{"id":515854,"date":"2023-01-24T06:00:00","date_gmt":"2023-01-24T05:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=515854"},"modified":"2023-01-24T10:56:51","modified_gmt":"2023-01-24T09:56:51","slug":"defaire-l-amour-clarisse-gorokhoff","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/literature\/defaire-l-amour-clarisse-gorokhoff\/","title":{"rendered":"| Clarisse Gorokhoff, in love with desire and detonation"},"content":{"rendered":"

Apr\u00e8s trois romans, Clarisse Gorokhoff a chang\u00e9 de genre en m\u00eame temps qu\u2019une nouvelle fois d\u2019\u00e9diteur. Malgr\u00e9 la mention \u00abroman\u00bb sur ce dernier opus, D\u00e9faire l\u2019amour<\/em> s\u2019apparente plus \u00e0 la forme en vogue de la narrative non-fiction<\/em>. Pour quelle r\u00e9ussite?<\/strong><\/p>\n\n\n\n\n\n\n\n

Dans ce r\u00e9cit, l\u2019auteure revient sur ses ann\u00e9es d\u2019effervescence et d\u2019\u00e9bullition stambouliotes, qui auront fait \u00e9clater des interrogations existentielles la tenaillant encore une d\u00e9cennie plus tard. C\u2019est l\u00e0 tout le propos de la collection \u00abConfessions\u00bb: chaque \u00e9crivain est amen\u00e9 \u00e0 se livrer \u00e0 une introspection et \u00e0 raconter une p\u00e9riode charni\u00e8re de sa vie, o\u00f9 celle-ci a bascul\u00e9. Clarisse Gorokhoff se replonge dans le tumulte de ses 20 ans pour questionner ses f\u00ealures d\u2019alors \u00e0 la lumi\u00e8re de ses doutes d\u2019aujourd\u2019hui.<\/p>\n\n\n\n

D\u00e9sirs en d\u00e9sordre<\/strong><\/h3>\n\n\n\n

D\u00e9faire l\u2019amour<\/em> est un r\u00e9cit extr\u00eamement personnel qui d\u00e9noue les non-dits et les silences pour tout exposer \u00e0 la surface de la feuille granuleuse. Clarisse Gorokhoff choisit de n\u2019\u00e9luder aucune zone d\u2019intimit\u00e9, ou presque: elle revient sur son arriv\u00e9e \u00e0 Istanbul (pour un s\u00e9jour Erasmus, prolong\u00e9 ensuite), son d\u00e9sir avide de libert\u00e9 et de s\u00e9duction, son go\u00fbt pour les tentations et leurs pr\u00e9cipices, sa rencontre avec son amoureux de l\u2019\u00e9poque, mais aussi sur son enfance z\u00e9br\u00e9e par la disparition de sa m\u00e8re. Elle prom\u00e8ne la loupe sur ses ann\u00e9es pass\u00e9es, une question syst\u00e9matique comme jalon: d\u2019o\u00f9 lui vient ce besoin imp\u00e9rieux de dynamiter le bonheur?<\/p>\n\n\n\n

\u00abLa Clarisse d\u2019avant, qui s\u2019envoyait en l\u2019air avec le premier m\u00e2le attirant, qui noyait son romantisme visc\u00e9ral dans des bulles \u00e0 douze degr\u00e9s. Persuad\u00e9e que ce qui rend aveugle, c\u2019est de s\u2019asperger les r\u00e9tines d\u2019acide citrique, ou de se les crever avec des pics \u00e0 glace. Mais certainement pas l\u2019amour.\u00bb<\/p><\/blockquote>\n\n\n\n

De ce r\u00e9cit, on peut d\u00e9gager trois grandes parties: la volont\u00e9 d\u2019exploration des sens et des corps, la d\u00e9couverte de la vie de couple et l\u2019impression de finitude, avec comme point de bascule la rencontre avec Onur, son compagnon d\u2019alors. La Clarisse d\u2019avant, qui a \u2009vu \u00able petit diable qui \u00e9tait en [elle] mener la danse\u00bb, se laisser gagner par la sensation \u00e9trange de la vie \u00e0 deux et ce qui ressemble \u00e0 une stabilit\u00e9, quoique pr\u00e9caire. Mais plus les jours passent, plus la relation avec Onur s\u2019ancre dans le quotidien et plus la narratrice s\u2019aper\u00e7oit \u00eatre tenaill\u00e9e par ses vieux d\u00e9mons: elle ressent \u00e0 nouveau la n\u00e9cessit\u00e9 de se faire d\u00e9sirer par tous les hommes.<\/p>\n\n\n\n

