{"id":34440,"date":"2020-06-09T11:41:58","date_gmt":"2020-06-09T09:41:58","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=34440"},"modified":"2022-11-13T14:51:30","modified_gmt":"2022-11-13T13:51:30","slug":"la-vagabonde-colette-ou-notre-coeur-blesse-en-miroir","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/literature\/la-vagabonde-colette-ou-notre-coeur-blesse-en-miroir\/","title":{"rendered":"\u00abLa vagabonde\u00bb: Colette? or our wounded heart in the mirror?"},"content":{"rendered":"

Les bouquins du mardi - Literature in retrospect - Ana\u00efs Sierro<\/i><\/p>\n\n\n\n

L<\/em>a vagabonde <\/em>invites us to follow the life of Colette Ren\u00e9e - a character far too similar to the author to dissociate them - throughout her long hours of performing, but not only... This novel is to love what The foreigner <\/em>is to life. We go along, following the life of a woman for whom the presence of a man imposes itself, while at the same time we seemingly get slapped in the face. The proof is that, after reading it, we question our view of love, after having experienced the first one. The one we \u00abremember for the rest of our lives\u00bb, they say... But what of the good memories, the first times or the pain of losing it, do we remember for the rest of our lives? That's the deep, personal question that Colette's lively, free-wheeling writing allowed me to ask. So, I warn you: you lovers of love: run away! or hang on... Colette offers us her truth. Unless, of course, it's \u00abour\u00bb truth...<\/strong><\/p>\n\n\n\n\n\n\n\n

En tant que femme privil\u00e9giant l\u2019action \u00e0 la plainte, j\u2019ai toujours vou\u00e9 une grande admiration, voire fascination, pour celles des premi\u00e8res d\u00e9cennies du si\u00e8cle dernier, qui portaient \u00e0 leur cou le parfum de la libert\u00e9, \u00e0 leurs hanches la ceinture de l\u2019\u00e9mancipation et \u00e0 leur coiffe la taille de la d\u00e9sinvolture. Ainsi, j\u2019ai trouv\u00e9 en ces Coco Chanel et autres Colette des exemples de force et de combativit\u00e9 au nom de leur libert\u00e9. Des exemples qui nous traduisent cette v\u00e9rit\u00e9: \u00abnotre place, on la prend; notre personnalit\u00e9, on l\u2019assume et notre libert\u00e9, on la garde!\u00bb. En ce sens, je n\u2019avais qu\u2019une h\u00e2te: enfin lire un premier roman de Colette. Celui-l\u00e0 m\u00eame qui suivait la s\u00e9paration aux mille cicatrices de son premier mari Henry Gauthier-Villars \u2013 caricatur\u00e9 ici sous les traits d\u2019Adolphe Taillandy \u2013 et qui me promettait donc une plume \u00e0 la force et l\u2019incision phantasm\u00e9es d\u2019une attente biais\u00e9e. Oui, j\u2019ai tr\u00e8s vite d\u00e9chant\u00e9.<\/p>\n\n\n\n

\u00abJe revois trop bien sa figure de conqu\u00eate, l\u2019\u0153il voil\u00e9, la bouche enfantine et rus\u00e9e, et cette affectation de battre les narines au passage d\u2019un parfum\u2026
Pouah! tout ce man\u00e8ge, cette cuisine autour de l\u2019amour \u2013 autour d\u2019un but qu\u2019on ne peut m\u00eame pas nommer l\u2019amour \u2013, je les favoriserais, je les imiterais, moi?
Pauvre Dufferein-Chautel! il me semble parfois que c\u2019est vous qu\u2019on trompe, ici, et je devrais vous dire\u2026 vous dire quoi? Que je suis redevenue une vieille fille, sans tentation, et clo\u00eetr\u00e9e, \u00e0 ma mani\u00e8re, entre les quatre murs d\u2019une loge de music-hall?
Non, je ne vous le dirai pas, car nous ne savons \u00e9changer, comme \u00e0 la dixi\u00e8me le\u00e7on de la Berlitz School, que des phrases \u00e9l\u00e9mentaires, o\u00f9 les mots pain, sel, fen\u00eatre, temp\u00e9rature, th\u00e9\u00e2tre, famille tiennent beaucoup de place\u2026
Vous \u00eates un homme, tant pis pour vous! [\u2026]
A force d\u2019h\u00e9siter, je choisis le silence\u2026\u00bb<\/p><\/blockquote>\n\n\n\n

