{"id":29840,"date":"2020-01-08T21:15:30","date_gmt":"2020-01-08T20:15:30","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=29840"},"modified":"2025-12-04T22:29:40","modified_gmt":"2025-12-04T21:29:40","slug":"these-four-little-women-will-make-you-cry","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/ces-quatre-petites-femmes-vous-feront-pleurer\/","title":{"rendered":"These four little women will make you cry"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><em>Cinema Wednesdays - Jonas Follonier<\/em><\/p>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\"><strong>Une \u00e9ni\u00e8me adaptation du fameux roman de Louisa May Alcott, \u00e0 quoi bon? D\u00e9trompez-vous comme je me suis d\u00e9tromp\u00e9, d\u00e9tremp\u00e9 par la pluie d&rsquo;\u00e9motions que m&rsquo;a envoy\u00e9e ce film. <em>Doctor March's four daughters<\/em>, actuellement sur vos \u00e9crans, vous feront tr\u00e8s certainement pleurer. Au minimum, c&rsquo;est l&rsquo;occasion de vous plonger dans une ambiance d&rsquo;humanit\u00e9 d\u00e9nu\u00e9e de toute id\u00e9ologie. Un pur d\u00e9lice fait de nostalgie de l&rsquo;enfance, de combats individuels, de douleur et de douceur.<\/strong><\/p>\n\n\n\n<!--more Lire la critique-->\n\n\n\n<p class=\"wp-block-paragraph\">Ce n&rsquo;\u00e9tait pas gagn\u00e9. <em>Primo<\/em>, c&rsquo;est un film que j&rsquo;ai vu en catastrophe, comme ultime recours, la s\u00e9ance que j&rsquo;avais vis\u00e9e ayant \u00e9t\u00e9 annul\u00e9e pour probl\u00e8mes techniques. <em>Deuzio<\/em>, cette bande-annonce ridicule, plus usine \u00e0 b\u00e2illements qu&rsquo;une chanson de Vincent Delerm, une s\u00e9ance de <em>brainstorming<\/em>, une exposition d&rsquo;art contemporain, une page d&rsquo;un roman de la Biblioth\u00e8que rose, une actualit\u00e9 du PBD, un spectacle d&rsquo;humoriste bon enfant, une heure pass\u00e9e en biblioth\u00e8que ou un repas sans vin. Vous voyez la chose.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"LITTLE WOMEN - Official Trailer (HD)\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/AST2-4db4ic?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">But, but, but, ladies and gentlemen, such was not my disappointment for the better, as my Vaudois friends would say. From the very first images, I revised my prejudices, just like my colleague Nobert Creutz at <em>Good for the head<\/em> which apparently <a href=\"https:\/\/bonpourlatete.com\/culture\/petites-femmes-grand-film\">enjoyed the film as much as I did<\/a> \u2013 c&rsquo;est donc lui, l&rsquo;autre critique cin\u00e9ma de toute la francophonie \u00e0 l&rsquo;avoir appr\u00e9ci\u00e9! Cette sc\u00e8ne inaugurale o\u00f9 l&rsquo;on voit Jo March pr\u00e9senter ses \u00e9crits romanesques \u00e0 un \u00e9diteur surcaricatur\u00e9 (interpr\u00e9t\u00e9 par le dramaturge et acteur am\u00e9ricain Tracy Letts), qui lui laisse sa chance. S&rsquo;ouvre alors la joie de plaire par son \u0153uvre. S&rsquo;ouvre alors le film, qui sera tout aussi <em>meta<\/em> at the end than at the beginning. But let's recap...<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Wonderful atmosphere<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Jo (Saoirse Roman), l&rsquo;\u00e9crivain en herbe, est la s\u0153ur de trois autres filles March: Meg (Emma Watson), qui se r\u00eave actrice (tiens, encore une mise en ab\u00eeme), Beth (Eliza Scanlen), une pianiste pleine de talent, et Amy (Florence Pugh), qui se destine \u00e0 \u00eatre peintre. Seule la premi\u00e8re et la derni\u00e8re arriveront \u00e0 leurs fins artistiques, ce qui est d\u00e9j\u00e0 un exploit pour l&rsquo;\u00e9poque. L&rsquo;appel du mariage et quelque chose de bien plus grave encore, la mort, auront raison des deux autres filles. C&rsquo;est par un aller-retour entre deux temporalit\u00e9s que nous assistons au parcours de cette famille de la classe moyenne, dans un Massachusetts du temps de la guerre de S\u00e9cession.