{"id":25384,"date":"2019-09-24T21:48:42","date_gmt":"2019-09-24T19:48:42","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=25384"},"modified":"2022-09-25T16:19:00","modified_gmt":"2022-09-25T14:19:00","slug":"cest-la-lutte-finale-entre-texte-et-images","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/literature\/cest-la-lutte-finale-entre-texte-et-images\/","title":{"rendered":"\u00abC'est la lutte finale\u00bb, between text and images"},"content":{"rendered":"

Tuesday's books - Ivan Garcia<\/em><\/p>\n\n\n\n

Literature and photography have often joined forces to create hybrid works. From the famous Bruges-la-Morte <\/em>of Belgian writer Georges Rodenbach in The Clear Room <\/em>by Roland Barthes, photographs have often accompanied texts to illustrate them or provide alternative readings. Today, Le Regard Libre<\/em> offers you a dive into It's the final battle<\/em>, A photo book about the nineteenth F\u00eate cantonale genevoise de lutte (Geneva Wrestling Festival) to introduce you to the sport through words and pictures.<\/strong><\/p>\n\n\n\n\n\n\n\n

Dans la commune genevoise d\u2019Ani\u00e8res, du 12 au 13 mai 2018, un \u00e9v\u00e9nement important a eu lieu: la f\u00eate cantonale genevoise de lutte. Non seulement m\u00e9diatis\u00e9e par des journalistes et des photographes, celle-ci a \u00e9galement donn\u00e9 naissance \u00e0 un ouvrage publi\u00e9 aux \u00e9ditions Good Heidi. Son auteure, la photographe genevoise Karine Bauzin, ancienne assistante du photographe Raymond Depardon, n\u2019en est pas \u00e0 son premier coup d\u2019essai. Victime d\u2019une rupture d\u2019an\u00e9vrisme, cette ancienne \u00e9tudiante en lettres se tourne ensuite vers la photographie de presse, et publie deux livres: le premier, Un jour, tout bascule\u2026<\/em>, traite de son accident; le deuxi\u00e8me, intitul\u00e9 PORTRAITS-GE.CH<\/em> et paru aux \u00e9ditions Slatkine, est bas\u00e9 sur les portraits de personnalit\u00e9s genevoises. Avec ce troisi\u00e8me ouvrage, Karine Bauzin m\u00eale photographies, entretiens et r\u00e9cit pour dresser un t\u00e9moignage vivant de cette manifestation sportive.<\/p>\n\n\n\n

Un livre t\u00e9moignage<\/strong><\/h3>\n\n\n\n

Ces derni\u00e8res ann\u00e9es, la lutte suisse a le vent en poupe: f\u00eate f\u00e9d\u00e9rale de 2016 \u00e0 Estavayer-Le-Lac en Romandie, grandes manifestations helv\u00e9tiques, associations sportives et couverture m\u00e9diatique prolifique ont contribu\u00e9 \u00e0 diffuser ce sport longtemps cloisonn\u00e9 \u00e0 la Suisse al\u00e9manique en terres romandes, o\u00f9 il trouve aujourd\u2019hui des adeptes. Aussi, l\u2019originalit\u00e9 du pr\u00e9sent ouvrage consiste \u00e0 fournir au lectorat des portes d\u2019entr\u00e9es multiples. Le simple curieux pourra admirer les photographies, toutes en noir et blanc, alors que le lecteur avide scrutera la moindre particule de texte \u00e0 la recherche d\u2019informations. Le plus assidu, quant \u00e0 lui, alliera texte et photographies pour avoir une vue d\u2019ensemble de la chose.<\/p>\n\n\n\n

\"\"
\u00a9 Karine Bauzin<\/em><\/figcaption><\/figure>\n\n\n\n

It's the final battle <\/em>se pr\u00e9sente comme un livre t\u00e9moignage qui rapporte aux lecteurs les deux grandes journ\u00e9es de la f\u00eate cantonale genevoise de lutte de 2018 \u00e0 Ani\u00e8res. Ce faisant, l\u2019ouvrage rel\u00e8ve d\u2019un curieux m\u00e9lange entre travail journalistique, photographie et exp\u00e9rimentation litt\u00e9raire. A peine l\u2019ouvrage est-il ouvert que se d\u00e9voile \u00e0 nos yeux une demi-page de texte sur l\u2019histoire de la lutte et, sur l\u2019autre double page, une gravure. Nous assistons donc \u00e0 un m\u00e9lange des sources et des formats pour entra\u00eener le lecteur dans son exploration sportive.<\/p>\n\n\n\n

En d\u00e9butant avec des consid\u00e9rations historiques sur ce sport, l\u2019auteur propose aux lecteurs une mise en contexte de son ouvrage, ainsi que de son travail, avant d\u2019entamer son reportage. Dans la m\u00eame veine, le lecteur trouvera deux brefs entretiens des organisateurs de la manifestation qui expliquent les raisons de l\u2019organisation de cette f\u00eate.<\/p>\n\n\n\n

