{"id":41270,"date":"2021-07-03T06:00:00","date_gmt":"2021-07-03T04:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=41270"},"modified":"2025-12-04T22:25:07","modified_gmt":"2025-12-04T21:25:07","slug":"seminarists-le-rouge-et-le-noir","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/seminarists-le-rouge-et-le-noir\/","title":{"rendered":"\u00abThe Seminarians: Red and Black"},"content":{"rendered":"<p><em>Unpublished article - <a href=\"https:\/\/leregardlibre.com\/en\/tag\/alice-bruxelle\/\">Alice Bruxelle<\/a><\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>Communism and Christianity: an impossible alliance? If Pasolini had the audacity (and heresy?) to create a Jesus who was both Christian and revolutionary in <em>The Gospel according to Saint Matthew <\/em>(1964), Ivan Ostrochovsk\u00fd reminds us in <em>Seminarians <\/em>that the cohabitation between the Communist regime and the Church was far less peaceful. A look back at a historical episode in which atheistic materialism fought against the texts of the Christian faith.<\/strong><\/p>\n\n\n\n<!--more Lire la suite de la critique (en libre acc\u00e8s)-->\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"The Seminarians: trailer\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/Omkv1WQ1hvw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>\u00abA dictatorship is when people are communists; already, they're cold, with gray hats, and zippered shoes,\u00bb said Hubert Bonisseur de La Bath in <em>OSS 117: Rio no longer responds <\/em>(2009). Devoid of zippers and grey hats, the secret police of the Communist dictatorship in <em>Seminarians<\/em> is to silence the Church.<\/p>\n\n\n\n<p>As the film is more aesthetic than historical, it doesn't bother with historical explanations. Ivan Ostrochovsk\u00fd takes us to Czechoslovakia in the early '80s, where the Communist regime, since taking power throughout the Eastern bloc after the Second World War, has sought to muzzle all dissident speech by imposing its ideological views on all spheres of society. As two young teenage students, Juraj (Samuel Skyva) and Michal (Samuel Polakovic), enter the seminary, they face a painful choice between freedom and silence.<\/p>\n\n\n\n<p>Pursue your faith or bow to the regime? The film alternates between the two sides of this choice - resistance or collaboration - by filming the movement. <em>Pacem in Terris<\/em> - group of collaborationist priests within the Czechoslovak government - and the channels of Radio Free Europe listened to by a handful of resistant seminarians. More than just a tragic account of Eastern European history, <em>Seminarians<\/em> depicts ambivalent, human reactions to the sprawling monster of a totalitarian regime.&nbsp;<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\" \/><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\" \/><input type=\"hidden\" name=\"webform_id\" value=\"7291\" \/><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta=\"1\" data-inf-error=\"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\" \/> <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\" \/> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Total experience<\/strong><\/h3>\n\n\n\n<p>Beyond the originality of its subject, this feature-length film also boasts a refined aesthetic. With its formalist Bresson-style mise-en-sc\u00e8ne, characterized by the absence of any form of artifice, it's easy to sense that the director has chosen form over substance. The characters have difficulty becoming truly embodied and, as a result, the viewer finds it hard to become attached to them. In this respect, it's difficult to enter the film through a conventional channel - that of getting hooked on the narrative and the characters' adventures - not least because of the numerous ellipses making the narrative disjointed.<\/p>\n\n\n\n<p><em>Seminarians<\/em> is apprehended through aesthetic contemplation and the physiological feeling it provokes: a sense of unease and physical narrowness. The sensitive experience is conveyed by a 4:3 format, which makes the sequences narrow, almost immobile, and the rapid scenes featuring the seminarians lined up in their cassocks, devoid of context, verging more on the chillingly photographic than the filmic dimension, all enhanced by an absence of color.