{"id":518583,"date":"2023-06-07T06:00:00","date_gmt":"2023-06-07T04:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=518583"},"modified":"2025-12-04T22:22:48","modified_gmt":"2025-12-04T21:22:48","slug":"rodeo-a-first-film-that-holds-up-pretty-well","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/rodeo-un-premier-film-qui-tient-a-peu-pres-la-route\/","title":{"rendered":"\u00abRodeo\u00bb, a first film that more or less holds its own"},"content":{"rendered":"\n<p class=\"has-drop-cap\"><em><strong>Rod\u00e9o,<\/strong><\/em><strong> premier long-m\u00e9trage de Lola Quivoron, est sorti mardi 23 mai sur Canal+. Retour sur ce coup de c\u0153ur du jury du Festial de Cannes 2022, qui r\u00e9pond toutefois partiellement aux attentes du public.<\/strong><\/p>\n\n\n\n<!--more Lire la critique (en libre acc\u00e8s)-->\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"RODEO un film de Lola Quivoron - Bande-annonce officielle\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/brcrJHrp-84?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Julia, jeune marginale, d\u00e9voue sa vie&nbsp;\u00e0 la pratique de la moto. Un jour, elle rencontre un groupe de jeunes hommes qui s\u2019adonnent au rod\u00e9o urbain. En int\u00e9grant le gang de motards, la jeune femme d\u00e9couvre ce milieu enti\u00e8rement masculin et risqu\u00e9.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Top d\u00e9rapage<\/h3>\n\n\n\n<p>Contre toute attente, <em>Rod\u00e9o<\/em> n\u2019est pas un film sur le rod\u00e9o urbain. <a href=\"https:\/\/www.imdb.com\/name\/nm7472737\/\">Lola Quivoron<\/a> se tient \u00e0 distance des propos de son actrice principale <a href=\"https:\/\/www.imdb.com\/name\/nm5435135\/\">Julie Ledru<\/a>, jug\u00e9s maladroits car d\u00e9fendant ce ph\u00e9nom\u00e8ne que le gouvernement fran\u00e7ais condamne. En r\u00e9alit\u00e9, cette pratique et son univers encadrent l\u2019intrigue sans en \u00eatre les sujets. Hormis quelques prestations au d\u00e9but du long-m\u00e9trage, le cross bitume dispara\u00eet du r\u00e9cit. Le projet de la cin\u00e9aste se re\u00e7oit comme une volont\u00e9 de porter la focale sur l\u2019insertion et l\u2019adaptation d\u2019une femme dans un syst\u00e8me a priori\u00a0inabordable.<\/p>\n\n\n\n<p>L\u2019introduction de la protagoniste formule plut\u00f4t bien cette id\u00e9e. Julia (Julie Ledru) performe les genres: elle construit puis donne \u00e0 voir une expression de genre f\u00e9minine en abordant les vendeurs de moto tout en affirmant le reste du temps, dans son ton, ses mots et ses gestes, sa part de masculinit\u00e9. La jeune femme, qui se pr\u00e9sente aupr\u00e8s des autres sous le pseudonyme \u00abInconnue\u00bb, s\u2019adapte aux espaces et aux individus.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\" \/><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Recevez nos articles chaque dimanche.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Votre inscription \u00e0 notre infolettre hebdomadaire a \u00e9t\u00e9 enregistr\u00e9e avec succ\u00e8s !<\/h4> <p> <a href=\"#\" class=\"inf-btn\">&laquo;<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta = \"1\" data-inf-error = \"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\" > <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"S\u2019inscrire\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>On note l\u2019int\u00e9ressante oscillation entre solidarit\u00e9 et m\u00e9fiance des jeunes hommes envers Julia. Tant\u00f4t incluse, tant\u00f4t rejet\u00e9e, la jeune femme ne s\u2019avoue jamais vaincue et les rapports entretenus dans la bande ne cessent de se modifier. En d\u00e9pit d\u2019une faible caract\u00e9risation des personnages, l\u2019\u00e9nergie du groupe de com\u00e9diens est remarquable. Il est indispensable de saluer ici la direction d\u2019acteur et le jeu. Il semble difficile de reproduire un tel dynamisme \u2013 qu\u2019il s\u2019ancre dans une joie extr\u00eame ou sous tension.