{"id":33232,"date":"2020-04-15T15:25:39","date_gmt":"2020-04-15T13:25:39","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=33232"},"modified":"2025-12-04T22:28:08","modified_gmt":"2025-12-04T21:28:08","slug":"du-soleil-plein-la-tete-nous-apprend-quaimer-est-un-art-et-titrer-aussi","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/du-soleil-plein-la-tete-nous-apprend-quaimer-est-un-art-et-titrer-aussi\/","title":{"rendered":"\u00abDu soleil plein la t\u00eate\u00bb teaches us that loving is an art... and so is titling!"},"content":{"rendered":"

Cinema Wednesdays - Special edition: Love in the movies<\/a> - Kelly Lambiel<\/em><\/p>\n\n\n\n

Never has a title so unflattering or so inadequately described the work of which it is the emblem. Fortunately, it is under its English name that\u2019Eternal Sunshine of the Spotless Mind<\/em> made a name for itself and still appears today on the many more or less official and all relative lists of \u00abonce-in-a-lifetime films\u00bb. It is also under this title, which literally translates as \u00abeternal radiance of the immaculate spirit\u00bb (we agree on that one), that it has carved out a special place for itself in a category that is, to say the least, crowded and often \"unseen\". namby-pamby<\/em>, love movies.<\/strong><\/p>\n\n\n\n\n\n\n\n

Une histoire presque comme les autres<\/strong><\/h3>\n\n\n\n

\u00c7a commence \u00e0 la Saint-Valentin, forc\u00e9ment. Cette \u00abf\u00eate invent\u00e9e par les vendeurs de carte de v\u0153ux pour faire flipper les gens\u00bb, nous dit la voix off de Jo\u00ebl Barish (Jim Carrey), m\u00e9lancolique et r\u00e9volt\u00e9. Le gar\u00e7on sort visiblement d\u2019une histoire d\u2019amour compliqu\u00e9e. Alors qu\u2019il ne sait pas bien pourquoi et donne l\u2019impression de se r\u00e9veiller d\u2019une monstrueuse cuite qui a dur\u00e9 longtemps (voil\u00e0 deux ans qu\u2019il n\u2019a pas \u00e9crit dans son journal), il se dirige vers la plage au lieu de se rendre \u00e0 son travail. L\u00e0, il fait la connaissance de Cl\u00e9mentine Kruscynski (Kate Winslet). Sentiment de d\u00e9j\u00e0-vu.<\/p>\n\n\n\n

Aussi d\u00e9lur\u00e9e qu\u2019il est coinc\u00e9. Aussi impulsive qu\u2019il est s\u00e9rieux. Ces deux-l\u00e0 sont si diff\u00e9rents qu\u2019ils sont faits l\u2019un pour l\u2019autre, c\u2019est une \u00e9vidence. Quelque chose les attire et les unit malgr\u00e9 le fait qu\u2019ils soient si mal assortis. Et pour une fois, ce n\u2019est pas une fascination morbide issue d\u2019un complexe freudien mal g\u00e9r\u00e9 ou un coup du sort orchestr\u00e9 par Eros et Thanatos titillant le go\u00fbt du risque des protagonistes et faisant tomber la belle pour la b\u00eate ou le premier de classe ignor\u00e9 pour celle qui attire tous les regards mais le veut lui. Loin d\u2019incarner un couple d\u2019antagonistes st\u00e9r\u00e9otyp\u00e9s, leur histoire trouve son sublime dans la simplicit\u00e9.<\/p>\n\n\n\n

