{"id":33851,"date":"2020-05-12T13:35:29","date_gmt":"2020-05-12T11:35:29","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=33851"},"modified":"2022-11-13T14:48:48","modified_gmt":"2022-11-13T13:48:48","slug":"les-sucreries-poetiques-de-matthieu-corpataux","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/literature\/les-sucreries-poetiques-de-matthieu-corpataux\/","title":{"rendered":"Matthieu Corpataux's poetic sweets"},"content":{"rendered":"

Tuesday's books - Ivan Garcia<\/em><\/p>\n\n\n\n

With Sugars<\/em>, Matthieu Corpataux, a writer from Fribourg, has written a playful and mischievous first collection of poems. A gentle entry into the great family of literature.<\/strong> romande.<\/strong><\/p>\n\n\n\n\n\n\n\n

What's better than sugar? What could be sweeter than poetry? On the face of it, mixing the two should satisfy me and erase the bad impressions of my poetry classes, between Mallarmean hermeticism and Baudelairean depression. To be seen. So it's with a great deal of trepidation and a lot of bad memories that I set out to read Sugars<\/em> by Matthieu Corpataux. Matthieu Corpataux, a doctoral student in French literature at the University of Fribourg and founder of the literary magazine The Epistle,<\/em> as well as President of Textures[1]<\/strong><\/a><\/em>, is an emerging figure on the literary scene in French-speaking Switzerland. This first publication in the \u00abM\u00e9taphores\u00bb collection from \u00e9ditions de l'Aire, a collection reserved for the poetic genre, gives the Fribourg-born poet the opportunity to give us a \u00abtaste\u00bb of subtle, narrative poetry, without (too much) literary pretension. But let's have a closer look, shall we?<\/p>\n\n\n\n

\u00abMy poems, like sweets?
Sweets, soft toffees?
Mous? Mockery sticks?
No. Sugars, yes, which attack
The white teeth that attack
Nice civilians, wealthy gums
Slowly attacking at the root
With the help of the tongue, that infinite muscle.\u00bb<\/p><\/blockquote>\n\n\n\n

This is the poem on which the collection opens. There are forty-two poems in all. The author is a proponent of free verse, i.e. a form of verse that is not constrained by a regular metrical structure, and varies the structures of his poems as he goes along. Readers will therefore find no poems constructed entirely of alexandrines or octosyllables, or following well-known poetic forms such as the ballad. Which is just as well. But then, how is this poetry?<\/p>\n\n\n\n

About tools and style<\/strong><\/h2>\n\n\n\n

The poet combines his metrical freedom with a continuous play on syntactic verse structures. He dislocates lines and makes use of enjambments, for example, by rejecting a line fragment at the beginning of the following line, as in \u00ab[...] qui attaquent \/ Les Blanches dents\u00bb, or by anticipating the transition between two lines to highlight an element, as in \u00ab[...] qui attaquent \/ Les civils gentils\u00bb, to create parallels between his lines, or to underline certain elements of his poems. His range of stylistic tools is complemented by other poetic devices such as anaphora (repetitions and repetitions of words or rhythms, such as \u00ab[...] qui attaquent \/ Les civils gentils\u00bb), which recurs three times in a row.] qui attaquent\u00ab, which appears three times in the poem), rich rhymes (\u00bbsucreries \/ railleries\u00ab) and poor rhymes (\u00bbnantis \/ infini\u00ab), as well as various sonority effects, such as the poem's \u00bb- en\/an\u00ab assonance (\u00bbBlanches dents \/ gentils \/ gencives \/ nantis \/ lentement \/ langue\").<\/p>\n\n\n\n

The most interesting thing about this collection is the dislocation of syntax achieved by the poet, who often emancipates himself from all punctuation. As if to create a continuous flow. Even though punctuation is still present in other poems in the book, to give rhythm and mark caesuras. Sugars <\/em>is mainly made up of short poems, and occasionally some longer ones that the reader can read linearly or in fragments. They oscillate between poetry, autobiography and even philosophy. <\/p>\n\n\n\n

Grains of poetry<\/strong><\/h3>\n\n\n\n

From the outset, the lyrical subject provides a key to reading this poem 0, which the reader can follow throughout the work: his \u00abSugars\u00bb are corrosive, they \u00abattack the kindly civilians, the affluent gums\u00bb, whose phonetic and rhythmic inversion we note in passing. The writer's skill lies in the fact that the reader can choose how he or she wants to savor his or her work. Sugars<\/em>. Indeed, the book weaves an atmosphere linked to the world of childhood that can touch us all. It's all about memories, opening up a parade that includes a school teacher, love, a soccer match, injuries, games consoles, caf\u00e9s, and a farandole of other themes, all of which have in common that they were, at one time or another, part of the life of the subject expressing themselves through these poems (that could be you, by the way).<\/p>\n\n\n\n

The word that comes up most often - and on which Matthieu Corpataux plays light-heartedly - is grain. Depending on the poet's use and the reader's interpretation, this polysemic term designates memory, sand (\u00abDes Sahara entiers\u00bb), or \u00absugar grain\u00bb. Poem 39 extends this polysemy to include the expression \u00abgrain of madness\u00bb:<\/p>\n\n\n\n

\u00abAt eighteen
What madness
Takes me from
Create a magazine?

