{"id":45277,"date":"2022-01-26T12:20:48","date_gmt":"2022-01-26T11:20:48","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=45277"},"modified":"2025-12-04T22:23:45","modified_gmt":"2025-12-04T21:23:45","slug":"les-nouvelles-eves-a-docu-without-breaking-eggs","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/les-nouvelles-eves-a-docu-without-breaking-eggs\/","title":{"rendered":"\u00abLes Nouvelles Eves\u00bb: a docu without breaking (m)eggs"},"content":{"rendered":"<p><em><a href=\"https:\/\/leregardlibre.com\/en\/tag\/les-mercredis-du-cinema\/\">Cinema Wednesdays<\/a>&nbsp;-<\/em>&nbsp;<em><a href=\"https:\/\/leregardlibre.com\/en\/tag\/fanny-agostino\/\">Fanny Agostino<\/a><\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>What is everyday life like for women in Switzerland one year after the <a href=\"https:\/\/www.ekf.admin.ch\/ekf\/fr\/home\/themen\/femmes-et-egalite-en-general\/frauenstreik2019.html\">June 2019 feminist strike<\/a>? What challenges must they overcome fifty years after the advent of the right to vote? Judith Lichtnecker and Liliane Ott put this question to a group of six Swiss women directors. The result is crude for a presumptuous ambition. <em>Les Nouvelles Eves<\/em>A documentary that drowns its purpose in a mishmash of generalities.<\/strong><\/p>\n\n\n\n<!--more Lire la critique (en libre acc\u00e8s)-->\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"LES NOUVELLES EVES | Budin, Gisler, Hasler, Odermatt, Pillonel &amp; Thommen | 2021 | Official Trailer\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/AP8uZMoR5ic?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>There are six of them living in Switzerland: Cosima, Sophie, Sela, Delphine, Naima and Valeria. They don't know each other and live in different language regions. One is a child, the other a young retiree. One is a professor at the University of Lausanne, the other is desperate to integrate permanently in Helvetia by improving her living conditions. What do they have in common? They're all women... Is that really enough?<\/p>\n\n\n\n<p>One wonders what possessed the filmmakers to take on this surprising project. Was it ambition? A tendency towards megalomania? Unfortunately, our bad feeling will only be confirmed.<\/p>\n\n\n\n\n\n<h3 class=\"wp-block-heading\" id=\"six-vies-six-realisatrices\"><strong>Six lives, six directors<\/strong><\/h3>\n\n\n\n<p>The first step would be to dispel a belief, a myth that seems to persist in the collective imagination. A documentary does not lie in the convoluted proposition of \u00abfilming a slice of life\u00bb. It's not enough to set up a camera in front of an individual, give him a few instructions to position himself correctly before launching into a monologue to \u00abmake a documentary\u00bb. And yet it was in the face of this observation that <em>Les Nouvelles Eves<\/em> leave us. The film is devoid of any point of view, any artistic touch. This absence renders the subject matter banal to the point of being as exciting as an evening of depression. When, in the twilight of boredom, we make a pact with the devil without admitting it to ourselves. When we passively let ourselves be lulled by a season of \u00abBye bye la Suisse\u00bb on RTS in a moment of laziness.<\/p>\n\n\n\n<p><strong>Read also | <a href=\"https:\/\/leregardlibre.com\/en\/cinema\/la-panthere-des-neiges-en-film-offre-un-visage-a-la-contemplation\/\"><em>The Snow Panther<\/em> in film offers a face to contemplation<\/a><\/strong><\/p>\n\n\n\n<p>This lack of a real angle seems to us to be attributable to another dubious choice, that of letting six people co-direct the documentary. Indeed, each woman's journey is entrusted to a different director, and this is noticeable. The proposal lacks coherence, with no common thread allowing the documentary to stand out and form a homogeneous whole.