{"id":43064,"date":"2021-10-20T06:00:00","date_gmt":"2021-10-20T04:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=43064"},"modified":"2025-12-04T22:24:02","modified_gmt":"2025-12-04T21:24:02","slug":"quo-vadis-aida-ou-aller-pendant-la-guerre","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/","title":{"rendered":"\u00abQuo Vadis, Aida?\u00bb, where to go during the war?"},"content":{"rendered":"<p><em>Cinema Wednesdays - <a href=\"https:\/\/leregardlibre.com\/en\/tag\/kelly-lambiel\/\">Kelly Lambiel<\/a><\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>After <em>Grbavica<\/em> (<em>Sarajevo, mon amour)<\/em> in 2006, <em>Na putu <\/em>(<em>Luna's choice<\/em>) in 2010 and <em>For Those Who Can Tell No Tales<\/em> (<em>The women of Visegrad<\/em>) in 2013, Jasmila \u017dbani\u0107 explores a new and perhaps darker facet of the war in Bosnia-Herzegovina in <em>Quo Vadis, Aida?<\/em>. While his first films, which won numerous awards, evoked post-war trauma and the heavy legacy of the survivors, his latest film, nominated for an Oscar, takes place at the very heart of the massacre, in Srebrenica.<\/strong><\/p>\n\n\n\n<!--more Lire la suite de la critique (en libre acc\u00e8s)-->\n\n\n\n<p>Juillet 1995, un ultimatum a \u00e9t\u00e9 pos\u00e9. Voil\u00e0 pourtant plusieurs jours que l\u2019arm\u00e9e serbe continue d\u2019avancer. Srebrenica est une ville s\u00fbre, un ultimatum a \u00e9t\u00e9 d\u00e9cr\u00e9t\u00e9. Mais comment se sentir en s\u00e9curit\u00e9? Devant, \u00e0 la base de l\u2019ONU, on a ferm\u00e9 les grilles. Derri\u00e8re, les Tchetniks progressent. O\u00f9 se cacher? O\u00f9? Un ultimatum, qu\u2019ils disaient. Les femmes par ici, les hommes par l\u00e0, dans la for\u00eat ou des camionnettes, entass\u00e9s. Et les jeunes filles? Des frappes a\u00e9riennes de l\u2019OTAN, qu\u2019ils promettaient. Tout \u00e7a, avant de c\u00e9der, livrant la population \u00e0 un nettoyage ethnique d\u2019un profond sadisme et d\u2019une infinie cruaut\u00e9. Un g\u00e9nocide, qu\u2019ils diraient.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\"><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta=\"1\" data-inf-error=\"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\"> <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>De l\u2019int\u00e9rieur, \u00e0 travers le parcours d\u2019Aida (Jasna \u0110uri\u010di\u0107), ancienne professeure d\u2019anglais et interpr\u00e8te pour le compte des Casques bleus hollandais, on assiste, impuissants, au drame d\u2019une famille, au drame d\u2019une patrie. Sous un soleil de plomb, dans une ambiance lourde de crainte et de tension, sans imaginer toutefois le cauchemar dans lequel tous seront bient\u00f4t plong\u00e9s, Aida sent bien que la situation \u00e9chappe au contr\u00f4le des Nations Unies. Partag\u00e9e entre son r\u00f4le de traductrice, se montrant toujours professionnelle, et de maman, d\u00e9sireuse de mettre \u00e0 l\u2019abri les siens, elle court, elle court, pour sortir de cet enfer. Mais o\u00f9 aller?<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Une r\u00e9alisation d\u2019une retenue d\u00e9concertante<\/strong><\/h3>\n\n\n\n<p>En prenant le parti de la sobri\u00e9t\u00e9, Jasmila \u017dbani\u0107 permet \u00e0 l\u2019horreur d\u2019\u00e9clater dans tout ce qu\u2019elle a de plus d\u00e9sarmant: sa simplicit\u00e9. Pas de drames, de dialogues philosophiques ou moralisateurs, pas de sc\u00e8nes choquantes, de superh\u00e9ros ou de vilains version Hollywood. Le sc\u00e9nario est d\u00e9pouill\u00e9, la v\u00e9rit\u00e9 suffit. L\u2019histoire d\u2019Aida, bien que fictionnelle, bouleverse par son authenticit\u00e9. Elle parle de voisins, de coll\u00e8gues, d\u2019amis qui ont v\u00e9cu un avant, travers\u00e9 l\u2019enfer dans le camp des victimes ou des bourreaux et, pour certains, survivent dans cet apr\u00e8s les ayant \u00e0 nouveau r\u00e9unis. Sur le plan de la r\u00e9alisation, la subtilit\u00e9 aussi est de mise. Les gros plans sur les mains, les pieds, les visages disent tout. Les images parlent, les sons, la musique et les silence surtout expriment, le rythme sugg\u00e8re. Les situations se dessinent d\u2019elles-m\u00eames, esquissent, sans rien voiler et en ne montrant presque rien pourtant, une atrocit\u00e9 par moments insoutenable dans un langage se faisant po\u00e9sie.