{"id":37812,"date":"2021-01-06T21:28:57","date_gmt":"2021-01-06T20:28:57","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=37812"},"modified":"2025-12-04T22:25:49","modified_gmt":"2025-12-04T21:25:49","slug":"duel-one-of-the-few-films-that-are-both-intellectual-and-popular","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/duel-one-of-the-few-films-that-are-both-intellectual-and-popular\/","title":{"rendered":"\u00abDuel\u00bb: one of the few films that are both intellectual and popular"},"content":{"rendered":"<p class=\"has-drop-cap\"><strong>Spielberg, known for the sharks, aliens and dinosaurs he has featured in his films, has he ever done better than his 1971 TV movie? <\/strong><strong><em>Duel<\/em><\/strong><strong>, his second <\/strong><strong>long<\/strong><strong> me<\/strong><strong>trage<\/strong><strong>, is a classic in the eyes of the general public. Yet it has all the hallmarks of conceptual cinema. How can we understand its magic? Dive into one of the greatest films of all time, still very much in vogue today.<\/strong><\/p>\n\n\n\n<!--more Lire la critique (en libre acc\u00e8s)-->\n\n\n\n<p>A unique film. <em>Duel<\/em>, is the car journey of salesman David Mann (<a href=\"https:\/\/www.imdb.com\/name\/nm0915840\/\">Dennis Weaver<\/a>), who finds himself the target of a truck chasing him for who knows what reason. With almost no dialogue, Spielberg's second feature demonstrates the power of cinematic tools to keep audiences on the edge of their seats: the camera revolving around the car, shot changes, the actor's facial expressions, sound effects, not forgetting of course the oppressive music of another -berg, another mountain, Billy Goldenberg, which alternates with moments of great silence.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Duel - Trailer vf.flv\" width=\"1000\" height=\"750\" src=\"https:\/\/www.youtube.com\/embed\/H6Wa4ddHvLI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>It's also easy to forget that, while there's very little dialogue in the film, those that the director has decided to include are worth noting, because they're so funny. A case in point is the discussion between David and the first mechanic he stops at along the way:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u00ab- Say, it's time to change a radiator hose.<br>- I know, I get that every time. I'll look into it later, thanks.<br>- You're the boss.<br>- No, the boss is my wife.\u00bb<\/p><\/blockquote>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Multiple interpretations of the heavyweight<\/strong><\/h3>\n\n\n\n<p>But these lines are more important than their offbeat humor. They open the way to several possible interpretations of the film. For if this story of a truck chase for no reason is absurd, there are undoubtedly reasons behind it. How are we to understand this terrifying and aberrant chase? We have to look at the problem from the most basic angle: the truck. This imposing forty-tonner is perceived as a threat. It's more than a personification: this metal monster is more dangerous than any living thing. The human becomes secondary, so much so that we never really see the truck driver's face.<\/p>\n\n\n\n<p><strong>Read also | <a href=\"https:\/\/leregardlibre.com\/en\/cinema\/poelvoorde-dans-un-au-poste-totalement-absurde-et-genial\/\" data-type=\"post\" data-id=\"16473\">Poelvoorde in a <em>At the station<\/em> totally absurd and brilliant <\/a><\/strong><\/p>\n\n\n\n<p>The truck is a threat, and that threat is a character. The truck's horns are its crazy outbursts, mainly to taunt David. Its headlights are offensive eyes, lighting up in a tunnel during the bus scene with the children. The development of this personification is already enough to make the film a masterpiece, where the erasure of the human rubs shoulders with purely cinematic suspense. It's no coincidence that this film is so popular: action and tension are at the forefront. Even though nothing much happens, it's hard to get bored. What's more, it's original!<\/p>\n\n\n\n\n\n<p>But there's more. The motif of the woman in charge, which recurs several times, is eloquent. Let's not forget that David has just come out of a family quarrel, and that his wife insisted that he come home on time that night, unlike all the other times. There's also talk of marriage problems in the radio broadcasts we hear at the beginning of the film. This theme of marital power struggles is no doubt one of the reasons for the disproportionate power struggle between a huge lorry and a frail car in the script. One is a reflection of the other. The submissive, \u00abI don't want any trouble\u00bb nature of the main character and the castrating nature of his wife, which manifests itself in the truck's attacks, give food for thought.