\nhttps:\/\/www.youtube.com\/watch?v=pXJqzeOB9LQ\n<\/div><\/figure>\n\n\n\n

Pourtant, il y a quelques jours, par l\u2019interm\u00e9diaire d\u2019une entreprise sp\u00e9cialis\u00e9e dans la chose, Cl\u00e9mentine a d\u00e9cid\u00e9 d\u2019effacer Jo\u00ebl de sa m\u00e9moire et ce dernier s\u2019appr\u00eate \u00e0 en faire de m\u00eame. Qui n\u2019a jamais r\u00eav\u00e9 dans les moments d\u00e9sesp\u00e9r\u00e9s qui suivent la rupture de pouvoir supprimer les souvenirs douloureux? Qui ne s\u2019est jamais dit qu\u2019il a \u00e9t\u00e9 trop b\u00eate pour ne rien voir venir ou trop aveugl\u00e9 pour ne pas cerner son partenaire? Nous d\u00e9couvrons alors \u00e0 rebours toute leur histoire, de leur derni\u00e8re \u00e0 leur premi\u00e8re rencontre. De la d\u00e9chirure \u00e0 la premi\u00e8re \u00e9tincelle. De l\u2019ennui \u00e0 l\u2019excitation des premiers instants.<\/p>\n\n\n\n

Si, au d\u00e9part, comme Jo\u00ebl, on comprend pourquoi ils ont rompu, \u00e0 mesure que l\u2019on remonte le cours de ses souvenirs on ne sait plus pourquoi ils se sont quitt\u00e9s. Des cris et des larmes, on passe \u00e0 la tendresse et \u00e0 la complicit\u00e9. Partir du pire pour revenir au meilleur, penser la chose dans l\u2019autre sens et se demander comment toute cette beaut\u00e9 a pu se transformer en haine, se rappeler des raisons pour lesquelles on est tomb\u00e9s amoureux. Coup de g\u00e9nie de la part de Charlie Kaufman qui signe ici un sc\u00e9nario magistral, inspir\u00e9 de L\u2019herbe rouge<\/em> and L\u2019<\/em>Arrache-c\u0153ur<\/em> du non moins g\u00e9nial Boris Vian \u2013 que vous avez maintenant le temps de lire et d\u2019\u00e9couter!<\/p>\n\n\n\n

\"\"
Boris Vian \u00a9 Wikipedia<\/figcaption><\/figure><\/div>\n\n\n\n

Une r\u00e9alisation qui fr\u00f4le la perfection<\/strong><\/h3>\n\n\n\n

Le travail de Michel Gondry n\u2019est pas en reste. Pour sublimer cette narration \u00e9clat\u00e9e, le r\u00e9alisateur brouille les rep\u00e8res spatiaux-temporels. On passe ainsi d\u2019une sc\u00e8ne \u00e0 l\u2019autre en traversant une porte, en voyant le d\u00e9cor s\u2019effriter ou devenir trop grand pour les protagonistes qu\u2019il abrite. Entre souvenirs tour \u00e0 tour apaisants et tumultueux, r\u00e9alistes ou oniriques, on essaie de suivre Jo\u00ebl perdu entre le pass\u00e9 et le pr\u00e9sent, le remodelage qu\u2019il fait des situations v\u00e9cues et les commentaires inconsciemment per\u00e7us des employ\u00e9s charg\u00e9s d\u2019effacer sa m\u00e9moire. Le rythme est rapide, l\u2019exp\u00e9rience intense, parfois loufoque.<\/p>\n\n\n\n

