{"id":29517,"date":"2020-01-01T13:35:07","date_gmt":"2020-01-01T12:35:07","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=29517"},"modified":"2025-12-04T22:29:49","modified_gmt":"2025-12-04T21:29:49","slug":"in-play-max-boublil-a-la-nostalgie-du-present","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/dans-play-max-boublil-a-la-nostalgie-du-present\/","title":{"rendered":"In \u00abPlay\u00bb, Max Boublil is nostalgic for the present"},"content":{"rendered":"

Cinema Wednesdays - Jonas Follonier<\/em><\/p>\n\n\n\n

C’est l’histoire d’un gar\u00e7on, Max, qui re\u00e7oit un cam\u00e9scope pour ses treize ans, objet qu’il ne va plus quitter. Comme Charles Aznavour, dont le film The look in Charles' eyes<\/em> has been analyzed here<\/a> par Loris S. Musumeci et moi-m\u00eame, Max filme son existence, ne manquant pas une occasion d’immortaliser avec sa cam\u00e9ra des moments qui importants, qui futiles. Vingt ans plus tard, en 2019, Max va d\u00e9voiler le \u00abfilm de sa vie\u00bb, voyant ainsi sa vie d\u00e9filer devant ses yeux. Et les n\u00f4tres.<\/strong><\/p>\n\n\n\n\n\n\n\n

En 1989, sur l’excellent album Sarbacane<\/em>, Francis Cabrel sublimait l’omnipr\u00e9sence de l’amour dans nos vies et dans nos esprits:<\/p>\n\n\n\n

\u00abIt's on everyone's mind<\/a>
Men, angels and vultures
Y’a plus de distances
Personne qu’y ait les bras trop courts
Everyone hopes
M\u00eame \u00e0 l’arri\u00e8re des arri\u00e8re-cours
Everyone wants a return ticket
D’amour, d’amour, d’amour, d’amour\u00bb<\/p><\/blockquote>\n\n\n\n

Ce n’est pas le film Play<\/em> d’Anthony Marciano qui contredira cette sagesse ancestrale relay\u00e9e par le chanteur \u00e0 l’accent gascon. L’amour est en effet au c\u0153ur de ce long-m\u00e9trage, o\u00f9 l’on voit le protagoniste principal, Max (Max Boublil), passer \u00e0 c\u00f4t\u00e9 de l’amour de sa vie, par sa propre faute, et s’aventurer dans un mariage sans v\u00e9ritable sens. Une histoire banale, presque ennuyeuse. Heureusement, Play<\/em> est bien plus que cela. Non seulement le sc\u00e9nario co-sign\u00e9 par Anthony Marciano et Max Boublil fait d\u00e9border du th\u00e8me de l’amour celui, passionnant, de la nostalgie du pr\u00e9sent. Mais encore la forme \u2013 quelle forme! \u2013 captive par son originalit\u00e9 et sert le propos.<\/p>\n\n\n\n

An amateur camera, seriously?<\/h3>\n\n\n\n

Il fallait oser baser ce film sur l’id\u00e9e d’un montage de vid\u00e9os pour ainsi dire amateur. Et c’est le \u00abpour ainsi dire\u00bb qui m’int\u00e9resse dans ma phrase: de petits films mont\u00e9s professionnellement et montr\u00e9s publiquement n’ont en r\u00e9alit\u00e9 rien d’amateur. Tout est l\u00e0. Ce qu’on peut d\u00e9crire comme une \u00abmise en ab\u00eeme\u00bb a le m\u00e9rite de questionner la fronti\u00e8re entre l’amateur et le professionnel, d’interroger les caract\u00e9ristiques qu’offre un simple statut \u2013 celui de film, de long-m\u00e9trage \u2013 \u00e0 un mat\u00e9riau.<\/p>\n\n\n\n

\"\"
Young Max, filming and filmed \u00a9 Praesens-Film<\/figcaption><\/figure>\n\n\n\n

Also, the semblance of what’s this shit?<\/em> convient \u00e0 merveille \u00e0 ce que j’appellerai les vies de merde. En somme, l’\u00e9quivalent dans l’existence de ce qu’est l’extr\u00eame-centre en politique. Nulle volont\u00e9 ici de d\u00e9nigrer cette composante des soci\u00e9t\u00e9s contemporaines ax\u00e9es autour de la classe moyenne; il s’agit de mettre en lumi\u00e8re ce qui, dans nos vies \u00e0 tous, rel\u00e8ve de ce fondamentalisme du gnan-gnan. \u00ab\u00c7a, s’exclame \u00e0 un moment donn\u00e9 Max en parlant d’un ami \u00e0 son enfant, c’est un copain de papa qui a des enfants, une maison \u00e0 la campagne, un chien et qui a tout compris \u00e0 la vie quoi.\u00bb Cette r\u00e9plique est d’autant plus juste que le personnage qui la dit n’a lui-m\u00eame pas tout compris \u00e0 la vie. Il le sait et s’en prend donc aux autres pour ne pas s’en prendre \u00e0 lui-m\u00eame… du moins pas encore.<\/p>\n\n\n\n

A nostalgia for the present<\/h3>\n\n\n\n

En fait, Max est dans la nostalgie du pr\u00e9sent. Lui-m\u00eame le dit: \u00abJ’ai toujours \u00e9t\u00e9 nostalgique au pr\u00e9sent, nostalgique de ce que je suis en train de vivre.\u00bb Qu’est-ce \u00e0 comprendre? Tout simplement que le pr\u00e9sent est insaisissable. Que le temps \u2013 et donc aussi la vie qui s’y inscrit \u2013 est incompr\u00e9hensible. Qu’est-ce que le pass\u00e9, sinon quelque chose qui n’existe plus? Le futur, si ce n’est quelque chose qui est encore \u00e0 venir? Et le pr\u00e9sent, sauf un instant qui n’est d\u00e9j\u00e0 plus d\u00e8s qu’on y pense? Vivons et n’y pensons plus, tel est le rem\u00e8de \u00f4 combien basique mais essentiel qui nous est livr\u00e9 dans ce film. Vivre pour embrasser l’amour qui nous attend. Vivre pour cr\u00e9er son \u0153uvre, cr\u00e9er son existence, se cr\u00e9er soi-m\u00eame.<\/p>\n\n\n\n

Write to the author: jonas.follonier@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n

Photo credit: \u00a9 Praesens-Film<\/p>","protected":false},"excerpt":{"rendered":"

And understandably so.<\/p>","protected":false},"author":138,"featured_media":29552,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[31254,61026],"class_list":["post-29517","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-amour","tag-cinema-francais"],"acf":[],"yoast_head":"\nDans \u00abPlay\u00bb, Max Boublil a la nostalgie du pr\u00e9sent<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/in-play-max-boublil-a-la-nostalgie-du-present\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dans \u00abPlay\u00bb, Max Boublil a la nostalgie du pr\u00e9sent\" 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