{"id":44064,"date":"2021-12-08T06:00:00","date_gmt":"2021-12-08T05:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=44064"},"modified":"2025-12-04T22:23:53","modified_gmt":"2025-12-04T21:23:53","slug":"madres-paralelas-desossement-de-la-passion","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/madres-paralelas-desossement-de-la-passion\/","title":{"rendered":"\u00abMadres paralelas\u00bb: boning up on passion"},"content":{"rendered":"<p><em>Cinema Wednesdays - <a href=\"https:\/\/leregardlibre.com\/en\/tag\/alice-bruxelle\/\">Alice Bruxelle<\/a><\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>Pedro Almod\u00f3var emerges from his introspective tomb. Two years after <em>Pain and glory<\/em> and a year after his short film <em>La Voix humaine<\/em>, the filmmaker returns to his favorite themes and his favorite actress, Pen\u00e9lope Cruz. What's new? A historical framework relating to Franco's past overhangs the melodrama.<\/strong><\/p>\n\n\n\n<!--more Lire la critique (en libre acc\u00e8s)-->\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Madres Paralelas - Official HD Trailer\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/fahQARfx6EM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Provocative without being outrageous, Pedro Almod\u00f3var is a mythical figure of the seventh art. His feature films have the audacity to assume a narrative freedom bordering on anarchy. But <em>Madres paralelas<\/em> is bogged down in a laborious stammering where historical and biological truth intertwine, one being linked to the other and vice versa. Seizing on the collective history of Spain and that of the two protagonists in the same movement runs the risk of becoming immobilized within the two rights. These parallel, overly rigid straight lines are not as cathartic as the romantic mazes that once characterized his films.<\/p>\n\n\n\n\n\n<h3 class=\"wp-block-heading\"><strong>The truth about manchego and Iberian ham<\/strong><\/h3>\n\n\n\n<p>At the maternity hospital in Madrid, the destinies of Janis (Pen\u00e9lope Cruz) and Ana (Milena Smit) are sealed as they share the pain of childbirth. One incident unites them: their two <em>ni\u00f1as<\/em> were switched at birth, but this truth will only be discovered by Janis. What do they have in common? Their celibacy; the former can afford the luxury of raising her child alone; the latter doesn't know the exact identity of the father, her pregnancy the result of a rape. Janis is a fashion photographer, while Ana is still a minor in the clutches of parents with little regard for the fate of their daughter. A friendly, then carnal rapprochement begins, as Janis's silence on the biological truth becomes increasingly difficult to accept.&nbsp;&nbsp;<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\"><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta=\"1\" data-inf-error=\"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\"> <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>Another need for truth adds to the melodrama. Janis wants to excavate the mass grave in the village where her ancestors, victims of Franco's dictatorship, lived. She enlists the help of Arturo (Israel Elejalde), forensic anthropologist and father of her child.&nbsp;<\/p>\n\n\n\n\n\n<p>Micro- and macro-history intertwine, sometimes touching. History intrudes into the close intimacy of the two protagonists, where the themes (or obsessions?) of the Spanish filmmaker resurface: death, desire, the figure of the mother. A few Almodovar-like flashes awaken nostalgia for his best films. The intensity of the pain of childbirth, in tune with the instruments guided by composer Alberto Iglesias, resonates with the pleasure experienced during the carnal encounter to the sound of Janis Joplin's voice, linking past and present.&nbsp;<\/p>\n\n\n\n<p>The usual use of an intense chromatic palette was the cement of aesthetics and emotion, making Almod\u00f3var's cinema so atypical and visually intense. The palette of <em>Madres paralelas <\/em>is more limited, and the staging confines itself to an artificial register. This impression is reinforced by Janis's slideshow of photos of luxury goods. Is this a metaphorical vision of the future (or has it become?) of Almod\u00f3var's genius? Are the few flashy glimpses we catch a glimpse of the residue of the passions embodied in his earlier works?&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Putting politics into words<\/strong><\/h3>\n\n\n\n<p>Even if the plot reaches its climax in a very predictable way, the relationship between the two protagonists can be moving. What makes Almod\u00f3var's cinema so special is that he manages to endear even the most detestable characters by constructing a psychological puzzle that is always highly complex. In <em>All about my mother<\/em>, Huma's character, despite her indifference to Esteban's interest, which leads to her fatal accident, arouses compassion for her fate as a woman in love. Or Begnigno's rape of Alicia in <em>Talk to her<\/em> is not seen as rape, but as an expression of love, as expressed in the metaphorical short film <em>The shrinking lover<\/em> which poeticizes and distances the audience from the tragic act in progress.