Si ma premi\u00e8re r\u00e9action \u00e9tait alors une extase \u00e0 la jouissance d\u2019une \u00e9criture ma\u00eetris\u00e9e, po\u00e9tique et masculinement affirm\u00e9e, j\u2019ai rapidement \u00e9t\u00e9 confront\u00e9e \u00e0 une Colette \u2013 personnage et auteure \u2013 pas si ind\u00e9pendante que cela ou alors faussement ind\u00e9pendante; le fant\u00f4me d\u2019un premier amour meurtri en gage de rattachement au pass\u00e9, \u00e0 la trahison. C\u2019est alors que commence ce voyage \u00e9motionnel, celui-l\u00e0 m\u00eame entre r\u00e9volte et contentement, entre d\u00e9ception et satisfaction, entre des \u00abMais pourquoi?\u00bb et des \u00abAh bon quand m\u00eame\u00bb. Ce m\u00eame voyage \u00e9motionnel dont certaines s\u00e9ries de mauvais go\u00fbt nous gavent \u00e0 nous en endoctriner la moelle pour que nous restions l\u00e9tales sur notre canap\u00e9 dans l\u2019attente interminable d\u2019un prochain \u00e9pisode, insatiables de ces sensations.<\/p>\n\n\n\n

Read also: L’histoire de la plume de Colette<\/em><\/a><\/strong><\/p>\n\n\n\n

Car oui, La vagabonde<\/em> n\u2019est plus uniquement Colette, c\u2019est cette derni\u00e8re qui nous impose de le devenir tant ses changements de comportement et d\u2019humeur nous font vagabonder par tous les chemins de nos nerfs, quitte \u00e0 en titiller notre envie de fermer ce livre, f\u00e2ch\u00e9s de d\u00e9couvrir la faillibilit\u00e9 d\u2019une h\u00e9ro\u00efne historique que son adjectif ennoblit et non ne d\u00e9finit justement. C\u2019est donc avec la foi en une \u00e9volution plus forte et libre que nous parcourons des pages parfois longues et vides de descriptions d\u2019un quotidien de spectacle, transmis sans passion et sans culte, alors promis en quatri\u00e8me de couverture.<\/p>\n\n\n\n

\u00abQue sais-je de l\u2019homme que j\u2019aime et qui me veut?\u00bb<\/p><\/blockquote>\n\n\n\n

Quand arrive de plein fouet, \u00e0 travers Max, le grand et sacr\u00e9 sujet de tous artistes, de tous hommes: l\u2019amour! Or, d\u00e9trompez-vous, il ne s\u2019agit pas du grand, du vrai, de celui dont les chanteurs pour midinettes \u00e9c\u0153urent nos vies de leur pi\u00e8tre utopie erron\u00e9e. Non, Colette nous parle ici de l\u2019amour \u00abapr\u00e8s le premier amour d\u00e9chu\u00bb. Et l\u00e0, en vingt-cinq ans d\u2019existence et de livres ingurgit\u00e9s o\u00f9 jamais je n\u2019ai lu une seule ligne sur cet \u00e9tat post-premier-amour dont on conna\u00eet presque tous les m\u00e9faits, je me retrouve face \u00e0 une r\u00e9alit\u00e9 \u2013 celle de Colette personnage et auteure \u2013 qui en devenait au fil des pages rien d\u2019autre que \u00abnotre\u00bb r\u00e9alit\u00e9, universelle.<\/p>\n\n\n\n

