{"id":40265,"date":"2021-04-28T06:00:00","date_gmt":"2021-04-28T04:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=40265"},"modified":"2025-12-04T22:25:18","modified_gmt":"2025-12-04T21:25:18","slug":"the-choice-of-the-half-empty-glass-in-drunk","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/the-choice-of-the-half-empty-glass-in-drunk\/","title":{"rendered":"The glass-half-empty choice in \u00abDrunk\u00bb"},"content":{"rendered":"<p><em>Cinema Wednesdays - Alice Bruxelle<\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>\u00abHymn to friendship and life\u00bb for some, <em>Drunk <\/em>(2020) collects nominations: Cannes, Oscars, C\u00e9sars, Golden Globes. And yet, director Thomas Vinterberg completely misses his main subject: alcohol. Like a beer at the end of the day,<em> Drunk<\/em> to clear the mind.<\/strong><\/p>\n\n\n\n<!--more Lire la critique (en libre acc\u00e8s)-->\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"DRUNK VOST Trailer (2020) Mads Mikkelsen\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/JsGbO9X-C-8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>If you knew me personally, you'd probably know that I don't deny myself a little glass of Fendant from time to time, and, I confess, more than one if I'm so inclined. Rather like the characters in <em>Drunk<\/em>, who, for their part, substitute Valais wine for a few liters of alcohol concealed in their flasks. If they don't have the good taste to get drunk on local products, it's because the work in question is a Danish film directed by Thomas Vinterberg, to whom we owe the first film - \"The Witches of the Valais\". <em>Festen<\/em> (1998) - of the Dogme95 film movement, of which he is co-founder. The film received rave reviews from critics and a plethora of nominations and awards, including nominations at the Cannes Film Festival and the Golden Globes, as well as the C\u00e9sar for Best Foreign Film and the Oscar for Best International Film. So it's with a roar of applause that we try to add a little water to the wine of <em>Drunk<\/em>, not only to cushion the blow, but also to realize the emptiness left behind once it's over.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Reality sanded down with sandpaper<\/strong><\/h3>\n\n\n\n<p>According to the theory of Norwegian psychologist Finn Sk\u00e5rderud, if the deficit of 0.5 grams of alcohol that he claims is naturally present in the blood were to be made good, human existence would be considerably improved in all areas. In the name of science, four teacher friends, including the depressive Martin, played by Mads Mikkelsen - who reunites with Vinterberg, with whom he had previously worked on the film <em>The Hunt <\/em>(2012) - decide to operationalize it. This experiment leads them to get drunk during the day, gradually increasing the doses until they find themselves on the edge of their limits. The theme of alcohol is not a random choice on the part of the director. Indeed, paradoxical as it may seem, within the borders of the second \u00abhappiest country in the world\u00bb, alcohol is a scourge, well demonstrated in the opening scene in which a group of high-school students wallow in drunkenness and vomit with total casualness. If the filmmaker didn't want to take sides on this issue - alcohol is neither water, nor the harbinger of society's perdition - the freedom given to viewers to form their own opinions should have meant not \u00abbetraying the essence of things, letting them exist freely for themselves\u00bb, as Andr\u00e9 Bazin so rightly wrote. In any case, this is not reflected in the film. The choice to cut ourselves off from a certain number of tools for apprehending reality even leaves a hint of bitter betrayal in the mouth.<\/p>\n\n\n\n\n\n<p>In an interview with <em>Euronews<\/em>, Thomas Vinterberg describes his feature as \u00aba film about life\u00bb. In an article in <em>Parisian<\/em>, It's \u2019a hymn to friendship and life\u00ab, with scenes that stretch out \u00bbwith a great deal of realism\u00ab. If, indeed, one cannot exist without the other, it is necessary to have a certain effect of realism to make a film \u00bbthat speaks of life\u00ab, <em>Drunk <\/em>misses the mark and only waters down reality.<\/p>\n\n\n\n<p>Although the overhead camera movements - one of Dogme95's hallmarks - hint at a slight documentary effect - as if we were right at the heart of the characters' distress - the rest is just a cleaver for any digressive thought that deviates from the horribly linear narrative. First there's a problem, then the solution, and the ending is a tepid synthesis of the two; nothing surprising, then. Plus, <em>Drunk<\/em> implies a binary way of thinking that rejects any attempt to make reality more complex. Mads Mikkelsen, for all his bodily presence, takes refuge in a banal dichotomy: he adopts either the behaviour of the <em>loser<\/em> the most pathetic, unable to exist in the face of his students, colleagues and wife, that of the superhero. Once he's swallowed the precious life-saving potion, he masterfully masters his class, reconciles - in one evening - with his wife and finds his way back into existence. There are no plans for the undesirable effects of alcohol, and no hangovers. It's the solution, period.