{"id":36647,"date":"2020-11-04T18:48:32","date_gmt":"2020-11-04T17:48:32","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=36647"},"modified":"2025-11-12T19:16:09","modified_gmt":"2025-11-12T18:16:09","slug":"a-few-tips-for-listening-to-francis-cabrels-new-album","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/music\/a-few-tips-for-listening-to-francis-cabrels-new-album\/","title":{"rendered":"A few tips for listening to Francis Cabrel's new album"},"content":{"rendered":"<p><em>Unpublished article - Jonas Follonier<\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>The bard from Astaffort returns after five years with his fourteenth studio album. With <em>A l'Aube revenant<\/em>, Francis Cabrel's new album, released last month, is very much a \"cabr\u00e9lien\" affair. Blending his trademark themes with his characteristic folk ambience, the French singer-songwriter presents us with thirteen refined tracks, where renewal is to be found in the finesse. An exquisite album, like all his others, even if we may regret the artist's new melodic habits. But they also have their good points. Analysis.<\/strong><\/p>\n\n\n\n<!--more Lire l\u2019article (en libre acc\u00e8s)-->\n\n\n\n<p>For Cabrel, beautiful moments have become too short. Fortunately, art is there to sublimate them. So goes the first song on his album <em>At dawn returning<\/em>, released on October 16, entitled <em><a href=\"https:\/\/www.youtube.com\/watch?v=auv44SoiMzE\">Beautiful moments are too short<\/a><\/em>. Surprising, because the rhythm and phrasing are unusual, as if the verses went on a little too long. Surprising, but in fact logical in the musical, textual and psychological evolution of the singer-craftsman. The aim is to develop the structure of the songs - harmony as well as melody - until a never-before-heard result is achieved, even if it means making the whole thing absolutely ineffective on first listen. This will be the case for almost the entire album, including the second song <em>Looking like you<\/em> which is the <em>single<\/em> currently playing on every radio station. This song tells the story of Cabrel's chosen path in life, totally opposed to that of his father:<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Francis Cabrel - Te ressembler (Official video clip)\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/SI02ccwG92k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>The magic of this way of composing albums is that the less you get into a track the first time, the more you appreciate it the more you listen to it. This is often the mark of great songs, \u00abgreat\u00bb musically speaking. And since Cabrel is one of the only ones to do so, it's bound to sound strange to our ears, which are accustomed to chord-melody patterns that require so little effort and so little variety. But since the lyrics are pure, beautiful and sophisticated, and we know we're listening to Cabrel after all, we hang on and let him take us away until we don't want the journey to end.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>An album inspired by the troubadours<\/strong><\/h3>\n\n\n\n<p>With <em><a href=\"https:\/\/www.youtube.com\/watch?v=D9odcNmIkfs\">Melted candles<\/a><\/em>, the album's longest track (six minutes), one wonders whether the journey could not have been a little shorter. Especially since it's a very dense reverie with lots of images, mirages, melodic evolutions galore, \u00abtoo many notes\u00bb as the other guy would say. Nonetheless, it's the <a href=\"https:\/\/www.nouvelobs.com\/culture\/20201016.OBS34833\/a-l-aube-revenant-du-grand-cabrel-encore-et-encore.html\">favorite song of <em>L'Obs<\/em><\/a>, The magazine never misses an opportunity to point out that he's a snob, in art as in politics. But in general, <em>At dawn returning<\/em> obeys an excellence that is difficult to contest, giving rise to nuggets such as <a href=\"https:\/\/www.youtube.com\/watch?v=zJMoHxXglsw\">the song that gave the album its name<\/a> and tells the story of that famous moment at the start of the day, dawn. The dawn that signals the end of forbidden loves, of lovers' loves; in short, of true and crazy loves.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\"><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6ImJLMzBCZjhrQXI2QVZqaHlsQ2xRXC9RbUZ2TlhaY08wSGd6VllUbHc0MUtzPSIsInZhbHVlIjoiYlJ4K0NhTElMb21iY010YkUyVmk2R0pVK2JocklVcERIbUNPTGduczcycz0iLCJtYWMiOiJmY2MwNGM1ZDBjZThjMmQ1MTVkY2Q2ZDE5OTBlNDU0YzE0MjlhM2IxY2M5YWM0NjA2YTgxY2QxNzg2ZmFiY2FkIn0=\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday, free of charge!