{"id":514216,"date":"2022-11-30T06:00:00","date_gmt":"2022-11-30T05:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=514216"},"modified":"2025-12-04T22:23:10","modified_gmt":"2025-12-04T21:23:10","slug":"the-menu-a-satirical-behind-closed-doors-affair-with-a-twist","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/the-menu-a-satirical-behind-closed-doors-affair-with-a-twist\/","title":{"rendered":"\u00abLe Menu\u00bb: a satirical behind-closed-doors film with a twist"},"content":{"rendered":"<p class=\"has-drop-cap\"><strong>Mark Mylod ventures into the realm of the horror thriller, offering a filmic experience packed with dark humor and tension. A satire that calls into question a certain capitalist vision of the gastronomy industry. <em>Menu, <\/em>a prodigious lead role.<\/strong><\/p>\n\n\n\n<!--more Lire la critique (en libre acc\u00e8s)-->\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Le Menu - Bande-annonce officielle (VOST) | Searchlight\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/0K27bu3APZM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>For one night, Margot (Anya Taylor Joy) and Taylor (Nicholas Hoult) will experience an extraordinary culinary demonstration on the island of the famous and enigmatic chef Slowik (Ralph Fiennes). Arriving at the restaurant, the budding couple, accompanied by a handful of wealthy and motley guests, have no idea how their evening will turn out.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">The noose tightens<\/h3>\n\n\n\n<p>Setting the plot in a single restaurant room is a stroke of genius. In addition to heightening the sense of anxiety as the story unfolds, the management of the space focuses on each group, table by table, giving us the impression of watching a real sketch film. The focus is on the voices and the camera moves between the tables, <em>The Menu<\/em> presents fragments of the lives of vicious guests. The characters are perhaps too stereotypically defined, and while this may serve the discourse of the gentrification of the culinary arts, it's still very tired.<\/p>\n\n\n\n<p>If Mylod's treatment of space is remarkable, his treatment of time surpasses it. While our appetite for movement and tension is unquenched at the beginning of the story, the film takes hold of us once and for all with the presentation of the fourth course, a real turning point. The shots and movements reflect Margot's distress and the growing discovery of the chef's monstrosity. The editing, oscillating between brutality and transparency, and the treatment of sounds - such as the chef's dry, annoying clapping of hands - successively convey the incomprehension, irritation and, finally, anguish that the audience feels in the same way as the customers.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/le-menu_1--20th-century-studios-all-rights-reserved.jpg\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"431\" src=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/le-menu_1--20th-century-studios-all-rights-reserved-1024x431.jpg\" alt=\"\" class=\"wp-image-514227\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/le-menu_1--20th-century-studios-all-rights-reserved-1024x431.jpg 1024w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/le-menu_1--20th-century-studios-all-rights-reserved-300x126.jpg 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/le-menu_1--20th-century-studios-all-rights-reserved-150x63.jpg 150w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/le-menu_1--20th-century-studios-all-rights-reserved-768x323.jpg 768w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/le-menu_1--20th-century-studios-all-rights-reserved-1536x646.jpg 1536w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/le-menu_1--20th-century-studios-all-rights-reserved-1170x492.jpg 1170w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/le-menu_1--20th-century-studios-all-rights-reserved-585x246.jpg 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/le-menu_1--20th-century-studios-all-rights-reserved-600x252.jpg 600w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/le-menu_1--20th-century-studios-all-rights-reserved.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption>20th Century Studios All Rights Reserved<\/figcaption><\/figure>\n\n\n\n<p>The nods to other film genres are nonetheless greeted with reserve. Margot's escape attempt, for example, has the feel of a <em>survival<\/em>, the film's main weakness, considerably hampers the plot. However, the care taken with the scene in which the characters are introduced, and the guests' anticipation of the mystery created by the master of the house, is reminiscent of an investigative film, and arouses the viewer's curiosity.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">When the public gets involved<\/h3>\n\n\n\n<p>One of the strengths of <em>The Menu<\/em> lies in its ability to include its audience in the experience of chef Slowik and his brigade. The film is divided into ten chapters, from appetizer to dessert, which punctuate the plot. These introductions are accompanied by intertitles and detailed shots of the dish that explain the recipe. These close-ups, akin to the framing of a TV program, break the fourth wall in an original way, allowing the audience to visually revel in Slowik's cooking. In fact, when Slowik explains the origins of his work, Ralph Fiennes is placed in the center of the picture.