Circumstances again
In memory but the grain
I don't know where
He has come.\u00bb<\/p><\/blockquote>\n\n\n\n

As we said earlier, the poet dislocates syntax and punctuation. The absence of the latter leaves the reader free to focus on the element that most \u00abspeaks\u00bb to him or her within the text. There seems to me to be a certain desire to imitate oral language (or the flow of thoughts) in this poem 39, which lets the lines follow one another, without punctuating them.<\/p>\n\n\n\n

Coffee and games<\/h3>\n\n\n\n

In this poem (and others in the collection), there are probably some autobiographical allusions by a lyrical subject who, as in a kind of confession, invites the reader to share a few \u00abgrains\u00bb of his existence. Sometimes dedicated to well-known personalities such as Laurent Cennamo, a writer from the French-speaking part of Switzerland. Sometimes dedicated to people closer to the author, such as \u00abCamille S.\u00bb, or \u00abTo you at last<\/em>\u00bb. Memories, impressions, moments dear to his heart. To express all this, the poet mixes different typographies in certain poems, or plays on sonorities. Remarkably, poem number 36 is a magnificent calligram on the subject of the black hole. A wonderful exercise in circular reading that makes us realize the power of words and their meaning. A personal favorite is poem no. 20, which, with its aphoristic airs, brings a smile to the face and brings home many truths:<\/p>\n\n\n\n

\u00abFrom the first coffee
Despite thousands of other
A bitter taste remains\u00bb.\u00bb<\/p><\/blockquote>\n\n\n\n

Sugars <\/em>is read in the company of a good cup of coffee. Here and there, we pick up a poem, two, three, ten... and meditate, between each granule, on what we are given to see, smell and taste. For our taste, the longer poems are less striking than the shorter ones. The charm of the collection lies in the author's playful way of breaking down syntax to create effects, or playing on the thematic richness of the word \u00abgrain\u00bb to create a lively, pleasing universe. A bit like a child or an adult contemplating a cup of coffee with pleasure.<\/p>\n\n\n\n

Sweet constellation<\/strong><\/h3>\n\n\n\n

There are some curious poems in this collection. But one of the most intriguing is number 33. And why is that? A hitherto unexpected reference enters the poetic-gustatory scene:<\/p>\n\n\n\n

\u00abI searched through the telescope in so many books
Constellations and cosmos to understand them:
Our mechanisms, our disasters. In summer
2010 - at last - under the Perseid rains,
I discovered March <\/em>de Fritz Zorn.\u00bb<\/p><\/blockquote>\n\n\n\n

Deux isotopies se voient, en quelques lignes, m\u00eal\u00e9es: le monde astral et le monde des livres. Tout cela, cristallis\u00e9 \u00e0 la fin de ce po\u00e8me, par la figure de Fritz Zorn. \u00abJe d\u00e9couvris March <\/em>de Fritz Zorn.\u00bb Tiens, tiens, tiens, Fritz Zorn. Pseudonyme utilis\u00e9 par Fritz Angst, \u00e9crivain suisse al\u00e9manique, \u00e0 qui l\u2019on doit l\u2019\u00e9criture de March<\/em>, un livre autobiographique au sein duquel l\u2019auteur d\u00e9nonce son \u00e9ducation bourgeoise et consid\u00e8re que son cancer est li\u00e9 \u00e0 cette mauvaise \u00e9ducation. R\u00e9v\u00e9lation des astres pour le po\u00e8te? Peut-\u00eatre bien.<\/p>\n\n\n\n


En tout cas, avec ce po\u00e8me num\u00e9ro 33, l\u2019auteur r\u00e9concilie, en un seul vers \u00abJe d\u00e9couvris March <\/em>de Fritz Zorn\u00bb, l\u2019enfer et les cieux. Les images d\u00e9ploy\u00e9es par le texte sont puissantes; elles r\u00e9sonnent en chacun pour donner vie \u00e0 un imaginaire enfoui. Le pouvoir de la litt\u00e9rature est tel qu\u2019il peut concilier les deux oppos\u00e9s: le t\u00e9lescope et les livres. Les cosmos et les d\u00e9sastres. L\u2019\u00e9t\u00e9 et la pluie. Les Pers\u00e9ides et March<\/em>. Du sucre et de la po\u00e9sie, voil\u00e0 la constellation de Matthieu Corpataux.<\/p>\n\n\n\n

\n\n\n\n

[1]<\/a> Textures \u2013 Rencontres litt\u00e9raires <\/em>est le nouveau nom du Salon du livre romand de Fribourg qui se tiendra du 23 au 25 avril 2021 \u00e0 Fribourg.<\/strong><\/p>\n\n\n\n

Photo credit: \u00a9 Ivan Garcia for Le Regard Libre<\/em><\/p>\n\n\n\n

Write to the author: ivan.garcia@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n

\"\"<\/figure>
\n

Matthieu Corpataux
Sugars<\/em>
Editions de l'Aire
2020
56 pages<\/strong><\/p>\n\n\n\n

\n
buy<\/a><\/div>\n<\/div>\n\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"

What could be sweeter than poetry?<\/p>","protected":false},"author":53,"featured_media":33858,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20663],"tags":[644349497,54879,1749029,1532851,193275253,644349498,644349499],"class_list":["post-33851","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-litterature","tag-corpataux","tag-critiques-litteraires","tag-douceur","tag-litterature-francophone","tag-litterature-romande","tag-matthieu-corpataux","tag-sucres"],"acf":[],"yoast_head":"\nLes sucreries po\u00e9tiques de Matthieu Corpataux<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/literature\/les-sucreries-poetiques-de-matthieu-corpataux\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" 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