{"id":38027,"date":"2021-01-20T16:06:24","date_gmt":"2021-01-20T15:06:24","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=38027"},"modified":"2025-12-04T22:25:46","modified_gmt":"2025-12-04T21:25:46","slug":"a-i-artificial-intelligence-on-the-verge-of-tears","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/a-i-artificial-intelligence-on-the-verge-of-tears\/","title":{"rendered":"\u00abA.I. Artificial Intelligence\u00bb, on the verge of tears"},"content":{"rendered":"

Cinema Wednesdays - Eug\u00e8ne Praz<\/em><\/p>\n\n\n\n

With A.I. Artificial Intelligence<\/em> (2001) was Steven Spielberg's twentieth feature film. Inspired by the short story Supertoys Last All Summer Long <\/em>by Brian W. Aldiss, represented a futuristic world, setting its plot in the 20th century.th<\/sup> century, and finally into the fifth millennium. In this world, robots, the Mechas<\/em>, for human beings, who are called Orgas<\/em>, These robots are capable of many tasks, including prostitution, but are incapable of feeling true love, devoid as they are of any feeling that isn't simulated. That's about to change when Professor Allen Hobby (William Hurt) and his team create a robot capable of love...<\/p>\n\n\n\n\n\n\n\n

It's a film of great formal purity, faithful to the rigor of Stanley Kubrick, to whom it's dedicated and whose idea it came in the seventies, before he entrusted the project to Spielberg, for lack of sufficiently developed special effects at the time, not without Spielberg abandoning a softer, more emotionally expressive aesthetic, A.I.<\/em> explores a number of metaphysical questions, in particular that of what underpins our humanity. But it is above all the story of a birth, that of David, a robot whose quest to become a real boy, and to be loved as such, leads him to the doorstep of artificial intelligence.<\/p>\n\n\n\n

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