<\/p>\n\n\n\n\n\n<p>De nombreuses ann\u00e9es ont \u00e9t\u00e9 n\u00e9cessaires pour que la parole se lib\u00e8re autour des massacres de Srebrenica et pour que le Tribunal p\u00e9nal international pour l\u2019ex-Yougoslavie de la Haye finisse par les qualifier de \u00abpire massacre commis en Europe depuis la fin de la Seconde Guerre mondiale\u00bb. Le film de Jasmila \u017dbani\u0107, traduit en fran\u00e7ais par <em>La Voix d\u2019Aida<\/em>, permet justement d\u2019ouvrir le dialogue sur cet \u00e9pisode, longtemps m\u00e9connu pour certains ou volontairement ignor\u00e9 pour d\u2019autres, de l\u2019histoire europ\u00e9enne. Mais il va surtout plus loin, se d\u00e9faisant de l\u2019\u00e9tiquette militante ou revendicatrice qu\u2019on a pu lui attribuer, portant un message de tol\u00e9rance et d\u2019espoir. Offrant une formidable le\u00e7on de vie. O\u00f9 aller? De l\u2019avant, peut-\u00eatre.<\/p>\n\n\n\n<p><em>Write to the author: <a href=\"mailto:kelly.lambiel@leregardlibre.com\">kelly.lambiel@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"842\" height=\"1191\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/10\/Affiche_Quo-vadis-Aida-.jpg\" alt=\"\" class=\"wp-image-43069\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/10\/Affiche_Quo-vadis-Aida-.jpg 842w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/10\/Affiche_Quo-vadis-Aida--212x300.jpg 212w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/10\/Affiche_Quo-vadis-Aida--724x1024.jpg 724w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/10\/Affiche_Quo-vadis-Aida--106x150.jpg 106w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/10\/Affiche_Quo-vadis-Aida--768x1086.jpg 768w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/10\/Affiche_Quo-vadis-Aida--585x827.jpg 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/10\/Affiche_Quo-vadis-Aida--300x424.jpg 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/10\/Affiche_Quo-vadis-Aida--600x849.jpg 600w\" sizes=\"(max-width: 842px) 100vw, 842px\" \/><\/figure>\n\n\n\n<p>Cr\u00e9dits photos: \u00a9 Cineworx<\/p>","protected":false},"excerpt":{"rendered":"<p>Les mercredis du cin\u00e9ma \u2013 Kelly Lambiel Apr\u00e8s Grbavica (Sarajevo, mon amour) en 2006, Na putu (Le choix de Luna)&#8230;<\/p>","protected":false},"author":5,"featured_media":43070,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644356982,644356985,644356984],"class_list":["post-43064","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-jasmila-zbanic","tag-le-choix-de-luna","tag-quo-vadis-aida"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abQuo Vadis, Aida?\u00bb, o\u00f9 aller pendant la guerre?<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abQuo Vadis, Aida?\u00bb, o\u00f9 aller pendant la guerre?\" \/>\n<meta property=\"og:description\" content=\"Les mercredis du cin\u00e9ma \u2013 Kelly Lambiel Apr\u00e8s Grbavica (Sarajevo, mon amour) en 2006, Na putu (Le choix de Luna)...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-10-20T04:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-04T21:24:02+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/10\/Quo-vadis-Aida-_0-\u00a9-Cineworx-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1384\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Kelly Lambiel\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:site\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Kelly Lambiel\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/\"},\"author\":{\"name\":\"Kelly Lambiel\",\"@id\":\"https:\/\/leregardlibre.com\/#\/schema\/person\/2e19652404d949b668e291feb726d98a\"},\"headline\":\"\u00abQuo Vadis, Aida?\u00bb, o\u00f9 aller pendant la guerre?\",\"datePublished\":\"2021-10-20T04:00:00+00:00\",\"dateModified\":\"2025-12-04T21:24:02+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/\"},\"wordCount\":695,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/leregardlibre.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/10\/Quo-vadis-Aida-_0-\u00a9-Cineworx-scaled.jpg\",\"keywords\":[\"jasmila zbanic\",\"le choix de luna\",\"quo vadis aida\"],\"articleSection\":[\"Films\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/\",\"url\":\"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/\",\"name\":\"\u00abQuo Vadis, Aida?\u00bb, o\u00f9 aller pendant la guerre?\",\"isPartOf\":{\"@id\":\"https:\/\/leregardlibre.