings were corroded by sea salt, or how unbearable the air was with heat and stench, Venice was irresistible.\u00bb<\/p><\/blockquote>\n\n\n\n<p>The story begins in 2016 in Venice with the murder of a young student who is writing a thesis on one of the most distinguished Venetian brotherhoods of the 16th<sup>th<\/sup> century. The brotherhood had been targeted by a series of mysterious murders during the Venice Carnival of 1575, which history would soon come to call the \u00abBlack Carnival.\u00bb The brotherhood\u2019s main residence had also been burned down. Now, nearly five centuries later, men in disguise, humming festive tunes, draw this doctoral student into their procession, close in on her, and push her into the waters of the lagoon.<\/p>\n\n\n\n\n\n<p>Alongside this strange crime\u2014which will be followed by others just as baffling\u2014a Geneva professor of medieval Latin, B\u00e9n\u00e9dict Hugues, discovers a hidden letter dating from the 16th century inside the binding of an ancient book<sup>th<\/sup> century. This marks the beginning of a thrilling investigation involving the Latin scholar, the dean of the tragically deceased student in Venice, and a journalist from the <em>Time<\/em> and various experts. At the same time, the reader witnesses the machinations of the perpetrators of these crimes\u2014a far-right group with ties to the conservative wing of the Roman Curia that has formed an unholy alliance with ISIS. <\/p>\n\n\n\n\n\n<p>The plot unfolds in the most modern and enjoyable way possible, just like in a TV series. The chapters are very short; the narrative is straightforward. Yet the content is also intelligent. Beyond the suspense and the little love stories, the novel is brimming with subtlety and kindness\u2014elements that Metin Arditi has come to be known for among his many readers through his novels and other writings. In short, the author\u2019s intelligence often shines through in the narrator and the characters he brings to life. That is precisely what makes the novel so compelling: it helps us understand human nature and make sense of people and the world.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u00abMado thought to herself that she might be experiencing the best moments of her new relationship\u2014like when a gambler stands at the roulette table and watches the ball spin around the wheel, ready to believe it will bring him fortune. That will likely not be the case, but at that moment, he can still dream.\u00bb<\/p><\/blockquote>\n\n\n\n<p>Furthermore, as this quote attests, Metin Arditi\u2019s strength also lies in his talent as a storyteller. The author has a masterful command of the closing clause at the end of paragraphs, which, so to speak, summarizes the main idea of a short passage while, on a purely musical level, creating an ascending cadence that highlights the ending. Examples of this kind abound, without ever becoming too frequent; that would grow tiresome. Added to this literary technique is a meticulous use of ellipses, free indirect speech\u2014a way of getting inside the characters\u2019 heads\u2014and even a touch of humor. <em>\u00abWhat\u2019s your sixth finger called? \u2014 All my fingers have the same name,\u00bb Bartolomeo replied. \u201cThey\u2019re the fingers of Christ.\u201d \u201cYou\u2019re lucky,\u201d the little girl replied.\u00bb<\/em><\/p>\n\n\n\n<p class=\"has-text-color\"><strong>Read also | <\/strong><a href=\"https:\/\/leregardlibre.com\/en\/2018\/05\/20\/metin-arditi-in-all-my-books-im-looking-for-my-fathers-esteem\/\"><strong>Metin Arditi: \u00abIn all my books, I\u2019ve sought my father\u2019s approval\u00bb<\/strong><\/a><\/p>\n\n\n\n<p>This formal and narrative excellence creates a thrilling reading experience, thanks to a well-crafted plot rooted in the tensions of our time. The Great Replacement, the Pope\u2019s stance in favor of migrants, ISIS, the weight of history, the conflicts in the Middle East, Swiss banks\u2014it covers it all. While the psychology of certain characters could have been better developed, <em>Black Carnival<\/em> stands out as a great success in the category of books you can\u2019t put down from start to finish. That\u2019s because this novel offers food for thought on the shift that can occur from reason to madness. And on the tragically irrational nature of history, which nevertheless sometimes seems to repeat itself.<\/p>\n\n\n\n<p><em>Write to the author: <a href=\"mailto:jonas.follonier@leregardlibre.com\">jonas.follonier@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p>Photo credit: \u00a9 Jonas Follonier for <em>Le Regard Libre<\/em><\/p>\n\n\n\n<p><strong>Metin Arditi<\/strong><br><strong><em>Black Carnival<\/em><\/strong><br><strong>Editions Grasset<br>201<\/strong>8<br><strong>400 pages<\/strong><\/p>\n\n\n\n<p><em>This book is now available in paperback from Point-Seuil.<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Metin Arditi's latest novel, Carnaval noir, was released in August 2018 by Editions Grasset. Telling a suspenseful tale of the eternal return of human folly, it can be read at any time as a warning. And it could well be that our era is not immune to some infernal carnival.<\/p>","protected":false},"author":138,"featured_media":510638,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20663],"tags":[54879,1171030,737545,1532851,644340183,24947513,38542,26288],"class_list":["post-23327","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-litterature","tag-critiques-litteraires","tag-eglise-catholique","tag-extreme-droite","tag-litterature-francophone","tag-litterature-suisse","tag-metin-arditi","tag-roman","tag-terrorisme"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.3 (Yoast SEO v28.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abCarnaval noir\u00bb ou l&#039;\u00e9ternel retour du mal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/literature\/black-carnival-or-the-eternal-return-of-evil\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abCarnaval noir\u00bb ou l&#039;\u00e9ternel retour du mal\" \/>\n<meta property=\"og:description\" content=\"Le dernier roman en date de Metin Arditi, Carnaval noir, est sorti en ao\u00fbt 2018 aux Editions Grasset. Racontant sous fond d&#039;histoire \u00e0 suspense l&#039;\u00e9ternel retour de la d\u00e9raison humaine, il peut \u00eatre lu \u00e0 tout moment en guise d&#039;avertissement. Et il se pourrait bien que notre \u00e9poque ne soit pas \u00e0 l&#039;abri de quelque carnaval infernal.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/en\/literature\/black-carnival-or-the-eternal-return-of-evil\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/jonas.follonier\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-08-13T18:00:44+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-03-12T21:39:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/08\/IMG_4977-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"3880\" \/>\n\t<meta property=\"og:image:height\" content=\"2680\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" 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