{"id":32112,"date":"2020-04-03T20:32:19","date_gmt":"2020-04-03T18:32:19","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=32112"},"modified":"2025-09-15T10:04:12","modified_gmt":"2025-09-15T08:04:12","slug":"country-music-in-johnny-hallydays-repertoire","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/music\/country-music-in-johnny-hallydays-repertoire\/","title":{"rendered":"Country in Johnny Hallyday's repertoire"},"content":{"rendered":"<p class=\"has-drop-cap\"><strong>Little-known and little-acknowledged in his work, country music forms the backdrop to Johnny Hallyday's repertoire. If you're looking for something new to discover, it's well worth delving into this side of the rocker. He has always lived and breathed country, and it's quite possible that Johnny's artistic universe can be understood in terms of this musical genre.<\/strong><\/p>\n\n\n\n<!--more-->\n\n\n\n<p>\u00abI'm a \u00bbvari\u00e9t\u00e9' singer revisited and corrected by rock'n'roll\", declared Johnny Hallyday in a well-crafted phrase at a recent <a href=\"https:\/\/www.dailymotion.com\/video\/x6y3zof\">TV interview<\/a> in 1974. But Johnny wasn't just that. Johnny was a multitude of genres, which can be divided into two categories: the musical genres he embraced for the pleasure of the public, and those he truly loved, and in fact never left.<\/p>\n\n\n\n<p>Country is one of Johnny's favorite genres. First of all, we mustn't forget that country, along with rhythm and blues, is one of the sources of rock'n'roll, as the French rocker himself says in <em>The Promised Land<\/em>, Philippe Man\u0153uvre's account of his 2014 American tour:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u00abBefore, country music was all dry guitars and pedal steel. Today, they've electrified everything, guitars and fiddles. Country is the mother of rock'n roll and blues. Even in the early days, rock'n roll was a combination of country and rockabilly.\u00bb<\/p>\n<\/blockquote>\n\n\n\n<p>Johnny was a great connoisseur of country music. And above all, a great fan of the artists who have carried this music throughout their careers. With Garth Brooks at the very top. \u00abI listen to Garth Brooks, but the French don't listen to much country music,\u00bb Johnny Hallyday remarked to his pal Philippe Man\u0153uvre. This sentence sums it all up: if when you think of Johnny, you don't necessarily think of country, it's because it's not a genre the French are fond of. So Johnny didn't include it in his musical universe. Rock mixed with French chanson, that's it. <em>what he has<\/em> worn and <em>which has<\/em> finally carried off. But beware of career summaries; Hallyday sprinkled his entire repertoire with country songs, when he wasn't making a whole album of them!<\/p>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-deux-albums-entiers-de-country\">Two entire albums of country music<\/h3>\n\n\n\n<p>Johnny has released no less than two country albums. <em>Country-Folk-Rock<\/em> in 1972 and <em>The Promised Land<\/em> in 1975.<\/p>\n\n\n\n<p>It all began when he met Michel Mallory, who became his regular lyricist for ten years. Mallory, just as passionate about country music as Johnny Hallyday, wrote an entire album of songs for Hallyday, delving into the American vein they both loved. The result is an admirable, raw, coherent body of work, featuring such nuggets as <em>My hand to the fire<\/em>, <em>Hello US USA<\/em> (soundtrack of the film <em>I gave it my all<\/em> and composed by the boss himself!), <em>There's nothing like that girl<\/em> or <em>Joe, the city and me<\/em>. The atmosphere is exactly as you'd imagine it to be in the United States that Johnny so often fantasized about. It's the very place in which the singer received his musical education and which, as a brilliant magician, he now creates in his turn. In fact, he really lived there to the end, in those lands, in that country music, as he recounts <a href=\"https:\/\/www.lepoint.fr\/musique\/garth-brooks-ce-chanteur-de-country-que-johnny-hallyday-adorait-15-06-2019-2319121_38.php\">on RTL in 2013<\/a>:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>\u00abWhen I'm driving my car listening to country music, I really feel like I'm in the States, you can really feel the great outdoors.\u00bb<\/p>\n<\/blockquote>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Joe, the city and me\" width=\"1000\" height=\"750\" src=\"https:\/\/www.youtube.com\/embed\/nqRYqbhtgAc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Three years on <em>Country-Folk-Rock<\/em>, Hallyday and his lyricist Mallory are back with <em>The Promised Land<\/em>, an album recorded during their stay in Nashville. A delicious album-clich\u00e9! It features backing singer Nanette Workman, whom Johnny had spotted with Joe Cocker - whom he admired and whose vocal art he certainly drew inspiration from. He steals Lee Lewis' song <em>Got You On My Mind<\/em> and adapts two songs by Kris Kristofferson. Above all, in this album Johnny accentuates all the clich\u00e9s of the <em>country music<\/em> and the western - he even wears a cowboy hat on the album cover. The \u00abI\u00bb in the songs, for example, urges you to \u00abwatch out for Indians\u00bb, to \u00ab[take] your horses, your wife and your kids\u00bb as you venture west on the gold rush...