{"id":515592,"date":"2023-01-11T06:00:00","date_gmt":"2023-01-11T05:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=515592"},"modified":"2025-12-04T22:23:05","modified_gmt":"2025-12-04T21:23:05","slug":"white-noise-much-white-noise-for-nothing","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/white-noise-much-white-noise-for-nothing\/","title":{"rendered":"\u00abWhite Noise\u00bb: a lot of white noise for nothing?"},"content":{"rendered":"<p class=\"has-drop-cap\"><strong>A leading director of so-called \u00abindependent\u00bb cinema in the United States, but also a screenwriter for Wes Anderson (<em>Aquatic life<\/em>, <em>Fantastic Mr. Fox<\/em>), Noah Baumbach collaborates once again with Netflix and Adam Driver. A first half-hearted adaptation.<\/strong><\/p>\n\n\n\n<!--more Lire la Critique (EN libre acc\u00e8s)-->\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"White Noise | Official Teaser VOSTFR | Netflix France\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/K1xflcz4li8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><em>White Noise<\/em> introduces us to the Gladneys, middle-class Midwesterners caught up in a social storm involving toxic clouds, drug addiction and conspiracy, among other things. The film mainly follows Jack (Adam Driver), the father, a professor of\u2019<em>Hitler studies<\/em> (a discipline he instituted) at university, married to Babette (Greta Gerwig), his fourth wife, and their many children. One of Jack's main traits is his anxiety about death - his own in particular. The explosion of a chemical truck near his hometown plunges the family into an unprecedented crisis. <em>road trip<\/em> absurd and crazy.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Adaptation is not reason<\/strong><\/h3>\n\n\n\n<p><em>White Noise<\/em> is an adaptation of the novel <em>Background noise<\/em> by Don DeLillo, released in 1985. This information may seem insignificant, but it's not. In fact, this is the first time Baumbach has adapted a pre-existing work himself. And it shows. The film oozes literature and scholarly dialogue to the point of being barely digestible. Some of the stylistic effects and breaks in the written word just don't work in the cinematic medium. Halfway between theatrical adaptation and advertising <em>pop<\/em> 80\u2019s, <em>White Noise<\/em> would have benefited from a lighter text and a more sophisticated staging.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\"><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBm Njk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf- main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf- main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf- main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline- block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta=\"1\" data-inf-error=\"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\"> <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>The main problem lies in its inability to convey the complexity and humor of the original novel. You may find yourself smiling at a ridiculous situation (the final revelation), or even one that's downright zany (the Hitler-Elvis debate or the fact that Jack, given his field of study, doesn't speak German), but that's all the script has to offer. The novel was said to be unsuitable for the screen, and this may unfortunately be the case.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Theatrical (amphi)play&nbsp;<\/strong><\/h3>\n\n\n\n<p>If the film struggles with its screenplay and direction, it makes up for it in the performance of its actors. Adam Driver (a little) and Greta Gerwig (especially) deliver a performance that's brilliantly accurate and, at times, brimming with contrasts. Behind her period perm, Gerwig shows that she's not only a talented director and screenwriter, but that she's also capable of displaying a range of emotions when it comes to moving from overworked housewife to anguished pill-popper every third shot. The children are also all fair in their interpretations, but the story unfortunately doesn't allow us to judge their performance fairly, as some are so far behind - and their mother's frequent mistakes when she calls them don't help to memorize them.