{"id":48605,"date":"2022-05-18T12:36:28","date_gmt":"2022-05-18T10:36:28","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=48605"},"modified":"2025-12-04T22:23:29","modified_gmt":"2025-12-04T21:23:29","slug":"this-much-i-know-to-be-true-taming-suffering","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/this-much-i-know-to-be-true-taming-suffering\/","title":{"rendered":"\u00abThis much I know to be True\u00bb: taming suffering"},"content":{"rendered":"<p><em>Cinema Wednesdays -&nbsp;<a href=\"https:\/\/leregardlibre.com\/en\/tag\/fanny-agostino\/\">Fanny Agostino<\/a><\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>A real appetizer before Nick Cave's appearance at the Montreux Jazz Festival on July 2, <em>This much I know to be True<\/em>marks the third collaboration between the Bad Seeds frontman and director Andrew Dominik. This documentary oscillates between stage performances and anecdotes from Nick Cave. While it doesn't reveal anything surprising, the video recordings of tracks from the albums <em>Ghosteen<\/em> and <em>Carnage<\/em> are real jewels.<\/strong><\/p>\n\n\n\n<!--more Lire la critique (en libre acc\u00e8s)-->\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"THIS MUCH I KNOW TO BE TRUE (Official Trailer)\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/o-f8HDIs6uM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>As he embarks on a series of musical projects and tours, one might well wonder where Nick Cave gets his energy from. In 2020, he published a <a href=\"https:\/\/leregardlibre.com\/en\/music\/idiot-prayer%e2%80%89-nick-cave-alone-at-alexandra-palace-la-grace-comme-horizon\/\">solo performance recorded at London's Alexandra Palace<\/a>. He performed various songs from <em>Ghosteen<\/em>, his latest album with the Bad Seeds and classics from his repertoire such as <em>The Mercy Seat<\/em>, <em>Jubilee Street<\/em> or even <em>Stranger than Kindness<\/em>.<\/p>\n\n\n\n\n\n<p>But this time, it's his long-time friend Andrew Dominik - for whom he composed the music for the film <em>The assassination of Jesse James by the coward Robert Ford<\/em> in 2007 - is at the helm. The director had already lent himself to the exercise with <em>One More Time with Feeling<\/em> in 2016. The latter came at a tragic time in Nick Cave's life. He was following the production of <em>Skeleton Tree<\/em>, Bad Seeds' sixteenth album. A dark album, since he had been deeply shaken by the death of Arthur, his youngest son. Andrew Dominik's camera entered the intimate sphere of the Cave family's grief. A poignant testimony, but also uncomfortable for the spectator in the voyeuristic position of a father overwhelmed by the weight of grief.<\/p>\n\n\n\n<p>For this second documentary devoted to his friend, Dominik Andrew is freed from these burdensome circumstances, as is his muse.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Living with ghosts&nbsp;<\/strong><\/h3>\n\n\n\n<p>In a cramped studio, the director and his friend chat. Dressed in a white smock, Nick Cave presents Andrew with statues of the devil. Evoking the Victorian era with a certain <em>kitsch<\/em>, Each relic symbolizes a stage in the life of the underworld figure. The last piece of this Way of the Cross is called \u00abThe Devil's Forgiveness\u00bb, explains Cave. The creature lies on the ground. A little boy crouches beside him, holding out his hand. His palm open, in forgiveness. The first loops of <em>Spinning Song<\/em>, album opener <em>Ghosteen<\/em>, are superimposed on the image. Then the shot shifts to a warehouse with decrepit vaults. We change our minds. Steel pipes can be made out, the remains of an organ. This image has often been used. Nick Cave's concerts resemble masses.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\"><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta=\"1\" data-inf-error=\"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\"> <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>Like a constellation, the camera pivots around Nick Cave and his musicians. Some shots dedicated to the crooner's haunting voice are fixed. But there's nothing spectacular about it. The shots are drawn out, adapting to the rhythm of the tracks on this mystical album, surprisingly devoid of percussion and fiery riffs. As for the image, it varies between widescreen and the more restricted 4:3 format typical of cathode-ray TVs. It's worth noting that the close-up shots of the artist with a 40-year career mainly benefit from this image treatment. In this bubble, Cave seeks absolution. No, he's not the horned creature that fascinates him. Freed from his demons, the Australian has a posture we've never seen before. That of a man who has tamed his suffering and gaping wounds. The lyrics to \u00abHollywood\u00bb bear witness to this:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u00abAnd I'm just waiting now, for my time to come<br>And I'm just waiting now, for my time to come<br>And we hide in our wounds and I'm nearly all the way to Malibu<br>And I know my time will come one day soon<br>I'm waiting for peace to come\u00bb.