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\"><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta=\"1\" data-inf-error=\"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\"> <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>Which brings us to the film's greatest strength: that of presenting the truck as a threat experienced almost exclusively by the main protagonist. As if, in fact, it existed only in his mind. Although the truck interacts with other characters on two occasions, its behavior on the road is not witnessed by anyone other than David. He is even laughed at when he says that someone is trying to kill him. The magnificent setting of the Californian desert finally invites us to see in <em>Duel<\/em> a subtle representation of imagination. And therefore fiction. Aren't desert heats conducive to hallucination?<\/p>\n\n\n\n<p><em>Write to the author:&nbsp;<a href=\"mailto:jonas.follonier@leregardlibre.com\">jonas.follonier@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p><strong>You've just read an open-access article.&nbsp;<\/strong>Debates, analysis, cultural news:&nbsp;<a href=\"https:\/\/leregardlibre.com\/en\/subscription\/\">subscribe<\/a>&nbsp;to support us and get access to all our content!<a href=\"https:\/\/leregardlibre.com\/en\/music\/le-groupe-francais-au-montreux-jazz\/?share=facebook&amp;nb=1\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/leregardlibre.com\/en\/music\/woodkid-a-montreux-un-spectacle-audiovisuel-plus-quun-concert\/?share=facebook&amp;nb=1\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"https:\/\/leregardlibre.com\/en\/unclassified\/maneskins-provocative-insolence-in-montreux\/?share=facebook&amp;nb=1\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>A film about the relationship between men and women<\/p>","protected":false},"author":138,"featured_media":37831,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[415599,644341300,102359,108257,644341716,250202],"class_list":["post-37812","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-cinema-americain","tag-cinema-hollywoodien","tag-couple","tag-mariage","tag-rapports-hommes-femmes","tag-steven-spielberg"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abDuel\u00bb: l\u2019un des rares films \u00e0 la fois intellos et populaires<\/title>\n<meta name=\"description\" content=\"Spielberg, connu pour de nombreux requins, ovnis et autres dinosaures, a-t-il jamais fait mieux que son film &quot;Duel&quot; sorti en 1971? Critique\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/duel-one-of-the-few-films-that-are-both-intellectual-and-popular\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abDuel\u00bb: l\u2019un des rares films \u00e0 la fois intellos et populaires\" \/>\n<meta property=\"og:description\" content=\"Spielberg, connu pour de nombreux requins, ovnis et autres dinosaures, a-t-il jamais fait mieux que son film &quot;Duel&quot; sorti en 1971? Critique\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/duel-one-of-the-few-films-that-are-both-intellectual-and-popular\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/jonas.follonier\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-01-06T20:28:57+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-04T21:25:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/01\/Duel-Steven-Spielberg-film-critique-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1400\" \/>\n\t<meta property=\"og:image:height\" content=\"700\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Jonas Follonier\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:site\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jonas Follonier\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/\"},\"author\":{\"name\":\"Jonas Follonier\",\"@id\":\"https:\/\/leregardlibre.com\/#\/schema\/person\/bfe5aa794a23be71485d60e2d93ec0d2\"},\"headline\":\"\u00abDuel\u00bb: l\u2019un des rares films \u00e0 la fois intellos et populaires\",\"datePublished\":\"2021-01-06T20:28:57+00:00\",\"dateModified\":\"2025-12-04T21:25:49+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/\"},\"wordCount\":894,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/leregardlibre.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/01\/Duel-Steven-Spielberg-film-critique-1.jpg\",\"keywords\":[\"Cin\u00e9ma am\u00e9ricain\",\"Cin\u00e9ma hollywoodien\",\"Couple\",\"Mariage\",\"Rapports hommes-femmes\",\"Steven Spielberg\"],\"articleSection\":[\"Films\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/\",\"url\":\"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/\",\"name\":\"\u00abDuel\u00bb: l\u2019un des rares films \u00e0 la fois intellos et populaires\",\"isPartOf\":{\"@id\":\"https:\/\/leregardlibre.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/01\/Duel-Steven-Spielberg-film-critique-1.jpg\",\"datePublished\":\"2021-01-06T20:28:57+00:00\",\"dateModified\":\"2025-12-04T21:25:49+00:00\",\"description\":\"Spielberg, connu pour de nombreux requins, ovnis et autres dinosaures, a-t-il jamais fait mieux que son film \\\"Duel\\\" sorti en 1971? Critique\",\"breadcrumb\":{\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/#primaryimage\",\"url\":\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/01\/Duel-Steven-Spielberg-film-critique-1.jpg\",\"contentUrl\":\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/01\/Duel-Steven-Spielberg-film-critique-1.jpg\",\"width\":1400,\"height\":700},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/leregardlibre.