&nbsp;<\/p>\n\n\n\n\n\n<p>Hannah Arendt wrote in <em>The Origins of Totalitarianism<\/em>It is in the very nature of totalitarian regimes to claim unlimited power. Such power can only be assured if literally all men, without exception, are securely dominated in every aspect of their lives\u00ab. Like this quotation, every aspect of the film is dominated by a dark lead, making the totalitarian experience sensorially accessible. The only emotion that runs through all the characters is a mute stupor. All know that the Faculty of Theology has been infiltrated, and while some collaborate, others resist, but always in silence.<\/p>\n\n\n\n<p>With no emotional or physical outbursts, and sparing use of dialogue despite the heaviness of the atmosphere, the bodies remain docile under domination. The perfectly sculpted black and white sucks out any hint of hope, making the atmosphere all the more strange and eerie. In this way, the film restores the attribute <em>total<\/em> of the totalitarian regime by insinuating itself into all its instances. The entire set-up becomes entangled in the immobility characteristic of terror, insofar as thought and movement are trained to remain within the frame.<\/p>\n\n\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Moral dilemma<\/strong><\/h3>\n\n\n\n<p>British screenwriter Rebecca Lenkiewicz, who worked on the film, had already made religion a central issue in two of her other screenplays co-written with the directors: <em>Ida<\/em> (2013) by Pawel Pawlikowski and <em>Disobedience <\/em>by Sebasti\u00e1n Lelio (2017). The first tells the story of a young nun in 60s ultra-Catholic Poland who learns of her Jewish origins before taking her vows. What follows is a search for her identity outside the convent, in a secular discovery of carnal pleasure and jazz that will make her doubt her faith and the price to be paid for the sacrifices that await her. The second features two young women in love in a Jewish-Orthodox community. Here again, faith is shaken and challenged by an external event.<\/p>\n\n\n\n<p>Without falling into a clich\u00e9d picture of a backward, traditionalist religion, these two feature-length films question freedom of choice, whether secular or religious, without taking sides. As Pawel Pawlikowski said of\u2019<em>Ida<\/em>Poland has a special relationship with the Catholic religion, having suffered the occupation of Orthodox Russians and Protestant Prussians. It has become the bedrock of its national identity, at the risk of forgetting what is universal and transcendental in Christianity\u00ab.&nbsp;<\/p>\n\n\n\n\n\n<p>In <em>Seminarians<\/em>, It's a story of freedom of religion, no longer a choice, but a struggle to rediscover the universality and transcendence of Christianity, the transcendence of pure faith. It's also a story of friendship that gradually unravels, one having chosen the path of resistance, the other whose courage is atrophied by fear. A struggle to regain spirituality and freedom, achieved through pain.<\/p>\n\n\n\n<p><em>Write to the author:&nbsp;<a href=\"mailto:alice.bruxelle@leregardlibre.com\">alice.bruxelle@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1707\" height=\"2560\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/06\/Affiche_Les-Se\u0301minaristes_V2_2-scaled.jpg\" alt=\"\" class=\"wp-image-41280\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/06\/Affiche_Les-Se\u0301minaristes_V2_2-scaled.jpg 1707w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/06\/Affiche_Les-Se\u0301minaristes_V2_2-scaled-200x300.jpg 200w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/06\/Affiche_Les-Se\u0301minaristes_V2_2-scaled-683x1024.jpg 683w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/06\/Affiche_Les-Se\u0301minaristes_V2_2-scaled-100x150.jpg 100w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/06\/Affiche_Les-Se\u0301minaristes_V2_2-scaled-768x1152.jpg 768w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/06\/Affiche_Les-Se\u0301minaristes_V2_2-scaled-1170x1755.jpg 1170w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/06\/Affiche_Les-Se\u0301minaristes_V2_2-scaled-585x877.jpg 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/06\/Affiche_Les-Se\u0301minaristes_V2_2-scaled-300x450.jpg 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/06\/Affiche_Les-Se\u0301minaristes_V2_2-scaled-600x900.jpg 600w\" sizes=\"(max-width: 1707px) 100vw, 1707px\" \/><\/figure>\n\n\n\n<p>Photo credits: \u00a9 Punkchart Films<\/p>","protected":false},"excerpt":{"rendered":"<p>Article in\u00e9dit \u2013 Alice Bruxelle Le communisme et la chr\u00e9tient\u00e9, une alliance impossible? Si Pasolini a eu l\u2019audace (et l\u2019h\u00e9r\u00e9sie?)