{"id":33278,"date":"2020-04-15T19:00:00","date_gmt":"2020-04-15T17:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=33278"},"modified":"2025-12-04T22:28:06","modified_gmt":"2025-12-04T21:28:06","slug":"a-heart-in-winter-because-its-too-late","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/a-heart-in-winter-because-its-too-late\/","title":{"rendered":"\u00abUn coeur en hiver\u00bb, because it's too late..."},"content":{"rendered":"<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u00abYou have no imagination, no heart, no balls, no sap.\u00bb&nbsp;<\/p><\/blockquote>\n\n\n\n<p class=\"has-drop-cap\">St\u00e9phane (Daniel Auteuil) is a violin maker. He works for his friend Maxime (Andr\u00e9 Dussollier), who leaves St\u00e9phane and his apprentice alone to touch the violins. Maxime takes care of running the shop, selling instruments, unearthing rare pieces and finding customers, accompanying them \u00ablike patients\u00bb. This is how he meets the talented young violinist Camille Kessler (Emmanuelle B\u00e9art). Maxime leaves his wife. He tells his friend St\u00e9phane, who, as usual, remains indifferent.<\/p>\n\n\n\n<!--more Lire la suite de la r\u00e9trospective (en libre acc\u00e8s)-->\n\n\n\n<p>But he's not so indifferent to Camille's beauty; \u00abhere's a man who's been touched by grace\u00bb, he even says of his friend. Camille is not indifferent to St\u00e9phane's elusive, discreet personality. But when a heart is in winter, it stays in winter. And if she ever had the strength to get out of it, it would be too late to taste the joys of spring, which will have already passed. Gone.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Un coeur en hiver (1992) Trailer\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/ysteNfUW_xM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Sautet and his literary cinema<\/h3>\n\n\n\n<p>Claude Sautet is true French cinema. At least the French way of yesteryear. Drawing its lifeblood from literature, great French cinema reads like a novel, but in images, sound and music. St\u00e9phane's introductory narration is reminiscent of the opening of a literary work. <em>A heart in winter<\/em> is also inspired by a 19th-century Russian Romantic novel<sup>th<\/sup> century, <em>A hero of our time<\/em> (1840) by Lemontov. Sautet adapts it very freely, updating it as he sees fit, so that St\u00e9phane remains a true anti-hero of \u00abour own time\u00bb.<\/p>\n\n\n\n<p>Sautet's cinema is above all literary in its lines. Fine, precise in their hesitations, highly written without being theatrical. They rarely say everything a character wants to express, yet they say so much, so long. It's all about suggestion. Thanks to the perfect use of suspension points. In a novel, these reflect either the mediocrity of the author, who no longer knows what to get his characters to say, or his genius, who lets the most intimate thoughts shine through in these three little dots.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u00abI feel like... I feel like... It's true... It's there. All the time.\u00bb&nbsp;<\/p><\/blockquote>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/AixS8fS9Awn_FxewmqMXhK4PKXM-1.jpg\"><img fetchpriority=\"high\" decoding=\"async\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/AixS8fS9Awn_FxewmqMXhK4PKXM-1.jpg\" alt=\"\" class=\"wp-image-33297\" width=\"385\" height=\"578\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/AixS8fS9Awn_FxewmqMXhK4PKXM-1.jpg 760w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/AixS8fS9Awn_FxewmqMXhK4PKXM-1-585x878.jpg 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/AixS8fS9Awn_FxewmqMXhK4PKXM-1-100x150.jpg 100w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/AixS8fS9Awn_FxewmqMXhK4PKXM-1-200x300.jpg 200w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/AixS8fS9Awn_FxewmqMXhK4PKXM-1-683x1024.jpg 683w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/AixS8fS9Awn_FxewmqMXhK4PKXM-1-300x450.jpg 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/AixS8fS9Awn_FxewmqMXhK4PKXM-1-600x900.jpg 600w\" sizes=\"(max-width: 385px) 100vw, 385px\" \/><\/a><figcaption>Claude Sautet \u00a9 Studiocanal<\/figcaption><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading\">Brewery, wine, cigarettes and sonatas<\/h3>\n\n\n\n<p><em>A heart in winter<\/em>, A French film, especially a Parisian one. The brasserie where the protagonists meet is sufficient in itself to bring the charm of Paris to the screen. In fact, it was recreated in the studio. Daniel Auteuil must have thought of it, with a touch of nostalgia, on the set of <a href=\"https:\/\/leregardlibre.com\/en\/cinema\/ah-la-belle-epoque\/\"><em>The Belle Epoque<\/em> <\/a>(2019). This brasserie is a place of movement, of life, where we drink red wine, eat simple meals with tablecloths and cloth napkins, have coffee at all hours, and smoke.