{"id":33025,"date":"2020-04-09T18:00:00","date_gmt":"2020-04-09T16:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=33025"},"modified":"2023-10-19T23:04:39","modified_gmt":"2023-10-19T21:04:39","slug":"the-world-as-seen-by-laure-mi-hyun-croset-the-art-of-form","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/company\/the-world-as-seen-by-laure-mi-hyun-croset-the-art-of-form\/","title":{"rendered":"The world as seen by Laure Mi Hyun Croset: the art of form"},"content":{"rendered":"
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Le Regard Libre N\u00b0 60 - Laure Mi Hyun Croset<\/p>\n\n\n\n

Each month, find the column of one of the personalities who have given us the pleasure of taking up the pen for Le Regard Libre on a rotating basis. Author Laure Mi Hyun Croset takes on the exercise of writing a column questioning an intellectual trend of our time.<\/strong><\/p>\n\n\n\n

When we want to know how the world is doing, we can look to the work of sociologists or political scientists, but also to that of artists, which often reflects a general climate - sometimes simply in hollow - and informs us of the preoccupations of our time. This is what we can perceive when we read Vanessa Springora's Le Consentement, the best-selling book of the January literary season, a first work that may be perceived by some as effective, but whose theme is essentially evoked. It is, it seems\n

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