{"id":35906,"date":"2020-09-08T20:40:12","date_gmt":"2020-09-08T18:40:12","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=35906"},"modified":"2022-10-15T13:33:05","modified_gmt":"2022-10-15T11:33:05","slug":"la-poesie-narrative-de-mathilde-vischer","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/literature\/la-poesie-narrative-de-mathilde-vischer\/","title":{"rendered":"Mathilde Vischer's narrative poetry"},"content":{"rendered":"

Dear reader,<\/p>\n\n\n\n

I'm talking to you. You are the most important link in the book chain. One might say the golden link, the primordial link, the link that cannot be detached without breaking the whole. You, the reader, without whom the book would have no reality, as a Slovak writer by the name of Pavel Vilikovsky once said. I'd like to tell you that amidst the jostling of the new releases of the fall literary season, increasingly comparable to the jostling of the waves of a sumptuous tsunami, I'd like to tell you that you don't have to be up to your neck in it. In other words, you can stay dry, dare to take your time and read quietly in the shade of a tree, why not some poetry, for example. That's right, why don't you set yourself apart this year, instead of following the trends, by reading Like a star falls in the night<\/em>, by Mathilde Vischer?<\/p>\n\n\n\n\n\n\n\n

Ce n’est justement pas un livre de cette rentr\u00e9e litt\u00e9raire torrentielle, ce n’est pas une nouveaut\u00e9, mais tu sais, c\u2019est un livre qui n\u2019a pas encore une ann\u00e9e d\u2019existence et donc encore du lait maternel derri\u00e8re les rabats. Il d\u00e9borde de jeunesse. Bien s\u00fbr, au sujet de cette rentr\u00e9e litt\u00e9raire, je suis s\u00fbr que tu l\u2019auras compris. Il ne s\u2019agit pas de faire autrement pour faire autrement. Ni de la saboter, ou pire encore, de l\u2019ignorer puis l’oublier, mais simplement de faire sa propre rentr\u00e9e litt\u00e9raire sur commande, quand on en ressent l\u2019envie profonde, int\u00e9rieure et bouillonnante. Faire sa rentr\u00e9e litt\u00e9raire plus librement, un peu comme on fait l\u2019\u00e9cole buissonni\u00e8re, voil\u00e0 ce que je veux te dire. Car l\u2019\u00e9cole buissonni\u00e8re, n\u2019est-ce pas quitter l\u2019\u00e9cole pour le plaisir d\u2019y revenir?<\/p>\n\n\n\n

Si j\u2019aborde sans filtre ici Like a star falls in the night<\/em> (je me dois de te pr\u00e9venir), c\u2019est d\u00e9j\u00e0 pour te faire partager une r\u00e9sonance. Te dire grossi\u00e8rement la r\u00e9sonance des mots, ce serait mentir. C\u2019est plut\u00f4t la r\u00e9sonance que font les mots r\u00e9unis, frott\u00e9s les uns aux autres, comme on frotte du bois \u00e0 du bois pour qu\u2019il s’\u00e9chauffe et qu\u2019il fume, dans l\u2019espoir d\u2019un feu. Dans ce recueil, c’est plut\u00f4t cette r\u00e9sonance l\u00e0 qui saute aux yeux et aux oreilles. L\u2019\u00e9criture lyrique, magn\u00e9tique et pointilleuse nous accroche au texte et les courts paragraphes ont chacun un sens. On croirait une s\u00e9rie d\u2019images \u00e0 regarder.<\/p>\n\n\n\n

Tout cela forme des histoires. Il y a aussi des personnages qui sont pris dans ces histoires. Tu me diras que les histoires ou que raconter des histoires, c\u2019est la stricte affaire du roman, que c\u2019est le marathon ordinaire des feuilletonistes, des romanciers, des prosateurs, mais c\u2019est faux. Car la sp\u00e9cificit\u00e9 de la po\u00e9sie de Mathilde Vischer, c\u2019est qu\u2019on est face \u00e0 une prose po\u00e9tique. Il y a de la narration et les personnages se nomment par exemple Jeiran ou Myriam. Qui a dit que la lecture est un acte solitaire? Et tu sais, qui dit personnages dit aussi in\u00e9vitablement enfance ou vieillesse, naissance ou mort, amour ou d\u00e9samour, apparition ou disparition, mains qui se touchent et mains qui se quittent, comme c\u2019est le cas avec la disparition suivante:<\/p>\n\n\n\n

\u00abUne nuit ils sont couch\u00e9s c\u00f4te \u00e0 c\u00f4te, dans une chambre nue. Il recouvre ses mains, puis dans les siennes les serre l\u00e9g\u00e8rement. Il les enveloppe, comme le v\u00eatement d\u2019une peau bienveillante, consolatrice. Ils sont allong\u00e9s c\u00f4te \u00e0 c\u00f4te comme deux morts qui \u00e9changeraient leurs mains, ensevelissant l\u2019une l\u2019autre, dans le d\u00e9sir d\u2019une disparition l\u00e9g\u00e8re, comparable, unique.\u00bb<\/p><\/blockquote>\n\n\n\n