<\/p>\n\n\n\n<p>A Parisian film that's no less musical for that. If the Parisian brasserie is the setting in which the plot takes shape, it's the music that gives rhythm to the story. The Ravel sonatas that Camille prepares for her recording don't let the script out of their sight. But they don't steal the show. The violin is calm in the appeasement of the characters, in the flow of their daily, habitual lives. But the anguish of the pizzas and the even more dramatic intervention of the piano announce the passion ready to erupt. When the crisis comes, the stage is silent. All that's left is for the actors to seize the script and transcend it with their acting.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Un-coeur-en-hiver-1-\u00a9-Studiocanal.jpg\"><img decoding=\"async\" width=\"1600\" height=\"547\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Un-coeur-en-hiver-1-\u00a9-Studiocanal.jpg\" alt=\"\" class=\"wp-image-33291\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Un-coeur-en-hiver-1-\u00a9-Studiocanal.jpg 1600w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Un-coeur-en-hiver-1-\u00a9-Studiocanal-1170x400.jpg 1170w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Un-coeur-en-hiver-1-\u00a9-Studiocanal-585x200.jpg 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Un-coeur-en-hiver-1-\u00a9-Studiocanal-150x51.jpg 150w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Un-coeur-en-hiver-1-\u00a9-Studiocanal-300x103.jpg 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Un-coeur-en-hiver-1-\u00a9-Studiocanal-768x263.jpg 768w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Un-coeur-en-hiver-1-\u00a9-Studiocanal-1024x350.jpg 1024w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Un-coeur-en-hiver-1-\u00a9-Studiocanal-1536x525.jpg 1536w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Un-coeur-en-hiver-1-\u00a9-Studiocanal-600x205.jpg 600w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><\/a><figcaption>Emmanuelle B\u00e9art as Camille \u00a9 Studiocanal<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">B\u00e9art and Auteuil<\/h3>\n\n\n\n<p>Andr\u00e9 Dussollier has <a href=\"https:\/\/vimeo.com\/77402432\">won the C\u00e9sar<\/a> for Best Supporting Actor, playing Maxime. He undoubtedly deserved it in view of the film, whose director won the C\u00e9sar for Best Director. But it's Emmanuelle B\u00e9art and Daniel Auteuil who dominate the screen. She's not yet thirty. She's pure. Hard and cold. Her blue eyes speak louder than her lips. A look that makes her supple and warm when she stares into St\u00e9phane's eyes. But he's evasive. Then absent. Then he returns, his face petrified of a suffering he doesn't show, but which nevertheless imposes itself. Staring into space, he thinks of all he's missing. The love he doesn't know how to give and doesn't even know how to receive.<\/p>\n\n\n\n<p>To fill the gaps, St\u00e9phane goes to work. He sands, glues and assembles with a precision supported on screen by the sounds of the noble material and the close-ups of the luthier's handiwork. Yet St\u00e9phane manages to experience a love that is sometimes paternal with a little boy he's always thinking about, Vincent, and with his apprentice luthier, Brice; sometimes filial with his old violin master, whom he visits regularly. It's as if St\u00e9phane hasn't grown up, remaining the lonely teenager he briefly talks about himself, who loves his father like a kid; or if he's grown old too quickly, nurturing for these two youngsters an affection of an old master, father or grandfather in his turn.