{"id":28342,"date":"2019-12-03T20:00:52","date_gmt":"2019-12-03T19:00:52","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=28342"},"modified":"2022-09-25T16:18:57","modified_gmt":"2022-09-25T14:18:57","slug":"se-taire-cest-lhistoire-de-mathilde","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/literature\/se-taire-cest-lhistoire-de-mathilde\/","title":{"rendered":"\u00abSe taire\u00bb is Mathilde's story"},"content":{"rendered":"

Tuesday books - Loris S. Musumeci<\/em><\/p>\n\n\n\n

\u00abLes hommes se terraient, leur parole n\u2019\u00e9tait plus audible, \u00e0 moins qu\u2019ils se fassent les porte-parole d\u2019un f\u00e9minisme militant, et se montrent pr\u00eats \u00e0 offrir en expiation leurs testicules sur un plateau d\u2019argent . La guerre des sexes battait son plein, d\u00e9voilant un march\u00e9 au d\u00e9veloppement exponentiel, dont la presse \u00e9crite entendait bien profiter, elle qui vivait aussi ses derniers moments.\u00bb<\/p><\/blockquote>\n\n\n\n\n\n\n\n

Mazarine Pingeot nous place dans un contexte historique. Celui que l\u2019on pourrait appeler \u00abl\u2019\u00e9poque #MeToo\u00bb. Elle en parle dans le prologue \u00e0 son roman, comme s\u2019il s\u2019agissait de temps r\u00e9volus, alors que c\u2019est au centre de notre soci\u00e9t\u00e9 actuelle, dont elle fait partie. La distance qu\u2019elle semble instaurer par un usage des temps du pass\u00e9 n\u2019est en fait qu\u2019une fa\u00e7on de nous faire comprendre que la description qu\u2019elle donne de ce temps<\/em> est en fait hors du temps<\/em>. <\/p>\n\n\n\n

En d\u00e9pit des changements consid\u00e9r\u00e9s comme des \u00e9volutions, la m\u00e9canique du monde, du rapport homme-femme a toujours \u00e9t\u00e9 r\u00e9gie par le poids du silence et le cri des pulsions. \u00abDerri\u00e8re le brouhaha du monde continuait la souffrance des femmes\u00bb, conclut le prologue. Tout a chang\u00e9, mais tout est rest\u00e9 comme avant. Fatalit\u00e9? Au lecteur d\u2019en juger \u00e0 la fin du roman. <\/p>\n\n\n\n

Mathilde et l\u2019histoire des femmes<\/h3>\n\n\n\n

En attendant, il y a Mathilde et son histoire,\nMathilde et l\u2019histoire des femmes, Mathilde et son silence, Mathilde et Se taire<\/em>. Sa situation a tout pour \u00eatre\nexceptionnelle: fille d\u2019un chanteur populaire engag\u00e9, petite-fille d\u2019un grand\npo\u00e8te qui fut r\u00e9sistant sous l\u2019occupation. Pourtant, sa blessure est banale,\nport\u00e9e par tant d\u2019autres femmes. <\/p>\n\n\n\n

A vingt ans, elle entame une carri\u00e8re de\nphotographe pour un magazine de renom. Elle est envoy\u00e9e chez une sommit\u00e9 du\nmonde politique couronn\u00e9e du prix Nobel de la paix. Homme \u00e0 la stature morale\nin\u00e9branlable. Mais, comme souvent, la saintet\u00e9 apparente cache une sauvagerie\nr\u00e9elle. Mathilde, irr\u00e9sistible de fra\u00eecheur, suscite l\u2019\u00e9moi chez cet homme qui,\nen une seule page rapide et directe, la viole tout simplement. Paraissant ne\nrien y comprendre, la photographe se rhabille et prend les clich\u00e9s qu\u2019il lui\nfaut. Elle s\u2019en va, salu\u00e9e par un Nobel souriant et bienveillant. Comme si de\nrien n\u2019\u00e9tait. <\/p>\n\n\n\n

Et pourtant, il en est. Une fois que la jeune fille r\u00e9alise ce qui s\u2019est pass\u00e9, sa blessure gonfle jusqu\u2019\u00e0 l\u2019\u00e9touffer de l\u2019int\u00e9rieur. Se taire<\/em>, n\u00e9anmoins elle doit parler; le silence est intenable. Empathie des siens qui lui font toutefois comprendre qu\u2019elle n\u2019a aucune chance contre un homme comme le Nobel. Mathilde devait parler par besoin psychologique; il ne lui reste d\u00e9sormais qu\u2019\u00e0 se taire et oublier. Qu\u2019\u00e0 renoncer \u00e0 la justice et aller de l\u2019avant. Mais comment avancer lorsqu\u2019on est bloqu\u00e9 dans des images qui nous hantent?<\/p>\n\n\n\n

A la premi\u00e8re personne<\/h3>\n\n\n\n

Le roman \u00e9tant \u00e9crit \u00e0 la premi\u00e8re personne, on suit la protagoniste du d\u00e9but \u00e0 la fin. On \u00e9volue avec elle, on souffre avec elle, on comprend avec elle les manipulations que lui feront subir les hommes et la rh\u00e9torique de la culpabilit\u00e9 qu\u2019on lui ass\u00e8ne. Sous la plume de Mazarine Pingeot, on entre donc en intimit\u00e9 avec Mathilde. Elle est profond\u00e9ment attachante. Et sublime: sa blondeur, sa minceur, la description de son visage et de son corps d\u00e9sirable \u2013 parfois malgr\u00e9 elle. A lecture du roman, il m\u2019est arriv\u00e9 d\u2019en avoir les papillons au ventre en pensant \u00e0 elle, si belle. <\/p>\n\n\n\n

