{"id":34153,"date":"2020-05-27T16:00:00","date_gmt":"2020-05-27T14:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=34153"},"modified":"2025-12-04T22:26:34","modified_gmt":"2025-12-04T21:26:34","slug":"le-mepris-et-michel-piccoli-qui-deambule","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/le-mepris-et-michel-piccoli-qui-deambule\/","title":{"rendered":"\u00abLe M\u00e9pris\u00bb and Michel Piccoli wandering around"},"content":{"rendered":"<p><em><a href=\"https:\/\/leregardlibre.com\/en\/les-mercredis-du-cinema\/\">Cinema Wednesdays<\/a>&nbsp;- Special edition: Tribute to Michel Piccoli - Loris S. Musumeci<\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\">U<strong>colossus of cinema history, made by a colossus. Jean-Luc Godard was subversive; he has remained so. Even if his cinema, in this case <em>Contempt<\/em>, has entered the category of classics. Either decried and mocked, or admired and adored, this film has been the talk of the town since its release in 1963. And rightly so, for in a day when the subversive has become something of a norm, it's very easy to see why. <em>bon chic bon genre<\/em>, very conventional, <em>Contempt <\/em>always surprises. He annoys, then he surprises. He surprises, then we love him.<\/strong><\/p>\n\n\n\n<!--more Lire la r\u00e9trospective-->\n\n\n\n<h3 class=\"wp-block-heading\">\u00ab<em>Contempt<\/em> is the story of this world\u00bb.\u00bb<\/h3>\n\n\n\n<p>The credits open the film, but in a special way, because nothing scrolls across the screen. It is read directly by a voice-over by Godard, who closes by quoting: \u00abCinema,\" said Andr\u00e9 Bazin, \"substitutes for our gaze a world that matches our desires. <em>Contempt<\/em> is the story of this world.\u00bb This is a film about two things in one: cinema, of course, and a couple. A dying cinema, a dying couple. The end of a cinema, the end of a couple.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"&quot;The most famous spoken word in the history of cinema&quot; Le M\u00e9pris by Jean Luc Godard\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/i1iOFRZnKBo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>This couple is Paul and Camille. A couple made myth in cinema. It's the sublime, tragic couple played by Michel Piccoli and Brigitte Bardot. Paul is a writer turned screenwriter. His wife has joined him in Rome, where a job opportunity is opening up for him. A despotic, extroverted American producer entrusts him with rewriting the screenplay for a film being made between Cinecitt\u00e0 and Capri by a Fritz Lang, played by himself: it's a super-adaptation, both peplum and philosophical, of the\u2019<em>Odyss\u00e9e<\/em>. Paul feels out of step, but at ease, with old Lang. On the other hand, he finds it hard to get on with the producer, on whom his attractive salary depends.<\/p>\n\n\n\n<p><strong>Read also: <a href=\"https:\/\/leregardlibre.com\/en\/cinema\/the-redoubtable-redoubtable-mixed\/\"><em>Le Redoutable<\/em>, a formidable mixed bag<\/a><\/strong><\/p>\n\n\n\n<p>Since Camille is so beautiful, the producer takes advantage of his financial hold on her husband to take the young woman under his sway. And in full view of her husband, of course. She appears to resist when he invites her - alone - into his car, gently suggesting that Paul take a cab; and Paul gives in. He accepts, especially as he sees no harm in it. From this point on, contempt comes into play. Camille despises Paul, and he doesn't know exactly why, nor do we.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1450\" height=\"800\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-2-\u00a9-Studiocanal.jpg\" alt=\"\" class=\"wp-image-34160\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-2-\u00a9-Studiocanal.jpg 1450w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-2-\u00a9-Studiocanal-1170x646.jpg 1170w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-2-\u00a9-Studiocanal-585x323.jpg 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-2-\u00a9-Studiocanal-150x83.jpg 150w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-2-\u00a9-Studiocanal-300x166.jpg 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-2-\u00a9-Studiocanal-768x424.jpg 768w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-2-\u00a9-Studiocanal-1024x565.jpg 1024w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-2-\u00a9-Studiocanal-600x331.jpg 600w\" sizes=\"(max-width: 1450px) 100vw, 1450px\" \/><\/figure>\n\n\n\n<p>A couple dies, and before their eyes, cinema dies. When the two travel to Cinecitt\u00e0, where they meet producer and director Lang, they discover a place that resembles a ruin. Decayed. Where a few studios still appear to be shooting, where a few set designers wearily trace brushstrokes on papier-m\u00e2ch\u00e9 walls. And yet, cinema has known its hours of glory here, just as it has in Hollywood: the presence of Fritz Lang, whom Godard adores but knows he must bury in order to create something new, as evidenced by the visual allusions to westerns, whose wide shots and interplay of glances also bear witness.