Tu l\u2019auras devin\u00e9, cette narration ou plut\u00f4t ces narrations, ce ne sont pas des narrations lin\u00e9aires. Aucune marche \u00e0 suivre. Tu n\u2019avances pas sur un sentier balis\u00e9. Bien s\u00fbr, il y a des textes qui se suivent, mais chaque texte est une entit\u00e9 en soi qui poursuit parfois le texte pr\u00e9c\u00e9dent ou qui le rompt ouvertement, pour clamer son ind\u00e9pendance. C\u2019est parce que les histoires ne se suivent pas que le charme op\u00e8re. <\/p>\n\n\n\n

Pour faire court, c\u2019est un peu comme se souvenir. On se souvient d\u2019une multitude de d\u00e9tails d\u2019une histoire, de faits et gestes qui s\u2019entrechoquent et se croisent, mais on ne parvient pas \u00e0 s\u2019en souvenir lin\u00e9airement. On s\u2019en souvient selon la poudri\u00e8re de la m\u00e9moire. La po\u00e9tesse, si c\u2019est bien elle, si elle ne s\u2019est pas d\u00e9guis\u00e9e en \u00e9crivant, mieux encore, si elle ne s\u2019est pas absent\u00e9e, se souvient \u00e0 l\u2019ombre d\u2019un marronnier d\u2019un enfant qui mange une glace. Et sur la page qui suit le souvenir de cet enfant, il y a la mort et le cimeti\u00e8re comme unique r\u00e9ponse \u00e0 la vie. N\u2019est-ce pas l\u00e0 la justesse du po\u00e8te, de parler de tout et d\u2019aborder le plaisir en abordant la douleur?<\/p>\n\n\n\n

Au fond, lire Comme une \u00e9toile tombe dans la nuit, <\/em>c\u2019est entrer pleinement dans de courtes histoires, sans enlever ses chaussures. Certaines sont ponctu\u00e9es d\u2019interrogations, de songes, de rappels. Le temps n\u2019est qu\u2019une montre \u00e0 remonter selon la lucidit\u00e9 du moment:<\/p>\n\n\n\n

\u00abJ\u2019ai pris le parti de la clairvoyance. De la douceur et de la lucidit\u00e9. Mais ces mots, ces images qui m\u2019assaillent. Faire na\u00eetre un enfant ici, sous les d\u00e9combres du sens, dans une soci\u00e9t\u00e9 qui chavire. Je la vois, regardez-la, ses enfants s\u2019accrochent \u00e0 elle, elle est fr\u00eale et vieillissante, elle pleure, ils pendent \u00e0 sa longue jupe de soie trou\u00e9e, suppliants d\u2019attention, implorants. Nous restons les bras le long du corps, incr\u00e9dules, lentement prisonniers de ses souffrances immobiles, la noirceur de ses mains impr\u00e9gnant peu \u00e0 peu l\u2019int\u00e9rieur de notre pens\u00e9e.\u00bb<\/p><\/blockquote>\n\n\n\n

Les images pleuvent et en lecteur, tu marches sur leurs traces. Pour aller o\u00f9? Je serais tent\u00e9 de te dire l\u00e0 o\u00f9 tombe les \u00e9toiles dans la nuit, mais c\u2019est autre chose. Pour y aller avec qui? Je serais tent\u00e9 de te dire avec les personnages du recueil, mais ce n\u2019est pas tout. Pour y faire quoi? Je serais tent\u00e9 de te dire que je n\u2019en sais fout\u00fbment rien. Ce qui importe, au final, en lisant Like a star falls in the night<\/em> \u00e0 l\u2019ombre d\u2019un arbre, comment le dire, c\u2019est peut-\u00eatre de ne pas avoir d\u2019intention et \u00abde ne pas chercher \u00e0 prendre l\u2019autre dans son propre r\u00eave, de le laisser libre, dans l\u2019\u00e9nigme de sa force et de sa mis\u00e8re\u00bb.<\/p>\n\n\n\n

Write to the author: arthur.billerey@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n

Cr\u00e9dit photo: \u00a9 Maxisciences<\/p>\n\n\n\n

\"\"<\/figure>
\n

Mathilde Vischer<\/strong>
Like a star falls in the night<\/em><\/strong>
Editions Samizdat<\/strong>
2019<\/strong>
116 pages<\/strong><\/p>\n\n\n\n

\n
Order<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n
<\/div>","protected":false},"excerpt":{"rendered":"

A book brimming with youth.<\/p>","protected":false},"author":331,"featured_media":35913,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20663],"tags":[644355088,54879,644355090,333465,7808,644355087,179880,644355094,644355089,644355091,644340529,145927,644355093],"class_list":["post-35906","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-litterature","tag-comme-une-etoile-tombe-dans-la-nuit","tag-critiques-litteraires","tag-histoires","tag-jeunesse","tag-livre","tag-mathilde-virscher","tag-memoire","tag-mots","tag-pavel-vilikovsky","tag-prose-poetique","tag-recueil","tag-reve","tag-samizdat"],"acf":[],"yoast_head":"\nLa po\u00e9sie narrative de Mathilde Vischer<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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