{"id":44717,"date":"2022-01-05T20:55:32","date_gmt":"2022-01-05T19:55:32","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=44717"},"modified":"2025-12-04T22:23:48","modified_gmt":"2025-12-04T21:23:48","slug":"the-crusade-or-the-desirable-collapse","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/the-crusade-or-the-desirable-collapse\/","title":{"rendered":"\u00abThe Crusade\u00bb or the desirable collapse"},"content":{"rendered":"<p><em>Cinema Wednesdays - <a href=\"https:\/\/leregardlibre.com\/en\/tag\/alice-bruxelle\/\">Alice Bruxelle<\/a><\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>Following on from <\/strong><strong><em>The faithful man<\/em><\/strong><strong> (2018), Abel and Marianne are back in action with <\/strong><strong><em>The Crusade. <\/em><\/strong><strong>Once again directed by Louis Garrel and co-written with Jean-Claude Carri\u00e8re, will this short ecological drama be as enduring as the ideology it advocates? Certainly not.<\/strong><\/p>\n\n\n\n<!--more Lire la critique (en libre acc\u00e8s)-->\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"LA CROISADE Trailer (2021) Laetitia Casta, Louis Garrel\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/Qqevnwh-iaQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Can the disappearance of a Dior dress help combat global warming? In part, yes, according to Louis Garrel. Joseph Engels, son of Parisian couple Abel (Louis Garrel) and Marianne (Laetitia Casta), has secretly sold his parents' most luxurious possessions to fuel an ambitious project: saving the planet by irrigating the sea in the Sahara. If the parents see this as a disaster, they'll soon realize that making a profit from over-consumption in favor of an ethical project will save face. And not just any ethical project, since it's about saving the whole of humanity in peril. Incomprehension gives way to amazement at the heroic deed of their child prodigy.<\/p>\n\n\n\n\n\n<p>The couple's sudden material dispossession leads Abel and Marianne down a path of marital and individual self-awareness and introspection. A real threat of collapse will unearth the unspoken and existential questions of adults gripped by a new guilt at not being able to offer a decent world to their offspring.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Z vs. <\/strong><strong><em>boomers<\/em><\/strong><\/h3>\n\n\n\n<p>The theme is not new. Today, we're witnessing a generational schism in which the so-called Z generation - born between 1997 and 2012 - reproaches the previous generation for their casual enjoyment of what society has to offer. This is the film's unique strength, in that it manages to depict a certain referentiality at play within bourgeois households. Two camps coexist: that of the adults whose discussions on ecology rhyme with confusion, and that of the children, complicit and amused by their ignorance. The filmmaker's bias is clear: the children no longer need the adults, who are overwhelmed by the children's organization and courage to see their project through. The signs of this are Joseph's precocious sexual maturity, the many shots of him alone, and his struggles with relationships worthy of an adult story.<\/p>\n\n\n\n<p>Above all, Garrel blurs his intellectual image to leave room for the performances of the children who lead the game. Abel is a man whose sudden glorification of his son will send him back to his average existence, where his dreams and ideals are stuck in his youth. He will try to redeem his conscience by putting up sorting bags, an obvious self-mockery on the part of the director and the couple. Seeing Laetitia Casta metamorphose into a bee rescuer after years on the catwalk for some of the world's top designers borders on naive redemption rather than a genuine ecological struggle.<\/p>\n\n\n\n\n\n<p>The erasure and disintegration of parental authority is thus the source of the childish verve of the climate movement, reminiscent of the activist's discourse. <a href=\"https:\/\/leregardlibre.com\/en\/tag\/greta-thunberg\/\">Greta Thunberg<\/a>, which Marianne views. It is this upward movement of values, from the bottom up, that the film proposes. The disappearance of seemingly insignificant objects leads to a restructuring of conjugal and existential relationships; seemingly innocent children become spokespeople for the global climate movement; the model of the African continent on display in the Bois de Boulogne becomes reality at the end, when the sea has artificially colonized the Sahara desert. But why can't this movement achieve the greatness it aspires to?