<\/p>\n\n\n\n<p><strong>Read also: <a href=\"https:\/\/leregardlibre.com\/en\/cinema\/1966-1971-a-golden-age-that-no-one-has-lived-through\/\">1966-1971: a golden age nobody lived through<\/a><\/strong><\/p>\n\n\n\n<p>And yet, before the debacle, the couple enjoyed a crazy love affair, with a naked Bardot on the bed, leaning against a Piccoli whose character admires the woman's bodily details in the mirror facing the bed. He admires them because she exposes them with a cultish \u00abAnd my buttocks, do you like my buttocks?\u00bb Yes, he loves her buttocks, he loves everything about her. He loves every feature of her, every color filter the camera plays with - red, yellow, blue. He loves her \u00abtotally, tenderly, tragically.\u00bb<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1240\" height=\"800\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-1-\u00a9-Studiocanal.jpeg\" alt=\"\" class=\"wp-image-34159\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-1-\u00a9-Studiocanal.jpeg 1240w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-1-\u00a9-Studiocanal-1170x755.jpeg 1170w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-1-\u00a9-Studiocanal-585x377.jpeg 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-1-\u00a9-Studiocanal-150x97.jpeg 150w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-1-\u00a9-Studiocanal-300x194.jpeg 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-1-\u00a9-Studiocanal-768x495.jpeg 768w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-1-\u00a9-Studiocanal-1024x661.jpeg 1024w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-1-\u00a9-Studiocanal-600x387.jpeg 600w\" sizes=\"(max-width: 1240px) 100vw, 1240px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Piccoli on the move<\/h3>\n\n\n\n<p>Then contempt sets in. And the impossibility of understanding, even of sitting down and talking quietly. Every discussion in the film, whether between Paul and his wife, Paul and his producer or Paul and Fritz Lang, suffers from the same incessant wandering. In its three acts, the film bears witness to a growing difficulty in communicating. In Cinecitt\u00e0, where a translator who translates in her own way interrupts every discussion; in the couple's apartment, where Madame plays the mysterious vexed woman and Monsieur ends up slapping her; in Capri, where disagreements erupt, where everyone finds their place in their own corner, in their own thing, except Paul. And all the while, they keep wandering.<\/p>\n\n\n\n<p>Paul is permanently out of step. And it's this discrepancy that is at the heart of the film, without taking anything away from a Bardot who has given cinema some of the most beautiful buttocks shots in its history and much more through her role, without taking anything away from Georges Delerue's music either, who has given cinema one of its most beautiful soundtracks, notably with <em>Camille<\/em> - its most moving composition with the overwhelming <em><a href=\"https:\/\/www.youtube.com\/watch?v=bTZaPVkdx8g\">Melancholy<\/a><\/em>, musical theme from <em>Like a Boomerang<\/em>, and with the wonderful <em><a href=\"https:\/\/www.youtube.com\/watch?v=5O0s1X0RgBw\">Departure from Naples<\/a><\/em>, the musical theme of <em><a href=\"https:\/\/leregardlibre.com\/en\/cinema\/the-vacation-jerk-for-the-people\/\">Corniaud<\/a><\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Georges Delerue - Le M\u00e9pris - Theme by Camille\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/Qg9FJbjVTLU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>But the gap remains central. And it's made central by the man who embodies it. In his facial features, in his voice, in his acting, in his race after his wife to find love again, in his race after Fritz Lang to find a truth about cinema that he won't find, simply because it no longer exists. All this is Piccoli. The best tribute we can pay him is to revisit the films he starred in, in which he shone, in <em>loser<\/em> magnificent, in <em>loser<\/em> offbeat, as in <em>Contempt<\/em>.