{"id":36278,"date":"2020-10-07T16:45:35","date_gmt":"2020-10-07T14:45:35","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=36278"},"modified":"2025-12-13T22:32:28","modified_gmt":"2025-12-13T21:32:28","slug":"le-cinema-et-la-shoah-un-regard-sur-lhorreur","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/le-cinema-et-la-shoah-un-regard-sur-lhorreur\/","title":{"rendered":"Cinema and the Shoah: a look at horror"},"content":{"rendered":"<div class='content_excerpt'>\n<p>Le Regard Libre N\u00b0 66 - Antoine Bernhard<\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>\u00abThe Shoah inscribed a decisive crisis at the heart of the 20th century, marking it irrevocably. Cinema was the art of the 20th century\u00bb, writes Jean-Michel Frodon. So it's easy to see why the seventh art form is an essential part of today's reflection on the Holocaust. Each film on the subject brings with it controversy and debate, but it also casts a new light on the unfathomable mystery of the Shoah, the annihilation of man by man. So what is the strong link between cinema and the Shoah? And how do films illustrate or condition a singular relationship to the event in question?<\/strong><\/p>\n\n\n\n Read the long-format article (subscribers)\n    <div class='restricted_content_fade'><\/div>\n    <\/div>\n  <style>\n    .content_excerpt{\n      position: relative;\n    }\n    .content_excerpt .restricted_content_fade{\n      position: absolute;\n      bottom: 0;\n      left: 0;\n      right: 0;\n      height: 75px;\n\t  margin-bottom: 0px;\n      background-image: linear-gradient(#ffffff2e, white);\n    }\n\n    .restricted_content{\n      margin-top: 30px;\n      border: solid #dddddd 1px;\n      border-radius: 7px;\n      padding: 30px;\n    }\n    \n    .restricted_content .restricted_content_title{\n      font-size: 22px;\n      font-weight: 600;\n    }\n    .restricted_content .restricted_content_flex_row{\n      display: flex;\n      flex-direction: row;\n    }\n    .restricted_content .restricted_content_image_container{\n      flex: 3;\n    }\n    .restricted_content .restricted_content_flex_column{\n      flex: 4;\n      display: flex;\n      flex-direction: column;\n      margin-left: 40px;\n      justify-content: center;\n    }\n\n\n    .restricted_content_buttons{\n      display: flex;\n      flex-direction: column;\n      width: min-content;\n    }\n    .restricted_content_button{\n      background-color: #f2f2f2;\n      text-transform: uppercase;\n      font-weight: 600;\n      padding: 8px 40px;\n      text-align: center;\n      font-size: 13px;\n      margin-top: 10px;\n      width: max-content;\n      width: 100%;\n      white-space: nowrap;\n    }\n    .restricted_content_button:hover {\n      background-color: #111111;\n      color: white;\n      text-decoration: none !important;\n    }\n\n    .restricted_content_primary_button{\n      background-color: #1F2A68 !important;\n      color: white !important;\n    }\n    .restricted_content_primary_button:hover {\n      background-color: #111111;\n    }\n\n    .restricted_content_text{\n      margin-bottom: 10px;\n      line-height: 1.2;\n      font-weight: 500;\n      font-size: 16px;\n    }\n\n  \n  <\/style>\n  <div class='restricted_content'>\n    <h3 class='restricted_content_title'>This content is reserved for our subscribers.<\/h3>\n    <div class='restricted_content_flex_row'>\n      <div class='restricted_content_image_container'>\n        <img class='restricted_content_image' src='\/wp-content\/uploads\/2025\/08\/abo_physique.png' \/>\n      <\/div>\n      <div class='restricted_content_flex_column'>\n        <div class='restricted_content_text'>If you have an account, please log in. Otherwise, discover our different subscription packages and create an account from CHF 2.50 for the first month.<\/div>\n        <div class='restricted_content_buttons'>\n          <a href='\/en\/subscription\/' class='restricted_content_button restricted_content_primary_button'>See subscriptions<\/a><a href='\/en\/my-account\/?redirect_to=https:\/\/leregardlibre.com\/en\/cinema\/films\/le-cinema-et-la-shoah-un-regard-sur-lhorreur\/'class='restricted_content_button'>Login<\/a><\/div>\n      <\/div>\n    <\/div>\n  <\/div>","protected":false},"excerpt":{"rendered":"<div class='content_excerpt'>\n<p>Le Regard Libre N\u00b0 66 - Antoine Bernhard<\/p>\n<p class=\"has-drop-cap\"><strong>\u00abThe Shoah inscribed a decisive crisis at the heart of the 20th century, marking it irrevocably. Cinema was the art of the 20th century\u00bb, writes Jean-Michel Frodon. So it's easy to see why the seventh art form is an essential part of today's reflection on the Holocaust. Each film on the subject brings with it controversy and debate, but it also casts a new light on the unfathomable mystery of the Shoah, the annihilation of man by man. So what is the strong link between cinema and the Shoah? And how do films illustrate or condition a singular relationship to the event in question?