{"id":32320,"date":"2020-03-25T13:20:47","date_gmt":"2020-03-25T12:20:47","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=32320"},"modified":"2026-03-15T10:44:41","modified_gmt":"2026-03-15T09:44:41","slug":"le-coronarire-with-louis-de-funes","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/le-coronarire-with-louis-de-funes\/","title":{"rendered":"The coronary with Louis de Fun\u00e8s"},"content":{"rendered":"<p><em><a href=\"https:\/\/leregardlibre.com\/en\/les-mercredis-du-cinema\/\">Cinema Wednesdays<\/a> - Special edition: Les coronar\u00e9trospectives du cin\u00e9ma - Loris S. Musumeci<\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>When it comes to French comedy, there are many fine characters to choose from. But one stands out above the rest: Louis de Fun\u00e8s. Firstly, because he stands out for his acting, which is stuffed with grimaces and angry outbursts. Secondly, because the cult films in which he plays, under the guise of buffoonery, tell the story of an era. Thirdly, because Monsieur de Fun\u00e8s, in his life, inspires the simple, deserved success of an honest man.<\/strong><\/p>\n\n\n\n<!--more Lire la pr\u00e9sentation-->\n\n\n\n<h3 class=\"wp-block-heading\">Talking to the people<\/h3>\n\n\n\n<p>Louis de Fun\u00e8s is endearing. And he has every reason to be, but in the eyes of the people. Most critics, at least those of the time, didn't see him as a great cinema figure. On the contrary, this uninteresting clown soiled the French cinematic tradition. At home, Louis de Fun\u00e8s was, and still is, part of the family. Because he toiled to achieve success. And once he'd made it, he never stopped speaking to the people, either by impersonating his tormentor, the mean-spirited, hot-tempered little boss. Or, more rarely, by playing a common man, the smallest of them all, an elderly peasant in a small village. <em>La Soupe aux choux<\/em> (1981), two years before his death.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"LA SOUPE AUX CHOUX (1981) (French trailer)\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/N2dtpnUk4ls?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>What probably also appealed to the public was that de Fun\u00e8s was anything but charismatic. Uncomfortable in interviews, shy in life, rather ugly and a good Christian. All in all, he was an average Frenchman among average people, and despite his means. He may have lived in a ch\u00e2teau with his family, but in between film shoots, he was only interested in his roses and vegetable garden. Not to mention his family, with whom he always tried to make up for the mess of his own childhood.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Now it's just the two of us<\/h3>\n\n\n\n<p>Born into the fallen nobility of Castile, the de Fun\u00e8s family was unstable. He was born in 1914, on the eve of war. What's more, his parents hated each other. In fact, his mother's temper tantrums against his father's light-hearted lifestyle were to be de Fun\u00e8s\u00ab greatest inspiration as an actor. When it wasn't shouting in the home, it was absence. His father pretended to be dead when he fled to Venezuela; when his mother forced him back to France, he died. The year was 1934. War and crisis have left the country in a fragile and difficult state. Louis is only twenty; like Eug\u00e8ne de Rastignac, he declares war on his grief, to find peace and happiness. \u00bbNow it's just the two of us!\u00bb<\/p>\n\n\n\n\n\n<p>And one odd job after another to survive. Without ever losing sight of the main objective: to live for good, and even to live well. He found his vocation: acting. Memories of a youth when he made his classmates laugh with his grimaces, which earned him the wrath of his teachers. But then war broke out again. France was stabbed like the rest of Europe. But France resists, using the war as an opportunity to rise up and take its destiny into its own hands.<\/p>\n\n\n\n<p>Like Louis de Fun\u00e8s. Already an artist at heart, he earns his living in a piano bar in Occupation-era Paris. And now, a charming young girl he'd already seen and liked is being courted by a heavy-handed Nazi soldier. He puts his fingers to the keyboard, pauses, stands up, and interposes: he warns the Nazi that it's his fianc\u00e9e he's bothering, and that he'd better stop. Little Louis has made his mark with an act of bravery. He seduced a woman. Who will become his beloved wife.<\/p>\n\n\n\n\n\n<h3 class=\"wp-block-heading\">The success<\/h3>\n\n\n\n<p>And he believes in it, he believes in happiness, despite his torments. Unimportant roles pile up. Without consideration, he gets as many opportunities as he can. Whether on stage or in front of the camera. Louis de Fun\u00e8s was still nothing. He would be nothing for the first twenty years of his career. But this \u00abnothing\u00bb is not to be despised, as each performance was a step on the road to success. In 1956, when the actor was already forty-two, the public and the press began to notice him with <em>La Travers\u00e9e de Paris<\/em>. The ascent will be straightforward and uninterrupted.