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\" \/><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta = \"1\" data-inf-error = \"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\" > <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>It would be impossible to talk about <em>Menu <\/em>without mentioning Fiennes' performance. Alone or surrounded by the other protagonists, his expressions, tone and diction (no doubt inherited from his long career on the stage) command attention. The revelation of his madness, born of his frustration with the hypocrisy of the restaurant industry, is brilliantly interpreted.<\/p>\n\n\n\n<p>Mark Mylod and his screenwriters propose a discourse on our propensity to over-consume. This critique is quickly revealed, and doesn't really stand out from previous films on consumerism. A second, but no less explicit, reading of the film, occurring in the latter part of the plot, evokes a return to simplicity and the very essence of things. In the end, it's not a bad resolution to follow.<\/p>\n\n\n\n<p><em>Write to the author: <a href=\"mailto:leila.favre@leregardlibre.com\">leila.favre@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p><strong>You've just read an open-access article.\u00a0<\/strong>Debates, analysis, cultural news:\u00a0<a href=\"https:\/\/leregardlibre.com\/en\/subscription\/\">subscribe<\/a>\u00a0to support us and get access to all our content!<br><br>Cover illustration: <em>The Menu<\/em> 20th Century Studios All Rights Reserved<\/p>","protected":false},"excerpt":{"rendered":"<p>Mark Mylod se risque au thriller \u00e0 tendance horrifique en offrant une exp\u00e9rience filmique emplie d\u2019humour noir et de tension&#8230;.<\/p>","protected":false},"author":410,"featured_media":514219,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644355480,415599,489164,11183],"class_list":["post-514216","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-anya-taylor-joy","tag-cinema-americain","tag-film-dhorreur","tag-thriller"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abLe Menu\u00bb: un huis clos satirique aux petits oignons<\/title>\n<meta name=\"description\" content=\"Une satire qui remet en cause une certaine vision capitaliste de l\u2019industrie de la gastronomie avec, au \u00abMenu\u00bb, un premier r\u00f4le prodigieux.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/the-menu-a-satirical-behind-closed-doors-affair-with-a-twist\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abLe Menu\u00bb: un huis clos satirique aux petits oignons\" \/>\n<meta property=\"og:description\" content=\"Une satire qui remet en cause une certaine vision capitaliste de l\u2019industrie de la gastronomie avec, au \u00abMenu\u00bb, un premier r\u00f4le prodigieux.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/the-menu-a-satirical-behind-closed-doors-affair-with-a-twist\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-11-30T05:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-04T21:23:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/le-menu_0--20th-century-studios-all-rights-reserved.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"1600\" \/>\n\t<meta property=\"og:image:height\" content=\"1067\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"Le\u00efla Favre\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:site\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Le\u00efla Favre\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-menu-un-huis-clos-satirique-aux-petits-oignons\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-menu-un-huis-clos-satirique-aux-petits-oignons\\\/\"},\"author\":{\"name\":\"Le\u00efla Favre\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/person\\\/526d927d63e87dbd9adf30cb99d189a8\"},\"headline\":\"\u00abLe Menu\u00bb: un huis clos satirique aux petits oignons\",\"datePublished\":\"2022-11-30T05:00:00+00:00\",\"dateModified\":\"2025-12-04T21:23:10+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-menu-un-huis-clos-satirique-aux-petits-oignons\\\/\"},\"wordCount\":817,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-menu-un-huis-clos-satirique-aux-petits-oignons\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/le-menu_0--20th-century-studios-all-rights-reserved.webp\",\"keywords\":[\"Anya Taylor-Joy\",\"Cin\u00e9ma am\u00e9ricain\",\"Film d\u2019horreur\",\"Thriller\"],\"articleSection\":[\"Films\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-menu-un-huis-clos-satirique-aux-petits-oignons\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-menu-un-huis-clos-satirique-aux-petits-oignons\\\/\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-menu-un-huis-clos-satirique-aux-petits-oignons\\\/\",\"name\":\"\u00abLe Menu\u00bb: un huis clos satirique aux petits oignons\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-menu-un-huis-clos-satirique-aux-petits-oignons\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-menu-un-huis-clos-satirique-aux-petits-oignons\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/le-menu_0--20th-century-studios-all-rights-reserved.webp\",\"datePublished\":\"2022-11-30T05:00:00+00:00\",\"dateModified\":\"2025-12-04T21:23:10+00:00\",\"description\":\"Une satire qui remet en cause une certaine vision capitaliste de l\u2019industrie de la gastronomie avec, au \u00abMenu\u00bb, un premier r\u00f4le prodigieux.