Beachcomber Samuel (Omar Sy) lives the good life, between drinking parties and boating. One day, a \u00abone-night stand\u00bb brings him a baby, curiously just over ten months old. Samuel learns that he is the father. To add insult to injury, he sees the woman disappear into a cab, leaving Samuel with his belongings and... his child. He then flies to London with the baby, eventually bringing him up in the city alongside a producer friend who is remarkably well acted. The film will tell you what happens next.<\/p>\n\n\n\n\n\n\n\n
Of course, the story is honeyed. Of course, the viewer is not invited to think deeply. Of course, the staging is \u00abcommercial\u00bb, as they say. But I find it increasingly difficult to agree with the media, which define as bad any work deemed popular or effective. What's inherently bad about making a film that will appeal to a wide audience? Isn't that rather the mark of a certain talent?<\/p>\n\n\n\n