<\/p>\n\n\n\n<p>A very telling anecdote, <a href=\"https:\/\/www.lepoint.fr\/musique\/garth-brooks-ce-chanteur-de-country-que-johnny-hallyday-adorait-15-06-2019-2319121_38.php\">relayed by <em>Le Point<\/em><\/a>, Johnny will force Nanette Workman and Michel Mallory to record their own albums on site. Passion passion passion!<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\" \/><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta = \"1\" data-inf-error = \"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\" > <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>\u00abIt was a wonderful time when Johnny lived for music alone,\u00bb recalls Jean-Fran\u00e7ois Chenut in the same article in Le Monde. <em>Point<\/em>. However, despite the quality of this 1975 opus, it wasn't really a success, although this is still commendable for a country, France, which is not a fan of country music. Hallyday, as is his wont, followed this up with a mainstream album, as he would do many years later with <em>Waiting<\/em> in 2012 after the mixed success of the rock'n roll and blues album <em>Never alone<\/em> (2011). The album is once again monumental, but country has given way to French variety. It is <em>Behind the love<\/em> (1976), featuring the song of the same name, as well as other cult titles such as <em>Don't play rock'n roll for me<\/em>, <em>Requiem for a madman<\/em> and <em>Gabrielle<\/em>.<\/p>\n\n\n\n<p><strong>Read also | <a href=\"https:\/\/leregardlibre.com\/en\/music\/hommage-a-jean-philippe-smet\/\">Tribute to Jean-Philippe Smet<\/a><\/strong><\/p>\n\n\n\n<p>While these songs enjoyed immediate success and a far greater posterity than the tracks from <em>Country-Folk-Rock<\/em>, This album is not a passing mistake in Johnny's repertoire. An attentive listener can see that, whatever the period, Hallyday has always made a point of slipping country ballads or more rhythmic folk-country songs into albums of a completely different nature - from blues to the smoothest pop.<\/p>\n\n\n\n<p>For example, the pearl <em>I cried on my guitar<\/em> in the album <em>I love you I love you I love you<\/em> (1974), consisting entirely of ballads, <em>William's America<\/em>, present on <a href=\"https:\/\/leregardlibre.com\/en\/music\/johnny-hallyday-delivers-an-exceptional-posthumous-album\/\">the posthumous album<\/a>, or <em>The city of lost souls<\/em> in <em>Destination Vegas<\/em> (1996), a sublime ballad featured on the remastered compilation <em>Johnny History - Country<\/em> (2012). If you think about it, it's precisely variety that makes it possible to integrate a country song into a rock, blues, folk or pop album.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Johnny Hallyday - La Ville Des Ames En Peine\" width=\"1000\" height=\"750\" src=\"https:\/\/www.youtube.com\/embed\/5PqEySRKhSY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">The clip from <em>The city of lost souls<\/em>, shot in Switzerland in 1997<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\" id=\"h-quand-johnny-se-lache\">When Johnny lets loose<\/h3>\n\n\n\n<p>There is a musical interest in this little-known selection of some 1500 songs (!) recorded by Johnny. Or rather, the interest of the country songs \u00abmade in Hallyday\u00bb lies not so much in their <em>music<\/em> than their <em>musicality<\/em>. A nuance of the utmost importance, since musicality depends to some extent on the sonic and artistic ambience created by the singer. Listening to songs unknown to the general public, such as <em>The story of Bobby Mc Gue<\/em> or <em>Joe, the city and me<\/em>, or better-known titles such as <em>There's nothing like that girl<\/em>, <em>The gold rush<\/em> or <em>The Promised Land<\/em>, we find the same atmosphere. That of a kid who gives everything to live his own America. In his country albums, Johnny lets loose. A bit like the psychedelic blues of the album <em>River... open your bed<\/em>, released in 1969.<\/p>\n\n\n\n<p><strong>Read also | <a href=\"https:\/\/leregardlibre.com\/en\/2019\/02\/28\/in-1969-the-psychedelic-blues-of-johnny-hallyday\/\">In 1969, Johnny Hallyday's psychedelic blues<\/a><\/strong><\/p>\n\n\n\n<p>In reality, he's just another Johnny. Johnny Hallyday - and this has been his strength - has remade himself in every era, embracing every musical genre, every attitude, every physiological appearance. As he himself said. One constant, however: his deliciously redneck side, sometimes manifested in the America of the <em>cowboys<\/em> which he believed in until his death, sometimes through his love of simple things, even in the midst of the greatest luxury, sometimes through his sauciness bordering on sexism, found in the lyrics of his country albums, and even more so in his attitudes as a performer. It's not that Johnny didn't love women. He just loved them differently than his buddies. Friendship was everything to him.