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-menu-un-huis-clos-satirique-aux-petits-oignons\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-menu-un-huis-clos-satirique-aux-petits-oignons\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-menu-un-huis-clos-satirique-aux-petits-oignons\\\/#primaryimage\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/le-menu_0--20th-century-studios-all-rights-reserved.webp\",\"contentUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/le-menu_0--20th-century-studios-all-rights-reserved.webp\",\"width\":1600,\"height\":1067,\"caption\":\"Le Menu \u00a9 20th Century Studios All Rights Reserved\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/le-menu-un-huis-clos-satirique-aux-petits-oignons\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/leregardlibre.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u00abLe Menu\u00bb: un huis clos satirique aux petits oignons\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#website\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/\",\"name\":\"Le Regard Libre\",\"description\":\"Premier mensuel suisse de d\u00e9bat\",\"publisher\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/leregardlibre.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\",\"name\":\"Le Regard Libre\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/logo-rl-icone-neg.jpeg\",\"contentUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/logo-rl-icone-neg.jpeg\",\"width\":557,\"height\":556,\"caption\":\"Le Regard Libre\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/leregardlibre\\\/\",\"https:\\\/\\\/x.com\\\/LeRegardLibre\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/le-regard-libre\",\"https:\\\/\\\/www.instagram.com\\\/leregardlibre\\\/\",\"http:\\\/\\\/t.me\\\/leregardlibre\",\"https:\\\/\\\/youtube.com\\\/channel\\\/UC6HzGPomj1LsUmlz-sJtITQ\"],\"description\":\"Le Regard Libre est un mensuel suisse de d\u00e9bat intellectuel et culturel. Sa r\u00e9daction est jeune, b\u00e9n\u00e9vole, lib\u00e9rale et pluraliste. Le magazine para\u00eet en ligne et sous forme papier. Sa langue est le fran\u00e7ais.\",\"email\":\"redaction@leregardlibre.com\",\"legalName\":\"Le Regard Libre\",\"foundingDate\":\"2014-01-01\",\"numberOfEmployees\":{\"@type\":\"QuantitativeValue\",\"minValue\":\"11\",\"maxValue\":\"50\"},\"publishingPrinciples\":\"https:\\\/\\\/leregardlibre.com\\\/a-propos\\\/notre-manifeste\\\/\",\"ownershipFundingInfo\":\"https:\\\/\\\/leregardlibre.com\\\/mentions-legales\\\/\",\"actionableFeedbackPolicy\":\"https:\\\/\\\/leregardlibre.com\\\/conditions-generales-de-vente\\\/\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/person\\\/526d927d63e87dbd9adf30cb99d189a8\",\"name\":\"Le\u00efla Favre\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/004eb576c48e9c01c01fed2281b8508f429ffa40f0c789200a125e974f3791c8?s=96&d=identicon&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/004eb576c48e9c01c01fed2281b8508f429ffa40f0c789200a125e974f3791c8?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/004eb576c48e9c01c01fed2281b8508f429ffa40f0c789200a125e974f3791c8?s=96&d=identicon&r=g\",\"caption\":\"Le\u00efla Favre\"},\"url\":\"https:\\\/\\\/leregardlibre.com\\\/en\\\/author\\\/leilafavre\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"\u00abLe Menu\u00bb: a satirical behind-closed-doors film with a twist","description":"A satire that calls into question a certain capitalist vision of the gastronomy industry, with a prodigious lead role on the \u00abMenu\u00bb.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/leregardlibre.com\/en\/cinema\/films\/the-menu-a-satirical-behind-closed-doors-affair-with-a-twist\/","og_locale":"en_US","og_type":"article","og_title":"\u00abLe Menu\u00bb: un huis clos satirique aux petits oignons","og_description":"Une satire qui remet en cause une certaine vision capitaliste de l\u2019industrie de la gastronomie avec, au \u00abMenu\u00bb, un premier r\u00f4le prodigieux.","og_url":"https:\/\/leregardlibre.com\/en\/cinema\/films\/the-menu-a-satirical-behind-closed-doors-affair-with-a-twist\/","og_site_name":"Le Regard Libre","article_publisher":"https:\/\/www.facebook.com\/leregardlibre\/","article_published_time":"2022-11-30T05:00:00+00:00","article_modified_time":"2025-12-04T21:23:10+00:00","og_image":[{"width":1600,"height":1067,"url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/le-menu_0--20th-century-studios-all-rights-reserved.webp","type":"image\/webp"}],"author":"Le\u00efla Favre","twitter_card":"summary_large_image","twitter_creator":"@LeRegardLibre","twitter_site":"@LeRegardLibre","twitter_misc":{"Written by":"Le\u00efla Favre","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/leregardlibre.com\/cinema\/films\/le-menu-un-huis-clos-satirique-aux-petits-oignons\/#article","isPartOf":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/le-menu-un-huis-clos-satirique-aux-petits-oignons\/"},"author":{"name":"Le\u00efla Favre","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/526d927d63e87dbd9adf30cb99d189a8"},"headline":"\u00abLe Menu\u00bb: un huis clos satirique aux petits oignons","datePublished":"2022-11-30T05:00:00+00:00","dateModified":"2025-12-04T21:23:10+00:00","mainEntityOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/le-menu-un-huis-clos-satirique-aux-petits-oignons\/"},"wordCount":817,"commentCount":0,"publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/le-menu-un-huis-clos-satirique-aux-petits-oignons\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/le-menu_0--20th-century-studios-all-rights-reserved.webp","keywords":["Anya