{"id":514316,"date":"2022-12-04T06:00:00","date_gmt":"2022-12-04T05:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=514316"},"modified":"2022-12-17T21:25:20","modified_gmt":"2022-12-17T20:25:20","slug":"les-drapeaux-effiloches","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/literature\/les-drapeaux-effiloches\/","title":{"rendered":"Frayed flags"},"content":{"rendered":"

In this post, Swiss writer Andr\u00e9 Durussel delves into some of P\u00e9guy's writings, which resonate with our own times. This reading also leads him to other thoughts.<\/strong><\/p>\n\n\n\n\n\n\n\n

Ces jours, je relis des pages \u00e9crites par Charles P\u00e9guy, n\u00e9 le 7 janvier 1873 \u00e0 Orl\u00e9ans, il y a aura bient\u00f4t 150 ans. Pourquoi cela? Non seulement parce que la guerre en Ukraine nous replace tous, qu\u2019on le veuille ou non, dans le contexte d\u2019un conflit qui se poursuit actuellement, avec son cort\u00e8ge d\u2019horreurs, de bombardements et de r\u00e9fugi\u00e9s, mais aussi par ses similitudes avec le mois de septembre 1914 \u00e0 Villeroy, dans la Marne, o\u00f9 P\u00e9guy tombera le 5 septembre, dans sa quarante-et-uni\u00e8me ann\u00e9e.<\/p>\n\n\n\n

Sous le titre Le m\u00e9contemporain<\/a><\/em>, Alain Finkielkraut nous avait rappel\u00e9, il y a une trentaine d\u2019ann\u00e9e d\u00e9j\u00e0, l\u2019actualit\u00e9 de ce paysan normalien, tout \u00e0 la fois dreyfusard, catholique et socialiste. R\u00e9int\u00e9grer dans la cit\u00e9 intellectuelle d\u2019aujourd\u2019hui sa pens\u00e9e po\u00e9tique et critique, voire proph\u00e9tique, \u00e9tait, me semblait-il, une n\u00e9cessit\u00e9.<\/p>\n\n\n\n

\u00abLes drapeaux effiloch\u00e9s, us\u00e9s, pli\u00e9s \u00e0 la hampe comme la voile au m\u00e2t\u00bb<\/h3>\n\n\n\n

Charles P\u00e9guy avait fond\u00e9 en date du 5 janvier 1900 Les Cahiers de la Quinzaine<\/em>. Avec d\u2019immenses difficult\u00e9s p\u00e9cuniaires, cette publication tiendra toutefois jusqu\u2019au 26 avril 1914. A ce sujet, qu\u2019on me permette d\u2019\u00e9voquer bri\u00e8vement ici une entreprise personnelle qui, toutes proportions gard\u00e9es, m\u2019a souvent rapproch\u00e9 de P\u00e9guy. C\u2019est celle de la revue culturelle ESPACES<\/em> (1975-2000), que j\u2019avais fond\u00e9e avec la po\u00e9tesse Vio Martin, amie de Gustave Roud, et la journaliste et chor\u00e9graphe Jacqueline Th\u00e9voz, tout d\u2019abord comme suppl\u00e9ment au Journal de Moudon<\/em>, puis autonome d\u00e8s le mois de janvier de l\u2019ann\u00e9e 1980. Mais revenons \u00e0 P\u00e9guy! C\u2019est effectivement en juin 1909, dans un num\u00e9ro des Cahiers de la quinzaine<\/em>, qu\u2019il \u00e9crit ces lignes pr\u00e9monitoires. Celles d\u2019une grande guerre qui se pr\u00e9pare:<\/p>\n\n\n\n

\u00abCes centaines de milliers d\u2019hommes pench\u00e9s de la m\u00eame pente, le corps tendu en avant. Les \u00e9normes alignements moussus, fins ou carr\u00e9s, lin\u00e9aires ou trapus sur le mouvant terrain, d\u2019hommes au jarret \u00e9galement tendu. Et les drapeaux, couch\u00e9s comme eux, battant comme eux, les drapeaux d\u00e9chir\u00e9s, claquant comme eux, d\u00e9chir\u00e9s comme eux\u2026 Les drapeaux inclin\u00e9s de la m\u00eame inclinaison, battus comme eux de la m\u00eame temp\u00eate, claquant comme eux, craquant comme des branches, comme des vraies branches d\u2019arbre, noy\u00e9s du m\u00eame flot, battus de la m\u00eame tourmente. Les drapeaux effiloch\u00e9s, us\u00e9s, pli\u00e9s \u00e0 la hampe comme la voile au m\u00e2t, tendus comme eux, pointant, pointant comme eux, culbut\u00e9s comme eux \u00e0 la face du ciel, terrass\u00e9s comme eux, vaincus comme eux \u2013 se relevant comme eux.\u00bb<\/p><\/blockquote>\n\n\n\n

Je relis aussi cette \u00abPri\u00e8re pour nous autres charnels\u00bb que le compositeur et organiste Jehan Alain (1911-1940) a mis en musique pour t\u00e9nor, basse et orgue, cela avant qu\u2019il ne tombe \u00e0 son tour le 20 juin 1940 sur un autre champ de bataille, \u00e0 Saumur:<\/p>\n\n\n\n

\u00abM\u00e8re, voici vos fils qui se sont tant battus.
Qu\u2019ils ne soient pas pes\u00e9s comme on p\u00e8se un d\u00e9mon.
Que Dieu mette avec eux un peu de ce limon
Qu\u2019ils \u00e9taient en principe et sont redevenus.\u00bb<\/p><\/blockquote>\n\n\n\n

L\u2019essentiel, pour un \u00e9crivain, est de donner ce qui en lui demandait \u00e0 \u00eatre exprim\u00e9. Mais aussit\u00f4t apr\u00e8s, l\u2019\u0153uvre cesse de lui appartenir. P\u00e9guy s\u2019en est expliqu\u00e9 \u00e0 plusieurs reprises et non sans angoisse. Il a d\u00e9fini cette \u00e9trange vie posthume d\u2019une \u0153uvre, \u00e9ternellement remise aux lecteurs pour un ach\u00e8vement toujours al\u00e9atoire.<\/p>\n\n\n\n

\n\n\n\n

Andr\u00e9 Durussel<\/strong> est \u00e9crivain et essayiste, avant tout po\u00e8te.<\/em><\/p>\n\n\n\n

You've just read an open-access article. <\/strong>Debates, analysis, cultural news: subscribe<\/a> to support us and get access to all our content!<\/p>","protected":false},"excerpt":{"rendered":"

In this post, Swiss writer Andr\u00e9 Durussel delves into P\u00e9guy's writings, which are furiously reminiscent of the present. This reading also leads him to other thoughts.<\/p>","protected":false},"author":413,"featured_media":514327,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20663],"tags":[745417,2458013,61091,644357431,14831],"class_list":["post-514316","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-litterature","tag-alain-finkielkraut","tag-charles-peguy","tag-guerre","tag-guerre-en-ukraine","tag-poesie"],"acf":[],"yoast_head":"\nLes drapeaux effiloch\u00e9s<\/title>\n<meta name=\"description\" content=\"Dans ce billet, l\u2019\u00e9crivain Andr\u00e9 Durussel replonge dans l'\u0153uvre de P\u00e9guy et ses \u00abdrapeaux effiloch\u00e9s\u00bb, non sans r\u00e9sonance avec le pr\u00e9sent.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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