{"id":30884,"date":"2020-01-29T14:25:51","date_gmt":"2020-01-29T13:25:51","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=30884"},"modified":"2025-12-04T22:29:24","modified_gmt":"2025-12-04T21:29:24","slug":"lhistoire-dun-photographe-sans-histoires","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/lhistoire-dun-photographe-sans-histoires\/","title":{"rendered":"The story of an uneventful \u00abPhotographer"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><em>Cinema Wednesdays - Loris S. Musumeci<\/em><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u00abWhen you look at this photo later, you'll feel the sun on your face.\u00bb<\/p><\/blockquote>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">Mumbai, Gateway of India. Raphi takes photos of tourists in front of the monument to sell them a souvenir. It\u2019s a precarious line of work in the age of selfies, but an enjoyable one. One day, he runs into Miloni, a local woman. He offers to take her picture. She poses, looking lovely. The photo is printed on the spot; she takes it and walks away without paying\u2014more out of confusion in the crowd than any intention to steal. Raphi tracks down Miloni through an advertisement in which she also appeared. Their encounter leads to an agreement. He no longer asks her for the money for the photo, but he needs a favor: for her to pretend to be his girlfriend in front of his grandmother to make her happy and honor her. Miloni agrees. What wouldn\u2019t you do for a grandma who wants her grandson to be happy? One detail: before he even knew her real first name, the photographer had already told his grandmother that his fianc\u00e9e\u2019s name was Noorie.<\/p>\n\n\n\n<!--more Lire la suite de la critique-->\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"LE PHOTOGRAPHE - Trailer\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/lbEUDOTl5IY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Noorie, Noorie<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Why Noorie? Because in India, saying the name Noorie is like saying Juliet in our country; Juliet directly evokes the figure of a lover - thank you, Shakespeare! Popular culture thanks to the greatest romance in Indian cinema: <em>Noorie<\/em> (1979), with its sweet song <em>Aaja Re O Mere Dilbar<\/em>. Peaceful title in the image of <em>Photographer<\/em> which pays tribute to him in passing. Which is as peaceful as it is slow and meditative. Ritesh Batra's direction focuses on one essential point: long shots. Fixed, focusing on the characters, in this case Raphi or Miloni, who are thinking a little about everything, a little about nothing.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Aaja Re O Mere Dilbar Aaja Noorie 1979 YouTube\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/gQY6f1T5YO0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">In addition to their slow pace, the scenes play a lot with blur. Without getting too technical, we simply note that the blur drawn around the character highlights him or her in a rather banal way. Apart from that, these images are simply beautiful to look at. The film tells the story of a photographer; the director's gaze is also that of a photographer. Photographs of an India full of color, dreams, thoughts, sunshine and the slow flow of the Ganges.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">The real India<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">An India that's just as familiar with pollution and dirt. Especially in Bombay. Yet the film manages to show us the contrast between grace and filth in perfect harmony. Because this is India. Buildings, temples; prayer flags fluttering in the wind, litter stalking the streets; noble fabrics in the colors of paradise, jeans. This is the real India. With its folk songs, sitar ballads, spicy melodies, fragrances, sweaty workers, messy markets, dilapidated buildings, festivals, joy, peace and injustice.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/01\/Photograph_Filmstill-5_Copyright_Joe_dSouza-1.jpg\" alt=\"\" class=\"wp-image-30888\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><em>The Photographer<\/em> paints a portrait of all those characteristics that make India. Quietly. Without any real adventures. So much so, in fact, that the film becomes dull at times, and feels as if it never got off the ground. But that's not too bad, as the charm catches up with us. The charm is also due to the rarity of such a scenario. Nothing happens, except that love is born little by little. No grand declarations, no explosive feelings. Raphi and Miloni, by dint of pretending, begin to really like each other. Without spoiling any expectations or surprises, we know that such a relationship is not possible. A street photographer and a girl from a good family are not meant to be in love, especially not in India. Raphi is well aware of this. She marries the husband her parents suggest. He'll remain a photographer without a fuss, without Noorie. Unless...<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Write to the author:&nbsp;<a href=\"mailto:loris.musumeci@leregardlibre.com\">loris.musumeci@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Photo credit: \u00a9 Filmcoopi<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/01\/Photograph_B1_70x100a-scaled.jpg\" alt=\"\" class=\"wp-image-30889\"\/><\/figure>","protected":false},"excerpt":{"rendered":"<p>A colorful India<\/p>","protected":false},"author":18,"featured_media":30891,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[4051,11153786,116545,644341146,890339,97571,2606,112724],"class_list":["post-30884","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-bollywood","tag-cinema-indien","tag-couleurs","tag-critiques-cinema","tag-grand-mere","tag-inde","tag-justice","tag-shakespeare"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.8 (Yoast SEO v28.8) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>L\u2019histoire d\u2019un \u00abPhotographe\u00bb sans histoires<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/lhistoire-dun-photographe-sans-histoires\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u2019histoire d\u2019un \u00abPhotographe\u00bb sans histoires\" \/>\n<meta property=\"og:description\" content=\"Une Inde pleine de couleurs\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/lhistoire-dun-photographe-sans-histoires\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-01-29T13:25:51+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-04T21:29:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/01\/Photograph_Filmstill-1_Copyright_Joe_dSouza-1024x683.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"683\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Loris S. 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