<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta=\"1\" data-inf-error=\"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\"> <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>This motif, omnipresent in the literature of the twelfth<sup>th<\/sup> and XIII<sup>th<\/sup> centuries (just for that, thanks Cabrel), was inspired by the troubadours. These lyrical poets magnify the sensitivity of women and the sensitivity of men to this sensitivity. By dint of being described by others - and especially the press - as a troubadour, Cabrel went to read them up close, as he recounts in <a href=\"https:\/\/www.youtube.com\/watch?v=Ki7i2UA0Klw\">this interview for RTL<\/a>, and \u00abalmost the whole album\u00bb, he says, was inspired by the Cabrel of yesteryear. Because yes, the big story is that, with the distance in time that separates them from us, it's the troubadours who are old Cabrel more than Cabrel is a troubadour of the present. As a shy and humble person, he would blush at this remark; he would legitimize it by this attitude alone. <\/p>\n\n\n\n\n\n<p><em>Ode to courtly love<\/em> is obviously in this vein, but the very fresh and fantastic <em><a href=\"https:\/\/www.youtube.com\/watch?v=OdfNaNQVuw0\">People of the fountains<\/a><\/em> is even more convincing, with an opening theme we'd have liked to have found before it and the tender female choruses heard in several other tracks, including the first two <em>Beautiful moments are too short<\/em> and <em>Looking like you<\/em>. The song <em>Fort Alamour<\/em>, strongly reminiscent of <em>Mandela, meanwhile<\/em> from the previous album <em>In extremis<\/em> (2015), also relies on this female presence, but it's not the track we'll remember as a must-have, even after some twenty-seven listens. Instead, we'll refer you to <em><a href=\"https:\/\/www.youtube.com\/watch?v=tLuRp95BgWI\">Rockstars of the Middle Ages<\/a><\/em>, a beautiful eulogy of the troubadours and transmission, sung half in Occitan and half in French. This, too, is new for him, but obvious.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">James Taylor's incredible cover <\/h3>\n\n\n\n<p>And, and, and: <a href=\"https:\/\/www.youtube.com\/watch?v=6c5wa6kY_6o\"><em>I was listening <\/em>Sweet Baby James<\/a>, Francis Cabrel's new album is a great discovery. You don't have to be a fan of <em>country<\/em> to feel all the strength it takes to create such a cocoon of song, skin-deep and at the same time subtly overlaid with humor. <em>british<\/em> as the outside of the room is of snow in the scene we are told. The scene is that of a young man who, during a first act of love, lies and tells his sweetheart that he loves her, when what he has really experienced is listening to a song that was playing in the bedroom at the time: <em><a href=\"https:\/\/www.youtube.com\/watch?v=k2x0fPgAj_Y\">Sweet Baby James<\/a><\/em>. Cabrel's song is in fact a French adaptation of this song, a James Taylor nugget. What genius it takes to have chosen the mise en abyme method, i.e., the integration of the song into the original. <em>in the song<\/em>! The same genius it took to transcribe <em>I Want You<\/em> by Bob Dylan on the divine <em><a href=\"https:\/\/www.youtube.com\/watch?v=F8sVrp9jvss\">I want you<\/a><\/em> in 2012.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"James Taylor reacts to Francis Cabrel&#039;s version of &quot;Sweet Baby James\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/KNwUKRs0ovw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>Francis Cabrel moved live by James Taylor's return to his adaptation<\/figcaption><\/figure>\n\n\n\n<p>This is the essence of the troubadour: poetry. Poetry where there has never been any. Poetry not only as art, but as a way of addressing the beloved, and by extension, the world. In a <a href=\"https:\/\/www.lavoixdunord.fr\/878838\/article\/2020-10-14\/francis-cabrel-le-retour-du-troubadour-chanteur-de-temps-en-temps\">interview for <em>La Voix du Nord<\/em><\/a>, Cabrel says: \u00abFaced with reality, the real thing, brutal and violent, man has only the power of creation to escape. I've escaped a lot from painters, from Baudelaire... Poetry is nowhere, but everyone can create it to find refuge and get through life.\u00bb Here's something to get us over our current emotions - or lack of emotions, rather - linked to measures of confinement, semi-confinement, isolation... and the whole gamut.<\/p>\n\n\n\n<p><em>Write to the author: <a href=\"mailto:jonas.follonier@leregardlibre.com\">jonas.follonier@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p>Photo credit: \u00a9 Claude Gassian - Sony Music<\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:47% auto\"><figure class=\"wp-block-media-text__media\"><img fetchpriority=\"high\" decoding=\"async\" width=\"340\" height=\"340\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/11\/A-laube-revenant.jpg\" alt=\"\" class=\"wp-image-36707 size-full\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/11\/A-laube-revenant.jpg 340w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/11\/A-laube-revenant-150x150.jpg 150w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/11\/A-laube-revenant-300x300.jpg 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/11\/A-laube-revenant-100x100.jpg 100w\" sizes=\"(max-width: 340px) 100vw, 340px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Francis Cabrel<br><em>At dawn returning<br><\/em>Chandelle Productions<br>2020<br>13 titles<\/strong><\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link\">Order<\/a><\/div>\n<\/div>\n<\/div><\/div>\n\n\n<div data-block-name=\"woocommerce\/handpicked-products\" data-edit-mode=\"false\" data-products=\"[35767,19241,35852,24185,17631,36024]\" class=\"wc-block-grid wp-block-handpicked-products wp-block-woocommerce-handpicked-products wc-block-handpicked-products has-3-columns 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