{"id":25374,"date":"2019-09-25T11:55:06","date_gmt":"2019-09-25T09:55:06","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=25374"},"modified":"2025-12-04T22:35:48","modified_gmt":"2025-12-04T21:35:48","slug":"portrait-of-the-burning-maiden-eurydice-en-abime","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/portrait-of-the-burning-maiden-eurydice-en-abime\/","title":{"rendered":"\u00abPortrait de la jeune fille en feu\u00bb: Eurydice in abyss"},"content":{"rendered":"

Awarded a prize at Cannes for its screenplay, C\u00e9line Sciamma's latest film\nSciamma's latest film depicts the meeting and burgeoning passion between two 19th-century women.th<\/sup>\ncentury. The director of Tomboy<\/em> sets the story ablaze with an impressive, impressionistic plot\nthe story of a painter who has to conceal from her model\nthat her mission is to paint his portrait on canvas. An apt reflection\non love and memory through the prism of the image.<\/strong><\/p>\n\n\n\n\n\n\n\n

A chance meeting, a confrontation of two destinies. Following in her father's footsteps, Marianne (No\u00e9mie Merlant<\/a>), an intrepid painter who never hesitates to throw herself into the water to save her drifting canvases in front of astonished sailors, accepts a job from a bourgeois matron. She painted the portrait of H\u00e9lo\u00efse (Ad\u00e8le Haenel<\/a>), the sponsor's youngest daughter. H\u00e9lo\u00efse is plucked from her convent to take her place in her late sister's destiny. She is to marry a Milanese man who demands a portrait of the young woman before taking her as his wife. Helpless in the face of this crushing reality, H\u00e9lo\u00efse expresses her disagreement by refusing to play the muse's game, and thus to be an accomplice in this union. Marianne thus succeeds a first painter who has failed: she will have to paint this portrait without the main interested party realizing it.<\/p>\n\n\n\n

An aesthetic of concealment<\/h3>\n\n\n\n

The relationship between the two women is therefore based on concealment. Playing at being a lady-in-waiting for her strolls, Marianne discovers, at the same time as the viewer, the face of her subject. A fierce, wary subject, concealed under long capes and scarves. Gradually, the wind reveals the features of her face. Through the regular use of close-ups and frequent cuts, Marianne's gaze isolates her prey, helping to make visible the artist's process of creation and memorization: capturing in an instant the raise of an eyebrow, the depth of a gaze or a furtive expression.<\/p>\n\n\n\n

An even more poignant cut of the subject, thanks to the ambience\nsound and location. Set behind closed doors on a Breton island, the painter's arrival\nof the painter aboard a boat amid a thunderous din - waves crashing against her\nwaves crashing against her boat, the screeching of oars in rhythm with the\nof the oars to the rhythm of the sailors' movements - contrasts deliberately with the almost total absence of music\nand intermittent characters in the fiction. Outside the world, in a time\nwithout time, the protagonists forge an exclusive, forbidden relationship.<\/p>\n\n\n\n

A painting of memory<\/h3>\n\n\n\n

As their relationship evolves, Marianne's certainties and\nMarianne's certainties, like her attempts to paint a portrait of H\u00e9lo\u00efse\nof H\u00e9lo\u00efse, will be shattered. The woman who seemed to be free by refusing to accept\nconventions - she smokes a pipe and paints male subjects when she's\nShe finds in H\u00e9lo\u00efse an unsuspected strength. Without falling into\nand self-pity, Sciamma builds these women, who seem to be at odds with each other\nheroines of their time. Far from a single sketch of two singular\nof two singular destinies, the film evokes a network of women resisting\nsocial hierarchy.<\/p>\n\n\n\n

In this respect, painting is also the medium of this secret history, when a clandestine abortion is restored through painting. The imprint, the trace of the pictorial image, acts as a memory. Collective or personal, it acts as a reminiscence of a now that has seen itself condemned. What if, as one of the protagonists suggests, Orpheus had deliberately turned back to preserve a phantasmal image of Eurydice? Through her reflections on painting and memory, Portrait of a Girl on Fire <\/em>makes an impossible love story the very condition of a collective and universal memory, avoiding the pitfall of a pathos<\/em> redundant. Far from being scholastic, the apparent simplicity and purity of the image offer the viewer a powerful, unadulterated experience.<\/p>\n\n\n\n

Write to the author: fanny.agostino@leregardlibre.com<\/a><\/em><\/em><\/p>\n\n\n\n

You've just read an open-access article.\u00a0<\/strong>Debates, analysis, cultural news:\u00a0subscribe<\/a>\u00a0to support us and get access to all our content!<\/p>","protected":false},"excerpt":{"rendered":"

C\u00e9line Sciamma's latest film, which won an award at Cannes for its screenplay, depicts the encounter and burgeoning passion between two 19th-century women. The director of Tomboy sets her story ablaze with an impressive, impressionistic plot about a painter who has to conceal from her model the fact that she has been commissioned to paint her portrait on canvas. An apt reflection on love and memory through the prism of the image.<\/p>","protected":false},"author":97,"featured_media":25408,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[168529,644341146,940893,39890283,644342949],"class_list":["post-25374","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-cannes","tag-critiques-cinema","tag-festival-de-cannes","tag-noemie-merlant","tag-orphee-et-eurydice"],"acf":[],"yoast_head":"\n\u00abPortrait de la jeune fille en feu\u00bb: Eurydice en ab\u00eeme<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/portrait-of-the-burning-maiden-eurydice-en-abime\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abPortrait de la jeune fille en feu\u00bb: Eurydice en ab\u00eeme\" \/>\n<meta property=\"og:description\" content=\"Prim\u00e9 \u00e0 Cannes pour son sc\u00e9nario, le dernier film de C\u00e9line Sciamma d\u00e9peint la rencontre puis la passion naissante entre deux femmes du XIXe si\u00e8cle. 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