{"id":514042,"date":"2022-11-23T06:00:00","date_gmt":"2022-11-23T05:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=514042"},"modified":"2025-12-04T22:23:11","modified_gmt":"2025-12-04T21:23:11","slug":"close-la-ou-la-rumeur-nous-part","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/close-la-ou-la-rumeur-nous-part\/","title":{"rendered":"\u00abClose: where rumors part us"},"content":{"rendered":"<p class=\"has-drop-cap\"><strong>In 2018, <em>Girl<\/em> won three awards at the Croisette. Flemish director Lukas Dhont's new film continues his contemplation of teenage upheavals. This time, through the prism of other people's eyes. <em>Close<\/em>, the head-on collision of childhood and the world.<\/strong><\/p>\n\n\n\n<!--more Lire la critique (En libre acc\u00e8s)-->\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Close | Official Trailer HD | A24\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/6EJGnU2AmV4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>L\u00e9o (Eden Dambrine) and Remi (Gustav de Waele) are inseparable children. They spend their summer vacations in fields of flowers or in old abandoned shelters, inventing war games for each other. The two boys' complicity is sunny, lightning-fast. But this obvious bond becomes suspect in a school setting. In the canteen, a little girl asks them if they're in love. The reaction is one of rumor. How will this friendship stand up to the judgments of others?<\/p>\n\n\n\n<p>A few months ago, another Belgian mentioned it: schools are scary. In <em>Un Monde<\/em>, Laura Wendel explored, from a child's point of view, the labyrinth of classrooms and the codified spaces we have to get used to. Dhont opts for a similar approach, but it's adolescence and the start of high school that act as the fissure.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Close to the subject&nbsp;<\/strong><\/h3>\n\n\n\n<p>L\u00e9o is present in every frame: close up or at a distance, the camera follows the emotions of a teenager who becomes aware of the end of a form of innocence. In physical contact with the ice at field hockey, in the playground where he has to fit in, in the face of adult incomprehension. Anger gives way to guilt and regret at a tragic event that disrupts the course of an already worrying period.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\"><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5;\npadding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .infmain_\n3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555;\nfont-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .infmain_\n3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid\n#E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .infmain_\n3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error\nspan.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight:\nnormal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inlineblock;\nbackground-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\">\n<h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4>\n<p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta=\"1\" data-inf-error=\"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\"> <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>With <em>Close<\/em>, Dhont follows in the footsteps of his compatriots, the Dardenne brothers. This is evidenced by the languid, tremulous quality of the sequence shots, in which nothing seems to happen except the oscillations of an adolescent. The imperceptible movements of consciousness remain opaque. What remains is the slight sensation of going back and forth, suggested by the double meaning of the title: from a rapprochement to an occlusion.<\/p>\n\n\n\n<p><em>Write to the author: <a href=\"mailto:fanny.agostino@leregardlibre.com\" target=\"_blank\" rel=\"noreferrer noopener\">fanny.agostino@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p><strong>You've just read an open-access editorial.<\/strong>&nbsp;Debates, analysis, cultural news:&nbsp;<a href=\"https:\/\/leregardlibre.com\/en\/subscription\/\">subscribe<\/a>&nbsp;to support us and get access to all our content!<\/p>\n\n\n\n<p>Cover illustration: Scene from <em>Close<\/em> Menuet Diaphana Films Topkapi Films Versus Production<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/affiche_close.jpg\"><img fetchpriority=\"high\" decoding=\"async\" width=\"767\" height=\"1024\" src=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/affiche_close-767x1024.jpg\" alt=\"\" class=\"wp-image-514045\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/affiche_close-767x1024.jpg 767w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/affiche_close-225x300.jpg 225w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/affiche_close-112x150.jpg 112w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/affiche_close-768x1025.jpg 768w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/affiche_close-1150x1536.jpg 1150w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/affiche_close-900x1200.jpg 900w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/affiche_close-600x801.jpg 600w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/affiche_close-300x401.jpg 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/affiche_close-150x200.jpg 150w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/affiche_close-1200x1602.jpg 1200w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/affiche_close-1170x1562.jpg 1170w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/affiche_close-585x781.jpg 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/affiche_close.jpg 1504w\" sizes=\"(max-width: 767px) 100vw, 767px\" \/><\/a><figcaption>Poster from <em>Close<\/em> Menuet Diaphana Films Topkapi Films Versus Production<\/figcaption><\/figure>","protected":false},"excerpt":{"rendered":"<p>In 2018, Girl won three awards at the Croisette. Flemish director Lukas Dhont's new film continues his contemplation of teenage upheavals. This time, through the prism of other people's eyes. Close, the head-on collision of childhood and the world.<\/p>","protected":false},"author":97,"featured_media":514054,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[67439,1938687,644341146,357966],"class_list":["post-514042","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-adolescence","tag-cinema-belge","tag-critiques-cinema","tag-enfance"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abClose\u00bb: l\u00e0 o\u00f9 la rumeur nous s\u00e9pare<\/title>\n<meta name=\"description\" content=\"\u00abClose\u00bb, le nouveau film du Flamand Lukas Dhont, poursuit sa contemplation des bouleversements adolescents. 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