Read also: Breaking<\/em>Yann Moix is ridiculous<\/a><\/strong><\/p>\n\n\n\n

Est-ce donc une situation peut-\u00eatre encore trop fra\u00eeche? Ou alors une sensibilit\u00e9 accrue \u00e0 la plume de Colette? Quoi qu\u2019il en soit, je n\u2019ai plus pu me s\u00e9parer de ce voyage au sein des \u00e9motions, des ressentis, des questionnements et des drames de cette femme bless\u00e9e et libre ; un chemin qui nous force \u00e0 un questionnement int\u00e9rieur personnel.<\/p>\n\n\n\n

\u00abLe premier obstacle o\u00f9 je bute, c\u2019est ce corps de femme allong\u00e9 [\u2026] pr\u00eat \u00e0 p\u00e9rir plut\u00f4t que de quitter le lieu de sa joie\u2026 [\u2026] Vaincrais-je aussi, plus dangereuse cent fois que la b\u00eate goulue, l\u2019enfant abandonn\u00e9e qui tremble en moi, faible, nerveuse, prompte \u00e0 tendre les bras, \u00e0 implorer: \u00abNe me laissez pas seule!\u00bb Celle-ci craint la nuit, la solitude, la maladie et la mort, elle tire les rideaux, le soir, sur la vitre noire qui l\u2019effraie, et se languit du seul mal de n\u2019\u00eatre point assez ch\u00e9rie\u2026 Et vous, mon adversaire bien-aim\u00e9, Max, comment viendrai-je \u00e0 bout de vous, en me d\u00e9chirant moi-m\u00eame?\u00bb<\/p><\/blockquote>\n\n\n\n

Alors si La vagabonde<\/em>\u00a0semble destin\u00e9 \u00e0 tout un chacun, vous qui n\u2019avez pas encore connu votre premier amour, fuyez au risque d\u2019en \u00eatre d\u00e9go\u00fbt\u00e9s ou accrochez-vous. Pour tous les autres, jetez-vous entre ces lignes, pour n\u2019oublier les le\u00e7ons donn\u00e9es par les r\u00e9flexions d\u2019une experte malgr\u00e9 elle. Celle pour qui l\u2019amour post-premier-amour n\u2019est tent\u00e9 que parce que de \u00abl\u2019\u00e9vasion\u00bb nous en faisons obstacle. Nous autres, arborant la plaie ouverte d\u2019un premier amour et qui, pour panser notre douleur, croulons vers l\u2019erreur de la pr\u00e9sence. Faux r\u00e9confort pour r\u00e9duire un instant au silence, la douleur pourtant si criante d\u2019une immuable r\u00e9alit\u00e9\u2026<\/p>\n\n\n\n

Write to the author: anais.sierro@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n

Cr\u00e9dit photo: Henri Manuel\/Wikimedia Commons<\/a>
<\/em><\/p>\n\n\n\n

\"\"<\/figure>
\n

Colette<\/strong>
La vagabonde<\/em><\/strong>
Albin Michel<\/strong>
1992 [1910]<\/strong>
222 pages<\/strong><\/p>\n\n\n\n

\n
Buy<\/a><\/div>\n<\/div>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"

R\u00e9flexions sur l’amour post-premier-amour.<\/p>","protected":false},"author":82,"featured_media":34444,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20663],"tags":[31254,644343187,644348392,1152503,644340940,54879,644351029,277140,1532851],"class_list":["post-34440","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-litterature","tag-amour","tag-auteure","tag-auteure-francaise","tag-coeur","tag-colette","tag-critiques-litteraires","tag-la-vagabonde","tag-litterature-francaise","tag-litterature-francophone"],"acf":[],"yoast_head":"\n\u00abLa vagabonde\u00bb: Colette? ou notre c\u0153ur bless\u00e9 en miroir?<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/literature\/la-vagabonde-colette-ou-notre-coeur-blesse-en-miroir\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abLa vagabonde\u00bb: Colette? 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