&#8230;<\/p>","protected":false},"author":332,"featured_media":41279,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[787259,149846,644356793,644356794],"class_list":["post-41270","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-communisme","tag-hannah-arendt","tag-les-seminaristes","tag-tchecoslovaquie"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abLes S\u00e9minaristes\u00bb: le Rouge et le Noir<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/seminarists-le-rouge-et-le-noir\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abLes S\u00e9minaristes\u00bb: le Rouge et le Noir\" \/>\n<meta property=\"og:description\" content=\"Article in\u00e9dit \u2013 Alice Bruxelle Le communisme et la chr\u00e9tient\u00e9, une alliance impossible? Si Pasolini a eu l\u2019audace (et l\u2019h\u00e9r\u00e9sie?)...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/seminarists-le-rouge-et-le-noir\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-07-03T04:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-04T21:25:07+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/06\/Les-Se\u0301minaristes_0-\u00a9-Punkchart-Films.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1600\" \/>\n\t<meta property=\"og:image:height\" content=\"1066\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Alice Bruxelle\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:site\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Alice Bruxelle\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-seminaristes-le-rouge-et-le-noir\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-seminaristes-le-rouge-et-le-noir\\\/\"},\"author\":{\"name\":\"Alice Bruxelle\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/person\\\/6c0c7582e90df2085036f861833988c8\"},\"headline\":\"\u00abLes S\u00e9minaristes\u00bb: le Rouge et le Noir\",\"datePublished\":\"2021-07-03T04:00:00+00:00\",\"dateModified\":\"2025-12-04T21:25:07+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-seminaristes-le-rouge-et-le-noir\\\/\"},\"wordCount\":1164,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-seminaristes-le-rouge-et-le-noir\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2021\\\/06\\\/Les-Se\u0301minaristes_0-\u00a9-Punkchart-Films.jpg\",\"keywords\":[\"Communisme\",\"Hannah Arendt\",\"les s\u00e9minaristes\",\"Tch\u00e9coslovaquie\"],\"articleSection\":[\"Films\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-seminaristes-le-rouge-et-le-noir\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-seminaristes-le-rouge-et-le-noir\\\/\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-seminaristes-le-rouge-et-le-noir\\\/\",\"name\":\"\u00abLes S\u00e9minaristes\u00bb: le Rouge et le Noir\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-seminaristes-le-rouge-et-le-noir\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-seminaristes-le-rouge-et-le-noir\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2021\\\/06\\\/Les-Se\u0301minaristes_0-\u00a9-Punkchart-Films.jpg\",\"datePublished\":\"2021-07-03T04:00:00+00:00\",\"dateModified\":\"2025-12-04T21:25:07+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-seminaristes-le-rouge-et-le-noir\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-seminaristes-le-rouge-et-le-noir\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-seminaristes-le-rouge-et-le-noir\\\/#primaryimage\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2021\\\/06\\\/Les-Se\u0301minaristes_0-\u00a9-Punkchart-Films.jpg\",\"contentUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2021\\\/06\\\/Les-Se\u0301minaristes_0-\u00a9-Punkchart-Films.jpg\",\"width\":1600,\"height\":1066},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-seminaristes-le-rouge-et-le-noir\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/leregardlibre.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u00abLes S\u00e9minaristes\u00bb: le Rouge et le Noir\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#website\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/\",\"name\":\"Le Regard Libre\",\"description\":\"Premier mensuel suisse de d\u00e9bat\",\"publisher\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/leregardlibre.