<\/p>\n\n\n\n\n\n<h3 class=\"wp-block-heading\" id=\"un-documentaire-a-theses-qui-tombe-a-l-eau\"><strong>A thesis documentary that falls flat on its face<\/strong><\/h3>\n\n\n\n<p>During my studies in film history, one of the first cinematic experiences I was given to study came from Russian cinema. It was an observation made by a Soviet director. The Koulechov effect - or the K effect for those in the know - refers to the viewer's ability to create meaning between two shots through editing. In a nutshell, the first shot shows an actor staring at the lens with a neutral expression. The second shot is followed by one of the three following shots: one of a woman lying on a couch, one of a plate of soup and one of a child in a coffin. Viewers who saw one of these three sequences interpreted the actor's emotions differently: desire, hunger or sadness. Lev Koulechov could then marvel at the power of the cinematographic medium, which he felt lay in the persuasive force of editing.<\/p>\n\n\n\n<p>Strangely enough, I was reminded of the K effect during one of the last sequences of the documentary. As each frame gradually comes to an end, the film presents <em>rushes<\/em> filmed on June 14, 2019, during the feminist strike. This shot legitimizes the documentary's promotional discourse, around \u00abeveryday heroines\u00bb in a feminist perspective where they are seen as \u00abcarried by the feminist strike\u00bb. Yet the protagonists are never questioned on this subject. Only the camera's strong suggestions - for example, when Cosima and her comrades play Indians and cowboys - refer to the conditions of each of these women.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\"><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta=\"1\" data-inf-error=\"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\"> <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>At the end of a long, monotonous and tasteless journey, <em>Les Nouvelles Eves<\/em> bring nothing new to the table. Yet the lives of these different women are far from uninteresting. They reveal real societal issues such as retirement, integration and loneliness. Was it absolutely necessary to create what appear to be superficial links with the condition of women? One thing seems clear: documentary is not a form that serves the zeitgeist, it's a barometer of it.<\/p>\n\n\n\n<p><em>Write to the author:\u00a0<a href=\"mailto:fanny.agostino@leregardlibre.com\">fanny.agostino@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p>Photo credits: \u00a9 Emilia Productions<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1230\" height=\"1750\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_Les-Nouvelles-Eves.png\" alt=\"\" class=\"wp-image-45285\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_Les-Nouvelles-Eves.png 1230w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_Les-Nouvelles-Eves-1170x1665.png 1170w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_Les-Nouvelles-Eves-585x832.png 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_Les-Nouvelles-Eves-300x427.png 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_Les-Nouvelles-Eves-600x854.png 600w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_Les-Nouvelles-Eves-105x150.png 105w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_Les-Nouvelles-Eves-211x300.png 211w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_Les-Nouvelles-Eves-768x1093.png 768w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_Les-Nouvelles-Eves-720x1024.png 720w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Affiche_Les-Nouvelles-Eves-1080x1536.png 1080w\" sizes=\"(max-width: 1230px) 100vw, 1230px\" \/><\/figure>","protected":false},"excerpt":{"rendered":"<p>Les mercredis du cin\u00e9ma&nbsp;\u2013&nbsp;Fanny Agostino A quoi ressemble le quotidien des femmes en Suisse une ann\u00e9e apr\u00e8s la gr\u00e8ve f\u00e9ministe&#8230;<\/p>","protected":false},"author":97,"featured_media":45288,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644341146,21948,67793],"class_list":["post-45277","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-critiques-cinema","tag-documentaires","tag-feminisme"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abLes Nouvelles Eves\u00bb: un docu sans casser des (m)\u0153ufs<\/title>\n<meta name=\"description\" content=\"\u00abLes Nouvelles Eves\u00bb: un documentaire qui, sous de bons sentiments f\u00e9ministes, noie son propos dans un fatras de g\u00e9n\u00e9ralit\u00e9s. Critique\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/les-nouvelles-eves-a-docu-without-breaking-eggs\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abLes