<\/p>\n\n\n\n<p><em>Write to the author:&nbsp;<a href=\"mailto:loris.musumeci@leregardlibre.com\">loris.musumeci@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p>Photo credit: \u00a9 Studiocanal (Photo taken during filming, where Jean-Luc Godard in turn strolls with his two leading actors: Michel Piccoli and Brigitte Bardot)<\/p>","protected":false},"excerpt":{"rendered":"<p>Michel Piccoli in Godard's \u00abLe M\u00e9pris<\/p>","protected":false},"author":18,"featured_media":34164,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644343165,644350328,102359,644341146,644350331,644350329,644345313,4052,82290,303664,2564513,644346365,644350326,226338,644341256,644350330,9641,11880],"class_list":["post-34153","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-camille","tag-capri","tag-couple","tag-critiques-cinema","tag-fesses","tag-fritz-lang","tag-georges-delerue","tag-hollywood","tag-italie","tag-jean-luc-godard","tag-le-mepris","tag-loser","tag-michel-piccoli","tag-nouvelle-vague","tag-odyssee","tag-paul","tag-rome","tag-western"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abLe M\u00e9pris\u00bb et Michel Piccoli qui d\u00e9ambule<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/le-mepris-et-michel-piccoli-qui-deambule\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abLe M\u00e9pris\u00bb et Michel Piccoli qui d\u00e9ambule\" \/>\n<meta property=\"og:description\" content=\"Michel Piccoli dans \u00abLe M\u00e9pris\u00bb de Godard\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/le-mepris-et-michel-piccoli-qui-deambule\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-05-27T14:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-04T21:26:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-3-\u00a9-Studiocanal-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1136\" \/>\n\t<meta property=\"og:image:height\" content=\"719\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Loris S. Musumeci\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:site\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Loris S. Musumeci\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-mepris-et-michel-piccoli-qui-deambule\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-mepris-et-michel-piccoli-qui-deambule\\\/\"},\"author\":{\"name\":\"Loris S. Musumeci\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/person\\\/04d80ec47094bca6b1fa22dffad24005\"},\"headline\":\"\u00abLe M\u00e9pris\u00bb et Michel Piccoli qui d\u00e9ambule\",\"datePublished\":\"2020-05-27T14:00:00+00:00\",\"dateModified\":\"2025-12-04T21:26:34+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-mepris-et-michel-piccoli-qui-deambule\\\/\"},\"wordCount\":1113,\"commentCount\":1,\"publisher\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-mepris-et-michel-piccoli-qui-deambule\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2020\\\/05\\\/Le-Me\u0301pris-3-\u00a9-Studiocanal-1.jpg\",\"keywords\":[\"camille\",\"capri\",\"Couple\",\"Critique cin\u00e9ma\",\"fesses\",\"fritz lang\",\"Georges Delerue\",\"Hollywood\",\"Italie\",\"jean-luc godard\",\"le m\u00e9pris\",\"loser\",\"Michel Piccoli\",\"Nouvelle Vague\",\"odyss\u00e9e\",\"paul\",\"Rome\",\"Western\"],\"articleSection\":[\"Films\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-mepris-et-michel-piccoli-qui-deambule\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-mepris-et-michel-piccoli-qui-deambule\\\/\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-mepris-et-michel-piccoli-qui-deambule\\\/\",\"name\":\"\u00abLe M\u00e9pris\u00bb et Michel Piccoli qui d\u00e9ambule\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-mepris-et-michel-piccoli-qui-deambule\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-mepris-et-michel-piccoli-qui-deambule\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2020\\\/05\\\/Le-Me\u0301pris-3-\u00a9-Studiocanal-1.jpg\",\"datePublished\":\"2020-05-27T14:00:00+00:00\",\"dateModified\":\"2025-12-04T21:26:34+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-mepris-et-michel-piccoli-qui-deambule\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-mepris-et-michel-piccoli-qui-deambule\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-mepris-et-michel-piccoli-qui-deambule\\\/#primaryimage\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2020\\\/05\\\/Le-Me\u0301pris-3-\u00a9-Studiocanal-1.jpg\",\"contentUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2020\\\/05\\\/Le-Me\u0301pris-3-\u00a9-Studiocanal-1.jpg\",\"width\":1136,\"height\":719},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-mepris-et-michel-piccoli-qui-deambule\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/leregardlibre.