<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Missed Radicality<\/strong><\/h3>\n\n\n\n<p><em>The Crusade<\/em> is conspicuous by the absence of its subject: the\u2019<a href=\"https:\/\/leregardlibre.com\/en\/tag\/ecology\/\">ecology<\/a>. Garrel offers viewers a solution that has already been thought out, crafted and perfected. All that's left for the film to do is weave the new conflictuality engendered by the new generation's scheming, but its surprisingly short running time - just over an hour - doesn't allow for the realism and subtlety that the characters\u00ab simplistic torments would require. The solution to all climatic ills is technological. When Abel and Marianne finally discover the model of the African continent, the children explain that they have put the companies \u00bbin competition\" to select the one capable of implementing the project.<\/p>\n\n\n\n\n\n<p>The profit generated by the sale of luxury goods is what saves the planet. Garrel thus creates an interdependence between the old world and the new - in short, the new world would never have seen the light of day without the old. We could almost thank Christian Dior for having indirectly contributed to the struggle. The filmmaker unmasks himself: he only wants to preserve what <em>is<\/em>. Under the guise of offering us a better world, it in fact deploys a bourgeois phantasm of self-preservation. The film misses out on the very essence of ecology: its radicalism and consubstantial subversion.<\/p>\n\n\n\n<p><strong>Read also | <a href=\"https:\/\/leregardlibre.com\/en\/policy\/lecomodernism-an-interesting-path-to-a-joyful-ecology\/\">Ecomodernism, an interesting path to a joyful ecology<\/a><\/strong><\/p>\n\n\n\n<p>When the sea reaches the desert (a sign that the childish scheme has reached its goal), Marianne, riding a dromedary, smiles. A smile that testifies to a return to normality. Abel and Marianne can continue to gossip in their well-kept apartment among friends; they'll continue to take cabs; and, who knows, Laetitia Casta will once again don her designer dresses to parade with a repentant spirit.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\" \/><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta = \"1\" data-inf-error = \"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\" > <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>For example <em>Night Moves <\/em>(2013) by Kelly Reichardt, in which young environmental activists blow up a dam in the name of their convictions. With her trademark acuity, the American filmmaker succeeds in combining ecological themes with radicalism. By capturing the complexity of the psychological path leading to violence, she shows restraint, without imposing a preconceived vision or solution on the audience. But <em>The Crusade, <\/em>on the other hand, outbids banalities and conformism. This cinematic deception leads to a realization: we come to wish for collapse.<\/p>\n\n\n\n<p><em>Write to the author: <a href=\"mailto:alice.bruxelle@leregardlibre.com\">alice.bruxelle@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1707\" height=\"2560\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_La-Croisade_V1_RS-scaled.jpg\" alt=\"\" class=\"wp-image-44723\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_La-Croisade_V1_RS-scaled.jpg 1707w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_La-Croisade_V1_RS-scaled-1170x1755.jpg 1170w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_La-Croisade_V1_RS-scaled-585x877.jpg 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_La-Croisade_V1_RS-scaled-300x450.jpg 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_La-Croisade_V1_RS-scaled-600x900.jpg 600w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_La-Croisade_V1_RS-100x150.jpg 100w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_La-Croisade_V1_RS-200x300.jpg 200w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_La-Croisade_V1_RS-768x1152.jpg 768w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_La-Croisade_V1_RS-683x1024.jpg 683w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_La-Croisade_V1_RS-1024x1536.jpg 1024w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_La-Croisade_V1_RS-1365x2048.jpg 1365w\" sizes=\"(max-width: 1707px) 100vw, 1707px\" \/><\/figure>","protected":false},"excerpt":{"rendered":"<p>Les mercredis du cin\u00e9ma \u2013 Alice Bruxelle Dans la continuit\u00e9 de L\u2019Homme fid\u00e8le (2018), Abel et Marianne reprennent du service&#8230;<\/p>","protected":false},"author":332,"featured_media":44722,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[61026,644357184,644357186,644341047,2154309],"class_list":["post-44717","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-cinema-francais","tag-jean-claude-carriere","tag-la-croisade","tag-laetitia-casta","tag-louis-garrel"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abLa Croisade\u00bb ou l\u2019effondrement souhaitable<\/title>\n<meta name=\"description\" content=\"\u00abLa Croisade\u00bb, film r\u00e9alis\u00e9 par Louis Garrel et co-\u00e9crit avec Jean-Claude Carri\u00e8re, est-il aussi durable que l&#039;\u00e9cologie? Pas s\u00fbr. Critique.