<\/p>\n\n\n\n<p>From the early sixties, his career took off. Successes piled up, and de Fun\u00e8s's character paradoxically became more daring and grotesque. In 1965, it was the moment of consecration. He shared the bill with Bourvil, already at the top of his game, in <em>Le Corniaud<\/em> - and if he literally shares the poster with Bourvil, it's because Bourvil himself asked to appear on the poster with de Fun\u00e8s, to whom he became attached, and with whom he quickly built up a sincere friendship.<\/p>\n\n\n\n\n\n<h3 class=\"wp-block-heading\">The coronary with Louis de Fun\u00e8s<\/h3>\n\n\n\n<p>You know the rest. You know the films. A heritage of French popular culture, of course, but also a heritage of popular culture in its own right. Louis de Fun\u00e8s, a French star, of course French-speaking, but also Italian, Spanish, German, English, Russian, Czech - now there's a Gaullist the Communists loved! Over one hundred and forty films in all, of very uneven value. With good old Louis, a man, a friend, a loving father, a faithful husband, a devout Catholic who created for himself the balance between family, faith and work that he had previously lacked.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\" \/><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta = \"1\" data-inf-error = \"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\" > <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>Visit <em>de Fun\u00e8s<\/em>, As they say, these are not all the films in which de Fun\u00e8s played, but only his cult films. And there are many of them. Nevertheless, we've selected just five emblematic ones that best represent the character, his acting, his evolution, his career, the entertainment he offered the people, the laughter he provoked, the consolation he embodied in the existence of people for whom everything isn't always easy. His message: the tragedy of this world requires comedy for everyone.<\/p>\n\n\n\n<p>On the program: <em><a href=\"https:\/\/leregardlibre.com\/en\/cinema\/douliou-douliou-saint-tropez-avec-moi\/\">The Gendarme of Saint-Tropez<\/a><\/em> (1964), <a href=\"https:\/\/leregardlibre.com\/en\/cinema\/cabbage-soup\/\"><em>La Soupe aux choux<\/em> <\/a>(1981), <em><a href=\"https:\/\/leregardlibre.com\/en\/cinema\/terror-becomes-comedy-with-la-grande-vadrouille\/\">La Grande Vadrouille<\/a> <\/em>(1966), <a href=\"https:\/\/leregardlibre.com\/en\/cinema\/la-folie-des-grandeurs-a-comedy-like-no-other\/\"><em>La Folie des grandeurs<\/em> <\/a>(1971) and <em><a href=\"https:\/\/leregardlibre.com\/en\/cinema\/the-vacation-jerk-for-the-people\/\">Le Corniaud<\/a><\/em> (1965). Productions by Jean Girault and G\u00e9rard Oury will be honored throughout the day. So that the ubiquitous epidemic can be transformed for a comedy into a coronary. With Louis de Fun\u00e8s.<\/p>\n\n\n\n<p><em>Write to the author:&nbsp;<a href=\"mailto:loris.musumeci@leregardlibre.com\">loris.musumeci@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p>Photo credit: \u00a9 Wikipedia<\/p>","protected":false},"excerpt":{"rendered":"<p>This man, this actor, this friend<\/p>","protected":false},"author":18,"featured_media":32322,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644345020,561383,357966,644345025,61091,644345024,5973122,644345018,644344498,8610,2012358,267479],"class_list":["post-32320","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-bourvil","tag-culture-populaire","tag-enfance","tag-gerard-oury","tag-guerre","tag-jean-girault","tag-la-grande-vadrouille","tag-le-coronarire-avec-louis-de-funes","tag-louis-de-funes","tag-paris","tag-peuple","tag-rire"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Le coronarire avec Louis de Fun\u00e8s<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/le-coronarire-with-louis-de-funes\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le coronarire avec Louis de Fun\u00e8s\" \/>\n<meta property=\"og:description\" content=\"Cet homme, ce com\u00e9dien, cet ami\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/le-coronarire-with-louis-de-funes\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-03-25T12:20:47+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-15T09:44:41+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/03\/1200px-Louis_de_Fune\u0300s_1970.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1174\" \/>\n\t<meta property=\"og:image:height\" content=\"1081\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Loris S. 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