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u00abDuel\u00bb: l\u2019un des rares films \u00e0 la fois intellos et populaires\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/leregardlibre.com\/#website\",\"url\":\"https:\/\/leregardlibre.com\/\",\"name\":\"Le Regard Libre\",\"description\":\"Premier mensuel suisse de d\u00e9bat\",\"publisher\":{\"@id\":\"https:\/\/leregardlibre.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/leregardlibre.com\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/leregardlibre.com\/#organization\",\"name\":\"Le Regard Libre\",\"url\":\"https:\/\/leregardlibre.com\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg\",\"contentUrl\":\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg\",\"width\":557,\"height\":556,\"caption\":\"Le Regard Libre\"},\"image\":{\"@id\":\"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/leregardlibre\/\",\"https:\/\/x.com\/LeRegardLibre\",\"https:\/\/www.linkedin.com\/company\/le-regard-libre\",\"https:\/\/www.instagram.com\/leregardlibre\/\",\"http:\/\/t.me\/leregardlibre\",\"https:\/\/youtube.com\/channel\/UC6HzGPomj1LsUmlz-sJtITQ\"],\"description\":\"Le Regard Libre est un mensuel suisse de d\u00e9bat intellectuel et culturel. Sa r\u00e9daction est jeune, b\u00e9n\u00e9vole, lib\u00e9rale et pluraliste. Le magazine para\u00eet en ligne et sous forme papier. Sa langue est le fran\u00e7ais.\",\"email\":\"redaction@leregardlibre.com\",\"legalName\":\"Le Regard Libre\",\"foundingDate\":\"2014-01-01\",\"numberOfEmployees\":{\"@type\":\"QuantitativeValue\",\"minValue\":\"11\",\"maxValue\":\"50\"},\"publishingPrinciples\":\"https:\/\/leregardlibre.com\/a-propos\/notre-manifeste\/\",\"ownershipFundingInfo\":\"https:\/\/leregardlibre.com\/mentions-legales\/\",\"actionableFeedbackPolicy\":\"https:\/\/leregardlibre.com\/conditions-generales-de-vente\/\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/leregardlibre.com\/#\/schema\/person\/bfe5aa794a23be71485d60e2d93ec0d2\",\"name\":\"Jonas Follonier\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/leregardlibre.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/602060b40f6a458420c2d140f49b6caea99152ce6704f2c332e5a0c5aad80303?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/602060b40f6a458420c2d140f49b6caea99152ce6704f2c332e5a0c5aad80303?s=96&d=identicon&r=g\",\"caption\":\"Jonas Follonier\"},\"description\":\"Correspondant au Palais f\u00e9d\u00e9ral pour \u00abL\u2019Agefi\u00bb, auteur-compositeur-interpr\u00e8te et essayiste, Jonas Follonier est le fondateur et r\u00e9dacteur en chef du \u00abRegard Libre\u00bb.\",\"sameAs\":[\"https:\/\/www.facebook.com\/jonas.follonier\/\",\"https:\/\/www.instagram.com\/jonasfollonier\/\",\"https:\/\/www.linkedin.com\/in\/jonasfollonier\/\",\"https:\/\/fr.wikipedia.org\/wiki\/Le_Regard_libre\"],\"url\":\"https:\/\/leregardlibre.com\/en\/author\/jonas-follonier\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"\u00abDuel\u00bb: one of the few films that are both intellectual and popular","description":"Has Spielberg, known for his many sharks, UFOs and dinosaurs, ever done better than his 1971 film \"Duel\"? Review","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/leregardlibre.com\/en\/cinema\/films\/duel-one-of-the-few-films-that-are-both-intellectual-and-popular\/","og_locale":"en_US","og_type":"article","og_title":"\u00abDuel\u00bb: l\u2019un des rares films \u00e0 la fois intellos et populaires","og_description":"Spielberg, connu pour de nombreux requins, ovnis et autres dinosaures, a-t-il jamais fait mieux que son film \"Duel\" sorti en 1971? Critique","og_url":"https:\/\/leregardlibre.com\/en\/cinema\/films\/duel-one-of-the-few-films-that-are-both-intellectual-and-popular\/","og_site_name":"Le Regard Libre","article_publisher":"https:\/\/www.facebook.com\/leregardlibre\/","article_author":"https:\/\/www.facebook.com\/jonas.follonier\/","article_published_time":"2021-01-06T20:28:57+00:00","article_modified_time":"2025-12-04T21:25:49+00:00","og_image":[{"width":1400,"height":700,"url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/01\/Duel-Steven-Spielberg-film-critique-1.jpg","type":"image\/jpeg"}],"author":"Jonas Follonier","twitter_card":"summary_large_image","twitter_creator":"@LeRegardLibre","twitter_site":"@LeRegardLibre","twitter_misc":{"Written by":"Jonas Follonier","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/#article","isPartOf":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/"},"author":{"name":"Jonas Follonier","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/bfe5aa794a23be71485d60e2d93ec0d2"},"headline":"\u00abDuel\u00bb: l\u2019un des rares films \u00e0 la fois intellos et populaires","datePublished":"2021-01-06T20:28:57+00:00","dateModified":"2025-12-04T21:25:49+00:00","mainEntityOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/"},"wordCount":894,"commentCount":0,"publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/01\/Duel-Steven-Spielberg-film-critique-1.jpg","keywords":["Cin\u00e9ma am\u00e9ricain","Cin\u00e9ma hollywoodien","Couple","Mariage","Rapports hommes-femmes","Steven Spielberg"],"articleSection":["Films"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/","url":"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/","name":"\u00abDuel\u00bb: one of the few films that are both intellectual and popular","isPartOf":{"@id":"https:\/\/leregardlibre.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/#primaryimage"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/01\/Duel-Steven-Spielberg-film-critique-1.jpg","datePublished":"2021-01-06T20:28:57+00:00","dateModified":"2025-12-04T21:25:49+00:00","description":"Has Spielberg, known for his many sharks, UFOs and dinosaurs, ever done better than his 1971 film \"Duel\"? Review","breadcrumb":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/#primaryimage","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/01\/Duel-Steven-Spielberg-film-critique-1.jpg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/01\/Duel-Steven-Spielberg-film-critique-1.jpg","width":1400,"height":700},{"@type":"BreadcrumbList","@id":"https:\/\/leregardlibre.com\/cinema\/films\/duel-lun-des-rares-films-a-la-fois-intellos-et-populaires\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/leregardlibre.com\/"},{"@type":"ListItem","position":2,"name":"\u00abDuel\u00bb: l\u2019un des rares films \u00e0 la fois intellos et populaires"}]},{"@type":"WebSite","@id":"https:\/\/leregardlibre.com\/#website","url":"https:\/\/leregardlibre.com\/","name":"Le Regard Libre","description":"Switzerland's first monthly debate magazine","publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/leregardlibre.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/leregardlibre.com\/#organization","name":"Le Regard Libre","url":"https:\/\/leregardlibre.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","width":557,"height":556,"caption":"Le Regard Libre"},"image":{"@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/leregardlibre\/","https:\/\/x.com\/LeRegardLibre","https:\/\/www.linkedin.com\/company\/le-regard-libre","https:\/\/www.instagram.com\/leregardlibre\/","http:\/\/t.me\/leregardlibre","https:\/\/youtube.com\/channel\/UC6HzGPomj1LsUmlz-sJtITQ"],"description":"Le Regard Libre is a Swiss monthly magazine for intellectual and cultural debate. Its editorial team is young, voluntary, liberal and pluralist. The magazine appears online and in print. Its language is French.","email":"redaction@leregardlibre.com","legalName":"Le Regard Libre","foundingDate":"2014-01-01","numberOfEmployees":{"@type":"QuantitativeValue","minValue":"11","maxValue":"50"},"publishingPrinciples":"https:\/\/leregardlibre.com\/a-propos\/notre-manifeste\/","ownershipFundingInfo":"https:\/\/leregardlibre.com\/mentions-legales\/","actionableFeedbackPolicy":"https:\/\/leregardlibre.com\/conditions-generales-de-vente\/"},{"@type":"Person","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/bfe5aa794a23be71485d60e2d93ec0d2","name":"Jonas Follonier","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/602060b40f6a458420c2d140f49b6caea99152ce6704f2c332e5a0c5aad80303?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/602060b40f6a458420c2d140f49b6caea99152ce6704f2c332e5a0c5aad80303?s=96&d=identicon&r=g","caption":"Jonas Follonier"},"description":"Federal Palace correspondent for \u00abL'Agefi\u00bb, singer-songwriter Jonas Follonier is the founder and editor-in-chief of \u00abRegard Libre\u00bb.","sameAs":["https:\/\/www.facebook.com\/jonas.follonier\/","https:\/\/www.instagram.com\/jonasfollonier\/","https:\/\/www.linkedin.com\/in\/jonasfollonier\/","https:\/\/fr.wikipedia.org\/wiki\/Le_Regard_libre"],"url":"https:\/\/leregardlibre.com\/en\/author\/jonas-follonier\/"}]}},"_links":{"self":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/37812","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/users\/138"}],"replies":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/comments?post=37812"}],"version-history":[{"count":1,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/37812\/revisions"}],"predecessor-version":[{"id":511029,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/37812\/revisions\/511029"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/media\/37831"}],"wp:attachment":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/media?parent=37812"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/categories?post=37812"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/tags?post=37812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}