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/the-crusade-or-the-desirable-collapse\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abLa Croisade\u00bb ou l\u2019effondrement souhaitable\" \/>\n<meta property=\"og:description\" content=\"\u00abLa Croisade\u00bb, film r\u00e9alis\u00e9 par Louis Garrel et co-\u00e9crit avec Jean-Claude Carri\u00e8re, est-il aussi durable que l&#039;\u00e9cologie? Pas s\u00fbr. Critique.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/the-crusade-or-the-desirable-collapse\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-01-05T19:55:32+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-04T21:23:48+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/La-Croisade_0-\u00a9-Shanna-Besson-_-Why-Not-Productions.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1660\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Alice Bruxelle\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:site\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Alice Bruxelle\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/la-croisade-ou-leffondrement-souhaitable\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/la-croisade-ou-leffondrement-souhaitable\\\/\"},\"author\":{\"name\":\"Alice Bruxelle\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/person\\\/6c0c7582e90df2085036f861833988c8\"},\"headline\":\"\u00abLa Croisade\u00bb ou l\u2019effondrement souhaitable\",\"datePublished\":\"2022-01-05T19:55:32+00:00\",\"dateModified\":\"2025-12-04T21:23:48+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/la-croisade-ou-leffondrement-souhaitable\\\/\"},\"wordCount\":1125,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/la-croisade-ou-leffondrement-souhaitable\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2022\\\/01\\\/La-Croisade_0-\u00a9-Shanna-Besson-_-Why-Not-Productions.jpg\",\"keywords\":[\"Cin\u00e9ma fran\u00e7ais\",\"jean-claude carri\u00e8re\",\"la croisade\",\"Laetitia Casta\",\"louis garrel\"],\"articleSection\":[\"Films\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/la-croisade-ou-leffondrement-souhaitable\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/la-croisade-ou-leffondrement-souhaitable\\\/\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/la-croisade-ou-leffondrement-souhaitable\\\/\",\"name\":\"\u00abLa Croisade\u00bb ou l\u2019effondrement souhaitable\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/la-croisade-ou-leffondrement-souhaitable\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/la-croisade-ou-leffondrement-souhaitable\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2022\\\/01\\\/La-Croisade_0-\u00a9-Shanna-Besson-_-Why-Not-Productions.jpg\",\"datePublished\":\"2022-01-05T19:55:32+00:00\",\"dateModified\":\"2025-12-04T21:23:48+00:00\",\"description\":\"\u00abLa Croisade\u00bb, film r\u00e9alis\u00e9 par Louis Garrel et co-\u00e9crit avec Jean-Claude Carri\u00e8re, est-il aussi durable que l'\u00e9cologie? Pas s\u00fbr. Critique.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/la-croisade-ou-leffondrement-souhaitable\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/la-croisade-ou-leffondrement-souhaitable\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/la-croisade-ou-leffondrement-souhaitable\\\/#primaryimage\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2022\\\/01\\\/La-Croisade_0-\u00a9-Shanna-Besson-_-Why-Not-Productions.jpg\",\"contentUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2022\\\/01\\\/La-Croisade_0-\u00a9-Shanna-Besson-_-Why-Not-Productions.jpg\",\"width\":1660,\"height\":1080},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/la-croisade-ou-leffondrement-souhaitable\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/leregardlibre.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u00abLa Croisade\u00bb ou l\u2019effondrement souhaitable\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#website\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/\",\"name\":\"Le Regard Libre\",\"description\":\"Premier mensuel suisse de d\u00e9bat\",\"publisher\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/leregardlibre.