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u00abLe M\u00e9pris\u00bb et Michel Piccoli qui d\u00e9ambule\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#website\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/\",\"name\":\"Le Regard Libre\",\"description\":\"Premier mensuel suisse de d\u00e9bat\",\"publisher\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/leregardlibre.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\",\"name\":\"Le Regard Libre\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/logo-rl-icone-neg.jpeg\",\"contentUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/logo-rl-icone-neg.jpeg\",\"width\":557,\"height\":556,\"caption\":\"Le Regard Libre\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/leregardlibre\\\/\",\"https:\\\/\\\/x.com\\\/LeRegardLibre\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/le-regard-libre\",\"https:\\\/\\\/www.instagram.com\\\/leregardlibre\\\/\",\"http:\\\/\\\/t.me\\\/leregardlibre\",\"https:\\\/\\\/youtube.com\\\/channel\\\/UC6HzGPomj1LsUmlz-sJtITQ\"],\"description\":\"Le Regard Libre est un mensuel suisse de d\u00e9bat intellectuel et culturel. Sa r\u00e9daction est jeune, b\u00e9n\u00e9vole, lib\u00e9rale et pluraliste. Le magazine para\u00eet en ligne et sous forme papier. Sa langue est le fran\u00e7ais.\",\"email\":\"redaction@leregardlibre.com\",\"legalName\":\"Le Regard Libre\",\"foundingDate\":\"2014-01-01\",\"numberOfEmployees\":{\"@type\":\"QuantitativeValue\",\"minValue\":\"11\",\"maxValue\":\"50\"},\"publishingPrinciples\":\"https:\\\/\\\/leregardlibre.com\\\/a-propos\\\/notre-manifeste\\\/\",\"ownershipFundingInfo\":\"https:\\\/\\\/leregardlibre.com\\\/mentions-legales\\\/\",\"actionableFeedbackPolicy\":\"https:\\\/\\\/leregardlibre.com\\\/conditions-generales-de-vente\\\/\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/person\\\/04d80ec47094bca6b1fa22dffad24005\",\"name\":\"Loris S. Musumeci\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/fa476654dadfee0d962e80160d0303549febb2769f8fa26c7a1ebe037f7c7c54?s=96&d=identicon&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/fa476654dadfee0d962e80160d0303549febb2769f8fa26c7a1ebe037f7c7c54?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/fa476654dadfee0d962e80160d0303549febb2769f8fa26c7a1ebe037f7c7c54?s=96&d=identicon&r=g\",\"caption\":\"Loris S. Musumeci\"},\"sameAs\":[\"https:\\\/\\\/leregardlibre.com\\\/\",\"https:\\\/\\\/fr.wikipedia.org\\\/wiki\\\/Le_Regard_libre\"],\"url\":\"https:\\\/\\\/leregardlibre.com\\\/en\\\/author\\\/loris-musumeci\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"\u00abLe M\u00e9pris\u00bb and Michel Piccoli wandering around","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/leregardlibre.com\/en\/cinema\/films\/le-mepris-et-michel-piccoli-qui-deambule\/","og_locale":"en_US","og_type":"article","og_title":"\u00abLe M\u00e9pris\u00bb et Michel Piccoli qui d\u00e9ambule","og_description":"Michel Piccoli dans \u00abLe M\u00e9pris\u00bb de Godard","og_url":"https:\/\/leregardlibre.com\/en\/cinema\/films\/le-mepris-et-michel-piccoli-qui-deambule\/","og_site_name":"Le Regard Libre","article_publisher":"https:\/\/www.facebook.com\/leregardlibre\/","article_published_time":"2020-05-27T14:00:00+00:00","article_modified_time":"2025-12-04T21:26:34+00:00","og_image":[{"width":1136,"height":719,"url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-3-\u00a9-Studiocanal-1.jpg","type":"image\/jpeg"}],"author":"Loris S. Musumeci","twitter_card":"summary_large_image","twitter_creator":"@LeRegardLibre","twitter_site":"@LeRegardLibre","twitter_misc":{"Written by":"Loris S. Musumeci","Est. reading time":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/leregardlibre.com\/cinema\/films\/le-mepris-et-michel-piccoli-qui-deambule\/#article","isPartOf":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/le-mepris-et-michel-piccoli-qui-deambule\/"},"author":{"name":"Loris S. Musumeci","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/04d80ec47094bca6b1fa22dffad24005"},"headline":"\u00abLe M\u00e9pris\u00bb et Michel Piccoli qui d\u00e9ambule","datePublished":"2020-05-27T14:00:00+00:00","dateModified":"2025-12-04T21:26:34+00:00","mainEntityOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/le-mepris-et-michel-piccoli-qui-deambule\/"},"wordCount":1113,"commentCount":1,"publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/le-mepris-et-michel-piccoli-qui-deambule\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-3-\u00a9-Studiocanal-1.jpg","keywords":["camille","capri","Couple","Critique cin\u00e9ma","fesses","fritz lang","Georges Delerue","Hollywood","Italie","jean-luc godard","le m\u00e9pris","loser","Michel Piccoli","Nouvelle Vague","odyss\u00e9e","paul","Rome","Western"],"articleSection":["Films"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/leregardlibre.com\/cinema\/films\/le-mepris-et-michel-piccoli-qui-deambule\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/leregardlibre.com\/cinema\/films\/le-mepris-et-michel-piccoli-qui-deambule\/","url":"https:\/\/leregardlibre.com\/cinema\/films\/le-mepris-et-michel-piccoli-qui-deambule\/","name":"\u00abLe M\u00e9pris\u00bb and Michel Piccoli wandering around","isPartOf":{"@id":"https:\/\/leregardlibre.