\u00bb<\/p><\/blockquote>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>The Ellis method<\/strong><\/h3>\n\n\n\n<p>One of the criticisms that could be levelled at the performer known to the general public thanks to his duo <em>Where the Wild Roses Grow<\/em> with Kylie Minogue lies in the constant staging of her character. Part vampire, part poet, the documentary-fiction <em><a href=\"https:\/\/www.imdb.com\/title\/tt2920540\/\">20,000 Days on Earth<\/a><\/em> (2014) exploited this vein by interchanging truths with lies about the man's journey. In <em>This much I know to be True<\/em>, Nick Cave is also off-center. On screen, Marianne Faithfull, who lends her voice to the track <em>Galleon Ship. <\/em>The two artists have collaborated on <em>Negative Capability<\/em>, the British singer's final album. Having narrowly escaped death following Covid, the British diva loses none of her humor. Her furtive appearance in the documentary features her in conversation with musician and composer Warren Ellis.<\/p>\n\n\n\n\n\n<p>Parachuted into the Bad Seeds at the turn of the 2000s, Warren Ellis's compositions gradually imposed themselves on the band's artistic choices. In the documentary, Nick Cave acknowledges the influence of this seafaring musician. From the album <em>Push the Sky Away<\/em> (2013), his grip on the compositions is obvious. His touch softens the saturation of the guitars. It disappears completely on <em>Skeleton Tree. <\/em>From now on, distorted sound loops take precedence. As skilled on the violin as he is on the bouzouki, this magician takes Nick Cave into uncharted territory.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">An ongoing collaboration<\/h3>\n\n\n\n<p>The collaboration was so fruitful that the two acolytes composed a plethora of soundtracks. The latest being <a href=\"https:\/\/leregardlibre.com\/en\/cinema\/la-panthere-des-neiges-en-film-offre-un-visage-a-la-contemplation\/\">that of <em>The snow leopard<\/em><\/a> (2021). In the final part of his documentary, Andrew Dominik also captures performances from the album <em>Carnage <\/em>(2021), a project by the two Bad Seeds gurus. The titles <em>Hand of God<\/em> as well as <em>White Elephant<\/em> give two sublime moments of euphoria, marked by a dazzling play of light. Released in 2021, two years after <em>Ghosteen<\/em>, The new album shows that the creative power of the two partners is not about to be extinguished.<\/p>\n\n\n\n<p><em>This much I know to be True<\/em> will delight fans of Nick Cave and the Bad Seeds. It's also a gateway for the uninitiated. The former Birthday Party punk is on an insatiable quest for redemption, while the teenage ghost he describes in <em>Ghosteen<\/em> inhabits him. In one take of the documentary, Cave sits in front of his computer. In front of the camera, he talks about his website <a href=\"https:\/\/www.theredhandfiles.com\/\"><em>The Red Hand Files<\/em><\/a>, where Internet users can send him their comments and questions. He selects some of them, then answers them by e-mail to his subscribers.<\/p>\n\n\n\n\n\n<p>The subject of loss and mourning is recurrent. He defines this activity as a spiritual exercise. Tragic coincidence, horror strikes the singer once again. His 30-year-old son Jethro has died in circumstances as yet undefined. The question and answer site is a confessional for the web age, where the singer becomes a priest and a sinner. As we said, the mass has been said. See you on July 2.<\/p>\n\n\n\n<p><em>Write to the author:&nbsp;<a href=\"mailto:fanny.agostino@leregardlibre.com\">fanny.agostino@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/05\/TMIKTBT_Poster_ROW-1.jpg\"><img decoding=\"async\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/05\/TMIKTBT_Poster_ROW-1.jpg\" alt=\"this much i know to be True\u00bb (poster)\" class=\"wp-image-48609\"\/><\/a><figcaption>This much I know to be True\u00bb (poster)<\/figcaption><\/figure>\n\n\n\n<p>Header image: Nick Cave and Warren Ellis in <em>This much I know to be True<\/em> Charlie Gray<\/p>","protected":false},"excerpt":{"rendered":"<p>Les mercredis du cin\u00e9ma \u2013&nbsp;Fanny Agostino V\u00e9ritable amuse-bouche avant la venue de Nick Cave au Montreux Jazz Festival le 2&#8230;<\/p>","protected":false},"author":97,"featured_media":48660,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644357637,21948,644342318],"class_list":["post-48605","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-andrew-dominik","tag-documentaires","tag-nick-cave"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abThis much I know to be True\u00bb: apprivoiser la souffrance<\/title>\n<meta name=\"description\" content=\"\u00abThis much I know to be True\u00bb\u2009signe la troisi\u00e8me collaboration entre le leader des Bad Seeds Nick Cave et le r\u00e9alisateur Andrew Dominik.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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