<\/strong><\/p>\n<p> Read the long-format article (subscribers)<\/p>\n<div class='restricted_content_fade'><\/div>\n<\/p><\/div>\n<style>\n    .content_excerpt{\n      position: relative;\n    }\n    .content_excerpt .restricted_content_fade{\n      position: absolute;\n      bottom: 0;\n      left: 0;\n      right: 0;\n      height: 75px;\n\t  margin-bottom: 0px;\n      background-image: linear-gradient(#ffffff2e, white);\n    }<\/p>\n<p>    .restricted_content{\n      margin-top: 30px;\n      border: solid #dddddd 1px;\n      border-radius: 7px;\n      padding: 30px;\n    }<\/p>\n<p>    .restricted_content .restricted_content_title{\n      font-size: 22px;\n      font-weight: 600;\n    }\n    .restricted_content .restricted_content_flex_row{\n      display: flex;\n      flex-direction: row;\n    }\n    .restricted_content .restricted_content_image_container{\n      flex: 3;\n    }\n    .restricted_content .restricted_content_flex_column{\n      flex: 4;\n      display: flex;\n      flex-direction: column;\n      margin-left: 40px;\n      justify-content: center;\n    }<\/p>\n<p>    .restricted_content_buttons{\n      display: flex;\n      flex-direction: column;\n      width: min-content;\n    }\n    .restricted_content_button{\n      background-color: #f2f2f2;\n      text-transform: uppercase;\n      font-weight: 600;\n      padding: 8px 40px;\n      text-align: center;\n      font-size: 13px;\n      margin-top: 10px;\n      width: max-content;\n      width: 100%;\n      white-space: nowrap;\n    }\n    .restricted_content_button:hover {\n      background-color: #111111;\n      color: white;\n      text-decoration: none !important;\n    }<\/p>\n<p>    .restricted_content_primary_button{\n      background-color: #1F2A68 !important;\n      color: white !important;\n    }\n    .restricted_content_primary_button:hover {\n      background-color: #111111;\n    }<\/p>\n<p>    .restricted_content_text{\n      margin-bottom: 10px;\n      line-height: 1.2;\n      font-weight: 500;\n      font-size: 16px;\n    }<\/p>\n<\/style>\n<div class='restricted_content'>\n<h3 class='restricted_content_title'>This content is reserved for our subscribers.<\/h3>\n<div class='restricted_content_flex_row'>\n<div class='restricted_content_image_container'>\n        <img class='restricted_content_image' src='\/wp-content\/uploads\/2025\/08\/abo_physique.png' \/>\n      <\/div>\n<div class='restricted_content_flex_column'>\n<div class='restricted_content_text'>If you have an account, please log in. Otherwise, discover our different subscription packages and create an account from CHF 2.50 for the first month.<\/div>\n<div class='restricted_content_buttons'>\n          <a href='\/en\/subscription\/' class='restricted_content_button restricted_content_primary_button'>See subscriptions<\/a><a href='\/en\/my-account\/?redirect_to=https:\/\/leregardlibre.com\/en\/cinema\/films\/le-cinema-et-la-shoah-un-regard-sur-lhorreur\/'class='restricted_content_button'>Login<\/a><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>","protected":false},"author":99,"featured_media":36283,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[9472,644355293,4814958,644355295,644355292,644355290,644355291,280784,50192,250202],"class_list":["post-36278","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-analyses","tag-claude-lanzmann","tag-devoir-de-memoire","tag-fabrice-midal","tag-itzhak-perlman","tag-jean-michel-frodon","tag-le-fils-de-saul","tag-primo-levi","tag-shoah","tag-steven-spielberg","membership-content","access-restricted"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Le cin\u00e9ma et la Shoah: un regard sur l\u2019horreur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/le-cinema-et-la-shoah-un-regard-sur-lhorreur\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le cin\u00e9ma et la Shoah: un regard sur l\u2019horreur\" \/>\n<meta property=\"og:description\" content=\"\u00abLa Shoah a inscrit au c\u0153ur du XXe si\u00e8cle une crise d\u00e9cisive qui l\u2019a marqu\u00e9 irr\u00e9m\u00e9diablement. Le cin\u00e9ma a \u00e9t\u00e9 l\u2019art du XXe si\u00e8cle\u00bb, \u00e9crit Jean-Michel Frodon. On comprend d\u00e8s lors que le septi\u00e8me art constitue aujourd\u2019hui une part essentielle de la r\u00e9flexion sur la Shoah. Chaque film sur le sujet am\u00e8ne pol\u00e9miques, controverses et d\u00e9bats, mais il pose un nouveau regard sur l\u2019insondable myst\u00e8re de la Shoah, an\u00e9antissement de l\u2019homme par l\u2019homme. Quel est donc ce lien fort qui unit le cin\u00e9ma et la Shoah? 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