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\",\"name\":\"Le Regard Libre\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/logo-rl-icone-neg.jpeg\",\"contentUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/logo-rl-icone-neg.jpeg\",\"width\":557,\"height\":556,\"caption\":\"Le Regard Libre\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/leregardlibre\\\/\",\"https:\\\/\\\/x.com\\\/LeRegardLibre\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/le-regard-libre\",\"https:\\\/\\\/www.instagram.com\\\/leregardlibre\\\/\",\"http:\\\/\\\/t.me\\\/leregardlibre\",\"https:\\\/\\\/youtube.com\\\/channel\\\/UC6HzGPomj1LsUmlz-sJtITQ\"],\"description\":\"Le Regard Libre est un mensuel suisse de d\u00e9bat intellectuel et culturel. Sa r\u00e9daction est jeune, b\u00e9n\u00e9vole, lib\u00e9rale et pluraliste. Le magazine para\u00eet en ligne et sous forme papier. Sa langue est le fran\u00e7ais.\",\"email\":\"redaction@leregardlibre.com\",\"legalName\":\"Le Regard Libre\",\"foundingDate\":\"2014-01-01\",\"numberOfEmployees\":{\"@type\":\"QuantitativeValue\",\"minValue\":\"11\",\"maxValue\":\"50\"},\"publishingPrinciples\":\"https:\\\/\\\/leregardlibre.com\\\/a-propos\\\/notre-manifeste\\\/\",\"ownershipFundingInfo\":\"https:\\\/\\\/leregardlibre.com\\\/mentions-legales\\\/\",\"actionableFeedbackPolicy\":\"https:\\\/\\\/leregardlibre.com\\\/conditions-generales-de-vente\\\/\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/person\\\/6c0c7582e90df2085036f861833988c8\",\"name\":\"Alice Bruxelle\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/3184d2aa9b9c7034411aa79c53137d9460ee927772d399e8099a33b507894672?s=96&d=identicon&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/3184d2aa9b9c7034411aa79c53137d9460ee927772d399e8099a33b507894672?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/3184d2aa9b9c7034411aa79c53137d9460ee927772d399e8099a33b507894672?s=96&d=identicon&r=g\",\"caption\":\"Alice Bruxelle\"},\"sameAs\":[\"https:\\\/\\\/leregardlibre.com\\\/\"],\"url\":\"https:\\\/\\\/leregardlibre.com\\\/en\\\/author\\\/alice-bruxelle\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"\u00abThe Crusade\u00bb or the desirable collapse","description":"\u00abIs \u00bbLa Croisade\", a film directed by Louis Garrel and co-written with Jean-Claude Carri\u00e8re, as sustainable as ecology? We're not sure. Review.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/leregardlibre.com\/en\/cinema\/films\/the-crusade-or-the-desirable-collapse\/","og_locale":"en_US","og_type":"article","og_title":"\u00abLa Croisade\u00bb ou l\u2019effondrement souhaitable","og_description":"\u00abLa Croisade\u00bb, film r\u00e9alis\u00e9 par Louis Garrel et co-\u00e9crit avec Jean-Claude Carri\u00e8re, est-il aussi durable que l'\u00e9cologie? Pas s\u00fbr. Critique.","og_url":"https:\/\/leregardlibre.com\/en\/cinema\/films\/the-crusade-or-the-desirable-collapse\/","og_site_name":"Le Regard Libre","article_publisher":"https:\/\/www.facebook.com\/leregardlibre\/","article_published_time":"2022-01-05T19:55:32+00:00","article_modified_time":"2025-12-04T21:23:48+00:00","og_image":[{"width":1660,"height":1080,"url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/La-Croisade_0-\u00a9-Shanna-Besson-_-Why-Not-Productions.jpg","type":"image\/jpeg"}],"author":"Alice Bruxelle","twitter_card":"summary_large_image","twitter_creator":"@LeRegardLibre","twitter_site":"@LeRegardLibre","twitter_misc":{"Written by":"Alice Bruxelle","Est. reading time":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/leregardlibre.com\/cinema\/films\/la-croisade-ou-leffondrement-souhaitable\/#article","isPartOf":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/la-croisade-ou-leffondrement-souhaitable\/"},"author":{"name":"Alice Bruxelle","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/6c0c7582e90df2085036f861833988c8"},"headline":"\u00abLa Croisade\u00bb ou l\u2019effondrement souhaitable","datePublished":"2022-01-05T19:55:32+00:00","dateModified":"2025-12-04T21:23:48+00:00","mainEntityOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/la-croisade-ou-leffondrement-souhaitable\/"},"wordCount":1125,"commentCount":0,"publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/la-croisade-ou-leffondrement-souhaitable\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/La-Croisade_0-\u00a9-Shanna-Besson-_-Why-Not-Productions.jpg","keywords":["Cin\u00e9ma fran\u00e7ais","jean-claude carri\u00e8re","la croisade","Laetitia Casta","louis garrel"],"articleSection":["Films"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/leregardlibre.com\/cinema\/films\/la-croisade-ou-leffondrement-souhaitable\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/leregardlibre.com\/cinema\/films\/la-croisade-ou-leffondrement-souhaitable\/","url":"https:\/\/leregardlibre.com\/cinema\/films\/la-croisade-ou-leffondrement-souhaitable\/","name":"\u00abThe Crusade\u00bb or the desirable collapse","isPartOf":{"@id":"https:\/\/leregardlibre.