<\/p>\n\n\n\n<p>Le traitement de cette pression est l\u2019un des probl\u00e8mes majeurs de <em>Rod\u00e9o.<\/em> La fa\u00e7on dont la r\u00e9alisatrice exprime la tension\u00a0produite par\u00a0l\u2019arriv\u00e9e de Julia au sein de la bande\u00a0n\u2019est jamais totalement\u00a0compl\u00e8te. Les occasions de blessures, d\u2019agressions ou d\u2019incarc\u00e9rations sont multiples, or ces moments laissent quelque peu de marbre. La raison est simple: le film offre\u00a0peu d\u2019id\u00e9es de cadrage et\u00a0de mise en sc\u00e8ne. Lola Quivoron caract\u00e9rise son film de \u00absur-naturaliste\u00bb, assemblage de surr\u00e9alisme et de naturalisme. Pourtant, un film proche du r\u00e9el n\u2019est pas n\u00e9cessairement terne dans sa forme. On retient tout de m\u00eame les plans en cam\u00e9ra-port\u00e9e qui explicitent (trop)\u00a0l\u2019\u00e9tat d\u2019effervescence de cette jeunesse. Le choix du format de l\u2019image compense ce manque. L\u2019\u00e9cran panoramique donne une sensation de vitesse et d\u2019\u00e9lan tr\u00e8s \u00e0 propos lors des d\u00e9placements \u00e0 moto.\u00a0 \u00a0<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">L\u00e2cher la bride<\/h3>\n\n\n\n<p>Ces plans sur les deux roues mettent en avant une autre facette de Julia: son besoin vital de libert\u00e9. En infiltrant le gang, Julia s\u2019\u00e9mancipe des codes de genre, conna\u00eet l\u2019adr\u00e9naline et ressent un v\u00e9ritable affranchissement au guidon de sa moto.\u00a0La sc\u00e8ne pr\u00e9-g\u00e9n\u00e9rique\u00a0expose au ralenti Julia conduisant une moto vol\u00e9e, riant les cheveux au vent sur un rythme post-reggaeton.\u00a0Ce moment montre le paroxysme de la libert\u00e9 selon la jeune femme. Un besoin qui s\u2019incarne \u00e9galement dans le personnage d\u2019Oph\u00e9lie (<a href=\"https:\/\/www.imdb.com\/name\/nm5232400\/\">Antonia Buresi<\/a>), \u00e9pouse de Domino\u00a0(<a href=\"https:\/\/www.imdb.com\/name\/nm1108217\/\">S\u00e9bastien Schroeder<\/a>), chef du groupe qui tire les ficelles depuis sa cellule.<\/p>\n\n\n\n<p>La relation entre les deux femmes est ambig\u00fce; soutien, affection et attirance se confondent. Mais la nature de ce lien importe&nbsp;peu. En r\u00e9alit\u00e9, le film r\u00e9v\u00e8le la d\u00e9livrance commune de ces femmes. Tandis que Julia, masse de col\u00e8re pure, s\u2019ouvre et se d\u00e9couvre&nbsp;au contact d\u2019Oph\u00e9lie, cette derni\u00e8re, gr\u00e2ce \u00e0 la jeune motarde, apprend \u00e0 se d\u00e9tacher de son statut d\u2019\u00e9pouse docile.<\/p>\n\n\n\n<p>Malgr\u00e9 les\u00a0quelques allusions \u00e0 l\u2019\u00e9trange,\u00a0sugg\u00e9r\u00e9es par les r\u00eaves de Julia, le d\u00e9nouement fantastique\u00a0du film\u00a0d\u00e9tonne.<em> Rod\u00e9o<\/em> peine \u00e0 renouveler le traitement des th\u00e9matiques qui animent les <em>coming-of-age<\/em>, comme le plus abouti <em>Bande de fille<\/em>de C\u00e9line Sciamma.\u00a0Le jeu des interpr\u00e8tes \u2013 pour la plupart non-professionnels \u2013 ainsi que\u00a0la bande originale\u00a0restent des atouts qui n\u2019ont pas pleinement \u00e9t\u00e9 mis en valeur.