{"id":34127,"date":"2020-05-26T12:43:26","date_gmt":"2020-05-26T10:43:26","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=34127"},"modified":"2022-09-25T16:14:38","modified_gmt":"2022-09-25T14:14:38","slug":"leternel-retour-des-romans","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/literature\/leternel-retour-des-romans\/","title":{"rendered":"The eternal return of novels"},"content":{"rendered":"

Les bouquins du mardi - Special edition \u00abLes coronar\u00e9trospectives de la litt\u00e9rature\u00bb - (in French) Jonas Follonier<\/a><\/em><\/p>\n\n\n\n

Dive or dive back into The unbearable lightness of being<\/em> by Kundera is to open up your horizons, get closer to the fundamentals, oxygenate your mind and understand who we are. The theme of eternal return runs through this monumental novel. If our lives are so light, and therefore so unbearable, it's because we know that nothing we do will ever come back. But isn't the novel the exception to the rule? Here's a little reflection on books in the light of one of their best.<\/strong><\/p>\n\n\n\n\n\n\n\n

In Kundera, everything is unbearable. As much gravity as lightness. This, among other themes, is what the author seeks to express in The unbearable lightness of being<\/em>. This novel, published in 1984 and translated from the Czech by Fran\u00e7ois K\u00e9rel, opens with the question of Nietzsche's \u00abeternal return\u00bb. Our lives are marked by the transience of everything: this morning's \u00abhello\u00bb to the local baker, this morning itself, youth and love - it's well known. This is the very definition of the moment: it will never come back. Never again! So making mistakes may seem trivial: as soon as they're made, they're in the past. And generally speaking, how important can our actions be, if they flow like water down the river?<\/p>\n\n\n\n\n\n

\u00abYou can never know what you should want, because you only have one life, and you can't compare it with previous lives or rectify it in later ones. [...] Everything is experienced immediately, for the first time and without preparation. It's like an actor entering the stage without ever having rehearsed. But what is life worth, if the first rehearsal of life is already life itself?\u00bb<\/p><\/blockquote>\n\n\n\n

The Kundersonian narrator - the real and only character in his novels, the others being philosophical puppets - wonders what it would be like to live in a world defined by eternal recommencement. The opposite, then, of the universe as we know it. If all events were doomed to eternal return, they would take on a crazy significance. In the realm of human action, we'd have to goof off all the time. Act like a movie actor in a film destined to be shown over and over again. This is what Kundera calls gravity. Gravity, in fact, is just as unbearable as lightness. Proof in words:<\/p>\n\n\n\n

\u00abIf every second of our lives has to be repeated an infinite number of times, we're nailed to eternity like Jesus Christ to the cross. What an atrocious idea! In the world of the eternal return, every gesture carries the weight of an unbearable responsibility.\u00bb<\/p><\/blockquote>\n\n\n\n\n\n

And that's where the talented novelist comes in. Kundera's first skill is to make the link between his thoughts and his story. The characters take charge of the rest of the novel, giving substance to the philosophical intuition announced by the narrator at the beginning of the book. The reader follows the lives of Tomas, Tereza, Franz and Sabina, entering their respective points of view as the chapters unfold. The facts recounted are so banal and numerous, and the underlying thought so dense, that it would be impossible to offer a satisfactory summary or commentary. That's why we can turn our attention to the application of Kundera's question to the novel itself: isn't it art, and the novel in particular, that is capable of offering us a seriousness of meaning that we can never forget? sustainable<\/em>?<\/p>\n\n\n\n