Nouvelles Eves\u00bb: un docu sans casser des (m)\u0153ufs\" \/>\n<meta property=\"og:description\" content=\"\u00abLes Nouvelles Eves\u00bb: un documentaire qui, sous de bons sentiments f\u00e9ministes, noie son propos dans un fatras de g\u00e9n\u00e9ralit\u00e9s. Critique\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/les-nouvelles-eves-a-docu-without-breaking-eggs\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-01-26T11:20:48+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-04T21:23:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Les-Nouvelles-Eves_0-\u00a9-Emilia-Productions-1811196545-1643195345110.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1376\" \/>\n\t<meta property=\"og:image:height\" content=\"774\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Fanny Agostino\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:site\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Fanny Agostino\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\\\/\"},\"author\":{\"name\":\"Fanny Agostino\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/person\\\/265ee491807e412149da45979d6eddb7\"},\"headline\":\"\u00abLes Nouvelles Eves\u00bb: un docu sans casser des (m)\u0153ufs\",\"datePublished\":\"2022-01-26T11:20:48+00:00\",\"dateModified\":\"2025-12-04T21:23:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\\\/\"},\"wordCount\":920,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2022\\\/01\\\/Les-Nouvelles-Eves_0-\u00a9-Emilia-Productions-1811196545-1643195345110.png\",\"keywords\":[\"Critique cin\u00e9ma\",\"Documentaire\",\"F\u00e9minisme\"],\"articleSection\":[\"Films\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\\\/\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\\\/\",\"name\":\"\u00abLes Nouvelles Eves\u00bb: un docu sans casser des (m)\u0153ufs\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2022\\\/01\\\/Les-Nouvelles-Eves_0-\u00a9-Emilia-Productions-1811196545-1643195345110.png\",\"datePublished\":\"2022-01-26T11:20:48+00:00\",\"dateModified\":\"2025-12-04T21:23:45+00:00\",\"description\":\"\u00abLes Nouvelles Eves\u00bb: un documentaire qui, sous de bons sentiments f\u00e9ministes, noie son propos dans un fatras de g\u00e9n\u00e9ralit\u00e9s. Critique\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\\\/#primaryimage\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2022\\\/01\\\/Les-Nouvelles-Eves_0-\u00a9-Emilia-Productions-1811196545-1643195345110.png\",\"contentUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2022\\\/01\\\/Les-Nouvelles-Eves_0-\u00a9-Emilia-Productions-1811196545-1643195345110.png\",\"width\":1376,\"height\":774,\"caption\":\"Les Nouvelles Eves_0 \u00a9 Emilia Productions\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/leregardlibre.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u00abLes Nouvelles Eves\u00bb: un docu sans casser des (m)\u0153ufs\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#website\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/\",\"name\":\"Le Regard Libre\",\"description\":\"Premier mensuel suisse de d\u00e9bat\",\"publisher\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/leregardlibre.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\",\"name\":\"Le Regard Libre\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/logo-rl-icone-neg.jpeg\",\"contentUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/logo-rl-icone-neg.jpeg\",\"width\":557,\"height\":556,\"caption\":\"Le Regard Libre\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/leregardlibre\\\/\",\"https:\\\/\\\/x.com\\\/LeRegardLibre\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/le-regard-libre\",\"https:\\\/\\\/www.instagram.com\\\/leregardlibre\\\/\",\"http:\\\/\\\/t.me\\\/leregardlibre\",\"https:\\\/\\\/youtube.com\\\/channel\\\/UC6HzGPomj1LsUmlz-sJtITQ\"],\"description\":\"Le Regard Libre est un mensuel suisse de d\u00e9bat intellectuel et culturel. Sa r\u00e9daction est jeune, b\u00e9n\u00e9vole, lib\u00e9rale et pluraliste. Le magazine para\u00eet en ligne et sous forme papier. Sa langue est le fran\u00e7ais.