<\/p>\n\n\n\n<p><em>Ecrire \u00e0 l\u2019auteure:&nbsp;<a href=\"mailto:quentin.perissinotto@leregardlibre.com\" target=\"_blank\" rel=\"noreferrer noopener\">l<\/a><a href=\"mailto:leila.favre@leregardlibre.com\" target=\"_blank\" rel=\"noreferrer noopener\">eila.favre@l<\/a><a href=\"mailto:quentin.perissinotto@leregardlibre.com\" target=\"_blank\" rel=\"noreferrer noopener\">eregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p><strong>Vous venez de lire un article en libre acc\u00e8s.&nbsp;<\/strong>D\u00e9bats, analyses, actualit\u00e9s culturelles:&nbsp;<a href=\"https:\/\/leregardlibre.com\/abonnement\/\">abonnez-vous<\/a>&nbsp;\u00e0 notre m\u00e9dia de r\u00e9flexion pour nous soutenir et avoir acc\u00e8s \u00e0 tous nos contenus!<a href=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/03\/affiche_foudre.jpg\"><\/a><a href=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/05\/affiche_plan-75.png\"><\/a><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/06\/affiche_rodeo.jpg\"><img fetchpriority=\"high\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/06\/affiche_rodeo-768x1024.jpg\" alt=\"\" class=\"wp-image-518589\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/06\/affiche_rodeo-768x1024.jpg 768w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/06\/affiche_rodeo-225x300.jpg 225w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/06\/affiche_rodeo-113x150.jpg 113w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/06\/affiche_rodeo-1152x1536.jpg 1152w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/06\/affiche_rodeo-1536x2048.jpg 1536w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/06\/affiche_rodeo-1920x2560.jpg 1920w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/06\/affiche_rodeo-1170x1560.jpg 1170w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/06\/affiche_rodeo-585x780.jpg 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/06\/affiche_rodeo-300x400.jpg 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/06\/affiche_rodeo-600x800.jpg 600w\" sizes=\"(max-width: 768px) 100vw, 768px\" \/><\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>\u00abRodeo\u00bb, Lola Quivoron's first feature film, was released on Canal+ on Tuesday May 23. Here's a look back at this favorite of the Cannes 2022 Festial jury, which nonetheless partially meets the public's expectations.<\/p>","protected":false},"author":410,"featured_media":518588,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644341146],"class_list":["post-518583","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-critiques-cinema"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.9 (Yoast SEO v27.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abRod\u00e9o\u00bb,\u00a0un premier film qui tient \u00e0 peu pr\u00e8s la route<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/rodeo-a-first-film-that-holds-up-pretty-well\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abRod\u00e9o\u00bb,\u00a0un premier film qui tient \u00e0 peu pr\u00e8s la route\" \/>\n<meta property=\"og:description\" content=\"\u00abRod\u00e9o\u00bb, premier long-m\u00e9trage de Lola Quivoron, est sorti mardi 23 mai sur Canal+. Retour sur ce coup de c\u0153ur du jury du Festial de Cannes 2022, qui r\u00e9pond toutefois partiellement aux attentes du public.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/rodeo-a-first-film-that-holds-up-pretty-well\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:published_time\" content=\"2023-06-07T04:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-04T21:22:48+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2023\/06\/rodeo_0--les-films-du-losange.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2048\" \/>\n\t<meta property=\"og:image:height\" content=\"858\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Le\u00efla Favre\" \/>\n<meta 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