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"A girl of no importance\" width=\"1000\" height=\"750\" src=\"https:\/\/www.youtube.com\/embed\/I0PbZlnQEuA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>What's Johnny getting at with this kind of song? He wants to create a show, of course. He also wants to convey emotions. But also, no doubt, to kick the anthill of good taste. It's been said over and over again, even here: Johnny has adapted to each era. But he adapted - no doubt unconsciously - to each era so that he could always be out of step with it. Look at the wave of <em>peace and love<\/em>: Johnny, <a href=\"https:\/\/leregardlibre.com\/en\/2016\/07\/30\/an-anti-hippie-song\/\">this anti-hippie<\/a>, Johnny has always laughed at the odd one out. Look at his latest collaborations with the ever-popular Yodelice: Johnny has taken the opportunity to do the good old rock'n'roll he loves. Playing with fashion codes to attract people back to his first and most faithful loves: that was Mister Johnny's great strength.<\/p>\n\n\n\n<p><em>Write to the author: <a href=\"mailto:jonas.follonier@leregardlibre.com\">jonas.follonier@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<h6 class=\"wp-block-heading\" id=\"h-vous-venez-de-lire-un-article-en-libre-acces-debats-analyses-actualites-culturelles-abonnez-vous-a-notre-media-de-reflexion-pour-nous-soutenir-et-avoir-acces-a-tous-nos-contenus\">You have just read an open-access article. Debates, analyses, cultural news:\u00a0<a href=\"https:\/\/leregardlibre.com\/en\/subscription\/\">subscribe<\/a>\u00a0to support us and access all our content.<\/h6>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:18% auto\"><figure class=\"wp-block-media-text__media\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Country-Folk-Rock-1024x1024.jpg\" alt=\"country johnny hallyday\" class=\"wp-image-33648 size-full\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Country-Folk-Rock-1024x1024.jpg 1024w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Country-Folk-Rock-1170x1170.jpg 1170w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Country-Folk-Rock-585x585.jpg 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Country-Folk-Rock-150x150.jpg 150w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Country-Folk-Rock-300x300.jpg 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Country-Folk-Rock-768x768.jpg 768w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Country-Folk-Rock-600x600.jpg 600w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Country-Folk-Rock-100x100.jpg 100w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Country-Folk-Rock.jpg 1200w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Johnny Hallyday&nbsp;<\/strong><br><strong><em>Country-Folk-Rock<\/em><\/strong><br><strong>Mercury<\/strong><br><strong>1972<\/strong><br><strong>13 titles<\/strong><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\"><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:18% auto\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" width=\"708\" height=\"708\" src=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/La-Terre-promise.jpg\" alt=\"country johnny hallyday\" class=\"wp-image-33649 size-full\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/La-Terre-promise.jpg 708w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/La-Terre-promise-585x585.jpg 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/La-Terre-promise-150x150.jpg 150w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/La-Terre-promise-300x300.jpg 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/La-Terre-promise-600x600.jpg 600w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/La-Terre-promise-100x100.jpg 100w\" sizes=\"(max-width: 708px) 100vw, 708px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Johnny Hallyday&nbsp;<\/strong><br><strong><em>The Promised Land<\/em><\/strong><br><strong>Mercury<\/strong><br><strong>1975<\/strong><br><strong>13 titles<\/strong><\/p>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Little-known and little-acknowledged in his work, country music forms the backdrop to Johnny Hallyday's repertoire. If you're looking for something new to discover, it's well worth delving into this facet of the rocker's work.<\/p>","protected":false},"author":138,"featured_media":32115,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6460],"tags":[9472,644339057,644339732,450349,1433,2403267],"class_list":["post-32112","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musique","tag-analyses","tag-chanson","tag-country","tag-johnny-hallyday","tag-rock","tag-rock-francais"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>La country dans le r\u00e9pertoire de Johnny Hallyday<\/title>\n<meta name=\"description\" content=\"Tr\u00e8s peu (re)connue dans son \u0153uvre, la country tapisse en toile de fond le r\u00e9pertoire de 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