{"id":47338,"date":"2022-03-30T11:50:56","date_gmt":"2022-03-30T09:50:56","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=47338"},"modified":"2025-12-04T22:23:34","modified_gmt":"2025-12-04T21:23:34","slug":"ambulance-the-dadrenalin-shot-that-awakens-the-american-blockbuster","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/ambulance-the-dadrenalin-shot-that-awakens-the-american-blockbuster\/","title":{"rendered":"\u00abAmbulance\u00bb: the adrenalin shot that awakens the American blockbuster"},"content":{"rendered":"<p><em>Cinema Wednesdays -&nbsp;<a href=\"https:\/\/leregardlibre.com\/en\/tag\/jordi-gabioud\/\">Jordi Gabioud<\/a><\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>For several years now, critics have loved to hate Michael Bay's proposals, seeing them as mind-numbing films, with a hammy imagery and futile scenarios. <em>Ambulance<\/em> is no exception to the director's style. And yet, it's possible that this time, critics will let themselves be carried away by this intense two-hour-long madcap ride.<\/strong><\/p>\n\n\n\n<!--more Lire la critique (en libre acc\u00e8s)-->\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Ambulance - Official Trailer [HD]\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/7NU-STboFeI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>When a robbery goes wrong, two brothers (Jake Gyllenhaal and Yahya Abdul-Mateen II) have no choice but to flee the police in an ambulance. The film stops at this simple premise, but it's enough to justify its two-hour adrenaline-fueled chase.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>The turbulent rhythm of entertainment<\/strong><\/h3>\n\n\n\n<p>Michael Bay's reputation is well established: the director of action blockbusters such as <em><a href=\"https:\/\/www.imdb.com\/title\/tt0120591\/\">Armageddon<\/a><\/em>, <em><a href=\"https:\/\/www.imdb.com\/title\/tt0112442\/\">Bad Boys I<\/a><\/em> and <em><a href=\"https:\/\/www.imdb.com\/title\/tt0172156\/\">II<\/a><\/em> and the saga of the <em><a href=\"https:\/\/www.imdb.com\/title\/tt0418279\/\">Transformers<\/a><\/em> represents the industrial cinema of pure entertainment. Each new production is thus an opportunity for critics to expose their visceral rejection of these films, in order to better defend the values of auteur cinema and independent production. However, with <em>Ambulance<\/em>, this time, the filmmaker sets aside crude humor and sexualization to focus exclusively on action. In the direct heritage of <em>Mad Max: Fury Road<\/em>, It's two hours of non-stop chases, with no fat and no downtime.&nbsp;<\/p>\n\n\n\n\n\n<p><em>Ambulance<\/em> linearity on the model of <em>Speed<\/em>Each problem solved gives way to a new challenge to overcome, and so on. The tension is constantly present, and manages to build the characters\u2019 personalities and relationships right into the action. This is perhaps\u2019<em>Ambulance<\/em>, In this case, it surpasses most action blockbusters, which carefully separate entertaining moments from more sedate, developmental ones. The film fully embraces its commitment to the extreme, offering effective, well-thought-out entertainment.<\/p>\n\n\n\n<p>The film leaves no room for symbolism, downtime or contemplation, and is not encumbered by subtlety. On the contrary, it proudly displays the genre's most well-worn tricks, with a hero forced to turn to crime to cure his wife's cancer, bathed in intense twilight and heavy violin notes - always in minor key, of course. The film has everything it takes to once again provoke the repulsion of critics, a regular occurrence in Michael Bay's filmography. But this time, it may be different.<\/p>\n\n\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Criticism versus spectacle<\/strong><\/h3>\n\n\n\n<p>Critics have always taken advantage of Michael Bay's cinema to contrast it with his auteurist values. They like to turn images into words; it's always interesting to see these images as symbols intended for certain initiates, waiting to be decoded in order to instruct the layman. If this code requires a broader knowledge of the author's filmography, all the better! Michael Bay's cinema has no symbols. It doesn't require knowledge. But that doesn't mean it's empty: it focuses on spectacle. <em>Ambulance<\/em> expresses this quest for efficiency. The camera is always in motion and refuses to let us look away. The movements, the cutting, the action - it's all very fast. Even when the ambulance is only supposed to be going 30 km\/h, we get the impression that it's going over 100.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img fetchpriority=\"high\" decoding=\"async\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/03\/Ambulance_1-\u00a9-Universal-Studios.-All-Rights-Reserved.-scaled.jpg\" alt=\"\" class=\"wp-image-47347\" width=\"800\" height=\"450\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/03\/Ambulance_1-\u00a9-Universal-Studios.-All-Rights-Reserved.-scaled.jpg 2560w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/03\/Ambulance_1-\u00a9-Universal-Studios.-All-Rights-Reserved.-scaled-1920x1080.jpg 1920w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/03\/Ambulance_1-\u00a9-Universal-Studios.-All-Rights-Reserved.-scaled-1170x658.jpg 1170w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/03\/Ambulance_1-\u00a9-Universal-Studios.-All-Rights-Reserved.-scaled-585x329.jpg 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/03\/Ambulance_1-\u00a9-Universal-Studios.-All-Rights-Reserved.-scaled-300x169.jpg 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/03\/Ambulance_1-\u00a9-Universal-Studios.-All-Rights-Reserved.-scaled-600x338.jpg 600w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/03\/Ambulance_1-\u00a9-Universal-Studios.-All-Rights-Reserved.-150x84.jpg 150w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/03\/Ambulance_1-\u00a9-Universal-Studios.