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Et l&rsquo;on s&rsquo;habitue relativement vite \u00e0 ce dispositif bas\u00e9 sur des <em>flashbacks<\/em> et des passages au pr\u00e9sent, bien que l&rsquo;on ne sache pas toujours avec certitude \u00e0 quel moment de l&rsquo;histoire on assiste. C&rsquo;est la grande innovation formelle de cette quatri\u00e8me adaptation du roman <em>Little Women<\/em> de Louisa May Alcott. Oui, de \u00abpetites femmes\u00bb, et non des filles comme le sugg\u00e8re la version fran\u00e7aise du titre. Tout est l\u00e0: le film tient en son sein le passage au monde adulte, avec la nostalgie de l&rsquo;enfance, du cocon, qui lui est intrins\u00e8que.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The strength of director Greta Gerwig, who had signed a very good <em><a href=\"https:\/\/leregardlibre.com\/en\/2018\/03\/21\/lady-bird-quand-ladolescence-nous-revient\/\">Lady bird<\/a><\/em>, est pr\u00e9cis\u00e9ment de retranscrire ce th\u00e8me dans une atmosph\u00e8re qui lui convient. Mieux qu&rsquo;un jeu sur le temps qui passe sur les personnages (aussi vite qu&rsquo;il passe sur le spectateur), ce parti-pris artistique compose une ambiance g\u00e9n\u00e9rale tenant du registre du merveilleux. La fra\u00eecheur des neiges d&rsquo;antan nous illumine tout comme la lumi\u00e8re altruiste \u00e9manant de la m\u00e8re des quatre filles \u2013 une m\u00e8re qui ne nous sert aucune morale, seulement de la maternit\u00e9&nbsp;\u2013 qui, \u00e0 la diff\u00e9rence des morales, est incritiquable.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Feminist and simply emancipatory<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Mais pass\u00e9 le style cin\u00e9matographique de ce long-m\u00e9trage qui n&rsquo;est pas non plus \u00e0 l&rsquo;abri de quelques critiques (les ralentis du d\u00e9but auraient pu ne pas se pointer qu&rsquo;on aurait encore plus appr\u00e9ci\u00e9, de m\u00eame que quelques violons trop \u00e9ternisants) et l&rsquo;histoire dont il ne sera plus question pour ne rien divulguer, il est plus que primordial de saluer le fond. Et en particulier une dimension que je n&rsquo;ai \u00e9tonnamment vue mentionn\u00e9e nulle part dans la presse culturelle. Je veux parler de la soif d&rsquo;\u00e9mancipation qui se d\u00e9gage des jeunes personnages de cette histoire, et pas seulement des femmes!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Oui, le film est f\u00e9ministe, en ce sens qu&rsquo;il met \u00e0 l&rsquo;honneur des femmes et qu&rsquo;il place au centre de son propos l&rsquo;aspiration profonde de la gent f\u00e9minine \u00e0 \u00eatre l&rsquo;\u00e9gale de la gent masculine. Une th\u00e9matique qui est d&rsquo;ailleurs encore d&rsquo;actualit\u00e9: l\u00e0 aussi, j&rsquo;acquiesce. Mais Laurie, le voisin, l&rsquo;avez-vous remarqu\u00e9, avec son charme renversant et ses yeux si m\u00e9lancoliquement italiens qu&rsquo;ils en deviennent presque libanais? Omnipr\u00e9sent, d\u00e9chir\u00e9 en mille par l&rsquo;amour impossible et l&rsquo;amour \u00e9ph\u00e9m\u00e8re, il se cogne lui aussi contre une soci\u00e9t\u00e9 bien trop codifi\u00e9e pour correspondre \u00e0 sa personnalit\u00e9.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mais n&rsquo;ayons que faire des codes. N&rsquo;attendons pas que la soci\u00e9t\u00e9 nous corresponde. Essayons d\u00e9j\u00e0 de nous faire correspondre nous-m\u00eames \u00e0 ce que nous souhaitons \u00eatre. Et c&rsquo;est pourquoi il nous sera permis de consid\u00e9rer, face aux codes de la pens\u00e9e ambiante, que ce film est bien plus que f\u00e9ministe. Un vrai film \u00e9mancipateur que voil\u00e0!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Write to the author: <a href=\"mailto:jonas.follonier@leregardlibre.com\">jonas.follonier@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Photo credit: \u00a9 Sony Pictures Switzerland<\/p>","protected":false},"excerpt":{"rendered":"<p>More than just a feminist film<\/p>","protected":false},"author":138,"featured_media":29939,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[61092,31254,357966,67793,2784791,108257,56942],"class_list":["post-29840","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-adaptations","tag-amour","tag-enfance","tag-feminisme","tag-guerre-de-secession","tag-mariage","tag-nostalgie"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin 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