<\/p>\n\n\n\n<p>One of Almod\u00f3var's artistic powers is to create in each story and in each character a space of liberation in which to live out one's destiny in a messy, cathartic way. But <em>Madres paralelas <\/em>fails to achieve this apotheosis. Staged too smoothly, the couple Janis and Ana seem trapped by the political showcase that the filmmaker adds as a filigree. A whole host of issues are glossed over: rape, cyber-bullying, single parenthood, emancipation. <em>We all should be feminist<\/em> is the slogan on the T-shirt worn ostentatiously by Janis. If the feminist component is almost systematic in his filmography, it manifests itself mainly in the intrinsic behavior of the characters, all driven by a desire for self-determination.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"2560\" height=\"1707\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/12\/Madres-paralelas_1-\u00a9-El-Deseo-scaled.jpg\" alt=\"\" class=\"wp-image-44071\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/12\/Madres-paralelas_1-\u00a9-El-Deseo-scaled.jpg 2560w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/12\/Madres-paralelas_1-\u00a9-El-Deseo-scaled-1920x1280.jpg 1920w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/12\/Madres-paralelas_1-\u00a9-El-Deseo-scaled-1170x780.jpg 1170w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/12\/Madres-paralelas_1-\u00a9-El-Deseo-scaled-585x390.jpg 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/12\/Madres-paralelas_1-\u00a9-El-Deseo-scaled-263x175.jpg 263w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/12\/Madres-paralelas_1-\u00a9-El-Deseo-scaled-300x200.jpg 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/12\/Madres-paralelas_1-\u00a9-El-Deseo-scaled-600x400.jpg 600w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/12\/Madres-paralelas_1-\u00a9-El-Deseo-150x100.jpg 150w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/12\/Madres-paralelas_1-\u00a9-El-Deseo-768x512.jpg 768w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/12\/Madres-paralelas_1-\u00a9-El-Deseo-1024x683.jpg 1024w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/12\/Madres-paralelas_1-\u00a9-El-Deseo-1536x1024.jpg 1536w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/12\/Madres-paralelas_1-\u00a9-El-Deseo-2048x1366.jpg 2048w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" \/><figcaption><meta charset=\"utf-8\">El Deseo<\/figcaption><\/figure>\n\n\n\n<p>This political explicitness through the medium of words, to the detriment of the freedom granted to his characters, resonates with the historical drama of mass graves. In 1994, Almod\u00f3var confided to Fr\u00e9d\u00e9ric Strauss: \u00ab[...] my films have never been anti-Franco, because I simply don't recognize Franco's existence in them. It's a kind of revenge against Francoism: I want there to be no memory of it, no shadow of it\u00bb. Although Francoism was briefly evoked in <em>In the flesh<\/em> in the first sequence, this reversal of position raises questions.&nbsp;<\/p>\n\n\n\n<p>A great storyteller, the filmmaker improvises with <em>Madres paralelas <\/em>storyteller. The salt of his cinema freezes into statues or skeletons, those unearthed from the common grave.&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><em>Write to the author:&nbsp;<a href=\"mailto:alice.bruxelle@leregardlibre.com\">alice.bruxelle@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p>Header image: \u00a9 El Deseo<\/p>","protected":false},"excerpt":{"rendered":"<p>Les mercredis du cin\u00e9ma \u2013 Alice Bruxelle Pedro Almod\u00f3var sort de son tombeau introspectif. Deux ans apr\u00e8s Douleur et gloire&#8230;<\/p>","protected":false},"author":332,"featured_media":44072,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[67793,644357106,422108,33752],"class_list":["post-44064","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-feminisme","tag-madres-paralelas","tag-pedro-almodovar","tag-penelope-cruz"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abMadres paralelas\u00bb: d\u00e9sossement de la passion<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/madres-paralelas-desossement-de-la-passion\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abMadres paralelas\u00bb: d\u00e9sossement de la passion\" \/>\n<meta property=\"og:description\" content=\"Les mercredis du cin\u00e9ma \u2013 Alice Bruxelle Pedro Almod\u00f3var sort de son tombeau introspectif. Deux ans apr\u00e8s Douleur et gloire...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/madres-paralelas-desossement-de-la-passion\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-12-08T05:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-04T21:23:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/12\/Madres-paralelas_0-\u00a9-El-Deseo-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1384\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Alice Bruxelle\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" 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