-All-Rights-Reserved.-768x432.jpg 768w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/03\/Ambulance_1-\u00a9-Universal-Studios.-All-Rights-Reserved.-1024x576.jpg 1024w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/03\/Ambulance_1-\u00a9-Universal-Studios.-All-Rights-Reserved.-1536x864.jpg 1536w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/03\/Ambulance_1-\u00a9-Universal-Studios.-All-Rights-Reserved.-2048x1152.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption><strong>Jake Gyllenhaal and Yahya Abdul-Mateen II in <em>Ambulance<\/em> by Michael Bay<\/strong> Universal Studios. All Rights Reserved<\/figcaption><\/figure>\n\n\n\n<p>This makes it harder for critics to put images into words when they want to stand on their own. But it would be simplistic to sum up this disenchantment in terms of a few unappreciated tropes and a lack of substance. Michael Bay's cinema is also the prototype of the American consumer product imposing its culture on the rest of the world. Critics are duty-bound to denounce this hegemony, which they see as a threat to independent cinema. However, in 2022, this sociology - a little stereotypical, admittedly - may have evolved.<\/p>\n\n\n\n\n\n<p>Indeed, as the first reviews of <em>Ambulance<\/em> are arriving, we see a trend towards nuance that began timidly with <em>No Pain No Gain<\/em> (2013) continued with \u00abI don't like Michael Bay's cinema, but...\u00bb. Then we see that, with his years of experience, the man has mastered his aesthetic better and better, while continuing to seek innovation.<\/p>\n\n\n\n<p>With <em>Ambulance<\/em>, The film's highly-calculated drone shots - already legion on the Internet, but rarely seen in cinema - will be hailed for their pace and for the new capabilities that technology offers the seventh art. More than that, it's surely the low use of digital effects that will be credited to the film's director's quest for more organic action. Michael Bay reminds us that the spectacular in cinema comes not from its ability to imitate the real on a green screen to divert it, but from pushing it beyond its limits without intermediaries.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Opposition to another kind of blockbuster&nbsp;<\/strong><\/h3>\n\n\n\n<p>This choice will be hailed by critics, because on this point, Michael Bay's cinema is opposed to a cinema that is even worse in his eyes: the serial blockbuster of Marvel and DC, which has phagocytized cinemas for over a decade. This hegemonic American cinema, produced by filmmakers often devoid of personality and who no longer even bother with reality, assumes itself to be an entirely artificial and cynical product that no film journalist can forgive. To the artificial symbol, the critic still prefers the absence of symbol when it is at least at the service of what makes cinema spectacular: effective technical knowledge.&nbsp;<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\"><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta=\"1\" data-inf-error=\"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\"> <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p><em>Ambulance<\/em> certainly benefits from this opposition. Yet it is not without its flaws, even in its technique. The shots, which remain systematically in motion, often give the impression of assembled scraps. The few quieter moments borrow from the same grammar of movement at all costs, making them original, but also artificial. The drone shots always cut off too soon. Etc. etc.... The difficult production conditions (Covid period obliged) are felt on screen, offering effective, inventive action that is sometimes a little too confused. But it's perhaps these imperfections that remind us that this is an action blockbuster with its own personality.<\/p>\n\n\n\n<p><em>Write to the author:&nbsp;<a href=\"mailto:jordi.gabioud@leregardlibre.com\" target=\"_blank\" rel=\"noreferrer noopener\">jordi.gabioud@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"964\" height=\"1350\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/03\/Affiche_Ambulance_V1.1_FR.jpg\" alt=\"\" class=\"wp-image-47346\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/03\/Affiche_Ambulance_V1.1_FR.jpg 964w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/03\/Affiche_Ambulance_V1.1_FR-585x819.jpg 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/03\/Affiche_Ambulance_V1.1_FR-300x420.jpg 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/03\/Affiche_Ambulance_V1.1_FR-600x840.jpg 600w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/03\/Affiche_Ambulance_V1.1_FR-107x150.jpg 107w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/03\/Affiche_Ambulance_V1.1_FR-214x300.jpg 214w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/03\/Affiche_Ambulance_V1.1_FR-768x1076.jpg 768w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/03\/Affiche_Ambulance_V1.1_FR-731x1024.jpg 731w\" sizes=\"(max-width: 964px) 100vw, 964px\" \/><\/figure>\n\n\n\n<p>Photo credits: \u00a9 Universal Studios. All Rights Reserved<\/p>","protected":false},"excerpt":{"rendered":"<p>Les mercredis du cin\u00e9ma \u2013&nbsp;Jordi Gabioud Voil\u00e0 plusieurs ann\u00e9es que la critique adore d\u00e9tester les propositions de Michael Bay, y&#8230;<\/p>","protected":false},"author":330,"featured_media":47345,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644357423,77563,644357422],"class_list":["post-47338","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-ambulance","tag-blockbuster","tag-michael-bay"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abAmbulance\u00bb: le shoot d\u2019adr\u00e9naline qui r\u00e9veille le blockbuster am\u00e9ricain<\/title>\n<meta name=\"description\" content=\"\u00abAmbulance\u00bb ne d\u00e9roge pas au style de Michael Bay. 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