{"id":48151,"date":"2022-04-27T11:51:39","date_gmt":"2022-04-27T09:51:39","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=48151"},"modified":"2025-12-04T22:23:31","modified_gmt":"2025-12-04T21:23:31","slug":"vortex-la-vieillesse-en-face","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/vortex-la-vieillesse-en-face\/","title":{"rendered":"\u00abVortex\u00bb: the face of old age"},"content":{"rendered":"<p><em>Cinema Wednesdays - <a href=\"https:\/\/leregardlibre.com\/en\/tag\/fanny-agostino\/\">Fanny Agostino<\/a><\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>Previewed at last year's Cannes Film Festival, Gaspar No\u00e9's latest film stands in stark contrast to his previous works. Physical and verbal violence disappear. The setting is realistic, and the slow pace leads to death. In split-screen, the cameras move into the daily life of a retired couple suffering from mental degeneration... and sentimental degeneration. Having suffered a stroke in 2019, would the sultry director like to redeem himself? Find out below.<\/strong><\/p>\n\n\n\n<!--more Lire la critique (en libre acc\u00e8s)-->\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"VORTEX Trailer (2022) Alex Lutz, Gaspar No\u00e9\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/KMncVrMO638?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>\u00abShe\u00bb (Fran\u00e7oise Lebrun) and \u00abhe\u00bb (Dario Argento) have all the prerequisites to enjoy their retirement. On the flower-filled balcony of their sumptuous Paris apartment, this former psychiatrist and this film critic are seated. The horizon seems clear: \u00abLife is a dream\u00bb, says the wife, before her husband corrects her: \u00aba dream within a dream\u00bb. It is indeed in an alternative reality that the protagonists will sink. In this respect, similar to <em><a href=\"https:\/\/www.imdb.com\/title\/tt1191111\/\">Enter the Void<\/a><\/em> (2009), No\u00e9 takes viewers into a parallel world. Only this time, it's right in front of us. Time passes and the pathologies worsen. On the outside, St\u00e9phane (Alex Lutz), the cocaine-addicted son, tries to find the best solution for his parents. But is it really possible to do anything about the decline of existence?<\/p>\n\n\n\n\n\n<h3 class=\"wp-block-heading\"><strong>A new Gaspar No\u00e9<\/strong><\/h3>\n\n\n\n<p>Violence and shock have long been the filmmaker's hallmarks. The screening of\u2019<em>Irreversible<\/em> (2002) at the Cannes Film Festival. Monica Belluci took on the role of a rape victim, filmed in sequence. The film caused an uproar on the Croisette. Part of the audience left the screening room. No\u00e9's reputation was made. The rest of his filmography has always flirted with perversion and sex (<em><a href=\"https:\/\/www.imdb.com\/title\/tt8359848\/\">Climax<\/a><\/em>, 2018) or blasphemy (<em><a href=\"https:\/\/www.imdb.com\/title\/tt10272534\/\">Lux \u00c6terna<\/a><\/em>, 2019). For a long time, the many controversies that followed and the mistrust that ensued concealed the cinematic experience offered by the director.<\/p>\n\n\n\n<p><strong>Read also | <a href=\"https:\/\/leregardlibre.com\/en\/cinema\/climax-the-maximum-climate\/\"><em>Climax<\/em>, maximum climate<\/a><\/strong><\/p>\n\n\n\n<p>With this information in hand, we're always a little apprehensive when it comes to discovering his new creations. <em>Vortex<\/em> has the double merit of not betraying Gaspar No\u00e9's style: the two-hour-long plunge into illness is a real ordeal. Shots are rarely cut, and we have plenty of time to perceive this slow descent into death. What's more, the violence of the images is less immediate, but still very present, diffused in the decadence of the two individuals.<\/p>\n\n\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Locked in<\/strong><\/h3>\n\n\n\n<p>After all, we're talking about individuals, not couples. Firstly, because Gaspar No\u00e9 has chosen to isolate his characters in a split screen. The screen is cut in an over-frame that encloses this woman and this man in two very different realities, reminiscent of the photographs affixed to tombstones. According to the director, this choice became obvious as the shooting progressed. As the characters move around the apartment, each camera can follow the evolution of the two actors in space. When they are together, a hand crosses the frame, but the two characters are rarely in the same shot.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/04\/Vortex_1-\u00a9-Wild-Bunch-Distribution-1.jpg\"><img decoding=\"async\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/04\/Vortex_1-\u00a9-Wild-Bunch-Distribution-1.jpg\" alt=\"vortex\" class=\"wp-image-48175\"\/><\/a><figcaption><em>Vortex<\/em> (Gaspar No\u00e9, 2022) \u00a9 Wild Bunch Distribution<\/figcaption><\/figure>\n\n\n\n<p>Fran\u00e7oise Lebrun and Dario Argento engage in improvised dialogue. For his first leading film role, the Italian screenwriter and director abandons his wife to write a book with Freudian overtones. As for Fran\u00e7oise Lebrun, whose performance in <em>Mother and Whore<\/em> (1973) left a deep impression on Gaspar No\u00e9, she brilliantly interprets the gradual loss of her autonomy. Speech trembles, gestures are abbreviated. The feeling is one of suffocation, languid but certain.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\" \/><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta = \"1\" data-inf-error = \"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\" > <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>A special mention must go to Alex Lutz's performance as the fallen son who tries in vain to fix what's left of his parents' image, and who seems to us the closest thing we have to an individual. With this approach to our own condition, Gaspar No\u00e9 enters a new era.<\/p>\n\n\n\n<p><em>Write to the author:\u00a0<a href=\"mailto:fanny.agostino@leregardlibre.com\">fanny.agostino@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/04\/Affiche_Vortex_V1-1.jpg\"><img decoding=\"async\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/04\/Affiche_Vortex_V1-1.jpg\" alt=\"\" class=\"wp-image-48173\"\/><\/a><\/figure>","protected":false},"excerpt":{"rendered":"<p>Les mercredis du cin\u00e9ma \u2013 Fanny Agostino Pr\u00e9sent\u00e9 en avant-premi\u00e8re durant le Festival de Cannes l\u2019ann\u00e9e derni\u00e8re, le dernier film&#8230;<\/p>","protected":false},"author":97,"featured_media":48172,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644357585,61026,644339294,388920],"class_list":["post-48151","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-alex-lutz","tag-cinema-francais","tag-gaspar-noe","tag-vortex"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abVortex\u00bb: la vieillesse en face<\/title>\n<meta name=\"description\" content=\"Avec un sc\u00e9nario proche de nous, \u00abVortex\u00bb (Alex Lutz, Fran\u00e7oise Lebrun, Dario Argento) de Gaspar No\u00e9, tranche avec ses pr\u00e9c\u00e9dents films.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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