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/10\/Quo-vadis-Aida-_0-\u00a9-Cineworx-scaled.jpg\",\"datePublished\":\"2021-10-20T04:00:00+00:00\",\"dateModified\":\"2025-12-04T21:24:02+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/#primaryimage\",\"url\":\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/10\/Quo-vadis-Aida-_0-\u00a9-Cineworx-scaled.jpg\",\"contentUrl\":\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/10\/Quo-vadis-Aida-_0-\u00a9-Cineworx-scaled.jpg\",\"width\":2560,\"height\":1384,\"caption\":\"*** Local Caption *** Quo vadis, Aida?, Jasmila Zbanic, Bosnien und Herzegowina\/\u0085sterreich\/Rum\u008anien\/Niederlande\/Deutschland\/Polen\/Frankreich, 2020, V'20, Spielfilme\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/leregardlibre.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u00abQuo Vadis, Aida?\u00bb, o\u00f9 aller pendant la guerre?\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/leregardlibre.com\/#website\",\"url\":\"https:\/\/leregardlibre.com\/\",\"name\":\"Le Regard Libre\",\"description\":\"Premier mensuel suisse de d\u00e9bat\",\"publisher\":{\"@id\":\"https:\/\/leregardlibre.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/leregardlibre.com\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/leregardlibre.com\/#organization\",\"name\":\"Le Regard Libre\",\"url\":\"https:\/\/leregardlibre.com\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg\",\"contentUrl\":\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg\",\"width\":557,\"height\":556,\"caption\":\"Le Regard Libre\"},\"image\":{\"@id\":\"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/leregardlibre\/\",\"https:\/\/x.com\/LeRegardLibre\",\"https:\/\/www.linkedin.com\/company\/le-regard-libre\",\"https:\/\/www.instagram.com\/leregardlibre\/\",\"http:\/\/t.me\/leregardlibre\",\"https:\/\/youtube.com\/channel\/UC6HzGPomj1LsUmlz-sJtITQ\"],\"description\":\"Le Regard Libre est un mensuel suisse de d\u00e9bat intellectuel et culturel. Sa r\u00e9daction est jeune, b\u00e9n\u00e9vole, lib\u00e9rale et pluraliste. Le magazine para\u00eet en ligne et sous forme papier. Sa langue est le fran\u00e7ais.\",\"email\":\"redaction@leregardlibre.com\",\"legalName\":\"Le Regard Libre\",\"foundingDate\":\"2014-01-01\",\"numberOfEmployees\":{\"@type\":\"QuantitativeValue\",\"minValue\":\"11\",\"maxValue\":\"50\"},\"publishingPrinciples\":\"https:\/\/leregardlibre.com\/a-propos\/notre-manifeste\/\",\"ownershipFundingInfo\":\"https:\/\/leregardlibre.com\/mentions-legales\/\",\"actionableFeedbackPolicy\":\"https:\/\/leregardlibre.com\/conditions-generales-de-vente\/\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/leregardlibre.com\/#\/schema\/person\/2e19652404d949b668e291feb726d98a\",\"name\":\"Kelly Lambiel\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/leregardlibre.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/66eff4ecbfd52b976379a502e5b9eb89c636bccde2ad311c258107f95906085a?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/66eff4ecbfd52b976379a502e5b9eb89c636bccde2ad311c258107f95906085a?s=96&d=identicon&r=g\",\"caption\":\"Kelly Lambiel\"},\"sameAs\":[\"https:\/\/leregardlibre.com\/\",\"https:\/\/fr.wikipedia.org\/wiki\/Le_Regard_libre\"],\"url\":\"https:\/\/leregardlibre.com\/en\/author\/kelly-lambiel\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"\u00abQuo Vadis, Aida?\u00bb, where to go during the war?","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/leregardlibre.com\/en\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/","og_locale":"en_US","og_type":"article","og_title":"\u00abQuo Vadis, Aida?\u00bb, o\u00f9 aller pendant la guerre?","og_description":"Les mercredis du cin\u00e9ma \u2013 Kelly Lambiel Apr\u00e8s Grbavica (Sarajevo, mon amour) en 2006, Na putu (Le choix de Luna)...","og_url":"https:\/\/leregardlibre.com\/en\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/","og_site_name":"Le Regard Libre","article_publisher":"https:\/\/www.facebook.com\/leregardlibre\/","article_published_time":"2021-10-20T04:00:00+00:00","article_modified_time":"2025-12-04T21:24:02+00:00","og_image":[{"width":2560,"height":1384,"url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/10\/Quo-vadis-Aida-_0-\u00a9-Cineworx-scaled.jpg","type":"image\/jpeg"}],"author":"Kelly Lambiel","twitter_card":"summary_large_image","twitter_creator":"@LeRegardLibre","twitter_site":"@LeRegardLibre","twitter_misc":{"Written by":"Kelly Lambiel","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/#article","isPartOf":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/"},"author":{"name":"Kelly Lambiel","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/2e19652404d949b668e291feb726d98a"},"headline":"\u00abQuo Vadis, Aida?