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/la-croisade-ou-leffondrement-souhaitable\/#primaryimage"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/la-croisade-ou-leffondrement-souhaitable\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/La-Croisade_0-\u00a9-Shanna-Besson-_-Why-Not-Productions.jpg","datePublished":"2022-01-05T19:55:32+00:00","dateModified":"2025-12-04T21:23:48+00:00","description":"\u00abIs \u00bbLa Croisade\", a film directed by Louis Garrel and co-written with Jean-Claude Carri\u00e8re, as sustainable as ecology? We're not sure. Review.","breadcrumb":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/la-croisade-ou-leffondrement-souhaitable\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/leregardlibre.com\/cinema\/films\/la-croisade-ou-leffondrement-souhaitable\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leregardlibre.com\/cinema\/films\/la-croisade-ou-leffondrement-souhaitable\/#primaryimage","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/La-Croisade_0-\u00a9-Shanna-Besson-_-Why-Not-Productions.jpg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/La-Croisade_0-\u00a9-Shanna-Besson-_-Why-Not-Productions.jpg","width":1660,"height":1080},{"@type":"BreadcrumbList","@id":"https:\/\/leregardlibre.com\/cinema\/films\/la-croisade-ou-leffondrement-souhaitable\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/leregardlibre.com\/"},{"@type":"ListItem","position":2,"name":"\u00abLa Croisade\u00bb ou l\u2019effondrement souhaitable"}]},{"@type":"WebSite","@id":"https:\/\/leregardlibre.com\/#website","url":"https:\/\/leregardlibre.com\/","name":"Le Regard Libre","description":"Switzerland's first monthly debate magazine","publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/leregardlibre.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/leregardlibre.com\/#organization","name":"Le Regard Libre","url":"https:\/\/leregardlibre.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","width":557,"height":556,"caption":"Le Regard Libre"},"image":{"@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/leregardlibre\/","https:\/\/x.com\/LeRegardLibre","https:\/\/www.linkedin.com\/company\/le-regard-libre","https:\/\/www.instagram.com\/leregardlibre\/","http:\/\/t.me\/leregardlibre","https:\/\/youtube.com\/channel\/UC6HzGPomj1LsUmlz-sJtITQ"],"description":"Le Regard Libre is a Swiss monthly magazine for intellectual and cultural debate. Its editorial team is young, voluntary, liberal and pluralist. The magazine appears online and in print. Its language is French.","email":"redaction@leregardlibre.com","legalName":"Le Regard Libre","foundingDate":"2014-01-01","numberOfEmployees":{"@type":"QuantitativeValue","minValue":"11","maxValue":"50"},"publishingPrinciples":"https:\/\/leregardlibre.com\/a-propos\/notre-manifeste\/","ownershipFundingInfo":"https:\/\/leregardlibre.com\/mentions-legales\/","actionableFeedbackPolicy":"https:\/\/leregardlibre.com\/conditions-generales-de-vente\/"},{"@type":"Person","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/6c0c7582e90df2085036f861833988c8","name":"Alice Bruxelle","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/3184d2aa9b9c7034411aa79c53137d9460ee927772d399e8099a33b507894672?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/3184d2aa9b9c7034411aa79c53137d9460ee927772d399e8099a33b507894672?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/3184d2aa9b9c7034411aa79c53137d9460ee927772d399e8099a33b507894672?s=96&d=identicon&r=g","caption":"Alice Bruxelle"},"sameAs":["https:\/\/leregardlibre.com\/"],"url":"https:\/\/leregardlibre.com\/en\/author\/alice-bruxelle\/"}]}},"_links":{"self":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/44717","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/users\/332"}],"replies":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/comments?post=44717"}],"version-history":[{"count":1,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/44717\/revisions"}],"predecessor-version":[{"id":511290,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/44717\/revisions\/511290"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/media\/44722"}],"wp:attachment":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/media?parent=44717"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/categories?post=44717"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/tags?post=44717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}