{"id":515871,"date":"2023-01-25T06:00:00","date_gmt":"2023-01-25T05:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=515871"},"modified":"2025-12-04T22:23:03","modified_gmt":"2025-12-04T21:23:03","slug":"babylon-brule","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/babylon-brule\/","title":{"rendered":"Burn, burn, \u00abBabylon\u00bb is burning"},"content":{"rendered":"<p class=\"has-drop-cap\"><strong>Spearhead of the new golden age of the musical, cadet of the Best Director Oscar for <em>La La Land<\/em> in 2017, Damien Chazelle seems to succeed in everything he touches. So what about <em>Babylon<\/em>, a dramatic comedy about Hollywood in the 1920s?<\/strong><\/p>\n\n\n\n<!--more Lire la critique (En libre acc\u00e8s)-->\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"BABYLON - VOST TRAILER [Currently playing in theatres] [In French only\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/-LANiBNlOJ4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>In 1926, the United States is at its peak. The Depression had not yet hit, the War was far behind, alcohol, drugs and money were flowing freely. Hollywood ruled the world. The big companies' silent films were exported all over the world, their actors were international stars and everything seemed to be going well. But who could have foreseen the downfall of these giants with the arrival of talking pictures?<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Singing under the champagne<\/strong><\/h3>\n\n\n\n<p>If the theme of the arrival of synchronous sound (sound recorded by the camera <em>at the same time<\/em> than the action taking place in front of it) in cinema has already been dealt with (<em><a href=\"https:\/\/www.imdb.com\/title\/tt0045152\/\">Singing in the rain<\/a>,<\/em> 1952 or <em><a href=\"https:\/\/www.imdb.com\/title\/tt1655442\/\">The Artist<\/a><\/em>, 2012), it's rarely been quite like this. Sex, drugs (and rock'n'roll, we'd almost say) and jazz set against a backdrop of technological transition. A surprising combination at first glance. But it works perfectly. The picture is flamboyant, the music by Justin Hurwitz (winner of a second Golden Globes for the film's score) excellent and the performances by the cast outstanding. Special mention goes to Margot Robbie, who delivers her best performance to date.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\"><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBm Njk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf- main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf- main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf- main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline- block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Receive our articles every Sunday.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Your subscription to our weekly newsletter has been successfully registered!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta=\"1\" data-inf-error=\"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\"> <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Sign up\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>Let's get the unfortunate part out of the way: the film is too long. 3 hours 09 is objectively too long. And yet, the film seems much more digestible than the last one. <em>Avatar<\/em>, of similar length. Thanks to a steady pace throughout, the story unfolds (almost) without a lull, touching on a wide range of themes, although it does occasionally err on the side of excess. We pass through different eras, visiting different sets and shoots, each crazier than the last, to discover the other side of the dream factory. Although certain scenes sometimes stretch to the limit of what is bearable, this is to better immerse the viewer in the actual time of a shoot in those years.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Outrageousness is the watchword<\/strong><\/h3>\n\n\n\n<p>The film opens with one of cinema's biggest parties since the <em>Moulin Rouge de<\/em> Baz Luhrmann (2001). He takes the liberty of displaying his title card after 32 minutes, as if to demonstrate his insouciance, typical of the era, with regard to established rules. This lightness is also marked by the over-the-top shooting that filmmakers of the 1920s indulged in, filmed with all the optimism of the interwar period. The sets were gargantuan, the extras numerous, and the results often more a matter of luck than anticipation. The other side of this debauchery is sometimes a feeling of overkill in the sequences. Where certain marked passages would have sufficed, Damien Chazelle adds a layer of vomiting or violence that isn't always necessary.<\/p>\n\n\n\n<p>And yet.., <em>Babylon<\/em>, with his rereading of the\u00ab<em>rise and fall<\/em>\u00bbTypical of this type of film, its cinematographic feats of strength and direction of the actors make it a veritable declaration of love to the cinema of all times, taking the spectator on a whirlwind ride from which one does not emerge unscathed.<\/p>\n\n\n\n<p><em>Write to the author:&nbsp;<a href=\"mailto:mathieu.vuillerme@leregardlibre.com\">mathieu.vuillerme@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p>Photo credit: \u00a9 Warner Bros. Entertainment Switzerland GmbH<\/p>\n\n\n\n<p><strong>You've just read an open-access article.&nbsp;<\/strong>Debates, analysis, cultural news:&nbsp;<a href=\"https:\/\/leregardlibre.com\/en\/subscription\/\">subscribe<\/a>&nbsp;to support us and get access to all our content!<\/p>","protected":false},"excerpt":{"rendered":"<p>Fer de lance du nouvel \u00e2ge d\u2019or de la com\u00e9die musicale, cadet de l\u2019Oscar du meilleur r\u00e9alisateur pour \u00abLa La Land\u00bb en 2017, Damien Chazelle semble r\u00e9ussir tout ce qu\u2019il touche. Qu\u2019en est-il alors de \u00abBabylon\u00bb, com\u00e9die dramatique sur le Hollywood des ann\u00e9es 1920?<\/p>","protected":false},"author":454,"featured_media":515873,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644341146,27208956,34372547],"class_list":["post-515871","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-critiques-cinema","tag-damien-chazelle","tag-margot-robbie"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Br\u00fble, br\u00fble, \u00abBabylon\u00bb br\u00fble<\/title>\n<meta name=\"description\" content=\"Damien Chazelle semble r\u00e9ussir tout ce qu\u2019il touche. 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