Merci \u00e0 la romanci\u00e8re qui rend chacune de ses paroles si \u00e9vocatrices de sens et d\u2019images. L\u2019\u00e9criture est sobre et pr\u00e9cise, et compte parmi ses qualit\u00e9s celles de laisser para\u00eetre une sensualit\u00e9 qui transperce les pages ou encore d\u2019alterner la longueur des phrases. Certains passages fusent dans les angoisses de Mathilde. D\u2019autres, aux phrases beaucoup plus longues, traduisent tant\u00f4t l\u2019immersion lente dans un gouffre relationnel, tant\u00f4t la continuation tranquille et normale de la vie. Comme quoi, les deux sont li\u00e9s. Comme quoi, la routine du silence est un pi\u00e8ge. <\/p>\n\n\n\n

La psychologie f\u00e9minine<\/h3>\n\n\n\n

Du point de vue du fond, il faut continuer \u00e0 saluer l\u2019intelligence de Mazarine Pingeot. Bien plac\u00e9e d\u2019ailleurs pour parler de silence et de famille. Elle qui a \u00e9t\u00e9 longtemps la fille cach\u00e9e, mais tr\u00e8s aim\u00e9e, du pr\u00e9sident Fran\u00e7ois Mitterrand de son union avec Anne Pingeot. Elle montre comment l\u2019art oratoire, ou l\u2019art tout court, peut se transmettre de g\u00e9n\u00e9ration en g\u00e9n\u00e9ration; mais la facult\u00e9 de se taire aussi. On souffre des p\u00e9ch\u00e9s parentaux, les Grecs le disaient d\u00e9j\u00e0 en leur temps. On souffre du poids de son nom. On souffre du sang qui coule dans nos veines. Pourtant, telle est notre richesse. Sans histoire, sans h\u00e9ritage et sans nom, qui serions-nous?<\/p>\n\n\n\n

L\u2019auteur dresse encore un portrait tellement juste de la psychologie f\u00e9minine. On me dira certainement que la psychologie f\u00e9minine n\u2019existe pas, et qu\u2019elle n\u2019est que le fruit du regard malveillant et offensif que portent les hommes sur les femmes. Oui, je sais. Je connais ces th\u00e9ories, mais je m\u2019en fiche. Je dis ce que je veux. D\u2019autant plus que Mazarine est sans doute de mon c\u00f4t\u00e9. <\/p>\n\n\n\n

Une sexualit\u00e9 en deux temps<\/h3>\n\n\n\n

Psychologie f\u00e9minine, disions-nous. A travers la belle Mathilde, on comprend, ou l’on approche pour le moins, la division unique entre le d\u00e9sir de plaire et la lassitude d\u2019\u00eatre poss\u00e9d\u00e9e. On a l\u00e0 affaire \u00e0 une sorte de sexualit\u00e9 en deux temps qui fait que Mathilde, se sachant sensuelle et d\u00e9sirable, veut approcher les hommes, elle aime leurs yeux, elle aime leurs torses, elle a besoin d\u2019amour, comme tout un chacun. Mais en m\u00eame temps, elle ne peut pas supporter qu\u2019un homme s\u2019\u00e9prenne d\u2019elle et la prenne. L\u2019homme est un conquis qui se croit conqu\u00e9rant, il est un esclave de ses sentiments et de ses pulsions qui se veut dominateur. <\/p>\n\n\n\n

La lassitude de Mathilde est celle de toute les femmes. Son viol, aussi. Parce qu\u2019elle est pure, et donc la cible favorite des pervers. Pervers dans lequel chaque homme doit faire l\u2019exercice de se reconna\u00eetre. Parce que les femmes nous rendent fous, et parfois nous perdons le contr\u00f4le. Parce que nous perdons le contr\u00f4le, et nous nous croyons tout permis. Parce qu\u2019au final, l\u2019amour n\u2019est qu\u2019une lutte, de laquelle Mathilde sortira victorieuse. En trouvant le courage d\u2019affronter son silence.<\/p>\n\n\n\n

Write to the author: loris.musumeci@leregardlibre.com<\/a><\/em>
<\/p>\n\n\n\n

Photo credit: \u00a9 Loris S. Musumeci for Le Regard Libre<\/em><\/p>\n\n\n\n

\"\"<\/figure>
\n

Mazarine Pingeot<\/strong>
Se taire<\/em><\/strong>
Editions Julliard<\/strong>
2019<\/strong>
277 pages<\/strong><\/p>\n<\/div><\/div>\n\n\n\n

buy<\/a><\/div>","protected":false},"excerpt":{"rendered":"

\u00abSe taire\u00bb, apr\u00e8s un viol.<\/p>","protected":false},"author":1,"featured_media":28347,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20663],"tags":[54879],"class_list":["post-28342","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-litterature","tag-critiques-litteraires"],"acf":[],"yoast_head":"\n\u00abSe taire\u00bb, c\u2019est l\u2019histoire de Mathilde<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/literature\/se-taire-cest-lhistoire-de-mathilde\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abSe taire\u00bb, c\u2019est l\u2019histoire de Mathilde\" \/>\n<meta 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