\",\"email\":\"redaction@leregardlibre.com\",\"legalName\":\"Le Regard Libre\",\"foundingDate\":\"2014-01-01\",\"numberOfEmployees\":{\"@type\":\"QuantitativeValue\",\"minValue\":\"11\",\"maxValue\":\"50\"},\"publishingPrinciples\":\"https:\\\/\\\/leregardlibre.com\\\/a-propos\\\/notre-manifeste\\\/\",\"ownershipFundingInfo\":\"https:\\\/\\\/leregardlibre.com\\\/mentions-legales\\\/\",\"actionableFeedbackPolicy\":\"https:\\\/\\\/leregardlibre.com\\\/conditions-generales-de-vente\\\/\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/person\\\/265ee491807e412149da45979d6eddb7\",\"name\":\"Fanny Agostino\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/90fe5cd43703154fc2838ee01536fccd2dabf0a8102db425fb3ebed37f2919d2?s=96&d=identicon&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/90fe5cd43703154fc2838ee01536fccd2dabf0a8102db425fb3ebed37f2919d2?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/90fe5cd43703154fc2838ee01536fccd2dabf0a8102db425fb3ebed37f2919d2?s=96&d=identicon&r=g\",\"caption\":\"Fanny Agostino\"},\"description\":\"Enseignante, Fanny Agostino \u00e9crit des critiques de film et des articles touchant \u00e0 l'histoire et \u00e0 la musique pour Le Regard Libre. Elle est aussi co-responsable la rubrique Cin\u00e9ma.\",\"sameAs\":[\"https:\\\/\\\/leregardlibre.com\\\/\",\"https:\\\/\\\/fr.wikipedia.org\\\/wiki\\\/Le_Regard_libre\"],\"url\":\"https:\\\/\\\/leregardlibre.com\\\/en\\\/author\\\/fanny-agostino\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"\u00abLes Nouvelles Eves\u00bb: a docu without breaking (m)eggs","description":"\u00abLes Nouvelles Eves\u00bb: a documentary that drowns out its feminist sentiments with a jumble of generalities. Review","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/leregardlibre.com\/en\/cinema\/films\/les-nouvelles-eves-a-docu-without-breaking-eggs\/","og_locale":"en_US","og_type":"article","og_title":"\u00abLes Nouvelles Eves\u00bb: un docu sans casser des (m)\u0153ufs","og_description":"\u00abLes Nouvelles Eves\u00bb: un documentaire qui, sous de bons sentiments f\u00e9ministes, noie son propos dans un fatras de g\u00e9n\u00e9ralit\u00e9s. Critique","og_url":"https:\/\/leregardlibre.com\/en\/cinema\/films\/les-nouvelles-eves-a-docu-without-breaking-eggs\/","og_site_name":"Le Regard Libre","article_publisher":"https:\/\/www.facebook.com\/leregardlibre\/","article_published_time":"2022-01-26T11:20:48+00:00","article_modified_time":"2025-12-04T21:23:45+00:00","og_image":[{"width":1376,"height":774,"url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Les-Nouvelles-Eves_0-\u00a9-Emilia-Productions-1811196545-1643195345110.png","type":"image\/png"}],"author":"Fanny Agostino","twitter_card":"summary_large_image","twitter_creator":"@LeRegardLibre","twitter_site":"@LeRegardLibre","twitter_misc":{"Written by":"Fanny Agostino","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/leregardlibre.com\/cinema\/films\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\/#article","isPartOf":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\/"},"author":{"name":"Fanny Agostino","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/265ee491807e412149da45979d6eddb7"},"headline":"\u00abLes Nouvelles Eves\u00bb: un docu sans casser des (m)\u0153ufs","datePublished":"2022-01-26T11:20:48+00:00","dateModified":"2025-12-04T21:23:45+00:00","mainEntityOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\/"},"wordCount":920,"commentCount":0,"publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Les-Nouvelles-Eves_0-\u00a9-Emilia-Productions-1811196545-1643195345110.png","keywords":["Critique cin\u00e9ma","Documentaire","F\u00e9minisme"],"articleSection":["Films"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/leregardlibre.com\/cinema\/films\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/leregardlibre.com\/cinema\/films\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\/","url":"https:\/\/leregardlibre.com\/cinema\/films\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\/","name":"\u00abLes Nouvelles Eves\u00bb: a docu without breaking (m)eggs","isPartOf":{"@id":"https:\/\/leregardlibre.