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\",\"name\":\"Le Regard Libre\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/logo-rl-icone-neg.jpeg\",\"contentUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/logo-rl-icone-neg.jpeg\",\"width\":557,\"height\":556,\"caption\":\"Le Regard Libre\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/leregardlibre\\\/\",\"https:\\\/\\\/x.com\\\/LeRegardLibre\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/le-regard-libre\",\"https:\\\/\\\/www.instagram.com\\\/leregardlibre\\\/\",\"http:\\\/\\\/t.me\\\/leregardlibre\",\"https:\\\/\\\/youtube.com\\\/channel\\\/UC6HzGPomj1LsUmlz-sJtITQ\"],\"description\":\"Le Regard Libre est un mensuel suisse de d\u00e9bat intellectuel et culturel. Sa r\u00e9daction est jeune, b\u00e9n\u00e9vole, lib\u00e9rale et pluraliste. Le magazine para\u00eet en ligne et sous forme papier. Sa langue est le fran\u00e7ais.\",\"email\":\"redaction@leregardlibre.com\",\"legalName\":\"Le Regard Libre\",\"foundingDate\":\"2014-01-01\",\"numberOfEmployees\":{\"@type\":\"QuantitativeValue\",\"minValue\":\"11\",\"maxValue\":\"50\"},\"publishingPrinciples\":\"https:\\\/\\\/leregardlibre.com\\\/a-propos\\\/notre-manifeste\\\/\",\"ownershipFundingInfo\":\"https:\\\/\\\/leregardlibre.com\\\/mentions-legales\\\/\",\"actionableFeedbackPolicy\":\"https:\\\/\\\/leregardlibre.com\\\/conditions-generales-de-vente\\\/\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/person\\\/6c0c7582e90df2085036f861833988c8\",\"name\":\"Alice Bruxelle\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/3184d2aa9b9c7034411aa79c53137d9460ee927772d399e8099a33b507894672?s=96&d=identicon&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/3184d2aa9b9c7034411aa79c53137d9460ee927772d399e8099a33b507894672?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/3184d2aa9b9c7034411aa79c53137d9460ee927772d399e8099a33b507894672?s=96&d=identicon&r=g\",\"caption\":\"Alice Bruxelle\"},\"sameAs\":[\"https:\\\/\\\/leregardlibre.com\\\/\"],\"url\":\"https:\\\/\\\/leregardlibre.com\\\/en\\\/author\\\/alice-bruxelle\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"\u00abThe Seminarians: Red and Black","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/leregardlibre.com\/en\/cinema\/films\/seminarists-le-rouge-et-le-noir\/","og_locale":"en_US","og_type":"article","og_title":"\u00abLes S\u00e9minaristes\u00bb: le Rouge et le Noir","og_description":"Article in\u00e9dit \u2013 Alice Bruxelle Le communisme et la chr\u00e9tient\u00e9, une alliance impossible? Si Pasolini a eu l\u2019audace (et l\u2019h\u00e9r\u00e9sie?)...","og_url":"https:\/\/leregardlibre.com\/en\/cinema\/films\/seminarists-le-rouge-et-le-noir\/","og_site_name":"Le Regard Libre","article_publisher":"https:\/\/www.facebook.com\/leregardlibre\/","article_published_time":"2021-07-03T04:00:00+00:00","article_modified_time":"2025-12-04T21:25:07+00:00","og_image":[{"width":1600,"height":1066,"url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/06\/Les-Se\u0301minaristes_0-\u00a9-Punkchart-Films.jpg","type":"image\/jpeg"}],"author":"Alice Bruxelle","twitter_card":"summary_large_image","twitter_creator":"@LeRegardLibre","twitter_site":"@LeRegardLibre","twitter_misc":{"Written by":"Alice Bruxelle","Est. reading time":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/leregardlibre.com\/cinema\/films\/les-seminaristes-le-rouge-et-le-noir\/#article","isPartOf":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/les-seminaristes-le-rouge-et-le-noir\/"},"author":{"name":"Alice Bruxelle","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/6c0c7582e90df2085036f861833988c8"},"headline":"\u00abLes S\u00e9minaristes\u00bb: le Rouge et le Noir","datePublished":"2021-07-03T04:00:00+00:00","dateModified":"2025-12-04T21:25:07+00:00","mainEntityOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/les-seminaristes-le-rouge-et-le-noir\/"},"wordCount":1164,"commentCount":0,"publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/les-seminaristes-le-rouge-et-le-noir\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/06\/Les-Se\u0301minaristes_0-\u00a9-Punkchart-Films.jpg","keywords":["Communisme","Hannah Arendt","les s\u00e9minaristes","Tch\u00e9coslovaquie"],"articleSection":["Films"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/leregardlibre.com\/cinema\/films\/les-seminaristes-le-rouge-et-le-noir\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/leregardlibre.com\/cinema\/films\/les-seminaristes-le-rouge-et-le-noir\/","url":"https:\/\/leregardlibre.com\/cinema\/films\/les-seminaristes-le-rouge-et-le-noir\/","name":"\u00abThe Seminarians: Red and Black","isPartOf":{"@id":"https:\/\/leregardlibre.