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/01\/white-noise_2--netflix.jpg\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/01\/white-noise_2--netflix-1024x576.jpg\" alt=\"\" class=\"wp-image-515608\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/01\/white-noise_2--netflix-1024x576.jpg 1024w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/01\/white-noise_2--netflix-300x169.jpg 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/01\/white-noise_2--netflix-150x84.jpg 150w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/01\/white-noise_2--netflix-768x432.jpg 768w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/01\/white-noise_2--netflix-1536x864.jpg 1536w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/01\/white-noise_2--netflix-2048x1152.jpg 2048w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/01\/white-noise_2--netflix-1920x1080.jpg 1920w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/01\/white-noise_2--netflix-1170x658.jpg 1170w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/01\/white-noise_2--netflix-585x329.jpg 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/01\/white-noise_2--netflix-600x338.jpg 600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption class=\"wp-element-caption\"><em>White Noise<\/em> Netflix<\/figcaption><\/figure>\n\n\n\n<p>The cast also offers a nice array of secondary roles, including Don Cheadle, Jodie Turner-Smith and Andr\u00e9 3000 as Jack's colleagues. However, these are so anecdotal that one wonders why the choice was made to cast well-known faces and treat them like the rest of the faculty: silhouettes in the background. Don Cheadle makes up for it somewhat as a professor of\u2019<em>contemporary studies<\/em> trying to open a course on Elvis, only to be confronted by another teacher with the same idea. But it has to be said that, had he not been in the script, the film would have unfolded in the same way. This, unfortunately, is how you spot unnecessary roles in a cast.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>The staging is too calm for the surrounding madness<\/strong><\/h3>\n\n\n\n<p>In view of the story, we would have expected a fast-paced camerawork, a frantic pace, or even more editing. <em>punchy<\/em>. But it doesn't. No sooner does a scene with a frenzied crowd in the middle raise hopes of an awakening than the film immediately goes back to sleep. The filmmaker fails to bring his world to life, given that his previous film, <em>Marriage Story<\/em> (2019), although very \u00abstatic\u00bb in its events, managed to captivate the viewer.<\/p>\n\n\n\n<p>There are, however, a few passages that stand out. The film's final chapter, for example, offers a fine visual tribute to Brian De Palma (whom Baumbach knows well, having devoted a documentary to him in 2015). Another scene adds a surprising and welcome horrific dimension. However, these sequences are islands in a film shot on film in garish pastel colors.<\/p>\n\n\n\n<p>The appearance of the end credits, which make no more sense than the rest of the <em>White Noise<\/em>, But with this new approach, which pushes the boundaries of nonsense even further, one wonders if we haven't witnessed an immense parody.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/01\/affiche_white-noise.jpg\"><img decoding=\"async\" width=\"486\" height=\"720\" src=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/01\/affiche_white-noise.jpg\" alt=\"\" class=\"wp-image-515609\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/01\/affiche_white-noise.jpg 486w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/01\/affiche_white-noise-203x300.jpg 203w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/01\/affiche_white-noise-101x150.jpg 101w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/01\/affiche_white-noise-300x444.jpg 300w\" sizes=\"(max-width: 486px) 100vw, 486px\" \/><\/a><\/figure>\n\n\n\n<p><em>Write to the author:&nbsp;<a href=\"mailto:mathieu.vuillerme@leregardlibre.com\">mathieu.vuillerme@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p>Photo credit: <em>White Noise<\/em> Netflix<\/p>\n\n\n\n<p><strong>You've just read an open-access article.&nbsp;<\/strong>Debates, analysis, cultural news:&nbsp;<a href=\"https:\/\/leregardlibre.com\/en\/subscription\/\">subscribe<\/a>&nbsp;to support us and get access to all our content!<\/p>","protected":false},"excerpt":{"rendered":"<p>Noah Baumbach, a leading director of so-called \u00abindependent\u00bb cinema in the USA and also a screenwriter for Wes Anderson (\u00abLa Vie aquatique\u00bb, \u00abFantastic Mr. Fox\u00bb), is once again collaborating with Netflix and Adam Driver. A first adaptation in half-tone.<\/p>","protected":false},"author":454,"featured_media":515605,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644342408,644341146,644338981],"class_list":["post-515592","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-annees-80","tag-critiques-cinema","tag-netflix"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abWhite Noise\u00bb: beaucoup de bruit blanc pour rien?<\/title>\n<meta name=\"description\" content=\"Noah Baumbach collabore \u00e0 nouveau avec Netflix et Adam Driver. \u00abWhite Noise\u00bb, une premi\u00e8re adaptation en demi-teinte.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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