De fa\u00e7on tout \u00e0 fait lucide, Clarisse Gorokhoff s\u2019interroge sur son impossibilit\u00e9 \u00e0 aimer \u00absocialement\u00bb et de vivre en couple, tout en se d\u00e9sesp\u00e9rant de ce constat. En comparant son existence \u00e0 une fuite perp\u00e9tuelle, Clarisse Gorokhoff se demande ce qui l\u2019a pouss\u00e9e \u00e0 croire qu\u2019elle pouvait colmater les fissures de l\u2019enfance avec la perdition adulte.<\/p>\n\n\n\n

Le chaos int\u00e9rieur mis \u00e0 nu<\/strong><\/h3>\n\n\n\n

Construit comme une longue r\u00e9trospective o\u00f9 les souvenirs conduisent l\u2019auteure \u00e0 des r\u00e9flexions actuelles sur les notions de d\u00e9sir et de couple, D\u00e9faire l\u2019amour<\/em> n\u2019est toutefois pas un r\u00e9cit psychologisant: Clarisse Gorokhoff ne cherche pas \u00e0 expliquer la source de chacun de ses actes pulsionnels et pour citer une formulation aussi r\u00e9pandue qu\u2019insupportable, ne tente pas \u00e0 tout prix de \u00abmettre des mots sur des maux\u00bb. Elle laisse au contraire libre cours \u00e0 ses doutes et ses incertitudes, \u00e0 sa puissance d\u2019\u00e9vocation et ses images d\u00e9tonantes. A l\u2019aide d\u2019une \u00e9criture incisive, Clarisse Gorokhoff sonde et d\u00e9cortique son chaos int\u00e9rieur, en portant un regard mordant et d\u00e9sabus\u00e9 sur sa propre histoire. Le style est travaill\u00e9, les tournures sont pleines de malice et le ton souvent tr\u00e8s dr\u00f4le: D\u00e9faire l\u2019amour<\/em> est bien loin d\u2019\u00eatre un lamento ou un r\u00e9cit psychanalytique larmoyant.<\/p>\n\n\n\n

\u00abLes papillons dans le ventre. L\u2019onde de bien-\u00eatre qui envahit le corps. Le cocktail hormonal de gaiet\u00e9 et de confiance… J\u2019ai connu tout \u00e7a. J\u2019ai aussi connu les pens\u00e9es, obsessionnelles, qui convergent vers le m\u00eame visage, le m\u00eame nom, la m\u00eame odeur. Ce long soupir int\u00e9rieur. La joie de le voir, chaque matin, en ouvrant les paupi\u00e8res. De le sentir sous mes mains, contre mes l\u00e8vres, \u00e0 m\u00eame ma chair; \u00e0 l\u2019int\u00e9rieur de moi comme, dans un coquillage, le bruit de la mer. Cette joie pleine d\u2019aplomb et d\u2019orgueil. Si intense qu\u2019elle en devient douloureuse. Si douloureuse qu\u2019elle en devient d\u00e9licieuse. Et qui se transforme en peur. Peur de perdre, lui, \u201c\u00e7a\u201d. Peur que tout n\u2019ait \u00e9t\u00e9 qu\u2019une illusion. Un mirage nourri par deux \u00eatres au c\u0153ur d\u2019un d\u00e9sert. Une chim\u00e8re caniculaire.\u00bb<\/p><\/blockquote>\n\n\n\n

Cependant, malgr\u00e9 d\u2019ind\u00e9niables qualit\u00e9s stylistiques, l\u2019aspect tr\u00e8s intimiste du livre laisse \u00e0 quelques reprises le lecteur en marge. En racontant cette histoire d\u2019amour au travers de souvenirs, de sensations et de ressentis, sans ajouter de distance ni de paravent, Clarisse Gorokhoff a cherch\u00e9 \u00e0 emmener le lecteur au creux de sa chair. Au risque qu\u2019il devienne voyeur.<\/p>\n\n\n\n

Write to the author: quentin.perissinotto@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n

Photo credit: \u00a9 Quentin Perissinotto for Le Regard Libre<\/em><\/p>\n\n\n\n

You've just read an open-access brief. <\/strong>Debates, analysis, cultural news: subscribe<\/a> to support us and get access to all our content!<\/p>\n\n\n\n

\"\"<\/figure>
\n

Clarisse Gorokhoff 
D\u00e9faire l\u2019amour <\/em>
Robert Laffont 
Collection Confessions 
2023 
274 pages <\/strong><\/p>\n\n\n\n

\n
Order the book<\/a><\/div>\n<\/div>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"

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