Photos et texte: un duo voyageur<\/strong><\/h3>\n\n\n\n

Au cours de la lecture, nous pouvons suivre le r\u00e9cit en choisissant de faire l\u2019impasse sur le texte ou sur les photographies. Mais ce n\u2019est que lorsque les deux m\u00e9diums sont mis en r\u00e9sonance que l\u2019ouvrage atteint son summum. Les photographies sont semblables \u00e0 des fragments, comme si la photographe avait souhait\u00e9 cristalliser en quelques clich\u00e9s les moments forts de ce sport. Nous verrons par exemple des enfants lutter l\u2019un contre l\u2019autre ou, \u00e0 des instants plus festifs, des lutteurs en train de boire des bi\u00e8res.<\/p>\n\n\n\n

\"\"
\u00a9 Karine Bauzin<\/figcaption><\/figure>\n\n\n\n

Pour faire \u00e9cho \u00e0 cet objectif qui cible des moments privil\u00e9gi\u00e9s, l\u2019auteur utilise judicieusement la mise en page en vue de cr\u00e9er des effets. Entre autres, nous pourrons voir des effets de tressage entre les diff\u00e9rentes photographie, certaines en \u00e9voquant d\u2019autres ou \u00e9tant des parties plus finement cadr\u00e9es que d\u2019autres de plus grandes ampleurs. D\u2019un certain point de vue, l\u2019ouvrage avec ses tons noirs et blancs rappelle les flip books<\/em> qui font d\u00e9filer, au fur et \u00e0 mesure que les pages se tournent, une histoire.<\/p>\n\n\n\n

Loin de ne se limiter qu\u2019\u00e0 jouer avec les photographies, l\u2019auteur laisse \u00e9galement une grande place au texte qui appara\u00eet, notamment, sous la forme de verbes \u00abaffronter\u00bb, \u00abhydrater\u00bb, \u00abrespecter\u00bb,\u2026 \u00e9galement en noir et blanc et qui, souvent, occupent une demi-page. L\u2019autre demi-page \u00e9tant occup\u00e9e par une photographie, les lecteurs font rapidement le lien entre l\u2019un et l\u2019autre. D\u2019ailleurs, chaque verbe \u00e9tant d\u00e9fini, celui-ci se voit doter d\u2019un sens bien particulier propre au contexte de la f\u00eate cantonale genevoise de lutte. Karine Bauzin nous livre, gr\u00e2ce \u00e0 ce dispositif, une sorte de petite parodie imag\u00e9e du Dictionnaire des id\u00e9es re\u00e7ues <\/em>de Flaubert.<\/p>\n\n\n\n

\"\"
\u00a9 Karine Bauzin<\/em><\/figcaption><\/figure>\n\n\n\n

Esth\u00e9tiquement, l\u2019ouvrage s\u2019impose en une vraie r\u00e9ussite et remplit le pari de nous faire voguer \u00e0 la rencontre d\u2019un sport qui, a priori<\/em>, semble peu int\u00e9ressant ou, en tous cas, aurait bien du mal \u00e0 adopter une forme romanesque. Quant au niveau narratif, \u00e9videmment, l\u2019ouvrage de Karine Bauzin n\u2019est pas d\u2019un texte que nous pourrions qualifier de purement litt\u00e9raire, mais, par ses proc\u00e9d\u00e9s ing\u00e9nieux, nous pourrions le rapprocher d\u2019une sorte de roman graphique. A l\u2019aide de la mise en page et des photographies, cette \u0153uvre entra\u00eene le lecteur dans un r\u00e9cit, celui de ces journ\u00e9es de lutte, entre texte et images.<\/p>\n\n\n\n

Write to the author: ivan.garcia@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n

Photo credit: \u00a9 Ivan Garcia for Le Regard Libre<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Literature and photography have often joined forces to create hybrid works. From Belgian writer Georges Rodenbach's famous Bruges-la-Morte to Roland Barthes' La Chambre claire, photographs have often accompanied texts to illustrate them or provide alternative readings. Today, Le Regard Libre invites you to dive into C'est la lutte finale, a photo book about the nineteenth F\u00eate cantonale genevoise de lutte, to familiarize yourself with the sport through words and images.<\/p>","protected":false},"author":53,"featured_media":25388,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20663],"tags":[644342941,54879,644342940,644342943,644342935,644342938,644342931],"class_list":["post-25384","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-litterature","tag-anieres","tag-critiques-litteraires","tag-fete-cantonale-genevoise-de-lutte","tag-karine-bauzin","tag-livre-illustre","tag-livre-photo","tag-lutte"],"acf":[],"yoast_head":"\n\u00abC\u2019est la lutte finale\u00bb, entre texte et images<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/literature\/cest-la-lutte-finale-entre-texte-et-images\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abC\u2019est la lutte finale\u00bb, entre texte et images\" \/>\n<meta property=\"og:description\" content=\"La litt\u00e9rature et la photographie ont souvent joint leurs forces pour cr\u00e9er des \u0153uvres hybrides. 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