\u00bb, o\u00f9 aller pendant la guerre?","datePublished":"2021-10-20T04:00:00+00:00","dateModified":"2025-12-04T21:24:02+00:00","mainEntityOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/"},"wordCount":695,"commentCount":0,"publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/10\/Quo-vadis-Aida-_0-\u00a9-Cineworx-scaled.jpg","keywords":["jasmila zbanic","le choix de luna","quo vadis aida"],"articleSection":["Films"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/","url":"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/","name":"\u00abQuo Vadis, Aida?\u00bb, where to go during the war?","isPartOf":{"@id":"https:\/\/leregardlibre.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/#primaryimage"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/10\/Quo-vadis-Aida-_0-\u00a9-Cineworx-scaled.jpg","datePublished":"2021-10-20T04:00:00+00:00","dateModified":"2025-12-04T21:24:02+00:00","breadcrumb":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/#primaryimage","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/10\/Quo-vadis-Aida-_0-\u00a9-Cineworx-scaled.jpg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/10\/Quo-vadis-Aida-_0-\u00a9-Cineworx-scaled.jpg","width":2560,"height":1384,"caption":"*** Local Caption *** Quo vadis, Aida?, Jasmila Zbanic, Bosnien und Herzegowina\/\u0085sterreich\/Rum\u008anien\/Niederlande\/Deutschland\/Polen\/Frankreich, 2020, V'20, Spielfilme"},{"@type":"BreadcrumbList","@id":"https:\/\/leregardlibre.com\/cinema\/films\/quo-vadis-aida-ou-aller-pendant-la-guerre\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/leregardlibre.com\/"},{"@type":"ListItem","position":2,"name":"\u00abQuo Vadis, Aida?\u00bb, o\u00f9 aller pendant la guerre?"}]},{"@type":"WebSite","@id":"https:\/\/leregardlibre.com\/#website","url":"https:\/\/leregardlibre.com\/","name":"Le Regard Libre","description":"Switzerland's first monthly debate magazine","publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/leregardlibre.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/leregardlibre.com\/#organization","name":"Le Regard Libre","url":"https:\/\/leregardlibre.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","width":557,"height":556,"caption":"Le Regard Libre"},"image":{"@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/leregardlibre\/","https:\/\/x.com\/LeRegardLibre","https:\/\/www.linkedin.com\/company\/le-regard-libre","https:\/\/www.instagram.com\/leregardlibre\/","http:\/\/t.me\/leregardlibre","https:\/\/youtube.com\/channel\/UC6HzGPomj1LsUmlz-sJtITQ"],"description":"Le Regard Libre is a Swiss monthly magazine for intellectual and cultural debate. Its editorial team is young, voluntary, liberal and pluralist. The magazine appears online and in print. Its language is French.","email":"redaction@leregardlibre.com","legalName":"Le Regard Libre","foundingDate":"2014-01-01","numberOfEmployees":{"@type":"QuantitativeValue","minValue":"11","maxValue":"50"},"publishingPrinciples":"https:\/\/leregardlibre.com\/a-propos\/notre-manifeste\/","ownershipFundingInfo":"https:\/\/leregardlibre.com\/mentions-legales\/","actionableFeedbackPolicy":"https:\/\/leregardlibre.com\/conditions-generales-de-vente\/"},{"@type":"Person","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/2e19652404d949b668e291feb726d98a","name":"Kelly Lambiel","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/66eff4ecbfd52b976379a502e5b9eb89c636bccde2ad311c258107f95906085a?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/66eff4ecbfd52b976379a502e5b9eb89c636bccde2ad311c258107f95906085a?s=96&d=identicon&r=g","caption":"Kelly Lambiel"},"sameAs":["https:\/\/leregardlibre.com\/","https:\/\/fr.wikipedia.org\/wiki\/Le_Regard_libre"],"url":"https:\/\/leregardlibre.com\/en\/author\/kelly-lambiel\/"}]}},"_links":{"self":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/43064","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/comments?post=43064"}],"version-history":[{"count":1,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/43064\/revisions"}],"predecessor-version":[{"id":511227,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/43064\/revisions\/511227"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/media\/43070"}],"wp:attachment":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/media?parent=43064"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/categories?post=43064"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/tags?post=43064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}