<\/p>\n\n\n\n<p><strong>Read also | <a href=\"https:\/\/leregardlibre.com\/en\/literature\/leurs-enfants-apres-eux-un-goncourt-social\/\" data-type=\"post\" data-id=\"20175\"><em>Their children after them<\/em>a social Goncourt<\/a><\/strong><\/p>\n\n\n\n<p>The apotheosis could have been found in the narrative's most tragic moment: death. Thomas Vinterberg doesn't even give us the time to familiarize ourselves with the major issue at stake in the depression, the very issue at stake in the film: lucidity about our own finitude, which drives us to uncork bottles to forget the ineluctable passage of time. Cover up this death I cannot see; it brings on guilty thoughts.&nbsp;<\/p>\n\n\n\n\n\n<h3 class=\"wp-block-heading\"><strong><em>Feel good movie<\/em> first and foremost<\/strong><\/h3>\n\n\n\n<p>The film is not about life, nor does it paint a picture of reality. Life is interdependent with death, and to subtract it is to eliminate life. \u00abReality gives me asthma\u00bb wrote Cioran, and yet the film's conclusion is an invitation to \u00ablet go\u00bb, to dance, to enjoy. To give in to something that doesn't exist: existential emptiness. And that's where <em>Drunk<\/em>It has a philosophical air about it - quoting another Dane, Kierkegaard, at the beginning and end - but the substance is more of a nihilistic symptom.<\/p>\n\n\n\n<p><strong>Read also | <a href=\"https:\/\/leregardlibre.com\/en\/cinema\/the-peanut-butter-falcon-ne-compte-pas-pour-des-cacahuetes\/\"><em>The Peanut Butter Falcon<\/em> doesn't count for peanuts<\/a><\/strong><\/p>\n\n\n\n<p>Success is based on other codes: that of the <em>feel good movie<\/em>. The protagonists, by reaching the limits of contemporary society and their social class - the famous triptych of job, house, marriage - manage to surpass their condition through a completely artificial element, a ready-made solution within the reach of any ordinary person. The film is gray. On the one hand, because the four friends' situation may resonate with our own. Depression is the disease of the century, and to sweep it aside with a wave of the sleeve, as with the treatment of the question of death, is comforting in its utopian, even autistic aspect. On the other hand, because it rules out the possibility of having to change oneself, and thus begin a laborious and costly process. Shaking up a <em>status quo<\/em> is indeed less seductive than forgetting one's own suffering by dancing.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\"><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta=\"1\" data-inf-error=\"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\"> <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>In the end, <em>Drunk<\/em> is perfectly aligned with its subject: it manufactures oblivion. Clearing one's head with a bender or \u00abletting go\u00bb in front of a <em>feel good movie<\/em>, The choice is yours.&nbsp;<\/p>\n\n\n\n<p><em>Write to the author:&nbsp;<a href=\"mailto:alice.bruxelle@leregardlibre.com\">alice.bruxelle@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1707\" height=\"2560\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/04\/Affiche_Drunk-scaled.jpg\" alt=\"\" class=\"wp-image-40272\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/04\/Affiche_Drunk-scaled.jpg 1707w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/04\/Affiche_Drunk-scaled-200x300.jpg 200w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/04\/Affiche_Drunk-scaled-683x1024.jpg 683w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/04\/Affiche_Drunk-scaled-100x150.jpg 100w, 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les&#8230;<\/p>","protected":false},"author":332,"featured_media":40275,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[4090036,644356603,644356599,644340898,644356602,940893,644356604,644356600,644356606,644356605,56926,644356601],"class_list":["post-40265","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-cesars","tag-dogme95","tag-drunk","tag-feel-good-movie","tag-festen","tag-festival-de-cannes","tag-finn-skarderud","tag-golden-globes","tag-la-chasse","tag-mads-mikkelsen","tag-oscars","tag-thomas-vinterberg"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Le choix du verre \u00e0 moiti\u00e9 vide dans \u00abDrunk\u00bb<\/title>\n<meta name=\"robots\" content=\"index, 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