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/le-mepris-et-michel-piccoli-qui-deambule\/#primaryimage"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/le-mepris-et-michel-piccoli-qui-deambule\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-3-\u00a9-Studiocanal-1.jpg","datePublished":"2020-05-27T14:00:00+00:00","dateModified":"2025-12-04T21:26:34+00:00","breadcrumb":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/le-mepris-et-michel-piccoli-qui-deambule\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/leregardlibre.com\/cinema\/films\/le-mepris-et-michel-piccoli-qui-deambule\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leregardlibre.com\/cinema\/films\/le-mepris-et-michel-piccoli-qui-deambule\/#primaryimage","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-3-\u00a9-Studiocanal-1.jpg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/05\/Le-Me\u0301pris-3-\u00a9-Studiocanal-1.jpg","width":1136,"height":719},{"@type":"BreadcrumbList","@id":"https:\/\/leregardlibre.com\/cinema\/films\/le-mepris-et-michel-piccoli-qui-deambule\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/leregardlibre.com\/"},{"@type":"ListItem","position":2,"name":"\u00abLe M\u00e9pris\u00bb et Michel Piccoli qui d\u00e9ambule"}]},{"@type":"WebSite","@id":"https:\/\/leregardlibre.com\/#website","url":"https:\/\/leregardlibre.com\/","name":"Le Regard Libre","description":"Switzerland's first monthly debate magazine","publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/leregardlibre.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/leregardlibre.com\/#organization","name":"Le Regard Libre","url":"https:\/\/leregardlibre.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","width":557,"height":556,"caption":"Le Regard Libre"},"image":{"@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/leregardlibre\/","https:\/\/x.com\/LeRegardLibre","https:\/\/www.linkedin.com\/company\/le-regard-libre","https:\/\/www.instagram.com\/leregardlibre\/","http:\/\/t.me\/leregardlibre","https:\/\/youtube.com\/channel\/UC6HzGPomj1LsUmlz-sJtITQ"],"description":"Le Regard Libre is a Swiss monthly magazine for intellectual and cultural debate. Its editorial team is young, voluntary, liberal and pluralist. The magazine appears online and in print. Its language is French.","email":"redaction@leregardlibre.com","legalName":"Le Regard Libre","foundingDate":"2014-01-01","numberOfEmployees":{"@type":"QuantitativeValue","minValue":"11","maxValue":"50"},"publishingPrinciples":"https:\/\/leregardlibre.com\/a-propos\/notre-manifeste\/","ownershipFundingInfo":"https:\/\/leregardlibre.com\/mentions-legales\/","actionableFeedbackPolicy":"https:\/\/leregardlibre.com\/conditions-generales-de-vente\/"},{"@type":"Person","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/04d80ec47094bca6b1fa22dffad24005","name":"Loris S. Musumeci","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/fa476654dadfee0d962e80160d0303549febb2769f8fa26c7a1ebe037f7c7c54?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/fa476654dadfee0d962e80160d0303549febb2769f8fa26c7a1ebe037f7c7c54?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/fa476654dadfee0d962e80160d0303549febb2769f8fa26c7a1ebe037f7c7c54?s=96&d=identicon&r=g","caption":"Loris S. Musumeci"},"sameAs":["https:\/\/leregardlibre.com\/","https:\/\/fr.wikipedia.org\/wiki\/Le_Regard_libre"],"url":"https:\/\/leregardlibre.com\/en\/author\/loris-musumeci\/"}]}},"_links":{"self":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/34153","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/comments?post=34153"}],"version-history":[{"count":1,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/34153\/revisions"}],"predecessor-version":[{"id":511772,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/34153\/revisions\/511772"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/media\/34164"}],"wp:attachment":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/media?parent=34153"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/categories?post=34153"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/tags?post=34153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}