{"id":26508,"date":"2019-10-23T19:00:11","date_gmt":"2019-10-23T17:00:11","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=26508"},"modified":"2025-12-04T22:35:37","modified_gmt":"2025-12-04T21:35:37","slug":"papicha-the-substance-derobe-by-the-form","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/papicha-the-substance-derobe-by-the-form\/","title":{"rendered":"\u00abPapicha\u00bb: substance stolen by form"},"content":{"rendered":"<p><em>Cinema Wednesdays - Fanny Agostino<\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>With enthusiasm and a few\nMounia Meddour focuses on the invisible resistance in Algeria.\nIn the 1990s, a group of female students refused to submit to the\ntheir daily lives by organizing a fashion show. A\njuvenile film for its qualities and flaws.<\/strong><\/p>\n\n\n\n<!--more Lire la critique-->\n\n\n\n<p>Cit\u00e9 \u00e9tudiante U in Algiers, in the middle of the night\ndeserted. Nedjma and Wassila sneak off in a clandestine cab.\nAs attacks by Islamist groups threaten the country's political stability\nthe country's political stability, these French bachelor's students defy all\nto join the dance floor. In a golden bag, all their\nall their clubbing paraphernalia ready to be donned. A second skin, far from\nmoralistic gaze. In the toilets of Algiers clubs, Nedjma, aka Papicha\n- a beautiful and free woman in Arabic - sets up her ephemeral dream business.\nWomen flock to order dresses that she designs herself.<\/p>\n\n\n\n<p style=\"color:#1d296c\" class=\"has-text-color\"><strong>Read also: <\/strong><a href=\"https:\/\/leregardlibre.com\/en\/2017\/04\/15\/female-jihad-meets-noemie-merlant\/\"><strong>Le djihad au f\u00e9minin - Meeting with No\u00e9mie Merlant<\/strong><\/a><\/p>\n\n\n\n<p>This daily routine is transformed from a carefree\nto an assertive resistance, as Islamist sympathizers multiply their\nare increasingly putting up posters advocating the burqa. An escalation in the\ndenial of women's freedoms. While Papicha and her co-religionists put up a verbal fight\nfight back verbally, this first salvo is stopped short by an assassination.\nAfter anger, it was time for action. Papicha will parade her friends\nat a university gala to showcase her creations, whatever the risks.\nno matter what the risks.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Staggering youth<\/strong><\/h3>\n\n\n\n<p>Through fiction, Mounia Meddour updates the black decade, a subject that is still hotly debated in Algeria. Proof of this is the cancellation of the film's preview last September in Algiers, even though the film is, at the time of writing, in the running to represent her country at the Oscars... A censorship not unlike that of <em>Much Loved<\/em> (2015) by French-Moroccan director Nabil Ayouch. While the latter evoked prostitution in Morocco, it also painted a portrait of rebellious women, revealing the underpinnings of a society and its mores. A notable difference between the two features is the frenetic, impetuous spontaneity of the protagonists in their biting dialogues, in which French and Arabic overlap.<\/p>\n\n\n\n<p>Like the sunny, intrepid Lyna Khoudri, Meddour's direction is pugnacious and mischievous, favoring the mobility of the camera. In the midst of all this hullabaloo, a whole network is revealed: from the grocer hiding the latest <em>jeans<\/em> Levi's under his counter to the relationships between these different women sharing the same room, between <em>poster<\/em> and prayer rugs.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Nobility of intention, failure of\npractice<\/strong><strong><\/strong><\/h3>\n\n\n\n<p>There's still one annoyance. The critic is in a quandary; if the theme is venerable, as is the idea of the screenplay, it's still necessary to point out the film's major drawback. Mounia Meddour drinks in youth while absorbing its flaws. Too many sequences, for example, are drawn out by an outrageous determination to underline the emotions they are supposed to arouse. This is particularly true of a moment in which women in burqas call out to Papicha to music worthy of the <em>Jaws<\/em>, This scene takes on an unwelcome, almost comical dimension. As for the parade sequence and the one that follows, they're botched and leave the viewer wanting more.<\/p>\n\n\n\n<p>By trying too hard, Meddour loses its audience somewhat in the second half of the film. What remains is an enlightening drama on an issue that resonates strangely with current events in France. The director may have gone a little astray with her first film, but she will be eagerly awaited for her next. <\/p>\n\n\n\n<p><em>Write to the author: <a href=\"mailto:fanny.agostino@leregardlibre.com\">fanny.agostino@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p>Photo credit: \u00a9 Cineworx<\/p>","protected":false},"excerpt":{"rendered":"<p>Mounia Meddour's spirited, if somewhat clumsy, look at the invisible resistance in Algeria. In the 1990s, a group of female students refuse to submit to the rise of Islam, disrupting their daily lives by organizing a fashion show. A youthful film with qualities and flaws.<\/p>","protected":false},"author":97,"featured_media":510722,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[100140,411893,420,644343101,644343100,644343099,644343110,644343103],"class_list":["post-26508","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-algerie","tag-burqa","tag-islam","tag-meddour","tag-mounia-meddour","tag-papicha","tag-port-de-la-burqa","tag-voile-integral"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abPapicha\u00bb: le fond d\u00e9rob\u00e9 par la forme<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/papicha-the-substance-derobe-by-the-form\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abPapicha\u00bb: le fond d\u00e9rob\u00e9 par la forme\" \/>\n<meta property=\"og:description\" content=\"Avec fougue et quelques maladresses, Mounia Meddour s\u2019int\u00e9resse \u00e0 la r\u00e9sistance invisible en Alg\u00e9rie. Dans les ann\u00e9es quatre-vingt-dix, des \u00e9tudiantes refusent de se soumettre \u00e0 la mont\u00e9e islamiste bousculant leur quotidien en organisant un d\u00e9fil\u00e9 de mode. 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