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Un-coeur-en-hiver-4-\u00a9-Studiocanal.jpeg\"><img decoding=\"async\" width=\"1200\" height=\"780\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Un-coeur-en-hiver-4-\u00a9-Studiocanal.jpeg\" alt=\"\" class=\"wp-image-33292\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Un-coeur-en-hiver-4-\u00a9-Studiocanal.jpeg 1200w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Un-coeur-en-hiver-4-\u00a9-Studiocanal-1170x761.jpeg 1170w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Un-coeur-en-hiver-4-\u00a9-Studiocanal-585x380.jpeg 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Un-coeur-en-hiver-4-\u00a9-Studiocanal-150x98.jpeg 150w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Un-coeur-en-hiver-4-\u00a9-Studiocanal-300x195.jpeg 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Un-coeur-en-hiver-4-\u00a9-Studiocanal-768x499.jpeg 768w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Un-coeur-en-hiver-4-\u00a9-Studiocanal-1024x666.jpeg 1024w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Un-coeur-en-hiver-4-\u00a9-Studiocanal-600x390.jpeg 600w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><figcaption>Daniel Auteuil as St\u00e9phane \u00a9 Studiocanal<\/figcaption><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><em>A heart in winter<\/em><\/h3>\n\n\n\n<p>Perhaps it's not even a question of age, but simply of being out of step. St\u00e9phane is unable to really love Camille, even though he loves her in his heart, because he's always out of step with \u00abthe scary reality\u00bb. St\u00e9phane is afraid of life. He's afraid of the present. And the passion between him and Camille is real, carnal, present. Everything that is impossible for a heart that freezes alone in winter. And stays alone. The film's final shot sees St\u00e9phane sitting motionless in the brasserie, unhappy and resigned, filmed from the outside: the reflection shows life moving ahead, and life moving behind him in the caf\u00e9.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\"><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta=\"1\" data-inf-error=\"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\"> <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>Camille could have been that moment of life to seize. She humiliated herself by declaring her love for him in scandal. He refused, even though he burned with envy for her. Then, when he made her understand what she'd already understood - that he loved her - it was too late. Misalignment. Never in time for love. It's either too early or too late. While the world turns to spring, St\u00e9phane remains in his winter; I remain in mine. <em>A heart in winter<\/em> leaves me in tears.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u00abI have something inside me that doesn't live. I can't make it... I've been late for so long.\u00bb&nbsp;<\/p><\/blockquote>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"a heart in winter\" width=\"1000\" height=\"750\" src=\"https:\/\/www.youtube.com\/embed\/0z1wybggJxo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><em>Write to the author:&nbsp;<a href=\"mailto:loris.musumeci@leregardlibre.com\">loris.musumeci@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p>Photo credit: \u00a9 Studiocanal<\/p>\n\n\n\n<p><strong>You have just read an open-access article from the file <a href=\"https:\/\/leregardlibre.com\/en\/cinema\/lamour-au-cinema\/\">\u00abLove in the movies\u00bb<\/a>.<\/strong> Debates, analysis, cultural news: <a href=\"https:\/\/leregardlibre.com\/en\/subscription\/\">subscribe<\/a>\u00a0to support us and get access to all our content!<\/p>","protected":false},"excerpt":{"rendered":"<p>Emmanuelle B\u00e9art and Daniel Auteuil dominate the screen.<\/p>","protected":false},"author":18,"featured_media":33288,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[31254,644346632,644347925,4090036,61026,1857921,644341146,1675387,528645,8610],"class_list":["post-33278","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-amour","tag-bistrot","tag-camille-kessler","tag-cesars","tag-cinema-francais","tag-claude-sautet","tag-critiques-cinema","tag-daniel-auteuil","tag-emmanuelle-beart","tag-paris"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abUn c\u0153ur en hiver\u00bb, parce qu\u2019il est trop tard\u2026<\/title>\n<meta name=\"description\" content=\"Tandis que le monde repart au printemps, St\u00e9phane reste dans son hiver; je reste dans le mien. 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