C\u2019est en outre ce qui permet \u00e0 Jim Carrey quelques bouff\u00e9es d\u2019oxyg\u00e8ne, quelques minutes durant lesquelles les parties de son visage \u2013 ordinairement dot\u00e9es d\u2019une volont\u00e9 propre \u2013 peuvent se laisser aller \u00e0 quelques grimaces. Car il joue en effet ici un personnage \u00e0 mille lieues de ceux, fantasques, auxquels il nous a habitu\u00e9s. Et force est de constater que \u00e7a lui va bien! Tout comme il est agr\u00e9able de voir Kate Winslet dans la peau d\u2019une jeune femme \u00e0 la fois fragile et imp\u00e9tueuse, un peu \u00e0 c\u00f4t\u00e9 de ses baskets et dont les colorations capillaires, ainsi que les noms qui leur sont donn\u00e9es, refl\u00e8tent les diff\u00e9rents \u00e9tats d\u2019\u00e2me.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Les personnages secondaires, incarn\u00e9s par un casting<\/em> clairement pas d\u00e9gueu<\/em> (Mark Rufallo, Elijah Wood et Kirsten Dunst) sont eux aussi assez d\u00e9routants. A premi\u00e8re vue aussi inint\u00e9ressants qu\u2019inutiles, ils permettent pourtant d\u2019\u00e9tablir un contraste entre la gravit\u00e9 de ce que vit Jo\u00ebl et leur compl\u00e8te d\u00e9sinvolture. Par ailleurs, on sent bien qu\u2019eux aussi ont \u00e9t\u00e9 amoch\u00e9s et essaient de camoufler la solitude qui les ronge. C\u2019est notamment le cas de Mary qui semble un peu perdue et dont l\u2019admiration pour son patron le Dr. Mierzwiak interroge ,ou de Patrick si peu s\u00fbr de lui qu\u2019il ira jusqu\u2019\u00e0 se faire passer pour un autre.<\/p>\n\n\n\n

Enfin, certains pointent du doigt le c\u00f4t\u00e9 un peu convenu du message qui voudrait que ce soient nos exp\u00e9riences qui nous forgent, aussi douloureuses soient-elles, et que ce serait donc une erreur de les effacer. D\u2019autres regrettent de voir le film mettre l\u2019accent sur l\u2019id\u00e9e que malgr\u00e9 tout, nous sommes destin\u00e9s \u00e0 aimer certaines personnes, et qu\u2019on finit toujours par se retrouver. Je pense pour ma part, sans trop en dire sur la derni\u00e8re sc\u00e8ne, v\u00e9ritable petit bijou, que la question n\u2019est pas l\u00e0 et qu\u2019interpr\u00e9ter ce final ainsi, c\u2019est ne pas comprendre la subtilit\u00e9 de cette \u0153uvre.<\/p>\n\n\n\n

Toute sa beaut\u00e9 r\u00e9side pour moi dans une seule question qui \u00e0 mon sens la r\u00e9sume parfaitement: si je savais la fin, le vivrais-je quand m\u00eame ou me priverais-je d\u00e9lib\u00e9r\u00e9ment du bonheur que m\u2019a apport\u00e9 cette histoire, aussi courte f\u00fbt-elle? Eclat \u00e9ternel de l\u2019esprit immacul\u00e9<\/em>, tir\u00e9 d\u2019un po\u00e8me d\u2019Alexander Pope retra\u00e7ant l\u2019histoire d\u2019amour passionn\u00e9e d\u2019H\u00e9lo\u00efse et Ab\u00e9lard (vous avez le temps de chercher), est une formule myst\u00e9rieuse qui enveloppe bien mieux toute la profondeur cach\u00e9e dans cette \u0153uvre d\u2019une apparente simplicit\u00e9, devenue aujourd\u2019hui, et \u00e0 raison, culte.<\/p>\n\n\n\n

Write to the author: kelly.lambiel@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n

Photo credit: \u00a9 Universal Pictures<\/p>","protected":false},"excerpt":{"rendered":"

It starts on Valentine's Day, of course.<\/p>","protected":false},"author":5,"featured_media":33235,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[31254,644347779,644341146,644347635,644347783,644347773,644347786,644347776,644347775,124885,193996,644347782,179880,644347636,644347774,644347772],"class_list":["post-33232","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-amour","tag-charlie-kaufman","tag-critiques-cinema","tag-du-soleil-plein-la-tete","tag-eliah-wood","tag-eternal-sunshine-of-the-spotless-mind","tag-heloise-et-abelard","tag-jim-carrey","tag-joel-barish","tag-kate-winslet","tag-kirsten-dunst","tag-mark-raffalo","tag-memoire","tag-michel-gondry","tag-saint-valentin","tag-titrage"],"acf":[],"yoast_head":"\n\u00abDu soleil plein la t\u00eate\u00bb nous apprend qu\u2019aimer est un art... et titrer 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