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/les-seminaristes-le-rouge-et-le-noir\/#primaryimage"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/les-seminaristes-le-rouge-et-le-noir\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/06\/Les-Se\u0301minaristes_0-\u00a9-Punkchart-Films.jpg","datePublished":"2021-07-03T04:00:00+00:00","dateModified":"2025-12-04T21:25:07+00:00","breadcrumb":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/les-seminaristes-le-rouge-et-le-noir\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/leregardlibre.com\/cinema\/films\/les-seminaristes-le-rouge-et-le-noir\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leregardlibre.com\/cinema\/films\/les-seminaristes-le-rouge-et-le-noir\/#primaryimage","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/06\/Les-Se\u0301minaristes_0-\u00a9-Punkchart-Films.jpg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/06\/Les-Se\u0301minaristes_0-\u00a9-Punkchart-Films.jpg","width":1600,"height":1066},{"@type":"BreadcrumbList","@id":"https:\/\/leregardlibre.com\/cinema\/films\/les-seminaristes-le-rouge-et-le-noir\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/leregardlibre.com\/"},{"@type":"ListItem","position":2,"name":"\u00abLes S\u00e9minaristes\u00bb: le Rouge et le Noir"}]},{"@type":"WebSite","@id":"https:\/\/leregardlibre.com\/#website","url":"https:\/\/leregardlibre.com\/","name":"Le Regard Libre","description":"Switzerland's first monthly debate magazine","publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/leregardlibre.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/leregardlibre.com\/#organization","name":"Le Regard Libre","url":"https:\/\/leregardlibre.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","width":557,"height":556,"caption":"Le Regard Libre"},"image":{"@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/leregardlibre\/","https:\/\/x.com\/LeRegardLibre","https:\/\/www.linkedin.com\/company\/le-regard-libre","https:\/\/www.instagram.com\/leregardlibre\/","http:\/\/t.me\/leregardlibre","https:\/\/youtube.com\/channel\/UC6HzGPomj1LsUmlz-sJtITQ"],"description":"Le Regard Libre is a Swiss monthly magazine for intellectual and cultural debate. Its editorial team is young, voluntary, liberal and pluralist. The magazine appears online and in print. Its language is French.","email":"redaction@leregardlibre.com","legalName":"Le Regard Libre","foundingDate":"2014-01-01","numberOfEmployees":{"@type":"QuantitativeValue","minValue":"11","maxValue":"50"},"publishingPrinciples":"https:\/\/leregardlibre.com\/a-propos\/notre-manifeste\/","ownershipFundingInfo":"https:\/\/leregardlibre.com\/mentions-legales\/","actionableFeedbackPolicy":"https:\/\/leregardlibre.com\/conditions-generales-de-vente\/"},{"@type":"Person","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/6c0c7582e90df2085036f861833988c8","name":"Alice Bruxelle","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/3184d2aa9b9c7034411aa79c53137d9460ee927772d399e8099a33b507894672?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/3184d2aa9b9c7034411aa79c53137d9460ee927772d399e8099a33b507894672?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/3184d2aa9b9c7034411aa79c53137d9460ee927772d399e8099a33b507894672?s=96&d=identicon&r=g","caption":"Alice Bruxelle"},"sameAs":["https:\/\/leregardlibre.com\/"],"url":"https:\/\/leregardlibre.com\/en\/author\/alice-bruxelle\/"}]}},"_links":{"self":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/41270","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/users\/332"}],"replies":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/comments?post=41270"}],"version-history":[{"count":1,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/41270\/revisions"}],"predecessor-version":[{"id":511167,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/41270\/revisions\/511167"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/media\/41279"}],"wp:attachment":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/media?parent=41270"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/categories?post=41270"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/tags?post=41270"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}