{"id":31499,"date":"2020-02-12T08:00:00","date_gmt":"2020-02-12T07:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=31499"},"modified":"2025-12-04T22:29:14","modified_gmt":"2025-12-04T21:29:14","slug":"tartuffe-en-pologne","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/tartuffe-en-pologne\/","title":{"rendered":"Tartuffe in Poland"},"content":{"rendered":"

Cinema Wednesdays - Fanny Agostino<\/em><\/p>\n\n\n\n

Forger, forger, can't you see any possible redemption? This seems to be the message of Polish director Jan Komasa's fourth feature film. Nominated for an Oscar, the film Communion<\/em> (Corpus Christi<\/em> for its original title) evokes the deceptive spiral in which a young delinquent masquerading as a priest becomes trapped. Does the habit really make the man?<\/strong><\/p>\n\n\n\n\n\n\n\n

\nhttps:\/\/www.youtube.com\/watch?v=MqYiahs1ypU\n<\/div><\/figure>\n\n\n\n

A seulement vingt-et-un ans, Daniel tue ses journ\u00e9es dans un centre de r\u00e9\u00e9ducation pour jeunes. Un quotidien dict\u00e9 par la violence, les menaces et l\u2019atelier de menuiserie. Une survie possible gr\u00e2ce \u00e0 sa d\u00e9votion; proche du p\u00e8re Tomasz, il occupe le r\u00f4le de sacristain et passe ses nuits \u00e0 prier. Alors que sa sortie d\u00e9finitive du centre approche, il est face \u00e0 l\u2019impossibilit\u00e9 d\u2019entrer dans les ordres: son casier judiciaire ne lui permettra pas de rejoindre un s\u00e9minaire. Comme ses cod\u00e9tenus, il est donc invit\u00e9 \u00e0 tailler des planches \u00e0 l\u2019autre bout du pays.<\/p>\n\n\n\n

Loin de se r\u00e9jouir de cette perspective d\u2019avenir, Daniel f\u00eate dignement sa lib\u00e9ration avant de rejoindre, au petit matin, la route vers sa nouvelle prison bois\u00e9e. Arriv\u00e9 sur place, il aper\u00e7oit, de loin, le clocher du village. Par inadvertance, il profite de l\u2019autorit\u00e9 que lui octroie sa soutane \u2013 gliss\u00e9e dans son sac de sport Nike \u2013 pour se faire une place dans la communaut\u00e9 jusqu\u2019\u00e0 remplacer le pr\u00eatre alcoolique, cela va sans dire, de la petite bourgade. Une nouvelle vie en sursis commence.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

La Gueule de l\u2019emploi<\/h3>\n\n\n\n

Acteur encore m\u00e9connu, Bartosz Bielenia cr\u00e8ve l\u2019\u00e9cran. Il le cr\u00e8ve m\u00eame \u00e0 en halluciner. La r\u00e9alisation met \u00e0 profit, tout en la surexploitant parfois, la diversit\u00e9 des expressions de cette bouille criminelle et juv\u00e9nile compl\u00e8tement hypnotisante. Car si le protagoniste use de la tromperie pour exercer la profession d\u2019homme d\u2019\u00e9glise, il est en est \u00e9galement victime. Son errance identitaire se cristallise sur son visage: \u00e0 la fois d\u00e9gageant les attraits du loubard sans foi ni loi, puis celui de l\u2019enfant touch\u00e9 par la gr\u00e2ce, aux yeux \u00e9merveill\u00e9s. On comprendra alors pourquoi ces deux aspects peuvent cohabiter: sans avenir, sans but, cette opportunit\u00e9 saisie ne peut venir que du ciel.<\/p>\n\n\n\n

Un signe, un appel \u00e0 ne pas renoncer, \u00e0 s\u2019ent\u00eater dans une machinerie que l\u2019on sait pourtant perdue d\u2019avance. La conviction fait le reste. Grand orateur, Daniel met en \u0153uvre ce qu\u2019il a observ\u00e9 en prison, recherche sur son t\u00e9l\u00e9phone le d\u00e9roulement de la messe et improvise brillamment devant des fid\u00e8les conquis au fur et \u00e0 mesure de ses interventions et de ses m\u00e9thodes\u2026 peu catholiques, mais efficaces.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Une communaut\u00e9 pas si chr\u00e9tienne<\/h3>\n\n\n\n

Loin d\u2019\u00eatre la seule caution sc\u00e9naristique du film, la pr\u00e9sence de notre usurpateur permet de r\u00e9v\u00e9ler les blessures qui rongent le village: le p\u00e9cheur n\u2019est-il pas le plus \u00e0 m\u00eame de reconna\u00eetre ses semblables? Par son intrusion dans les affaires de la communaut\u00e9 paroissiale, notre jeune pr\u00eatre remet en question les jugements ainsi que les bl\u00e2mes inflig\u00e9s \u00e0 certains paroissiens. Il parvient \u00e0 extirper la haine et les reproches que son pr\u00e9d\u00e9cesseur avait pr\u00e9f\u00e9r\u00e9 enterrer. En parall\u00e8le, se dessine \u00e9galement la place pr\u00e9pond\u00e9rante du cur\u00e9 dans la vie du village, frein\u00e9 par les pouvoirs politiques repr\u00e9sent\u00e9s par le maire et sa menuiserie qui exploite des anciens d\u00e9tenus pour rouler en gros bolide.<\/p>\n\n\n\n

Bien que p\u00e9jor\u00e9 par une fin exp\u00e9di\u00e9e rapidement et abruptement, La Communion<\/em> brille par l\u2019ambivalence de son personnage principal, dans sa foi comme dans son jeu d\u2019acteur. Il doit certainement beaucoup \u00e0 l\u2019interpr\u00e9tation ensorcelante de Bartosz Bielenia qu\u2019on se r\u00e9jouit de retrouver tr\u00e8s vite.<\/p>\n\n\n\n

Write to the author: fanny.agostino@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n

Photo credit: \u00a9 Xenix Film<\/p>\n\n\n\n

\"\"<\/figure>","protected":false},"excerpt":{"rendered":"

Unorthodox but effective methods<\/p>","protected":false},"author":97,"featured_media":31502,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[15957880,644344284,644341146,21943,208383,644344285,644344294,644344293,644344287,56926,644344295,1893328,627990,72034,644344291,644344290],"class_list":["post-31499","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-cinema-polonais","tag-corpus-christi","tag-critiques-cinema","tag-daniel","tag-eglise","tag-jan-komasa","tag-loubard","tag-messe","tag-moine","tag-oscars","tag-preche","tag-pretre","tag-priere","tag-prison","tag-sacristain","tag-seminaire"],"acf":[],"yoast_head":"\nTartuffe en Pologne<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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