Taylor-Joy","Cin\u00e9ma am\u00e9ricain","Film d\u2019horreur","Thriller"],"articleSection":["Films"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/leregardlibre.com\/cinema\/films\/le-menu-un-huis-clos-satirique-aux-petits-oignons\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/leregardlibre.com\/cinema\/films\/le-menu-un-huis-clos-satirique-aux-petits-oignons\/","url":"https:\/\/leregardlibre.com\/cinema\/films\/le-menu-un-huis-clos-satirique-aux-petits-oignons\/","name":"\u00abLe Menu\u00bb: a satirical behind-closed-doors film with a twist","isPartOf":{"@id":"https:\/\/leregardlibre.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/le-menu-un-huis-clos-satirique-aux-petits-oignons\/#primaryimage"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/le-menu-un-huis-clos-satirique-aux-petits-oignons\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/le-menu_0--20th-century-studios-all-rights-reserved.webp","datePublished":"2022-11-30T05:00:00+00:00","dateModified":"2025-12-04T21:23:10+00:00","description":"A satire that calls into question a certain capitalist vision of the gastronomy industry, with a prodigious lead role on the \u00abMenu\u00bb.","breadcrumb":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/le-menu-un-huis-clos-satirique-aux-petits-oignons\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/leregardlibre.com\/cinema\/films\/le-menu-un-huis-clos-satirique-aux-petits-oignons\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leregardlibre.com\/cinema\/films\/le-menu-un-huis-clos-satirique-aux-petits-oignons\/#primaryimage","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/le-menu_0--20th-century-studios-all-rights-reserved.webp","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/11\/le-menu_0--20th-century-studios-all-rights-reserved.webp","width":1600,"height":1067,"caption":"Le Menu \u00a9 20th Century Studios All Rights Reserved"},{"@type":"BreadcrumbList","@id":"https:\/\/leregardlibre.com\/cinema\/films\/le-menu-un-huis-clos-satirique-aux-petits-oignons\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/leregardlibre.com\/"},{"@type":"ListItem","position":2,"name":"\u00abLe Menu\u00bb: un huis clos satirique aux petits oignons"}]},{"@type":"WebSite","@id":"https:\/\/leregardlibre.com\/#website","url":"https:\/\/leregardlibre.com\/","name":"Le Regard Libre","description":"Switzerland's first monthly debate magazine","publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/leregardlibre.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/leregardlibre.com\/#organization","name":"Le Regard Libre","url":"https:\/\/leregardlibre.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","width":557,"height":556,"caption":"Le Regard Libre"},"image":{"@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/leregardlibre\/","https:\/\/x.com\/LeRegardLibre","https:\/\/www.linkedin.com\/company\/le-regard-libre","https:\/\/www.instagram.com\/leregardlibre\/","http:\/\/t.me\/leregardlibre","https:\/\/youtube.com\/channel\/UC6HzGPomj1LsUmlz-sJtITQ"],"description":"Le Regard Libre is a Swiss monthly magazine for intellectual and cultural debate. Its editorial team is young, voluntary, liberal and pluralist. The magazine appears online and in print. Its language is French.","email":"redaction@leregardlibre.com","legalName":"Le Regard Libre","foundingDate":"2014-01-01","numberOfEmployees":{"@type":"QuantitativeValue","minValue":"11","maxValue":"50"},"publishingPrinciples":"https:\/\/leregardlibre.com\/a-propos\/notre-manifeste\/","ownershipFundingInfo":"https:\/\/leregardlibre.com\/mentions-legales\/","actionableFeedbackPolicy":"https:\/\/leregardlibre.com\/conditions-generales-de-vente\/"},{"@type":"Person","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/526d927d63e87dbd9adf30cb99d189a8","name":"Le\u00efla Favre","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/004eb576c48e9c01c01fed2281b8508f429ffa40f0c789200a125e974f3791c8?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/004eb576c48e9c01c01fed2281b8508f429ffa40f0c789200a125e974f3791c8?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/004eb576c48e9c01c01fed2281b8508f429ffa40f0c789200a125e974f3791c8?s=96&d=identicon&r=g","caption":"Le\u00efla Favre"},"url":"https:\/\/leregardlibre.com\/en\/author\/leilafavre\/"}]}},"_links":{"self":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/514216","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/users\/410"}],"replies":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/comments?post=514216"}],"version-history":[{"count":2,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/514216\/revisions"}],"predecessor-version":[{"id":514229,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/posts\/514216\/revisions\/514229"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/media\/514219"}],"wp:attachment":[{"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/media?parent=514216"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/categories?post=514216"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leregardlibre.com\/en\/wp-json\/wp\/v2\/tags?post=514216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}