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\/#primaryimage"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Les-Nouvelles-Eves_0-\u00a9-Emilia-Productions-1811196545-1643195345110.png","datePublished":"2022-01-26T11:20:48+00:00","dateModified":"2025-12-04T21:23:45+00:00","description":"\u00abLes Nouvelles Eves\u00bb: a documentary that drowns out its feminist sentiments with a jumble of generalities. Review","breadcrumb":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/leregardlibre.com\/cinema\/films\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leregardlibre.com\/cinema\/films\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\/#primaryimage","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Les-Nouvelles-Eves_0-\u00a9-Emilia-Productions-1811196545-1643195345110.png","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/01\/Les-Nouvelles-Eves_0-\u00a9-Emilia-Productions-1811196545-1643195345110.png","width":1376,"height":774,"caption":"Les Nouvelles Eves_0 \u00a9 Emilia Productions"},{"@type":"BreadcrumbList","@id":"https:\/\/leregardlibre.com\/cinema\/films\/les-nouvelles-eves-un-docu-sans-casser-des-moeufs\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/leregardlibre.com\/"},{"@type":"ListItem","position":2,"name":"\u00abLes Nouvelles Eves\u00bb: un docu sans casser des (m)\u0153ufs"}]},{"@type":"WebSite","@id":"https:\/\/leregardlibre.com\/#website","url":"https:\/\/leregardlibre.com\/","name":"Le Regard Libre","description":"Switzerland's first monthly debate magazine","publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/leregardlibre.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/leregardlibre.com\/#organization","name":"Le Regard Libre","url":"https:\/\/leregardlibre.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","width":557,"height":556,"caption":"Le Regard Libre"},"image":{"@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/leregardlibre\/","https:\/\/x.com\/LeRegardLibre","https:\/\/www.linkedin.com\/company\/le-regard-libre","https:\/\/www.instagram.com\/leregardlibre\/","http:\/\/t.me\/leregardlibre","https:\/\/youtube.com\/channel\/UC6HzGPomj1LsUmlz-sJtITQ"],"description":"Le Regard Libre is a Swiss monthly magazine for intellectual and cultural debate. Its editorial team is young, voluntary, liberal and pluralist. The magazine appears online and in print. Its language is French.","email":"redaction@leregardlibre.com","legalName":"Le Regard Libre","foundingDate":"2014-01-01","numberOfEmployees":{"@type":"QuantitativeValue","minValue":"11","maxValue":"50"},"publishingPrinciples":"https:\/\/leregardlibre.com\/a-propos\/notre-manifeste\/","ownershipFundingInfo":"https:\/\/leregardlibre.com\/mentions-legales\/","actionableFeedbackPolicy":"https:\/\/leregardlibre.com\/conditions-generales-de-vente\/"},{"@type":"Person","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/265ee491807e412149da45979d6eddb7","name":"Fanny Agostino","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/90fe5cd43703154fc2838ee01536fccd2dabf0a8102db425fb3ebed37f2919d2?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/90fe5cd43703154fc2838ee01536fccd2dabf0a8102db425fb3ebed37f2919d2?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/90fe5cd43703154fc2838ee01536fccd2dabf0a8102db425fb3ebed37f2919d2?s=96&d=identicon&r=g","caption":"Fanny Agostino"},"description":"A teacher, Fanny Agostino writes film reviews and articles on history and music for Le Regard Libre. She is also co-responsible for the cinema column.","sameAs":["https:\/\/leregardlibre.com\/","https:\/\/fr.wikipedia.org\/wiki\/Le_Regard_libre"],"url":"https:\/\/leregardlibre.com\/en\/author\/fanny-agostino\/"}]}},"_links":{"self":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/45277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/users\/97"}],"replies":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/comments?post=45277"}],"version-history":[{"count":1,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/45277\/revisions"}],"predecessor-version":[{"id":511315,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/45277\/revisions\/511315"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/media\/45288"}],"wp:attachment":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/media?parent=45277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/categories?post=45277"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/tags?post=45277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}